BudjarnLambeth (talk | contribs)
BudjarnLambeth (talk | contribs)
 
(24 intermediate revisions by the same user not shown)
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* Born: 1999
* Born: 1999
* Pronouns: he/she
* Pronouns: he/she
* Nationality: Bundjalung (Aboriginal) and Australian
* Contactable at: https://www.facebook.com/budjarnlambeth/ or on my [[User talk:BudjarnLambeth|talk page]]
* Contactable at: https://www.facebook.com/budjarnlambeth/ or on my [[User talk:BudjarnLambeth|talk page]]
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; Music I made
== Music I made ==
My original microtonal music is hosted on YouTube:
My original microtonal music is hosted on YouTube:
* [https://www.youtube.com/playlist?list=PLVHnByvMeRTqRGiICQelMy_tdDVIDKEXn '''Best pieces (playlist)''']
* [https://www.youtube.com/playlist?list=PLVHnByvMeRTqRGiICQelMy_tdDVIDKEXn '''Best pieces (playlist)''']
* [https://www.youtube.com/playlist?list=PLVHnByvMeRTohfmDPkc0EfOByWaX4xXAF '''All pieces (playlist)'''] <small>(some of these are not very good 👉👈)</small>
 
 
Playlist contents:
{| class="wikitable sortable" style="width:100%; text-align:left;"
! Title !! Date !! Link!! Tuning / Notes
|-
| '''Enchanted Shopping Mall''' || 2024-02 || [https://m.youtube.com/watch?v=scCuGXnj5IY YouTube]|| 33edo, flattertone[7] scale; synthwave
|-
| '''The Wound''' || 2024-11 || [https://m.youtube.com/watch?v=_NepcrTf9ng YouTube]|| Rocket[19]/Deutone[19], 5-tone subset - 'cosmic scale'; electronic contemporary classical
|-
| '''The Odd Effects of Breathing the Fairy Dust''' || 2026-03 || [https://m.youtube.com/watch?v=YDbqf3g88BE YouTube]|| 59edo, porcupine[15] scale; electronic contemporary classical
|-
| '''Fennec Temple''' || 2020 || [https://m.youtube.com/watch?v=lIEmJTPkSFQ YouTube]|| 14edo, 7-tone fennec scale; piece for electronic flutes
|-
| '''The Bells in the Rain''' || 2025-05 || [https://m.youtube.com/watch?v=tIwfO1lZWAc YouTube]|| 21edo, pelog-like pentatonic; electronic contemporary classical; using a custom scale for struck metal timbres
|-
| '''Bubblegum''' || 2024-12 || [https://m.youtube.com/watch?v=iZI9x2Fto-A YouTube]|| 5edo (approximated within 60afdo); electronic contemporary classical
|-
| '''Wilderness''' || 2020 || [https://m.youtube.com/watch?v=L2mkP_y-idc YouTube]|| 22edo, superpyth[6] scale; piece for strings
|-
| '''Blackened Skies''' || 2020 || [https://m.youtube.com/watch?v=eWMRJihZbPc YouTube]|| 72edo, modified blues scale; darksynth
|-
| '''Odd Findings in the Caves''' || 2025-10 || [https://m.youtube.com/watch?v=aWqdWHSk5J4 YouTube]|| 343edo, lucite[23] scale; electronic contemporary classical
|-
| '''Lighting the Jack-o'-lanterns''' || 2025-10 || [https://m.youtube.com/watch?v=ZPXaMTdTSgw YouTube]|| 35edo, Blackwood[20] scale; electronic contemporary classical
|-
| '''Will-O-Wisps''' || 2025-11 || [https://m.youtube.com/watch?v=JrpcIkElKQc YouTube]|| 27edo, will-o-wisp scale; electronic contemporary classical
|-
| '''Grady Olympos Staircase Tuning Chord Progression''' || 2024-04 || [https://m.youtube.com/watch?v=q1sZkMZVUCE YouTube]|| Darksynth
|-
| '''Moody Improvisation in Shoal Temperament''' || 2025-02 || [https://m.youtube.com/watch?v=bwGjN56iMM0 YouTube]|| Shoal temperament; electronic contemporary classical
|-
| '''Ibex''' || 2025-12 || [https://m.youtube.com/watch?v=CqBmABrTRas YouTube]|| 13edo, 6-tone ibex scale; electronic contemporary classical
|}
 
