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→Intervals: added interval names to the main table
 
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! Interval categories
! Interval categories
! Approximate ratios<ref group="note">As a 13-limit temperament, with additional ratios of 17, 19, and 23. Inconsistent intervals are in ''italics''.</ref>
! Approximate ratios<ref group="note">As a 13-limit temperament, with additional ratios of 17, 19, and 23. Inconsistent intervals are in ''italics''.</ref>
! [[Kite's ups and downs notation|Ups and downs notation]]
! colspan="2" |[[Kite's ups and downs notation|Ups and downs notation]]
([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and vd2)
|-
|-
| 0
| 0
Line 64: Line 65:
| Unison
| Unison
| [[1/1]]
| [[1/1]]
|P1
| {{UDnote|step=0}}
| {{UDnote|step=0}}
|-
|-
Line 70: Line 72:
| Super-unison
| Super-unison
| [[36/35]], [[45/44]], [[49/48]], [[50/49]], [[64/63]], [[128/125]]
| [[36/35]], [[45/44]], [[49/48]], [[50/49]], [[64/63]], [[128/125]]
|^1, d2
| {{UDnote|step=1}}
| {{UDnote|step=1}}
|-
|-
Line 76: Line 79:
| Subminor second
| Subminor second
| [[21/20]], [[22/21]], [[23/22]], [[25/24]], [[28/27]]
| [[21/20]], [[22/21]], [[23/22]], [[25/24]], [[28/27]]
|A1, vm2
| {{UDnote|step=2}}
| {{UDnote|step=2}}
|-
|-
Line 82: Line 86:
| Minor second
| Minor second
| [[14/13]], [[15/14]], [[16/15]]
| [[14/13]], [[15/14]], [[16/15]]
|m2
| {{UDnote|step=3}}
| {{UDnote|step=3}}
|-
|-
Line 88: Line 93:
| Neutral second
| Neutral second
| [[11/10]], [[12/11]], [[13/12]], [[35/32]]
| [[11/10]], [[12/11]], [[13/12]], [[35/32]]
|~2
| {{UDnote|step=4}}
| {{UDnote|step=4}}
|-
|-
Line 94: Line 100:
| Major second
| Major second
| [[9/8]], [[10/9]], [[19/17]], [[28/25]]
| [[9/8]], [[10/9]], [[19/17]], [[28/25]]
|M2
| {{UDnote|step=5}}
| {{UDnote|step=5}}
|-
|-
Line 100: Line 107:
| Supermajor second
| Supermajor second
| [[8/7]]
| [[8/7]]
|^M2
| {{UDnote|step=6}}
| {{UDnote|step=6}}
|-
|-
Line 106: Line 114:
| Subminor third
| Subminor third
| [[7/6]]
| [[7/6]]
|vm3
| {{UDnote|step=7}}
| {{UDnote|step=7}}
|-
|-
Line 112: Line 121:
| Minor third
| Minor third
| [[6/5]], [[25/21]], ''[[13/11]]''
| [[6/5]], [[25/21]], ''[[13/11]]''
|m3
| {{UDnote|step=8}}
| {{UDnote|step=8}}
|-
|-
Line 118: Line 128:
| Neutral third
| Neutral third
| [[11/9]], [[16/13]]
| [[11/9]], [[16/13]]
|~3
| {{UDnote|step=9}}
| {{UDnote|step=9}}
|-
|-
Line 124: Line 135:
| Major third
| Major third
| [[5/4]]
| [[5/4]]
|M3
| {{UDnote|step=10}}
| {{UDnote|step=10}}
|-
|-
Line 130: Line 142:
| Supermajor third
| Supermajor third
| [[9/7]], [[14/11]], [[23/18]], [[32/25]]
| [[9/7]], [[14/11]], [[23/18]], [[32/25]]
|^M3
| {{UDnote|step=11}}
| {{UDnote|step=11}}
|-
|-
Line 136: Line 149:
| Subfourth
| Subfourth
| [[13/10]], [[17/13]], [[21/16]]
| [[13/10]], [[17/13]], [[21/16]]
|v4
| {{UDnote|step=12}}
| {{UDnote|step=12}}
|-
|-
Line 142: Line 156:
| Perfect fourth
| Perfect fourth
| [[4/3]]
| [[4/3]]
|P4
| {{UDnote|step=13}}
| {{UDnote|step=13}}
|-
|-
Line 148: Line 163:
| Superfourth
