59edo
← 58edo | 59edo | 60edo → |
59 equal divisions of the octave (abbreviated 59edo or 59ed2), also called 59-tone equal temperament (59tet) or 59 equal temperament (59et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 59 equal parts of about 20.3 ¢ each. Each step represents a frequency ratio of 21/59, or the 59th root of 2.
Theory
59edo's best fifth is stretched about 9.91 cents from the just interval, and yet its 5/4 is nearly pure (stretched only 0.127 cents), as the denominator of a convergent to log25. It is a good porcupine tuning, giving in fact the optimal patent val for 11-limit porcupine. This patent val tempers out 250/243 in the 5-limit, 64/63 and 16875/16807 in the 7-limit, and 55/54, 100/99 and 176/175 in the 11-limit.
Using the flat fifth instead of the sharp one allows for the 12 & 35 temperament, which is a kind of bizarre cousin to garibaldi with a generator of an approximate 15/14, tuned to the size of a whole tone, rather than a fifth. The flat fifth also acts as a generator for flattertone temperament in the 59bcd val, a variant of meantone with very flat fifths.
As every other step of 118edo, 59edo is an excellent tuning for the 2.9.5.21.11 11-limit 2*59 subgroup, on which it takes the same tuning and tempers out the same commas. This can be extended to the 19-limit 2*59 subgroup 2.9.5.21.11.39.17.57, for which the 50 & 59 temperament with a subminor third generator provides an interesting temperament.
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | 25 | 27 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +9.91 | +0.13 | +7.45 | -0.52 | -2.17 | -6.63 | +10.04 | -3.26 | +7.57 | -2.98 | +2.23 | +0.25 | +9.39 |
Relative (%) | +48.7 | +0.6 | +36.6 | -2.6 | -10.6 | -32.6 | +49.3 | -16.0 | +37.2 | -14.7 | +11.0 | +1.2 | +46.2 | |
Steps (reduced) |
94 (35) |
137 (19) |
166 (48) |
187 (10) |
204 (27) |
218 (41) |
231 (54) |
241 (5) |
251 (15) |
259 (23) |
267 (31) |
274 (38) |
281 (45) |
Subsets and supersets
59edo is the 17th prime edo, following 53edo and before 61edo.
Intervals
Steps | Cents | Approximate Ratios | Ups and Downs Notation (Dual Flat Fifth 34\59) |
Ups and Downs Notation (Dual Sharp Fifth 35\59) |
---|---|---|---|---|
0 | 0 | 1/1 | D | D |
1 | 20.339 | ^D, E♭♭♭♭ | ^D, vE♭ | |
2 | 40.678 | D♯, vE♭♭♭ | ^^D, E♭ | |
3 | 61.017 | 29/28, 30/29 | ^D♯, E♭♭♭ | ^3D, v8E |
4 | 81.356 | 23/22 | D𝄪, vE♭♭ | ^4D, v7E |