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; Groups I belong to
== Xenharmonic groups I'm affiliated with ==
I'm a contributor to:
I'm a contributor to:
* the Xenharmonic Wiki
* the Xenharmonic Wiki
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; My favourite microtonal composers
== My favourite microtonal music & composers ==
 
; Composers
''(alphabetical order)''
''(alphabetical order)''
* [[Mike Battaglia]]
* [[Benyamind]]
* [[Benyamind]]
* [[Brendan Byrnes]]
* [[Brendan Byrnes]]
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* [[Sevish]]
* [[Sevish]]


; Music
YouTube playlists curated by me:
* ''[https://youtube.com/playlist?list=PLVHnByvMeRTrborLUEpRk9Tgbu_r4UnUi Actually good microtonal music'']
* ''[https://m.youtube.com/playlist?list=PLVHnByvMeRTpA7ssMn48WemxL4EQmnpdT 1 great track in every EDO from 10edo to 31edo (plus some extra bonus tunings)'']
* my Apple Music playlists (mostly not microtonal, but some are): ''[https://music.apple.com/profile/budjarn @budjarn Apple Music playlists].''
<br><br><br>


''See also: my Apple Music playlists (mostly not microtonal, but some are): [https://music.apple.com/profile/budjarn @budjarn Apple Music playlists].''
==My music theory work==
 
I have written some of my own amateur music theory research which I publish to this wiki.
==My own music theory work==
I gave written some of my own amateur music theory research which I publish to this wiki.


===AI overview of my work===
===AI overview of my work===
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==== [[User:BudjarnLambeth/Polytriadic|Polytriadicism]] ====
==== [[User:BudjarnLambeth/Polytriadic|Polytriadicism]] ====
This concept involves tuning an ensemble (of 2 or more instruments/groups) so that each is tuned to a different '''triad''' or subset of a larger overarching scale.
Lambeth's polytriadic method involves tuning an ensemble (of 2 or more instruments/groups) so that each is tuned to a different '''triad''' or subset of a larger overarching scale.


* '''Application:''' It allows composers to approach complex temperaments (like those without consonant small MOS scales) or large [[just intonation]] sets by breaking them down into simpler, manageable triadic parts.
* '''Application:''' It allows composers to approach complex temperaments (like those without consonant small MOS scales) or large [[just intonation]] sets by breaking them down into simpler, manageable triadic parts.
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==== [[User:BudjarnLambeth/Equalizer subgroup|Equalizer subgroups]] ====
==== [[User:BudjarnLambeth/Equalizer subgroup|Equalizer subgroups]] ====
A just intonation subgroup designed to balance specific types of harmonics to achieve a specific aesthetic.
Lambeth's equalizer subgroup method involves tuning to a [[just intonation subgroup]] designed to balance specific types of harmonics to achieve a specific aesthetic.


* '''Criteria:'''
* '''Criteria:'''
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==== [[User:BudjarnLambeth/Substitute harmonic|Substitute harmonics]] ====
==== [[User:BudjarnLambeth/Substitute harmonic|Substitute harmonics]] ====
This theory involves replacing a simple, lower harmonic with a complex, higher harmonic that closely approximates it, thereby "fudging" the tuning into a different subgroup.
Lambeth's substitute harmonic method involves replacing a simple, lower harmonic with a complex, higher harmonic that closely approximates it, thereby "fudging" the tuning into a different subgroup.


