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This article discusses about an alternative set of symbols based on current practice of microtonal music with some experimental extrapolation. The notation is, in essence, ups and downs notation with a different look.  
{{main|Ups and downs notation}}
 
This article discusses about an alternative set of symbols based on current practice of microtonal music with some experimental extrapolation. The notation is, in essence, [[Ups and downs notation|ups and downs notation]] with a different look.  


Alternative symbols may be useful for the following reasons:  
Alternative symbols may be useful for the following reasons:  
# One may prefer a more conventional look of the score;  
# One may prefer a more conventional look of the score;  
# The up and down symbols may not be quite accessible in computer-aided score typing.  
# The up and down symbols may not be quite accessible in computer-aided score typing.  
All symbols proposed in this article are available in MuseScore 3. (Feel free to address others.)  
All symbols proposed in this article are available in [[MuseScore|MuseScore 3]], and is used by the [https://github.com/euwbah/musescore-microtonal-edo-plugin Microtonal plugin for Musescore 3.4+]. (Feel free to address others.)  


== What It Resolves ==
== Symbol set ==
How is the conventional notation for 31-ET related to that for 22-ET? Is there a logical unity despite the apparent differences?
The symbol set comprises traditional accidentals (sharps, flats, and naturals), Stein–Zimmermann quartertone accidentals (semisharps and semiflats) with and up and down arrows via Gould arrow quarter tone symbols or [[Helmholtz–Ellis notation|Helmholtz–Ellis just intonation accidentals]]. 


== Detail ==
The traditional accidentals, as specified in ups and downs notation, modify the note by the sharpness value, which equals the steps of a chromatic semitone (apotome, [[2187/2048]]).
Below is a table showing the characteristics of each edo in the context of heptatonic ups and downs notation.
{| class="wikitable"
|+Sharp value \ step size of a small tone
|
|'''-2'''
|'''-1'''
|'''0'''
|'''1'''
|'''2'''
|'''3'''
|'''4'''
|'''5'''
|'''6'''
|'''7'''
|'''8'''
|-
|'''-3'''
|
|
|
|
|
|6b
|
|
|
|
|
|-
|'''-2'''
|
|
|
|
|4
|11
|18b
|
|
|
|
|-
|'''-1'''
|
|
|
|2
|9
|16
|23
|30b
|
|
|
|-
|'''0'''
|
|
|
|7
|14
|21
|28
|35
|42b
|
|
|-
|'''1'''
|
|
|5
|12
|19
|26
|33
|40
|47
|54b
|
|-
|'''2'''
|
|3
|10
|17
|24
|31
|38
|45
|52
|59b
|
|-
|'''3'''
|1
|8
|15
|22
|29
|36
|43
|50
|57
|64
|71b
|-
|'''4'''
|6
|13
|20
|27
|34
|41
|48
|55
|62
|69
|…
|-
|'''5'''
|11b
|18
|25
|32
|39
|46
|53
|60
|67
|…
|
|-
|'''6'''
|
|23b
|30
|37
|44
|51
|58
|65
|72
|…
|
|-
|'''7'''
|
|
|35b
|42
|49
|56
|63
|70
|…
|
|
|-
|'''8'''
|
|
|
|47b
|54
|61
|68
|…
|
|
|
|-
|'''9'''
|
|
|
|52b
|59
|66
|…
|
|
|
|
|-
|'''10'''
|
|
|
|
|64b
|71
|…
|
|
|
|
|}
Each row represents the step size of a sharp/flat, to be called "sharp value" below.  


Each column represents the step size of a small tone, located between E–F and B–C.  
The Stein–Zimmermann quartertone accidentals modify the note by half the sharpness value. They apply to [[edo]]s of even sharpness value only.


'''Sharp-1''' ETs have a sharp that raises 1 step. ETs of this category include 5, 12, 19, 26, etc.  
The Gould arrow accidentals are up and down arrows attached to sharps, flats, or naturals, and modify the note by one step. They appear very similar to Helmholtz–Ellis accidentals, and are fully interchangeable with them.


Traditional notation can be used since an up is exactly equivalent to a sharp.  
== Usage guide for each sharpness value ==
{{See also| Sharpness }}
A usage guide for edos of sharpness value below 8 will be provided here.  