| Superfourth
| [[11/8]], [[15/11]], [[26/19]], ''[[18/13]]'', [[48/35]]
| [[11/8]], [[15/11]], [[26/19]], ''[[18/13]]'', [[48/35]]
|^4, ~4
| {{UDnote|step=14}}
| {{UDnote|step=14}}
|-
|-
Line 154: Line 170:
| Augmented fourth
| Augmented fourth
| [[7/5]], [[25/18]], [[45/32]]
| [[7/5]], [[25/18]], [[45/32]]
|A4, vd5
| {{UDnote|step=15}}
| {{UDnote|step=15}}
|-
|-
Line 160: Line 177:
| Diminished fifth
| Diminished fifth
| [[10/7]], [[36/25]], [[64/45]]
| [[10/7]], [[36/25]], [[64/45]]
|^A4, d5
| {{UDnote|step=16}}
| {{UDnote|step=16}}
|-
|-
Line 166: Line 184:
| Subfifth
| Subfifth
| [[16/11]], [[19/13]], [[22/15]], ''[[13/9]]'', [[35/24]]
| [[16/11]], [[19/13]], [[22/15]], ''[[13/9]]'', [[35/24]]
|v5, ~5
| {{UDnote|step=17}}
| {{UDnote|step=17}}
|-
|-
Line 172: Line 191:
| Perfect fifth
| Perfect fifth
| [[3/2]]
| [[3/2]]
|P5
| {{UDnote|step=18}}
| {{UDnote|step=18}}
|-
|-
Line 178: Line 198:
| Superfifth
| Superfifth
| [[20/13]], [[26/17]], [[32/21]]
| [[20/13]], [[26/17]], [[32/21]]
|^5
| {{UDnote|step=19}}
| {{UDnote|step=19}}
|-
|-
Line 184: Line 205:
| Subminor sixth
| Subminor sixth
| [[11/7]], [[14/9]], [[25/16]]
| [[11/7]], [[14/9]], [[25/16]]
|vm6
| {{UDnote|step=20}}
| {{UDnote|step=20}}
|-
|-
Line 190: Line 212:
| Minor sixth
| Minor sixth
| [[8/5]]
| [[8/5]]
|m6
| {{UDnote|step=21}}
| {{UDnote|step=21}}
|-
|-
Line 196: Line 219:
| Neutral sixth
| Neutral sixth
| [[13/8]], [[18/11]]
| [[13/8]], [[18/11]]
|~6
| {{UDnote|step=22}}
| {{UDnote|step=22}}
|-
|-
Line 202: Line 226:
| Major sixth
| Major sixth
| [[5/3]], [[42/25]], ''[[22/13]]''
| [[5/3]], [[42/25]], ''[[22/13]]''
|M6
| {{UDnote|step=23}}
| {{UDnote|step=23}}
|-
|-
Line 208: Line 233:
| Supermajor sixth
| Supermajor sixth
| [[12/7]]
| [[12/7]]
|^M6
| {{UDnote|step=24}}
| {{UDnote|step=24}}
|-
|-
Line 214: Line 240:
| Subminor seventh
| Subminor seventh
| [[7/4]]
| [[7/4]]
|vm7
| {{UDnote|step=25}}
| {{UDnote|step=25}}
|-
|-
Line 220: Line 247:
| Minor seventh
| Minor seventh
| [[9/5]], [[16/9]], [[25/14]], [[34/19]]
| [[9/5]], [[16/9]], [[25/14]], [[34/19]]
|m7
| {{UDnote|step=26}}
| {{UDnote|step=26}}
|-
|-
Line 226: Line 254:
| Neutral seventh
| Neutral seventh
| [[11/6]], [[20/11]], [[24/13]], [[64/35]]
| [[11/6]], [[20/11]], [[24/13]], [[64/35]]
|~7
| {{UDnote|step=27}}
| {{UDnote|step=27}}
|-
|-
Line 232: Line 261:
| Major seventh
| Major seventh
| [[13/7]], [[15/8]], [[28/15]]
| [[13/7]], [[15/8]], [[28/15]]
|M7
| {{UDnote|step=28}}
| {{UDnote|step=28}}
|-
|-
Line 238: Line 268:
| Supermajor seventh
| Supermajor seventh
| [[21/11]], [[27/14]], [[40/21]], [[44/23]], [[48/25]]
| [[21/11]], [[27/14]], [[40/21]], [[44/23]], [[48/25]]
|^M7
| {{UDnote|step=29}}
| {{UDnote|step=29}}
|-
|-
Line 244: Line 275:
| Sub-octave
| Sub-octave
| [[35/18]], [[49/25]], [[63/32]], [[88/45]], [[96/49]], [[125/64]]
| [[35/18]], [[49/25]], [[63/32]], [[88/45]], [[96/49]], [[125/64]]
|v8
| {{UDnote|step=30}}
| {{UDnote|step=30}}
|-
|-
Line 250: Line 282:
| Octave
| Octave
| [[2/1]]
| [[2/1]]
|P8
| {{UDnote|step=31}}
| {{UDnote|step=31}}
|}
|}