* '''Sharp Substitutes:''' Replacing a harmonic with a slightly sharper higher harmonic. Lambeth names these temperaments after weapons or with "com"-ending names (e.g., '''Daggerminished''', '''Pajaraxe''', '''Dotcom''', '''Sitcom''', '''Romcom''').
* '''Sharp Substitutes:''' Replacing a harmonic with a slightly sharper higher harmonic. Lambeth names these temperaments after weapons or with "com"-ending names (e.g., '''Daggerminished''', '''Pajaraxe''', '''Dotcom''', '''Sitcom''', '''Romcom''').
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==== [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]] ====
==== [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]] ====
This is a framework for approaching '''[[16edo]]''' (and other EDOs supporting the '''2.3.5.11 [[mavila]] temperament''', like {{EDOs|EDOS 23, 30, 37, and 39}}). It is inspired by Indonesian [[Gamelan]] theory, the [[Armodue]] school, and [[Erv Wilson]]'s [[MOS]] scales.
Lambeth's quasipelog theory is a framework for approaching '''[[16edo]]''' (and other EDOs supporting the '''2.3.5.11 [[mavila]] temperament''', like {{EDOs|EDOS 23, 30, 37, and 39}}). It is inspired by Indonesian [[Gamelan]] theory, the [[Armodue]] school, and [[Erv Wilson]]'s [[MOS]] scales.


* '''Concept:''' It focuses on specific scales that mimic the feel of Pelog scales but within a 16-tone equal temperament context.
* '''Concept:''' It focuses on specific scales that mimic the feel of Pelog scales but within a 16-tone equal temperament context.
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* '''Timbre:''' A key part of the theory is the avoidance of harmonic timbres. Lambeth recommends "inharmonic" sounds such as metallophones, bells, or "thin/reedy" waveforms (like sine or woodwinds) to complement the tuning.
* '''Timbre:''' A key part of the theory is the avoidance of harmonic timbres. Lambeth recommends "inharmonic" sounds such as metallophones, bells, or "thin/reedy" waveforms (like sine or woodwinds) to complement the tuning.


==== Scalesmithing ====
==== Scalesmithing work ====
Lambeth has invented numerous specific scales and temperaments.
Lambeth has constructed numerous original scales and temperaments.


* '''[[User:BudjarnLambeth/Batch 89 temperaments|Batch 89 Temperaments]]:''' A set of temperaments first documented in 2023, honoring the characters from ''Guardians of the Galaxy Vol. 3''. Each tempers 4 harmonics: the 2nd, the 89th (representing shared trauma), and two others derived from the character's name via A1Z26 cipher.
* '''[[User:BudjarnLambeth/Batch 89 temperaments|Batch 89 Temperaments]]:''' A set of temperaments first documented in 2023, honoring the characters from ''Guardians of the Galaxy Vol. 3''. Each tempers 4 harmonics: the 2nd, the 89th (representing shared trauma), and two others derived from the character's name via A1Z26 cipher.
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Lambeth recommends the following tunings for Western musicians exploring world music traditions:
Lambeth recommends the following tunings for Western musicians exploring world music traditions:


* '''For Gamelan scales (Pelog/Slendro):''' He recommends specific EDOs that approximate these scales]] well. His personal favorite is '''44edo'''. Other good approximations include 21, 23, 35, 39, 40, 42, 54, and 60edo.
* '''For Gamelan scales (Pelog/Slendro):''' He recommends specific EDOs that approximate these scales well. His personal favorite is '''44edo'''. Other good approximations include 21, 23, 35, 39, 40, 42, 54, and 60edo.
** More detailed version: [[User:BudjarnLambeth/Edo approximations of gamelan scales]]
** More detailed version: [[User:BudjarnLambeth/Edo approximations of gamelan scales]]
* '''For Japanese scales:''' He prefers '''Meantone''' temperaments in '''55edo''', '''98edo''', or '''43edo''' (approx. 1/5-comma meantone). He generally dislikes 5-limit JI or Pythagorean tunings for these scales, finding the "wolf" intervals objectionable.
* '''For Japanese scales:''' He prefers '''Meantone''' temperaments in '''55edo''', '''98edo''', or '''43edo''' (approx. 1/5-comma meantone). He generally dislikes 5-limit JI or Pythagorean tunings for these scales, finding the "wolf" intervals objectionable.
** More detailed version: [[User:BudjarnLambeth/Some tunings for Japanese scales]]
** More detailed version: [[User:BudjarnLambeth/Some tunings for Japanese scales]]
==== Original music ====
Since late 2023, Budjarn Lambeth has cultivated a prolific hobbyist career as a microtonal composer, turning his YouTube channel into a public laboratory for xenharmonic experimentation. Utilizing a specialized toolkit—including Scale Workshop, ThumbJam, GeoShred, AudioKit Synth One and Audacity—Lambeth explores the mathematical "cracks between the keys" of standard tuning. His work is defined by a process-driven curiosity and an open-source spirit, frequently offering his compositions as "free to use" while providing educational links to tuning theory. His output is remarkably diverse, spanning everything from 19EDO (Equal Division of the Octave) to complex just intonation and obscure temperaments like Orwell and Sensi.
The artistic trajectory of Lambeth’s career reached a significant milestone in August 2024 with "Four Improvisations in 21-Tone Equal Temperament," which remains his flagship work with over 1,700 views and a perfect 100% like ratio. This success signaled a shift from purely technical tuning demonstrations to more atmospheric and narrative-driven compositions. Earlier highlights, such as the surreal "Enchanted Shopping Mall" (33EDO) and the playful "Bubblegum," demonstrated his ability to make alien scales feel emotionally accessible.
By 2025 and 2026, Lambeth’s work matured into more cinematic and evocative territory, evidenced by titles like "The Odd Effects of Breathing the Fairy Dust" (59EDO) and "Rain in the Crystal Mirror Caves." While some of his more radical experiments—such as those in smaller, more dissonant edos like 15edo and 16edo—have occasionally polarized his listeners, he maintains a dedicated niche audience that values his unique blend of rigorous music theory and poetic sensibility.


