45edo

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← 44edo 45edo 46edo →
Prime factorization 32 × 5
Step size 26.6667¢ 
Fifth 26\45 (693.333¢)
Semitones (A1:m2) 2:5 (53.33¢ : 133.3¢)
Consistency limit 7
Distinct consistency limit 7

45 equal divisions of the octave (abbreviated 45edo or 45ed2), also called 45-tone equal temperament (45tet) or 45 equal temperament (45et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 45 equal parts of about 26.7 ¢ each. Each step represents a frequency ratio of 21/45, or the 45th root of 2.

Theory

45edo effectively has two major thirds, each almost equally far from just, but as the flat one is slightly closer, it qualifies as a meantone temperament, forming a good approximation to 2/5-comma meantone. It is the optimal patent val for flattone temperament, the 525/512 planar 7-limit avicennmic temperament, the 11-limit calliope temperament tempering out 45/44 and 81/80, and the rank four temperament tempering out 45/44. It tempers out 81/80, 3125/3087, 525/512, 875/864 and 45/44. It is a flat-tending system in the 7-limit, with 3, 5 and 7 all flat, but the 11 is sharp.

45edo tempers out the quartisma and provides an excellent tuning for the 2.33/32.7/6 subgroup direct quartismic temperament, in which it approximates the 33/32 quartertone with 2 steps and 7/6 with 10 steps. It is also the unique equal temperament tuning that tempers out both the syntonic comma and the ennealimma.

Odd harmonics

Approximation of odd harmonics in 45edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) -8.6 -13.0 -8.8 +9.4 +8.7 +12.8 +5.1 +1.7 -4.2 +9.2 +11.7
Relative (%) -32.3 -48.7 -33.1 +35.3 +32.6 +48.0 +19.0 +6.4 -15.7 +34.6 +44.0
Steps
(reduced)
71
(26)
104
(14)
126
(36)
143
(8)
156
(21)
167
(32)
176
(41)
184
(4)
191
(11)
198
(18)
204
(24)

Octave stretch

45edo’s approximations of 3/1, 5/1, 7/1, 11/1, 13/1 and 17/1 are all improved by APS3.21farab, a stretched-octave version of 45edo. The trade-off is a slightly worse 2/1.

The tuning 126ed7 may be used for this purpose too, it improves 3/1, 5/1, 7/1, 11/1 and 13/1, at the cost of a slightly worse 2/1.

There are also some nearby Zeta peak index (ZPI) tunings which can be used for this same purpose: 207zpi, 208zpi and 209zpi. The main Zeta peak index page details all three tunings.

