61edo

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← 60edo 61edo 62edo →
Prime factorization 61 (prime)
Step size 19.6721¢ 
Fifth 36\61 (708.197¢)
Semitones (A1:m2) 8:3 (157.4¢ : 59.02¢)
Consistency limit 5
Distinct consistency limit 5

61 equal divisions of the octave (abbreviated 61edo or 61ed2), also called 61-tone equal temperament (61tet) or 61 equal temperament (61et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 61 equal parts of about 19.7 ¢ each. Each step represents a frequency ratio of 21/61, or the 61st root of 2.

Theory

As an equal temperament, 61et is characterized by tempering out 20000/19683 (tetracot comma) and 262144/253125 (passion comma) in the 5-limit. In the 7-limit, the patent val 61 97 142 171] supports valentine (15 & 46), and is the optimal patent val for freivald (24 & 37) in the 7-, 11- and 13-limit. The 61d val 61 97 142 172] is a great tuning for modus and quasisuper, and is a simple but out-of-tune edo tuning for parakleismic. Peter Kosmorsky has an interesting poem about its tuning profile, as follows.

Introductory poem

These 61 equal divisions of the octave,

though rare are assuredly a ROCK-tave (har har),

while the 3rd and 5th harmonics are about six cents sharp,

(and the flattish 15th poised differently on the harp),

the 7th and 11th err by less, around three,

and thus mayhap, a good orgone tuning found to be;

slightly sharp as well, is the 13th harmonic's place,

but the 9th and 17th lack near so much grace,

interestingly the 19th is good but a couple cents flat,

and the 21st and 23rd are but a cent or two sharp!

Odd harmonics

Approximation of odd harmonics in 61edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) +6.24 +7.13 -4.89 -7.19 -0.50 +5.37 -6.30 -6.59 -2.43 +1.35 +1.23
Relative (%) +31.7 +36.2 -24.9 -36.5 -2.5 +27.3 -32.0 -33.5 -12.4 +6.9 +6.3
Steps
(reduced)
97
(36)
142
(20)
171
(49)
193
(10)
211
(28)
226
(43)
238
(55)
249
(5)
259
(15)
268
(24)
276
(32)

Subsets and supersets

61edo is the 18th prime edo, after 59edo and before 67edo. 183edo, which triples it, corrects its approximation to many of the lower harmonics.

Intervals

Steps Cents Approximate ratios Ups and downs notation
0 0 1/1 D
1 19.672 ^D, vvE♭
2 39.344 ^^D, vE♭
3 59.016 29/28, 32/31 ^3D, E♭
4 78.689 22/21, 23/22 ^4D, v7E
5 98.361 35/33 ^5D, v6E
6 118.033 31/29 ^6D, v5E
7 137.705 13/12 ^7D, v4E
8 157.377 23/21, 34/31, 35/32 D♯, v3E
9 177.049 21/19, 31/28 ^D♯, vvE
10 196.721 19/17 ^^D♯, vE
11 216.393 26/23 E
12 236.066 ^E, vvF
13 255.738 22/19 ^^E, vF
14 275.41 34/29 F
15 295.082 19/16 ^F, vvG♭
16 314.754 6/5 ^^F, vG♭
17 334.426 17/14, 23/19 ^3F, G♭
18 354.098 ^4F, v7G
19 373.77 26/21 ^5F, v6G
20 393.443 ^6F, v5G
21 413.115 14/11, 33/26 ^7F, v4G
22 432.787 F♯, v3G
23 452.459 13/10 ^F♯, vvG
24 472.131 21/16 ^^F♯, vG
25 491.803 G
26 511.475 35/26 ^G, vvA♭
27 531.148 19/14 ^^G, vA♭
28 550.82 11/8 ^3G, A♭
29 570.492 25/18, 32/23 ^4G, v7A
30 590.164 31/22 ^5G, v6A
31 609.836 ^6G, v5A
32 629.508 23/16 ^7G, v4A
33 649.18 16/11, 35/24 G♯, v3A
34 668.852 28/19 ^G♯, vvA
35 688.525 ^^G♯, vA
36 708.197 A
37 727.869 29/19, 32/21, 35/23 ^A, vvB♭
38 747.541 20/13 ^^A, vB♭
39 767.213 ^3A, B♭
40 786.885 11/7 ^4A, v7B
41 806.557 35/22 ^5A, v6B
42 826.23 21/13 ^6A, v5B
43 845.902 31/19 ^7A, v4B
44 865.574 28/17, 33/20 A♯, v3B
45 885.246 5/3 ^A♯, vvB
46 904.918 32/19 ^^A♯, vB
47 924.59 29/17 B
48 944.262 19/11 ^B, vvC
49 963.934 ^^B, vC
50 983.607 23/13 C
51 1003.279 34/19 ^C, vvD♭
52 1022.951 ^^C, vD♭
53 1042.623 31/17 ^3C, D♭
54 1062.295 24/13 ^4C, v7D
55 1081.967 ^5C, v6D
56 1101.639 ^6C, v5D
57 1121.311 21/11 ^7C, v4D
58 1140.984 31/16 C♯, v3D
59 1160.656 ^C♯, vvD
60 1180.328 ^^C♯, vD
61 1200 2/1 D