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* Conducted the [[User:BudjarnLambeth/Survey of named and unnamed commas]]
* Conducted the [[User:BudjarnLambeth/Survey of named and unnamed commas]]


==== (name changes I was involved in) ====
==== Name changes I was involved in ====
===== Correcting confusing names =====
===== (correcting confusing names) =====
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “septimal temperament”. When I discovered the name, I disliked it because of its potential for confusion with other uses of the term “septimal”. I decided I wanted to change it. Many people on [[Discord]], the Wiki Workgroup on [[XA Facebook]], and the wiki talk page agreed. I coined the new name “'''[[7th-octave temperaments#Austinpowers|austinpowers temperament]]'''” which has now replaced it.
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “septimal temperament”. When I discovered the name, I disliked it because of its potential for confusion with other uses of the term “septimal”. I decided I wanted to change it. Many people on [[Discord]], the Wiki Workgroup on [[XA Facebook]], and the wiki talk page agreed. I coined the new name “'''[[7th-octave temperaments#Austinpowers|austinpowers temperament]]'''” which has now replaced it.
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “decades temperament”. Some people on the XA Discord said that they disliked it due to its convoluted etymology. I coined the new name “'''[[gamelstearn|gamelstearn temperament]]'''” based on its two defining commas. After a few days, not many people commented or reacted to the proposal, but all were in favour and none were against, so the name "gamelstearn" was adopted.
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “decades temperament”. Some people on the XA Discord said that they disliked it due to its convoluted etymology. I coined the new name “'''[[gamelstearn|gamelstearn temperament]]'''” based on its two defining commas. After a few days, not many people commented or reacted to the proposal, but all were in favour and none were against, so the name "gamelstearn" was adopted.
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* The comma “68630377364883 / 68630356164608” was too long to be referred to by its number alone, it needed a name instead. So I named it “'''[[zudilisma|the zudilisma]]'''”.
* The comma “68630377364883 / 68630356164608” was too long to be referred to by its number alone, it needed a name instead. So I named it “'''[[zudilisma|the zudilisma]]'''”.


