152edo

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← 151edo152edo153edo →
Prime factorization 23 × 19
Step size 7.89474¢ 
Fifth 89\152 (702.632¢)
Semitones (A1:m2) 15:11 (118.4¢ : 86.84¢)
Consistency limit 11
Distinct consistency limit 11
Special properties

152 equal divisions of the octave (abbreviated 152edo or 152ed2), also called 152-tone equal temperament (152tet) or 152 equal temperament (152et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 152 equal parts of about 7.89 ¢ each. Each step represents a frequency ratio of 21/152, or the 152nd root of 2.

Theory

152edo is a strong 11-limit system, with the 3, 5, 7, and 11 slightly sharp. It tempers out 1600000/1594323 (amity comma) and [32 -7 -9 (escapade comma) in the 5-limit; 4375/4374, 5120/5103, 6144/6125 and 16875/16807 in the 7-limit; 540/539, 1375/1372, 3025/3024, 4000/3993, 5632/5625 and 9801/9800 in the 11-limit. It provides the optimal patent val for the 11-limit linear temperaments amity, grendel, and kwai, and the 11-limit planar temperament laka.

It has two reasonable mappings for 13, with the 152f val scoring much better. The 152f val tempers out 352/351, 625/624, 640/637, 729/728, 847/845, 1188/1183, 1575/1573, 1716/1715 and 2080/2079, supporting and giving an excellent tuning for amity, kwai, and laka. The optimal tuning of this temperament is consistent in the 15-integer-limit. The patent val tempers out 169/168, 325/324, 351/350, 364/363, 1001/1000, 1573/1568, and 4096/4095, providing the optimal patent val for the 13-limit rank-5 temperament tempering out 169/168, as well as some further temperaments thereof, such as octopus.

Paul Erlich has suggested that 152edo could be considered a sort of universal tuning.

Prime harmonics

Approximation of prime harmonics in 152edo
Harmonic 2 3 5 7 11 13 17 19 23 29 31
Error Absolute (¢) +0.00 +0.68 +0.53 +2.23 +1.31 -3.69 -2.32 +2.49 +3.30 -3.26 -0.30
Relative (%) +0.0 +8.6 +6.7 +28.2 +16.6 -46.7 -29.4 +31.5 +41.9 -41.3 -3.8
Steps
(reduced)
152
(0)
241
(89)
353
(49)
427
(123)
526
(70)
562
(106)
621
(13)
646
(38)
688
(80)
738
(130)
753
(145)

Subsets and supersets

Since 152 factors into 23 × 19, 152edo has subset edos 2, 4, 8, 19, 38, 76.

Regular temperament properties

Subgroup Comma list Mapping Optimal
8ve stretch (¢)
Tuning error
Absolute (¢) Relative (%)
2.3 [241 -152 [152 241]] −0.213 0.213 2.70
2.3.5 1600000/1594323, [32 -7 -9 [152 241 353]] −0.218 0.174 2.21
2.3.5.7 4375/4374, 5120/5103, 16875/16807 [152 241 353 427]] −0.362 0.291 3.69
2.3.5.7.11 540/539, 1375/1372, 4000/3993, 5120/5103 [152 241 353 427 526]] −0.365 0.260 3.30
2.3.5.7.11.13 352/351, 540/539, 625/624, 729/728, 1575/1573 [152 241 353 427 526 563]] (152f) −0.494 0.373 4.73
  • 152et (152fg val) has lower absolute errors in the 11-, 19-, and 23-limit than any previous equal temperaments. In the 11-limit it is the first to beat 130 and is superseded by 224. In the 19- and 23-limit it is the first to beat 140 and is superseded by 159.
  • It is best at the no-17 19- and 23-limit, in which it has lower relative errors than any previous equal temperaments. Not until 270 do we find a better equal temperament that does better in either of those subgroups.

Rank-2 temperaments

Table of rank-2 temperaments by generator
Periods
per 8ve
Generator* Cents* Associated
ratio*
Temperaments
1 7\152 55.26 33/32 Escapade / alphaquarter
1 31\152 244.74 15/13 Subsemifourth
1 39\152 307.89 3200/2673 Familia
1 43\152 339.47 243/200 Amity
1 49\152 386.84 5/4 Grendel
1 63\152 497.37 4/3 Kwai
1 71\152 560.53 242/175 Whoops
2 7\152 55.26 33/32 Septisuperfourth
2 9\152 71.05 25/24 Vishnu / acyuta (152f) / ananta (152)
2 43\152
(33\152)
339.47
(260.53)
243/200
(64/55)
Hemiamity
2 55\152
(21\152)
434.21
(165.79)
9/7
(11/10)
Supers
4 63\152
(13\152)
497.37
(102.63)
4/3
(35/33)
Undim / unlit
8 63\152
(6\152)
497.37
(47.37)
4/3
(36/35)
Twilight
8 74\152
(2\152)
584.21
(15.79)
7/5
(126/125)
Octoid (152f) / octopus (152)
19 63\152
(1\152)
497.37
(7.89)
4/3
(225/224)
Enneadecal
38 63\152
(1\152)
497.37
(7.89)
4/3
(225/224)
Hemienneadecal

* Octave-reduced form, reduced to the first half-octave, and minimal form in parentheses if it is distinct

Music

birdshite stalactite