{| class="wikitable"
=== Sharp-1 ===
|Step offset
Sharp-1 edos have a sharp that raises 1 step. Edos of this category are {{EDOs| 5, 12, 19, 26, and 33 }}.
| +2
Traditional notation can be used since an up is exactly equivalent to a sharp.
| +1
{{Sharpness-sharp1}}
| 0
| -1
| -2
|-
|Symbol
|[[File:accidental doublesharp.png]]
|[[File:accidental sharp.png]]
|[[File:accidental natural.png]]
|[[File:accidental flat.png]]
|[[File:accidental doubleflat.png]]
|}


'''Sharp-2''' ETs have a sharp that raises 2 steps. ETs of this category include 10, 17, 24, 31, etc.  
=== Sharp-2 ===
Sharp-2 edos have a sharp that raises 2 steps. Edos of this category are {{EDOs| 10, 17, 24, 31, 38, 45, and 52 }}.
As are commonly seen in 24edo and 31edo, semisharps and semiflats could be used for a substitution of the tilde.
{{Sharpness-sharp2}}


As are commonly seen in 24-edo and 31-edo, semisharps and semiflats could be used for a substitution of the tilde.
=== Sharp-3 ===
 
Sharp-3 edos have a sharp that raises 3 steps. Edos of this category are {{EDOs| 8, 15, 22, 29, 36, 43, 50, 57, and 64 }}.
{| class="wikitable"
This is where you ''really'' want to use ups and downs.  
|Step offset
{{Sharpness-sharp3}}
| +4
In some cases, some notes or intervals may be best spelled with double arrows:
| +3
{{Sharpness-sharp3-extended}}
| +2
| +1
| 0
| -1
| -2
| -3
| -4
|-
|Symbol
|[[File:accidental doublesharp.png]]
|[[File:accidental sesquisharp.png]]
|[[File:accidental sharp.png]]
|[[File:accidental semisharp.png]]
|[[File:accidental natural.png]]
|[[File:accidental semiflat.png]]
|[[File:accidental flat.png]]
|[[File:accidental sesquiflat.png]]
|[[File:accidental doubleflat.png]]
|}


'''Sharp-3''' ETs have a sharp that raises 3 steps. ETs of this category include 22, 29, 36, 43, etc.  
=== Sharp-4 ===
Sharp-4 edos have a sharp that raises 4 steps. Edos of this category are {{EDOs| 13, 20, 27, 34, 41, 48, 55, 62, 69, and 76 }}.
Many consider a full combination of semisharps, semiflats, ups and down to appear very neat.
{{Sharpness-sharp4}}


This is where you ''really'' want to use ups and downs.  
=== Sharp-5 ===
Sharp-5 edos have a sharp that raises 5 steps. Edos of this category are {{EDOs| 18, 25, 32, 39, 46, 53, 60, 67, 74, 81, and 88 }}.
{{Sharpness-sharp5}}


{| class="wikitable"
In some cases, some notes or intervals may be best spelled with triple arrows:
|Step offset
{{Sharpness-sharp5-extended}}
| +7
| +6
| +5
| +4
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
| -5
| -6
| -7
|-
|Symbol
|[[File:accidental doublesharp up.png]]
|[[File:accidental doublesharp.png]]
|[[File:accidental doublesharp down.png]]
|[[File:accidental sharp up.png]]
|[[File:accidental sharp.png]]
|[[File:accidental sharp down.png]]
|[[File:accidental natural up.png]]
|[[File:accidental natural.png]]
|[[File:accidental natural down.png]]
|[[File:accidental flat up.png]]
|[[File:accidental flat.png]]
|[[File:accidental flat down.png]]
|[[File:accidental doubleflat up.png]]
|[[File:accidental doubleflat.png]]
|[[File:accidental doubleflat down.png]]
|}


'''Sharp-4''' ETs have a sharp that raises 4 steps. ETs of this category include 27, 34, 41, 48, etc.  
=== Sharp-6 ===
Sharp-6 edos have a sharp that raises 6 steps. Edos of this category are {{EDOs| 30, 37, 44, 51, 58, 65, 72, 79, 86, 93, and 100 }}.
{{Sharpness-sharp6}}


A combination of semisharps, semiflats, ups and downs looks very neat.
Attaching arrows to semi- and sesquisharps and flats is also another option instead of using double arrows:
{{Sharpness-sharp6-qt}}