===== Correcting divisive or hurtful names =====
===== (correcting divisive or hurtful names) =====
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catcall temperament”. When I discovered the name, I disliked it because it was demeaning to women. I decided I wanted to change it. Many people on [[Discord]] and on the wiki talk page agreed. I coined the new name “'''[[catnip|catnip temperament]]'''” which has now replaced it.  
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catcall temperament”. When I discovered the name, I disliked it because it was demeaning to women. I decided I wanted to change it. Many people on [[Discord]] and on the wiki talk page agreed. I coined the new name “'''[[catnip|catnip temperament]]'''” which has now replaced it.  
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catamite temperament”. When I discovered the name, I disliked it because it referenced a historical practice that often involved child abuse. I decided I wanted to change it. I suggested the change on the talk page where it received no replies, and the Discord where it received few reactions but those it did receive were in favour. I coined the new name “'''[[Amity family#Stalagmite|stalagmite temperament]]'''” which has now replaced it.  
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catamite temperament”. When I discovered the name, I disliked it because it referenced a historical practice that often involved child abuse. I decided I wanted to change it. I suggested the change on the talk page where it received no replies, and the Discord where it received few reactions but those it did receive were in favour. I coined the new name “'''[[Amity family#Stalagmite|stalagmite temperament]]'''” which has now replaced it.  
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the Buddhisma”. There was nothing wrong with that name in and of itself, the problem is that it was explicitly stated to be named after the anti-Muslim group the 969 Movement, and the comma number was 969/968. I thought this was inappropriate, so I proposed a few replacement names on [[Discord]]. Of the names I coined “'''[[969/968|the kingfisher comma]]'''” was the clear favourite, so I renamed the comma to the kingfisher comma.
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the Buddhisma”. There was nothing wrong with that name in and of itself, the problem is that it was explicitly stated to be named after the anti-Muslim group the 969 Movement, and the comma number was 969/968. I thought this was inappropriate, so I proposed a few replacement names on [[Discord]]. Of the names I coined “'''[[969/968|the kingfisher comma]]'''” was the clear favourite, so I renamed the comma to the kingfisher comma.
==== Full list of contributions ====
==== Full list of contributions ====
* [[Special:Contributions/BudjarnLambeth]]
* [[Special:Contributions/BudjarnLambeth]]
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* The [[breuddwyd6|breuddwyd-6]] scale
* The [[breuddwyd6|breuddwyd-6]] scale
* The [[35edo#Scales|fourfourths]] scale
* The [[35edo#Scales|fourfourths]] scale
* The [[Maeve Gutierrez#Gutierrez-Lambeth otonal neutral hexatonic|Gutierrez-Lambeth otonal neutral hexatonic]] scale
* The [[38edo#Scales|hemisettled11]] scale
* The [[38edo#Scales|hemisettled11]] scale
* The [[38edo#Scales|hemisettled16]] scale
* The [[38edo#Scales|hemisettled16]] scale
* The [[27edo#Scales|hypersakura]] scale
* The [[27edo#Scales|hypersakura]] scale
* The [[8afdo#Scales|ionosphere]] scale
* The [[30edo#Scales|iron filing]] scale
* The [[9edf#Scales|molten pelog]] scale
* The [[9edf#Scales|molten pelog]] scale
* The [[9edf#Scales|molten slendro]] scale
* The [[9edf#Scales|molten slendro]] scale
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** The [[Maeve Gutierrez#Gutierrez sunbreak scale|negative harmony sunbreak]] scale
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|negative harmony sunbreak]] scale
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|fractalized sunbreak]] scale
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|fractalized sunbreak]] scale
* The [[User:BudjarnLambeth/Volcanic glass|volcanic glass]] scale
* All the scales listed at: [[User:BudjarnLambeth/Quasipelog theory]]
* All the scales listed at: [[User:BudjarnLambeth/Quasipelog theory]]