5 | 101.695 | 17/16 | ^D𝄪, E♭♭ | ^5D, v6E |
6 | 122.034 | 15/14 | D♯𝄪, vE♭ | ^6D, v5E |
7 | 142.373 | 25/23 | ^D♯𝄪, E♭ | ^7D, v4E |
8 | 162.712 | 11/10, 34/31 | D𝄪𝄪, vE | ^8D, v3E |
9 | 183.051 | E | D♯, vvE | |
10 | 203.39 | ^E, F♭♭♭ | ^D♯, vE | |
11 | 223.729 | 25/22, 33/29 | E♯, vF♭♭ | E |
12 | 244.068 | 23/20 | ^E♯, F♭♭ | ^E, vF |
13 | 264.407 | 7/6 | E𝄪, vF♭ | F |
14 | 284.746 | 13/11, 20/17, 33/28 | ^E𝄪, F♭ | ^F, vG♭ |
15 | 305.085 | 31/26 | E♯𝄪, vF | ^^F, G♭ |
16 | 325.424 | 29/24 | F | ^3F, v8G |
17 | 345.763 | ^F, G♭♭♭♭ | ^4F, v7G | |
18 | 366.102 | F♯, vG♭♭♭ | ^5F, v6G | |
19 | 386.441 | 5/4 | ^F♯, G♭♭♭ | ^6F, v5G |
20 | 406.78 | 19/15, 24/19 | F𝄪, vG♭♭ | ^7F, v4G |
21 | 427.119 | 32/25 | ^F𝄪, G♭♭ | ^8F, v3G |
22 | 447.458 | 22/17 | F♯𝄪, vG♭ | F♯, vvG |
23 | 467.797 | 17/13 | ^F♯𝄪, G♭ | ^F♯, vG |
24 | 488.136 | F𝄪𝄪, vG | G | |
25 | 508.475 | G | ^G, vA♭ | |
26 | 528.814 | 19/14, 34/25 | ^G, A♭♭♭♭ | ^^G, A♭ |
27 | 549.153 | 11/8 | G♯, vA♭♭♭ | ^3G, v8A |
28 | 569.492 | 32/23 | ^G♯, A♭♭♭ | ^4G, v7A |
29 | 589.831 | 31/22 | G𝄪, vA♭♭ | ^5G, v6A |
30 | 610.169 | ^G𝄪, A♭♭ | ^6G, v5A | |
31 | 630.508 | 23/16 | G♯𝄪, vA♭ | ^7G, v4A |
32 | 650.847 | 16/11 | ^G♯𝄪, A♭ | ^8G, v3A |
33 | 671.186 | 25/17, 28/19 | G𝄪𝄪, vA | G♯, vvA |
34 | 691.525 | A | ^G♯, vA | |
35 | 711.864 | ^A, B♭♭♭♭ | A | |
36 | 732.203 | 26/17, 29/19 | A♯, vB♭♭♭ | ^A, vB♭ |
37 | 752.542 | 17/11 | ^A♯, B♭♭♭ | ^^A, B♭ |
38 | 772.881 | 25/16 | A𝄪, vB♭♭ | ^3A, v8B |
39 | 793.22 | 19/12, 30/19 | ^A𝄪, B♭♭ | ^4A, v7B |
40 | 813.559 | 8/5 | A♯𝄪, vB♭ | ^5A, v6B |
41 | 833.898 | ^A♯𝄪, B♭ | ^6A, v5B | |
42 | 854.237 | A𝄪𝄪, vB | ^7A, v4B | |
43 | 874.576 | B | ^8A, v3B | |
44 | 894.915 | ^B, C♭♭♭ | A♯, vvB | |
45 | 915.254 | 17/10, 22/13 | B♯, vC♭♭ | ^A♯, vB |
46 | 935.593 | 12/7 | ^B♯, C♭♭ | B |
47 | 955.932 | 33/19 | B𝄪, vC♭ | ^B, vC |
48 | 976.271 | ^B𝄪, C♭ | C | |
49 | 996.61 | B♯𝄪, vC | ^C, vD♭ | |
50 | 1016.949 | C | ^^C, D♭ | |
51 | 1037.288 | 20/11, 31/17 | ^C, D♭♭♭♭ | ^3C, v8D |
52 | 1057.627 | C♯, vD♭♭♭ | ^4C, v7D | |
53 | 1077.966 | 28/15 | ^C♯, D♭♭♭ | ^5C, v6D |
54 | 1098.305 | 32/17 | C𝄪, vD♭♭ | ^6C, v5D |
55 | 1118.644 | ^C𝄪, D♭♭ | ^7C, v4D | |
56 | 1138.983 | 29/15 | C♯𝄪, vD♭ | ^8C, v3D |
57 | 1159.322 | ^C♯𝄪, D♭ | C♯, vvD | |
58 | 1179.661 | C𝄪𝄪, vD | ^C♯, vD | |
59 | 1200 | 2/1 | D | D |
Instruments
- Lumatone
See Lumatone mapping for 59edo.
Music
- Chinchillian Fugue – first mode of the Porcupine[7] scale in 59edo