{| class="wikitable"
=== Sharp-7 ===
|Step offset
Sharp-7 edos have a sharp that raises 7 steps. Edos of this category are {{EDOs| 42, 49, 56, 63, 70, 77, 84, 91, 98, and 105 }}.  
| +9
{{Sharpness-sharp7}}
| +8
| +7
| +6
| +5
| +4
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
| -5
| -6
| -7
| -8
| -9
|-
|Symbol
|[[File:accidental doublesharp up.png]]
|[[File:accidental doublesharp.png]]
|[[File:accidental doublesharp down.png]]
|[[File:accidental sesquisharp.png]]
|[[File:accidental sharp up.png]]
|[[File:accidental sharp.png]]
|[[File:accidental sharp down.png]]
|[[File:accidental semisharp.png]]
|[[File:accidental natural up.png]]
|[[File:accidental natural.png]]
|[[File:accidental natural down.png]]
|[[File:accidental semiflat.png]]
|[[File:accidental flat up.png]]
|[[File:accidental flat.png]]
|[[File:accidental flat down.png]]
|[[File:accidental sesquiflat.png]]
|[[File:accidental doubleflat up.png]]
|[[File:accidental doubleflat.png]]
|[[File:accidental doubleflat down.png]]
|}


Starting with '''sharp-5''', which includes the famous 53-ET, you'll have to use double ups and downs.  
=== Sharp-8 ===
Sharp-8 edos have a sharp that raises 8 steps. Edos of this category are {{EDOs| 54, 61, 68, 75, 82, 89, 96, 103, 110, and 117 }}.
{{Sharpness-sharp8}}


There's a small version of the arrow symbol available that can be stacked twice or thrice, termed raise/lower by one syntonic comma, for which the step size of 53-edo is a close approximation. These arrow symbols, possibly combined with semisharps and semiflats, could be used through sharp-5 to sharp-8 ETs.  
=== Higher sharpness values ===
Provided with more stacks of arrows, or the ability to attach arrows to demi- and sesqui-sharps and flats, edos of higher sharpness value can be notated in the same method as above.


It is basically another system, to be called the "complex system", in contrast to the "simple system" above. The complex system is compatible with lower sharp values. For example, you could use the sharp-8 68-ET for the notation of 34-ET, but the reason the former should not take priority is obvious. However you do, using arrow symbols of both systems should be definitely avoided, because they look too similar.  
{{w|SMuFL}} curently supplies [https://w3c.github.io/smufl/latest/tables/extended-stein-zimmermann-accidentals.html extended Stein-Zimmermann accidentals (U+E290–U+E29F)], which contains demi- and sesqui-sharps and flats with a single arrow.
The rest will be discussed below.


The rest will be discussed below.  
==== Sharp-10 (example) ====
Sharp-10 edos have a sharp that raises 10 steps. Edos of this category are {{EDOs| 71, 78, 85, 92, 99, 106, 113, 120, 127, 134, and 141 }}.
{{Sharpness-sharp10-qt1}}


'''Flat-1''' ETs have a sharp that _lowers_ 1 step. ETs of this category include 9, 16, and 23. To have a sharp that actually lowers the tone can be counter-intuitive, yet reasonable for the system. Regardless, you could just flip it around.
==== Sharp-14 (example) ====
Sharp-14 edos have a sharp that raises 14 steps.
{{Sharpness-sharp14-qt1}}


{| class="wikitable"
=== Flat-1 ===
|Step offset
For edos such as {{EDOs| 9, 16, 23, and 30 }}, if you notate them as if their native antidiatonic scales were diatonic, you would find that the sharp actually ''lowers'' by one step. If one wishes to "translate" diatonic songs into these edos, this is useful.
| +2
{{Sharpness-flat1}}
| +1
However, a much more intuitive solution is to swap the meaning of sharps and flats in regards to fifthspan (so that sharp still raises and flat still lowers), allowing the accidentals to more naturally notate these edos' native antidiatonic (in this case, the normal set of sharp-1 accidentals would be used).
| 0
| -1
| -2
|-
|Symbol
|[[File:accidental doubleflat.png]]
|[[File:accidental flat.png]]
|[[File:accidental natural.png]]
|[[File:accidental sharp.png]]
|[[File:accidental doublesharp.png]]
|}