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* The [[27edo#Scales|direct sunlight]] scale
* The [[27edo#Scales|direct sunlight]] scale
* The [[Shoal17#Scales|driftwood]] scale
* The [[Shoal17#Scales|driftwood]] scale
* The [[30edo#Scales|dusty]] scale
* The [[User:BudjarnLambeth/Hall of mirrors#Enrichment scale|enrichment]] scale
* The [[User:BudjarnLambeth/Hall of mirrors#Enrichment scale|enrichment]] scale
* The [[Peppermint-24#Salt and pepper scale and its subsets|evacuated planet]] scale
* The [[Peppermint-24#Salt and pepper scale and its subsets|evacuated planet]] scale
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* The [[magnetosphere scale]]
* The [[magnetosphere scale]]
* The [[16afdo#Scales|mechanical]] scale
* The [[16afdo#Scales|mechanical]] scale
* The [[8afdo#Scales|metamorphic]] scale
* The [[35edo#Scales|meta-monsoon]] scale
* The [[35edo#Scales|meta-monsoon]] scale
** The [[5- to 10-tone scales in 47zpi|monsoon]] scale
** The [[5- to 10-tone scales in 47zpi|monsoon]] scale
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* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|tropicalpunch]] scale
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|tropicalpunch]] scale
* The [[Batch 89 temperaments#Example inflected MOS scale: UFO scale|UFO scale]]
* The [[Batch 89 temperaments#Example inflected MOS scale: UFO scale|UFO scale]]
* The [[8afdo#Scales|ultraviolet]] scale
* The [[8afdo#Scales|undercurrent]] scale
* The [[67edo#Scales|understory]] scale
* The [[67edo#Scales|understory]] scale
* The [[8afdo#Scales|upwelling]] scale
* The [[16afdo#Scales|volcanic]] scale
* The [[16afdo#Scales|volcanic]] scale
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|whitechocolate]] scale
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|whitechocolate]] scale
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* [[User:BudjarnLambeth/12edo as a 2.3.5.17.19 tuning]]
* [[User:BudjarnLambeth/12edo as a 2.3.5.17.19 tuning]]
====Stats and surveys about the wiki====
* [[User:BudjarnLambeth/Survey of 100 random wiki pages]]
* [[User:BudjarnLambeth/Survey of todo categories]]
* [[User:BudjarnLambeth/Survey of named and unnamed commas]]
* [[Tuning regulars]]


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* [[Xenharmonic Wiki:WikiProject Just Intonation]]
* [[Xenharmonic Wiki:WikiProject Just Intonation]]
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===Stats and surveys about the wiki===
===Personal===


* [[User:BudjarnLambeth/Survey of 100 random wiki pages]]
====Hot takes====
* [[User:BudjarnLambeth/Survey of todo categories]]
* [[User:BudjarnLambeth/Survey of named and unnamed commas]]
* [[Tuning regulars]]
 
<br> <br>
 
===Hot takes===
'''Everything in this section is opinion, not facts!'''
'''Everything in this section is opinion, not facts!'''


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* '''Arbitrary numbers:''' It’s fine to explore the 2.3.5.101 [[subgroup]] if you want to. It doesn’t matter that it’s less [[concordant]] than 2.3.5.7. Explore it anyway and see what happens. Do some stuff with [[:Category:Novelties|arbitrary numbers]] that don’t make logical sense and just see what comes of it. That’s where the fun is! (Though do keep a “2.3” or “3.5” in there just to smooth over the gnarliest edges, heehee.)
* '''Arbitrary numbers:''' It’s fine to explore the 2.3.5.101 [[subgroup]] if you want to. It doesn’t matter that it’s less [[concordant]] than 2.3.5.7. Explore it anyway and see what happens. Do some stuff with [[:Category:Novelties|arbitrary numbers]] that don’t make logical sense and just see what comes of it. That’s where the fun is! (Though do keep a “2.3” or “3.5” in there just to smooth over the gnarliest edges, heehee.)
* '''Importance of common names:''' I would prefer to use a temperament [[Temperament naming|named]] something fun like “waterslide” or “jinglebells” even if it has lots of error, over one named something dry and bland like “countertrihexakleismatic” even if it’s super [[damage|accurate]] and [[badness|technically better]] - a bland name can kill a temperament’s appeal, a fun name can create appeal out of nothing.
* '''Importance of common names:''' I would prefer to use a temperament [[Temperament naming|named]] something fun like “waterslide” or “jinglebells” even if it has lots of error, over one named something dry and bland like “countertrihexakleismatic” even if it’s super [[damage|accurate]] and [[badness|technically better]] - a bland name can kill a temperament’s appeal, a fun name can create appeal out of nothing.
* '''My opinion on which intervals matter in a tuning system/the criteria for a good general-purpose tuning:'''
::: [[User:BudjarnLambeth/The intervals I see as important]]
* '''My opinion on zeta peak indexes:''' My view on to what degree [[zeta peak index]]es are useful or not.
* '''My opinion on zeta peak indexes:''' My view on to what degree [[zeta peak index]]es are useful or not.


