Collection of EDO impressions: Difference between revisions
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== [[55edo]] == | == [[55edo]] == | ||
: '''ArrowHead:''' A standardisation and representation of [[1/6-comma meantone]], proposed by [[Telemann]] as a theoretical basis for analysing the intervals of meantone. Works well for most of Western music written since the Renaissance and even works today for songs that don't presuppose [[12edo]]'s [[enharmonic]]s, but in practice I think it's really best suited for certain classical works as it's gotten to the point of diminishing returns. For non-classical musicians, the sound is likely to be far too similar to 12edo to justify the significant extra complexity, especially since [[43edo]] and [[50edo]] are already pushing it. | : '''ArrowHead:''' A standardisation and representation of [[1/6-comma meantone]], proposed by [[Telemann]] as a theoretical basis for analysing the intervals of meantone. Works well for most of Western music written since the Renaissance and even works today for songs that don't presuppose [[12edo]]'s [[enharmonic]]s, but in practice I think it's really best suited for certain classical works as it's gotten to the point of diminishing returns. For non-classical musicians, the sound is likely to be far too similar to 12edo to justify the significant extra complexity, especially since [[43edo]] and [[50edo]] are already pushing it. | ||
: '''Fumica:''' This edo is out of the [[optimal]] range of meantone. [[Septimal meantone]] feels dumb here since we know [[43edo]] is sharp enough. It can be used for [[mohaha]], but that feels so similar to [[24edo]] that I'd just go with the latter. D-tier. | : '''Fumica:''' This edo is out of the [[optimal tuning|optimal]] range of meantone. [[Septimal meantone]] feels dumb here since we know [[43edo]] is sharp enough. It can be used for [[mohaha]], but that feels so similar to [[24edo]] that I'd just go with the latter. D-tier. | ||
== [[56edo]] == | == [[56edo]] == | ||