89edo
← 88edo | 89edo | 90edo → |
89 equal divisions of the octave (abbreviated 89edo or 89ed2), also called 89-tone equal temperament (89tet) or 89 equal temperament (89et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 89 equal parts of about 13.5 ¢ each. Each step represents a frequency ratio of 21/89, or the 89th root of 2.
Theory
89edo has a harmonic 3 less than a cent flat and a harmonic 5 less than five cents sharp, with a 7 two cents sharp and an 11 1.5 cents sharp. It thus delivers reasonably good 11-limit harmony and very good no-fives harmony along with the very useful approximations represented by its commas. On a related note, a notable characteristic of this edo is that it is the lowest in a series of four consecutive edos to temper out quartisma.
89et tempers out the commas 126/125, 1728/1715, 32805/32768, 2401/2400, 176/175, 243/242, 441/440 and 540/539. It is an especially good tuning for the myna temperament, both in the 7-limit, tempering out 126/125 and 1728/1715, and in the 11-limit, where 176/175 is tempered out also. It is likewise a good tuning for the rank-3 temperament thrush, tempering out 126/125 and 176/175.
Prime harmonics
Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | absolute (¢) | +0.00 | -0.83 | +4.70 | +1.96 | +1.49 | -4.57 | +2.91 | -0.88 | +5.43 | -4.86 | +1.03 |
relative (%) | +0 | -6 | +35 | +15 | +11 | -34 | +22 | -7 | +40 | -36 | +8 | |
Steps (reduced) |
89 (0) |
141 (52) |
207 (29) |
250 (72) |
308 (41) |
329 (62) |
364 (8) |
378 (22) |
403 (47) |
432 (76) |
441 (85) |
Subsets and supersets
89edo is the 24th prime edo, and the 11th in the Fibonacci sequence, which means its 55th step approximates logarithmic φ (i.e. (φ - 1)×1200 cents) within a fraction of a cent.
Interval table
Steps | Cents | Ups and downs notation | Approximate ratios |
---|---|---|---|
0 | 0 | D | 1/1 |
1 | 13.4831 | ↑D, ↓6E♭ | |
2 | 26.9663 | ↑↑D, ↓5E♭ | 56/55, 64/63, 65/64, 66/65 |
3 | 40.4494 | ↑3D, ↓4E♭ | 45/44, 49/48, 77/75 |
4 | 53.9326 | ↑4D, ↓3E♭ | 33/32, 65/63 |
5 | 67.4157 | ↑5D, ↓↓E♭ | 27/26, 28/27, 80/77 |
6 | 80.8989 | ↑6D, ↓E♭ | 21/20, 22/21 |
7 | 94.382 | ↑7D, E♭ | |
8 | 107.865 | D♯, ↓7E | 16/15 |
9 | 121.348 | ↑D♯, ↓6E | 15/14, 77/72 |
10 | 134.831 | ↑↑D♯, ↓5E | 13/12 |
11 | 148.315 | ↑3D♯, ↓4E | 12/11, 49/45 |
12 | 161.798 | ↑4D♯, ↓3E | 11/10 |
13 | 175.281 | ↑5D♯, ↓↓E | 72/65 |
14 | 188.764 | ↑6D♯, ↓E | 49/44 |
15 | 202.247 | E | 9/8, 55/49 |
16 | 215.73 | ↑E, ↓6F | |
17 | 229.213 | ↑↑E, ↓5F | 8/7 |
18 | 242.697 | ↑3E, ↓4F | |
19 | 256.18 | ↑4E, ↓3F | 65/56 |
20 | 269.663 | ↑5E, ↓↓F | 7/6 |
21 | 283.146 | ↑6E, ↓F | 33/28 |
22 | 296.629 | F | 32/27, 77/65 |
23 | 310.112 | ↑F, ↓6G♭ | |
24 | 323.596 | ↑↑F, ↓5G♭ | 65/54, 77/64 |
25 | 337.079 | ↑3F, ↓4G♭ | 40/33, 63/52 |
26 | 350.562 | ↑4F, ↓3G♭ | 11/9, 27/22, 49/40, 60/49 |
27 | 364.045 | ↑5F, ↓↓G♭ | 16/13 |
28 | 377.528 | ↑6F, ↓G♭ | 56/45, 81/65 |
29 | 391.011 | ↑7F, G♭ | 5/4, 44/35 |
