5L 2s: Difference between revisions

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* Dark generator: 480 cents (2\5) to 514.2857 cents (3\7)
* Dark generator: 480 cents (2\5) to 514.2857 cents (3\7)


{{Scale tree|depth=7|comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:Basic diatonic <br>(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}}
{{Scale tree|depth=7|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:Basic diatonic <br>(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}}


Tunings above 7\12 on this chart are called "negative tunings" (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.
Tunings above 7\12 on this chart are called "negative tunings" (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.

Revision as of 03:13, 31 May 2023

↖ 4L 1s ↑ 5L 1s 6L 1s ↗
← 4L 2s 5L 2s 6L 2s →
↙ 4L 3s ↓ 5L 3s 6L 3s ↘
Scale structure
Step pattern LLLsLLs
sLLsLLL
Equave 2/1 (1200.0 ¢)
Period 2/1 (1200.0 ¢)
Generator size
Bright 4\7 to 3\5 (685.7 ¢ to 720.0 ¢)
Dark 2\5 to 3\7 (480.0 ¢ to 514.3 ¢)
TAMNAMS information
Name diatonic
Prefix dia-
Abbrev. dia
Related MOS scales
Parent 2L 3s
Sister 2L 5s
Daughters 7L 5s, 5L 7s
Neutralized 3L 4s
2-Flought 12L 2s, 5L 9s
Equal tunings
Equalized (L:s = 1:1) 4\7 (685.7 ¢)
Supersoft (L:s = 4:3) 15\26 (692.3 ¢)
Soft (L:s = 3:2) 11\19 (694.7 ¢)
Semisoft (L:s = 5:3) 18\31 (696.8 ¢)
Basic (L:s = 2:1) 7\12 (700.0 ¢)
Semihard (L:s = 5:2) 17\29 (703.4 ¢)
Hard (L:s = 3:1) 10\17 (705.9 ¢)
Superhard (L:s = 4:1) 13\22 (709.1 ¢)
Collapsed (L:s = 1:0) 3\5 (720.0 ¢)
ViewTalkEdit

One way of distinguishing the diatonic scale is by considering it a moment of symmetry scale produced by a chain of "fifths" (or "fourths") with the step combination of 5L 2s. Among the most well-known variants of this MOS proper are 12EDO's diatonic scale along with both the Pythagorean diatonic scale and the various meantone systems. Other similar scales referred to by the term "diatonic" can be arrived at different ways – for example, through just intonation procedures, or with tetrachords. However, it should be noted that at least the majority of the other scales that fall under this category – such as the just intonation scales that use more than one size of whole tone – are actually JI detemperings or tempered approximations of them that both closely resemble and are derived from this MOS.

On the term diatonic

In TAMNAMS (which is the convention on all pages on scale patterns on the wiki), diatonic exclusively refers to 5L 2s. Other diatonic-based scales (specifically with 3 step sizes or more), such as Zarlino, blackdye and diasem, are called detempered (if the philosophy is RTT-based) or deregularized (RTT-agnostic) diatonic scales. The adjectives diatonic-like or diatonic-based may also be used to refer to diatonic-based scales, depending on what's contextually the most appropriate.

Substituting step sizes

The 5L 2s MOS scale has this generalized form.

  • L L L s L L s

Insert 2 for L and 1 for s and you'll get the 12EDO diatonic of standard practice.

  • 2 2 2 1 2 2 1

When L=3, s=1, you have 17EDO: 3 3 3 1 3 3 1

When L=3, s=2, you have 19EDO: 3 3 3 2 3 3 2

When L=4, s=1, you have 22EDO: 4 4 4 1 4 4 1

When L=4, s=3, you have 26EDO: 4 4 4 3 4 4 3

When L=5, s=1, you have 27EDO: 5 5 5 1 5 5 1

When L=5, s=2, you have 29EDO: 5 5 5 2 5 5 2

When L=5, s=3, you have 31EDO: 5 5 5 3 5 5 3

When L=5, s=4, you have 33EDO: 5 5 5 4 5 5 4

So you have scales where L and s are nearly equal, which approach 7EDO:

  • 1 1 1 1 1 1 1

And you have scales where s becomes so small it approaches zero, which would give us 5EDO:

  • 1 1 1 0 1 1 0 = 1 1 1 1 1

Tuning ranges

Parasoft to ultrasoft

"Flattone" systems, such as 26EDO.

Hyposoft

"Meantone" (more properly "septimal meantone") systems, such as 31EDO.

Hypohard

The near-just part of the region is of interest mainly for those interested in Pythagorean tuning and large, accurate EDO systems based on close-to-Pythagorean fifths, such as 41EDO and 53EDO. This class of tunings is called schismic temperament; these tunings can approximate 5-limit harmonies very accurately by tempering out a small comma called the schisma. (Technically, 12EDO tempers out the schisma and thus is a schismic tuning, but it is nowhere near as accurate as schismic tunings can be.)