Intervals

Step # ET Just (JI) Error
(ET−JI)
Ups and downs notation
Cents Interval Cents
0 0.000 1/1 0.000 0.000 Perfect Unison P1 D
1 26.666 65/64 26.841 -0.174 Up unison ^1 ^D
2 53.333 33/32 53.273 0.060 Augmented Unison A1 D#
3 80.000 22/21 80.537 -0.537 Diminished 2nd d2 Ebb
4 106.666 17/16 104.955 1.711 Downminor 2nd vm2 vEb
5 133.333 27/25 133.238 0.095 Minor 2nd m2 Eb
6 160.000 11/10 165.004 -5.004 Mid 2nd ~2 vE
7 186.666 10/9 182.404 4.262 Major 2nd M2 E
8 213.333 9/8 203.910 9.423 Upmajor 2nd ^M2 ^E
9 240.000 8/7 231.174 8.826 Augmented 2nd A2 E#
10 266.666 7/6 266.871 -0.205 Diminished 3rd d3 Fb
11 293.333 32/27 294.135 -0.802 Downminor 3rd vm3 vF
12 320.000 6/5 315.641 4.359 Minor 3rd m3 F
13 346.666 11/9 347.408 -0.741 Mid 3rd ~3 ^F
14 373.333 5/4 386.314 -12.980 Major 3rd M3 F#
15 400.000 63/50 400.108 -0.108 Upmajor 3rd ^M3 ^F#
16 426.666 9/7 435.084 -8.418 Augmented 3rd A3 Fx
17 453.333 13/10 454.294 -0.961 Diminished 4th d4 Gb
18 480.000 21/16 470.781 9.219 Down 4th v4 vG
19 506.666 4/3 498.045 8.622 Perfect 4th P4 G
20 533.333 49/36 533.742 -0.409 Up 4th or Mid 4th ^4, ~4 ^G
21 560.000 18/13 563.382 -3.382 Augmented 4th A4 G#
22 586.666 7/5 582.512 4.155 Upaugmented 4th ^A4 ^G#
23 613.333 10/7 617.488 -4.155 Downdiminshed 5th vd5 vAb
24 640.000 13/9 636.618 3.382 Diminished 5th d5 Ab
25 666.666 72/49 666.258 0.409 Down 5th or Mid 5th v5, ~5 vA
26 693.333 3/2 701.955 -8.622 Perfect 5th P5 A
27 720.000 32/21 729.219 -9.219 Up 5th ^5 ^A
28 746.666 20/13 745.786 0.961 Augmented 5th A5 A#
29 773.333 14/9 764.916 8.418 Diminished 6th d6 Bbb
30 800.000 100/63 799.892 0.108 Downminor 6th vm6 vBb
31 826.666 8/5 813.686 12.980 Minor 6th m6 Bb
32 853.333 18/11 852.592 0.741 Mid 6th ~6 vB
33 880.000 5/3 884.359 -4.359 Major 6th M6 B
34 906.666 27/16 905.865 0.802 Upmajor 6th ^M6 ^B
35 933.333 12/7 933.129 0.205 Augmented 6th A6 B#
36 960.000 7/4 968.826 -8.826 Diminished 7th d7 Cb
37 986.666 16/9 996.089 -9.423 Downminor 7th vm7 vC
38 1013.333 9/5 1017.596 -4.262 Minor 7th m7 C
39 1040.000 20/11 1034.996 5.004 Mid 7th ~7 ^C
40 1066.666 50/27 1066.762 -0.095 Major 7th M7 C#
41 1093.333 32/17 1095.044 -1.711 Upmajor 7th ^M7 ^C#
42 1120.000 21/11 1119.463 0.537 Augmented 7th A7 Cx
43 1146.666 64/33 1146.727 -0.060 Diminished 8ve d8 Db
44 1173.333 128/65 1173.158 0.174 Down 8ve v8 vD
45 1200.000 2/1 1200.000 0.000 Perfect Octave P8 D

Regular temperament properties

Commas

This is a partial list of the commas that 45edo tempers out with its patent val, 45 71 104 126 143 156 167].

Prime
limit
Ratio[note 1] Monzo Cents Color name Name(s)
5 81/80 [-4 4 -1 21.51 Gu Syntonic comma, Didymus comma, meantone comma
5 (26 digits) [1 -27 18 0.86 Satritribiyo Ennealimma
7 16807/16384 [-14 0 0 5 44.13 Laquinzo Cloudy comma
7 525/512 [-9 1 2 1 43.41 Lazoyoyo Avicennma, Avicenna's enharmonic diesis
7 875/864 [-5 -3 3 1 21.90 Zotrigu Keema
7 3125/3087 [0 -2 5 -3 21.18 Triru-aquinyo Gariboh comma
7 (16 digits) [-11 -9 0 9 1.84 Tritrizo Septimal ennealimma
7 4375/4374 [-1 -7 4 1 0.40 Zoquadyo Ragisma
11 45/44 [-2 2 1 0 -1 38.91 Luyo Undecimal 1/5-tone
11 385/384 [-7 -1 1 1 1 4.50 Lozoyo Keenanisma
11 (18 digits) [24 -6 0 1 -5 0.51 Saquinlu-azo Quartisma

Instruments

Lumatone

See Lumatone mapping for 45edo

Music

JUMBLE

Notes

  1. Ratios longer than 10 digits are presented by placeholders with informative hints.