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::: [[User:BudjarnLambeth/Rating my wiki contributions]]
::: [[User:BudjarnLambeth/Rating my wiki contributions]]


<br> <br>
====What I look for in a good xenharmonic piece====
 
The tuning sounds consonant, all the combinations of intervals you used sound within the same range of consonant-ness as all the combinations available in 12edo. There are more dissonant and less dissonant sections, but none that sound more dissonant than the maximum limit of dissonance I'm willing to tolerate (ie, the maximum amount of dissonance achievable with 12edo). All that is a long winded way of saying nothing sounds "out of tune".
 
The timbre also sounds good. Despite being midi instruments, the samples used and whatever effects were applied to them (reverb, volume levels, etc.) all come together well into something that is more than the sum of its parts. The timbre works well with the tuning to create a kind of pleasant, warm glow.
 
The piece has enough dynamic range, sense of harmonic movement, and interaction between melody lines to hold my interest, to not sound bland, but instead sound captivating.
 
==== A commentary on my experiences of using different tunings ====
The scales I've made my best music with are:
* 13edo (6-tone subset)
* 14edo (7-tone subset)
* Deutone[19] (5-tone subset for melody, approximated harmonic series segments for embellishment)
* 21edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)
* 22edo (Superpyth[6] - I know it's not a MOS - for melody, approximated harmonic series segments for embellishment)
* Lucite[23] aka well tempered 23edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)
* 27edo (this JI scale approximated into 27edo: 7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1 (period))
* 33edo (Flattertone[7] for melody, approximated harmonic series segments for embellishment)
* 43edo (Han-Kumoi scale, a subset of Meantone[7], for melody, Meantone[19] for embellishment)
* 72edo (7-tone quasi-blues scales for melody, approximated harmonic series segments for embellishment)
 
Whether or not this was a fluke or there was something special about these scales, I'm not sure. Most of the music I make is for the XA Monthly Tunings group (because it motivates me to create for whatever reason), so most tunings I've tried so far, I've only spent a single month with. So when something turns out good, it's hard to tell if it's because the tuning has some characteristic that works for me, or if it's because I just had a good month.
 
But whatever the reason, it just so happens that those tracks I made that did turn out good, used these tunings.
 
So I guess in general for me, I like using 5- to 7-tone subsets of larger 10- to 45-tone tunings, roughly.


===Fun: Ratios as planets===
====Fun: Ratios as planets====


The ratios of the octave as celestial bodies of the solar system:
The ratios of the octave as celestial bodies of the solar system:
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* '''[[9/5]], Ceres'''. It doesn’t pull much weight on its own, but in the context of the wider solar system, it demarcates an important in-between point for the other planets. If you want to travel between the different planets, Ceres makes the journey much more pleasant.
* '''[[9/5]], Ceres'''. It doesn’t pull much weight on its own, but in the context of the wider solar system, it demarcates an important in-between point for the other planets. If you want to travel between the different planets, Ceres makes the journey much more pleasant.
* '''[[11/8]], Pluto''', often dismissed outright due to having such a tiny gravitational pull. But it is a whole other type of ‘planet’, the first of a whole new family. When approached on its own terms, it opens up a larger, more diverse solar system than we ever knew existed.
* '''[[11/8]], Pluto''', often dismissed outright due to having such a tiny gravitational pull. But it is a whole other type of ‘planet’, the first of a whole new family. When approached on its own terms, it opens up a larger, more diverse solar system than we ever knew existed.
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===Fun: What I look for in a good xenharmonic piece===
The tuning sounds consonant, all the combinations of intervals you used sound within the same range of consonant-ness as all the combinations available in 12edo. There are more dissonant and less dissonant sections, but none that sound more dissonant than the maximum limit of dissonance I'm willing to tolerate (ie, the maximum amount of dissonance achievable with 12edo). All that is a long winded way of saying nothing sounds "out of tune".
The timbre also sounds good. Despite being midi instruments, the samples used and whatever effects were applied to them (reverb, volume levels, etc.) all come together well into something that is more than the sum of its parts. The timbre works well with the tuning to create a kind of pleasant, warm glow.
The piece has enough dynamic range, sense of harmonic movement, and interaction between melody lines to hold my interest, to not sound bland, but instead sound captivating.


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