The sharp-of-just part of this range includes so-called "neogothic" or "parapyth" systems, which tune the diatonic major third slightly sharply of 81/64 (around 414 to 423 cents) and the diatonic minor third slightly flatly of 32/27 (around 282 to 290 cents). Good neogothic EDOs include 29EDO and 46EDO. 17EDO is often considered the sharper end of the neogothic spectrum; its major third at 423 cents is considerably more discordant than in flatter neogothic tunings.

Parahard to ultrahard

"Archy" systems such as 17EDO, 22EDO, and 27EDO.

Modes

Diatonic modes have standard names from classical music theory:


Modes of 5L 2s
UDP Cyclic
order
Step
pattern
Mode names
6|0 1 LLLsLLs Lydian
5|1 5 LLsLLLs Ionian (major)
4|2 2 LLsLLsL Mixolydian
3|3 6 LsLLLsL Dorian
2|4 3 LsLLsLL Aeolian (minor)
1|5 7 sLLLsLL Phrygian
0|6 4 sLLsLLL Locrian

Scales

Scale tree

If 4\7 (four degrees of 7EDO) is at one extreme and 3\5 (three degrees of 5EDO) is at the other, all other possible 5L 2s scales exist in a continuum between them. You can chop this continuum up by taking "freshman sums" of the two edges - adding together the numerators, then adding together the denominators (i.e. adding them together as if you would be adding the complex numbers analogous real and imaginary parts). Thus, between 4\7 and 3\5 you have (4+3)\(7+5) = 7\12, seven degrees of 12EDO.

If we carry this freshman-summing out a little further, new, larger EDOs pop up in our continuum.

Generator ranges:

  • Bright generator: 685.7143 cents (4\7) to 720 cents (3\5)
  • Dark generator: 480 cents (2\5) to 514.2857 cents (3\7)
Template: Scale tree is deprecated. Please use Template: MOS tuning spectrum instead. Details:
Use of a single Comments parameter has become unmaintainable. Existing scale trees should be migrated to the new template, where comments are entered using a step ratio p/q as a parameter:
{{MOS tuning spectrum
| 3/2 = Example comment
| 4/3 = Another example comment
}}


The parameters tuning and depth have been replaced with Scale Signature and Depth, respectively.