'''Flat-2''' ETs (virtually 11-ET only) have a sharp that _lowers_ 2 steps. So besides the special flavor of the sharps and flats, there are also semisharps and semiflats to fill up the spaces between.  
=== Flat-2 ===
Flat-2 edos (virtually [[11edo]] only), if you pretend their native antidiatonic scales are diatonic, have a sharp that ''lowers'' 2 steps. So besides the special flavor of the sharps and flats, there are also semisharps and semiflats to fill up the spaces between. It makes the most sense to notate them as subsets.
{{Sharpness-flat2}}


{| class="wikitable"
=== Zero ===
|Step offset
On the other hand, the lower five multiples of 7 ({{EDOs| 7, 14, 21, 28, and 35}}) are known as "perfect" or sharp-0 edos, since, by tempering out the Pythagorean apotome of [[2187/2048]], the traditional sharps and flats are redundant and cannot raise or lower the pitch. Here, the notes can only be modified by arrows.
| +4
{{Sharpness-0}}
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
|-
|Symbol
|[[File:accidental doubleflat.png]]
|[[File:accidental sesquiflat.png]]
|[[File:accidental flat.png]]
|[[File:accidental semiflat.png]]
|[[File:accidental natural.png]]
|[[File:accidental semisharp.png]]
|[[File:accidental sharp.png]]
|[[File:accidental sesquisharp.png]]
|[[File:accidental doublesharp.png]]
|}


The '''zero''' row is even more special in that the conventional meaning of the sharp or flat does not apply.  
== Limitations ==
Some edos have odd-numbered sharpness values 9 and above, and are difficult to notate due to the lack of support for the stacks of arrows required. Edos below 72 known to be impractical for this reason are {{EDOs| 59 and 66 }}. Therefore, such edos are capped from their full strength.  


One possible solution is to use the simple system for 14- and 21-ET, and the complex system for 28- and 35-ET.  
Conclusively, this set of symbols still covers most edos up to 72.  


Conclusively, this set of symbols cover all ETs below 72 except 59, 66, and 71.
{{Navbox notation}}


[[Category:Notation]]
[[Category:Notation]]
[[Category:Ups and downs notation]]

Latest revision as of 01:07, 20 August 2025

This article discusses about an alternative set of symbols based on current practice of microtonal music with some experimental extrapolation. The notation is, in essence, ups and downs notation with a different look.

Alternative symbols may be useful for the following reasons:

  1. One may prefer a more conventional look of the score;
  2. The up and down symbols may not be quite accessible in computer-aided score typing.

All symbols proposed in this article are available in MuseScore 3, and is used by the Microtonal plugin for Musescore 3.4+. (Feel free to address others.)

Symbol set

The symbol set comprises traditional accidentals (sharps, flats, and naturals), Stein–Zimmermann quartertone accidentals (semisharps and semiflats) with and up and down arrows via Gould arrow quarter tone symbols or Helmholtz–Ellis just intonation accidentals.

The traditional accidentals, as specified in ups and downs notation, modify the note by the sharpness value, which equals the steps of a chromatic semitone (apotome, 2187/2048).

The Stein–Zimmermann quartertone accidentals modify the note by half the sharpness value. They apply to edos of even sharpness value only.

The Gould arrow accidentals are up and down arrows attached to sharps, flats, or naturals, and modify the note by one step. They appear very similar to Helmholtz–Ellis accidentals, and are fully interchangeable with them.

Usage guide for each sharpness value

A usage guide for edos of sharpness value below 8 will be provided here.

Sharp-1

Sharp-1 edos have a sharp that raises 1 step. Edos of this category are 5, 12, 19, 26, and 33. Traditional notation can be used since an up is exactly equivalent to a sharp.

Step offset −2 −1 0 +1 +2
Symbol

Sharp-2

Sharp-2 edos have a sharp that raises 2 steps. Edos of this category are 10, 17, 24, 31, 38, 45, and 52. As are commonly seen in 24edo and 31edo, semisharps and semiflats could be used for a substitution of the tilde.

Step offset −4 −3 −2 −1 0 +1 +2 +3 +4
Symbol

Sharp-3

Sharp-3 edos have a sharp that raises 3 steps. Edos of this category are 8, 15, 22, 29, 36, 43, 50, 57, and 64. This is where you really want to use ups and downs.