30 | 404.494 | F♯, ↓7G | 81/64 |
31 | 417.978 | ↑F♯, ↓6G | 14/11, 33/26, 80/63 |
32 | 431.461 | ↑↑F♯, ↓5G | 9/7, 77/60 |
33 | 444.944 | ↑3F♯, ↓4G | |
34 | 458.427 | ↑4F♯, ↓3G | 64/49 |
35 | 471.91 | ↑5F♯, ↓↓G | 21/16, 55/42 |
36 | 485.393 | ↑6F♯, ↓G | 65/49 |
37 | 498.876 | G | 4/3 |
38 | 512.36 | ↑G, ↓6A♭ | 66/49 |
39 | 525.843 | ↑↑G, ↓5A♭ | 65/48 |
40 | 539.326 | ↑3G, ↓4A♭ | 15/11 |
41 | 552.809 | ↑4G, ↓3A♭ | 11/8 |
42 | 566.292 | ↑5G, ↓↓A♭ | 18/13 |
43 | 579.775 | ↑6G, ↓A♭ | 7/5 |
44 | 593.258 | ↑7G, A♭ | 45/32 |
45 | 606.742 | G♯, ↓7A | 64/45 |
46 | 620.225 | ↑G♯, ↓6A | 10/7, 63/44 |
47 | 633.708 | ↑↑G♯, ↓5A | 13/9, 81/56 |
48 | 647.191 | ↑3G♯, ↓4A | 16/11 |
49 | 660.674 | ↑4G♯, ↓3A | 22/15 |
50 | 674.157 | ↑5G♯, ↓↓A | 65/44 |
51 | 687.64 | ↑6G♯, ↓A | 49/33 |
52 | 701.124 | A | 3/2 |
53 | 714.607 | ↑A, ↓6B♭ | |
54 | 728.09 | ↑↑A, ↓5B♭ | 32/21 |
55 | 741.573 | ↑3A, ↓4B♭ | 49/32, 75/49 |
56 | 755.056 | ↑4A, ↓3B♭ | 65/42 |
57 | 768.539 | ↑5A, ↓↓B♭ | 14/9, 81/52 |
58 | 782.022 | ↑6A, ↓B♭ | 11/7, 52/33, 63/40 |
59 | 795.506 | ↑7A, B♭ | |
60 | 808.989 | A♯, ↓7B | 8/5, 35/22 |
61 | 822.472 | ↑A♯, ↓6B | 45/28, 77/48 |
62 | 835.955 | ↑↑A♯, ↓5B | 13/8 |
63 | 849.438 | ↑3A♯, ↓4B | 18/11, 44/27, 49/30, 80/49 |
64 | 862.921 | ↑4A♯, ↓3B | 33/20 |
65 | 876.404 | ↑5A♯, ↓↓B | |
66 | 889.888 | ↑6A♯, ↓B | |
67 | 903.371 | B | 27/16 |
68 | 916.854 | ↑B, ↓6C | 56/33 |
69 | 930.337 | ↑↑B, ↓5C | 12/7, 77/45 |
70 | 943.82 | ↑3B, ↓4C | |
71 | 957.303 | ↑4B, ↓3C | |
72 | 970.787 | ↑5B, ↓↓C | 7/4 |
73 | 984.27 | ↑6B, ↓C | |
74 | 997.753 | C | 16/9 |
75 | 1011.24 | ↑C, ↓6D♭ | |
76 | 1024.72 | ↑↑C, ↓5D♭ | 65/36 |
77 | 1038.2 | ↑3C, ↓4D♭ | 20/11 |
78 | 1051.69 | ↑4C, ↓3D♭ | 11/6, 81/44 |
79 | 1065.17 | ↑5C, ↓↓D♭ | 24/13 |
80 | 1078.65 | ↑6C, ↓D♭ | 28/15 |
81 | 1092.13 | ↑7C, D♭ | 15/8 |
82 | 1105.62 | C♯, ↓7D | |
83 | 1119.1 | ↑C♯, ↓6D | 21/11, 40/21 |
84 | 1132.58 | ↑↑C♯, ↓5D | 27/14, 52/27, 77/40 |
85 | 1146.07 | ↑3C♯, ↓4D | 64/33 |
86 | 1159.55 | ↑4C♯, ↓3D | |
87 | 1173.03 | ↑5C♯, ↓↓D | 55/28, 63/32, 65/33 |
88 | 1186.52 | ↑6C♯, ↓D | |
89 | 1200 | D | 2/1 |
Regular temperament properties
Subgroup | Comma List | Mapping | Optimal 8ve Stretch (¢) |
Tuning Error | |
---|---|---|---|---|---|
Absolute (¢) | Relative (%) | ||||
2.3 | [-141 89⟩ | [⟨89 141]] | +0.262 | 0.262 | 1.95 |
2.3.5 | 32805/32768, 10077696/9765625 | [⟨89 141 207]] | -0.500 | 1.098 | 8.15 |
2.3.5.7 | 126/125, 1728/1715, 32805/32768 | [⟨89 141 207 250]] | -0.550 | 0.955 | 7.08 |
2.3.5.7.11 | 126/125, 176/175, 243/242, 16384/16335 | [⟨89 141 207 250 308]] | -0.526 | 0.855 | 6.35 |
Rank-2 temperaments
Periods per 8ve |
Generator | Cents | Associated Ratio |
Temperament |
---|---|---|---|---|
1 | 13\89 | 175.28 | 72/65 | Sesquiquartififths / Sesquart |
1 | 21\89 | 283.15 | 13/11 | Neominor |
1 | 23\89 | 310.11 | 6/5 | Myna |
1 | 29\89 | 391.01 | 5/4 | Amigo |
1 | 37\89 | 498.87 | 4/3 | Grackle |
Scales
Music
- Singing Golden Myna (2022) – myna[11] in 89edo