Scale tree and tuning spectrum of 5L 2s
Generator(edo) Cents Step ratio Comments
Bright Dark L:s Hardness
4\7 685.714 514.286 1:1 1.000 Equalized 5L 2s
31\54 688.889 511.111 8:7 1.143
27\47 689.362 510.638 7:6 1.167
50\87 689.655 510.345 13:11 1.182
23\40 690.000 510.000 6:5 1.200
65\113 690.265 509.735 17:14 1.214
42\73 690.411 509.589 11:9 1.222
61\106 690.566 509.434 16:13 1.231
19\33 690.909 509.091 5:4 1.250
72\125 691.200 508.800 19:15 1.267
53\92 691.304 508.696 14:11 1.273
87\151 691.391 508.609 23:18 1.278
34\59 691.525 508.475 9:7 1.286
83\144 691.667 508.333 22:17 1.294
49\85 691.765 508.235 13:10 1.300
64\111 691.892 508.108 17:13 1.308
15\26 692.308 507.692 4:3 1.333 Supersoft 5L 2s
71\123 692.683 507.317 19:14 1.357
56\97 692.784 507.216 15:11 1.364
97\168 692.857 507.143 26:19 1.368
41\71 692.958 507.042 11:8 1.375
108\187 693.048 506.952 29:21 1.381
67\116 693.103 506.897 18:13 1.385
93\161 693.168 506.832 25:18 1.389
26\45 693.333 506.667 7:5 1.400
89\154 693.506 506.494 24:17 1.412
63\109 693.578 506.422 17:12 1.417
100\173 693.642 506.358 27:19 1.421
37\64 693.750 506.250 10:7 1.429
85\147 693.878 506.122 23:16 1.438
48\83 693.976 506.024 13:9 1.444
59\102 694.118 505.882 16:11 1.455
11\19 694.737 505.263 3:2 1.500 Soft 5L 2s
62\107 695.327 504.673 17:11 1.545
51\88 695.455 504.545 14:9 1.556
91\157 695.541 504.459 25:16 1.562
40\69 695.652 504.348 11:7 1.571
109\188 695.745 504.255 30:19 1.579
69\119 695.798 504.202 19:12 1.583
98\169 695.858 504.142 27:17 1.588
29\50 696.000 504.000 8:5 1.600
105\181 696.133 503.867 29:18 1.611
76\131 696.183 503.817 21:13 1.615
123\212 696.226 503.774 34:21 1.619
47\81 696.296 503.704 13:8 1.625
112\193 696.373 503.627 31:19 1.632
65\112 696.429 503.571 18:11 1.636
83\143 696.503 503.497 23:14 1.643
18\31 696.774 503.226 5:3 1.667 Semisoft 5L 2s
79\136 697.059 502.941 22:13 1.692
61\105 697.143 502.857 17:10 1.700
104\179 697.207 502.793 29:17 1.706
43\74 697.297 502.703 12:7 1.714
111\191 697.382 502.618 31:18 1.722
68\117 697.436 502.564 19:11 1.727
93\160 697.500 502.500 26:15 1.733
25\43 697.674 502.326 7:4 1.750
82\141 697.872 502.128 23:13 1.769
57\98 697.959 502.041 16:9 1.778
89\153 698.039 501.961 25:14 1.786
32\55 698.182 501.818 9:5 1.800
71\122 698.361 501.639 20:11 1.818
39\67 698.507 501.493 11:6 1.833
46\79 698.734 501.266 13:7 1.857
7\12 700.000 500.000 2:1 2.000 Basic 5L 2s
Scales with tunings softer than this are proper
45\77 701.299 498.701 13:6 2.167
38\65 701.538 498.462 11:5 2.200
69\118 701.695 498.305 20:9 2.222
31\53 701.887 498.113 9:4 2.250
86\147 702.041 497.959 25:11 2.273
55\94 702.128 497.872 16:7 2.286
79\135 702.222 497.778 23:10 2.300
24\41 702.439 497.561 7:3 2.333
89\152 702.632 497.368 26:11 2.364
65\111 702.703 497.297 19:8 2.375
106\181 702.762 497.238 31:13 2.385
41\70 702.857 497.143 12:5 2.400
99\169 702.959 497.041 29:12 2.417
58\99 703.030 496.970 17:7 2.429
75\128 703.125 496.875 22:9 2.444
17\29 703.448 496.552 5:2 2.500 Semihard 5L 2s
78\133 703.759 496.241 23:9 2.556
61\104 703.846 496.154 18:7 2.571
105\179 703.911 496.089 31:12 2.583
44\75 704.000 496.000 13:5 2.600
115\196 704.082 495.918 34:13 2.615
71\121 704.132 495.868 21:8 2.625
98\167 704.192 495.808 29:11 2.636
27\46 704.348 495.652 8:3 2.667
91\155 704.516 495.484 27:10 2.700
64\109 704.587 495.413 19:7 2.714
101\172 704.651 495.349 30:11 2.727
37\63 704.762 495.238 11:4 2.750
84\143 704.895 495.105 25:9 2.778
47\80 705.000 495.000 14:5 2.800
57\97 705.155 494.845 17:6 2.833
10\17 705.882 494.118 3:1 3.000 Hard 5L 2s
53\90 706.667 493.333 16:5 3.200
43\73 706.849 493.151 13:4 3.250
76\129 706.977 493.023 23:7 3.286
33\56 707.143 492.857 10:3 3.333
89\151 707.285 492.715 27:8 3.375
56\95 707.368 492.632 17:5 3.400
79\134 707.463 492.537 24:7 3.429
23\39 707.692 492.308 7:2 3.500
82\139 707.914 492.086 25:7 3.571
59\100 708.000 492.000 18:5 3.600
95\161 708.075 491.925 29:8 3.625
36\61 708.197 491.803 11:3 3.667
85\144 708.333 491.667 26:7 3.714
49\83 708.434 491.566 15:4 3.750
62\105 708.571 491.429 19:5 3.800
13\22 709.091 490.909 4:1 4.000 Superhard 5L 2s
55\93 709.677 490.323 17:4 4.250
42\71 709.859 490.141 13:3 4.333
71\120 710.000 490.000 22:5 4.400
29\49 710.204 489.796 9:2 4.500
74\125 710.400 489.600 23:5 4.600
45\76 710.526 489.474 14:3 4.667
61\103 710.680 489.320 19:4 4.750
16\27 711.111 488.889 5:1 5.000
51\86 711.628 488.372 16:3 5.333
35\59 711.864 488.136 11:2 5.500
54\91 712.088 487.912 17:3 5.667
19\32 712.500 487.500 6:1 6.000
41\69 713.043 486.957 13:2 6.500
22\37 713.514 486.486 7:1 7.000
25\42 714.286 485.714 8:1 8.000
3\5 720.000 480.000 1:0 → ∞ Collapsed 5L 2s

Tunings above 7\12 on this chart are called "negative tunings" (as they lessen the size of the fifth) and include meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.

Tunings below 7\12 on this chart are called "positive tunings" and they include Pythagorean tuning itself (well approximated by 31\53) as well as superpyth tunings such as 10\17 and 13\22. As these tunings approach 3\5, the majors become sharper and the minors become flatter. Around 13\22 through 16\27, the thirds fall closer to 7-limit than 5-limit intervals: 7:6 and 9:7 as opposed to 6:5 and 5:4.

5L2s.jpg

5L 2s contains the pentatonic MOS 2L 3s and (with the sole exception of the 5L 2s of 12EDO) is itself contained in a dodecaphonic MOS: either 7L 5s or 5L 7s, depending on whether the fifth is flatter than or sharper than 7\12 (700¢).

Related Scales

and 5L 2s Muddles

Because the diatonic scale is so widely used, it should be no surprise that there are a number of noteworthy scales of different sorts related to this MOS.

Rank-2 temperaments

Approaches to Functional Harmony