Step offset 0 1 2 3 4 5 6 7
Sharp symbol  
Flat symbol

In some cases, some notes or intervals may be best spelled with double arrows:

Step offset 0 1 2 3 4 5 6 7 8
Sharp symbol
Flat symbol

Sharp-4

Sharp-4 edos have a sharp that raises 4 steps. Edos of this category are 13, 20, 27, 34, 41, 48, 55, 62, 69, and 76. Many consider a full combination of semisharps, semiflats, ups and down to appear very neat.

Step offset 0 1 2 3 4 5 6 7 8 9
Sharp symbol
Flat symbol

Sharp-5

Sharp-5 edos have a sharp that raises 5 steps. Edos of this category are 18, 25, 32, 39, 46, 53, 60, 67, 74, 81, and 88.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
Flat symbol

In some cases, some notes or intervals may be best spelled with triple arrows:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Sharp symbol
Flat symbol

Sharp-6

Sharp-6 edos have a sharp that raises 6 steps. Edos of this category are 30, 37, 44, 51, 58, 65, 72, 79, 86, 93, and 100.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Sharp symbol
Flat symbol

Attaching arrows to semi- and sesquisharps and flats is also another option instead of using double arrows:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Sharp symbol
Flat symbol

Sharp-7

Sharp-7 edos have a sharp that raises 7 steps. Edos of this category are 42, 49, 56, 63, 70, 77, 84, 91, 98, and 105.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Sharp symbol
Flat symbol

Sharp-8

Sharp-8 edos have a sharp that raises 8 steps. Edos of this category are 54, 61, 68, 75, 82, 89, 96, 103, 110, and 117.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Sharp symbol
Flat symbol

Higher sharpness values

Provided with more stacks of arrows, or the ability to attach arrows to demi- and sesqui-sharps and flats, edos of higher sharpness value can be notated in the same method as above.

SMuFL curently supplies extended Stein-Zimmermann accidentals (U+E290–U+E29F), which contains demi- and sesqui-sharps and flats with a single arrow. The rest will be discussed below.

Sharp-10 (example)

Sharp-10 edos have a sharp that raises 10 steps. Edos of this category are 71, 78, 85, 92, 99, 106, 113, 120, 127, 134, and 141.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
Flat symbol
Step offset 13 14 15 16 17 18 19 20 21 22
Sharp symbol
Flat symbol

Sharp-14 (example)

Sharp-14 edos have a sharp that raises 14 steps.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Sharp symbol
Flat symbol
Step Offset 18 19 20 21 22 23 24 25 26 27 28 29 30 31
Sharp Symbol
Flat Symbol

Flat-1

For edos such as 9, 16, 23, and 30, if you notate them as if their native antidiatonic scales were diatonic, you would find that the sharp actually lowers by one step. If one wishes to "translate" diatonic songs into these edos, this is useful.

Step offset −2 −1 0 +1 +2
Symbol

However, a much more intuitive solution is to swap the meaning of sharps and flats in regards to fifthspan (so that sharp still raises and flat still lowers), allowing the accidentals to more naturally notate these edos' native antidiatonic (in this case, the normal set of sharp-1 accidentals would be used).

Flat-2

Flat-2 edos (virtually 11edo only), if you pretend their native antidiatonic scales are diatonic, have a sharp that lowers 2 steps. So besides the special flavor of the sharps and flats, there are also semisharps and semiflats to fill up the spaces between. It makes the most sense to notate them as subsets.

Step offset −4 −3 −2 −1 0 +1 +2 +3 +4
Symbol

Zero

On the other hand, the lower five multiples of 7 (7, 14, 21, 28, and 35) are known as "perfect" or sharp-0 edos, since, by tempering out the Pythagorean apotome of 2187/2048, the traditional sharps and flats are redundant and cannot raise or lower the pitch. Here, the notes can only be modified by arrows.

Step offset −3 −2 −1 0 +1 +2 +3
Symbol

Limitations

Some edos have odd-numbered sharpness values 9 and above, and are difficult to notate due to the lack of support for the stacks of arrows required. Edos below 72 known to be impractical for this reason are 59 and 66. Therefore, such edos are capped from their full strength.

Conclusively, this set of symbols still covers most edos up to 72.