159edo: Difference between revisions
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{{ED intro}} The step size of this system is in between the sizes of [[243/242]] (the rastma) and [[225/224]] (the marvel comma). | {{ED intro}} The step size of this system is in between the sizes of [[243/242]] (the rastma) and [[225/224]] (the marvel comma). | ||
== History == | |||
Despite being none other than the tripled superset of the famous 53edo, and hence, one would think, fairly easy to find, it is a wonder that the first person to show theoretical interest in it was [[Ozan Yarman]]—specifically in terms of extracting a voluminous subset for representing maqamat—in late 2005 to early 2006. | Despite being none other than the tripled superset of the famous 53edo, and hence, one would think, fairly easy to find, it is a wonder that the first person to show theoretical interest in it was [[Ozan Yarman]]—specifically in terms of extracting a voluminous subset for representing maqamat—in late 2005 to early 2006. | ||
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Accordingly, it is no coincidence that [https://en.xen.wiki/index.php?title=159edo&type=revision&diff=5153&oldid=5154 the first records of 159edo on this Wiki from the days of Wikispaces] concern said 79-tone subset related to the [[Turkish maqam music temperaments|yarman]] temperament which had been proposed by Yarman as a tuning standard for [[Arabic, Turkish, Persian music|Arabic, Turkish and Persian music]]. Based on the information given by Ozan Yarman himself, his elder colleague [[M. Ugur Kececioglu]] first utilized 159edo in his revamped 2011 release of the [[Notist]] score editor and therein allowed the Arel-Ezgi-Uzdilek (AEU) accidentals to be bent by as little a detail as 1/3 of a single step of 53edo, while also mapping AEU altogether to a suitable subset of 53edo to allow transpositions throughout. | Accordingly, it is no coincidence that [https://en.xen.wiki/index.php?title=159edo&type=revision&diff=5153&oldid=5154 the first records of 159edo on this Wiki from the days of Wikispaces] concern said 79-tone subset related to the [[Turkish maqam music temperaments|yarman]] temperament which had been proposed by Yarman as a tuning standard for [[Arabic, Turkish, Persian music|Arabic, Turkish and Persian music]]. Based on the information given by Ozan Yarman himself, his elder colleague [[M. Ugur Kececioglu]] first utilized 159edo in his revamped 2011 release of the [[Notist]] score editor and therein allowed the Arel-Ezgi-Uzdilek (AEU) accidentals to be bent by as little a detail as 1/3 of a single step of 53edo, while also mapping AEU altogether to a suitable subset of 53edo to allow transpositions throughout. | ||
== Theory == | |||
A salient fact about 159edo is that {{nowrap| 159 {{=}} 3 × 53 }}, and thus, this system has both [[3edo]] and [[53edo]] as subsets—the former subset being shared with [[12edo]]. | |||
=== Mappings and JI approximation quality === | === Mappings and JI approximation quality === | ||
This system inherits its approximations of [[3/1|3]], [[5/1|5]], [[13/1|13]], and [[19/1|19]] from 53edo, however, the [[patent val]]s differ on the mappings for [[7/1|7]], [[11/1|11]] and [[17/1|17]]—in fact, this edo has a very accurate 11 and an only slightly less accurate 17. Furthermore, 159edo demonstrates 3-to-2 [[telicity]], as despite being [[contorted]] in the 5-limit, it is the largest edo to temper out [[Mercator's comma]] in which said comma is less than half the size of a single edostep. This means, among other things, that there is a perfect match between the [[direct approximation]] and the more complicated traditional mapping for an [[octave-reduced]] stack of fifty-three tempered [[3/2]] perfect fifths—a complete [[circle of fifths]] for this edo. | This system inherits its approximations of [[3/1|3]], [[5/1|5]], [[13/1|13]], and [[19/1|19]] from 53edo, however, the [[patent val]]s differ on the mappings for [[7/1|7]], [[11/1|11]] and [[17/1|17]]—in fact, this edo has a very accurate 11 and an only slightly less accurate 17. Furthermore, 159edo demonstrates 3-to-2 [[telicity]], as despite being [[contorted]] in the 5-limit, it is the largest edo to temper out [[Mercator's comma]] in which said comma is less than half the size of a single edostep. This means, among other things, that there is a perfect match between the [[direct approximation]] and the more complicated traditional mapping for an [[octave-reduced]] stack of fifty-three tempered [[3/2]] perfect fifths—a complete [[circle of fifths]] for this edo. | ||
159edo is [[consistent]] up to the no-17 [[29-odd-limit]] or the no-19 [[27-odd-limit]] as 19/17, 29/17, and their [[octave complement]]s exhaust the inconsistently mapped interval pairs in the 29-odd-limit. Thus its full 29-limit interpretation using the [[patent val]] is obvious, albeit with the catch that it is less than ideal to use the 17-prime at the same time as either the 19-prime or the 29-prime. However, there is more to consider as the [[direct approximation]] and the val mapping for intervals such as [[49/32]], [[35/32]], and [[169/128]] do not match, and as a result, 159edo can be thought of as having a perfunctory [[7-limit]] that mainly serves to bridge to the [[11-limit]] and divide the nearly just 3/2 into three, as well as a similarly perfunctory [[13-limit]] that mainly serves to bridge to the 17-limit and to absorb complex combinations of 3 and 5. | 159edo is [[consistent]] up to the no-17's [[29-odd-limit]] or the no-19's [[27-odd-limit]] as [[19/17]], [[29/17]], and their [[octave complement]]s exhaust the inconsistently mapped interval pairs in the 29-odd-limit. Thus its full 29-limit interpretation using the [[patent val]] is obvious, albeit with the catch that it is less than ideal to use the 17-prime at the same time as either the 19-prime or the 29-prime. However, there is more to consider as the [[direct approximation]] and the val mapping for intervals such as [[49/32]], [[35/32]], and [[169/128]] do not match, and as a result, 159edo can be thought of as having a perfunctory [[7-limit]] that mainly serves to bridge to the [[11-limit]] and divide the nearly just 3/2 into three, as well as a similarly perfunctory [[13-limit]] that mainly serves to bridge to the 17-limit and to absorb complex combinations of 3 and 5. | ||
Notably, 159edo provides the [[optimal patent val]] for 11-limit [[guiron]], 13-limit [[tritikleismic]], the 13-limit rank-3 temperament [[Gamelismic family #Portending|portending]], as well as the 17-limit rank-6 temperament tempering out [[273/272]]. In addition to this, it also supports both forms of the yarman temperament, with a generator of 2\159 which can be taken as an approximate 105/104. Both have a [[mos]] of 79 or 80 notes to the octave, and have their optimal patent vals supplied by 159edo in 7-limit, 11-limit, 13-limit, 17-limit and even 19-limit forms. While the patent val [[support]]s both [[cartography]] and [[iodine]] temperaments, which are among the best 13-limit temperaments in the [[mercator family]], the 159d and 159f mappings support other members of this temperament family. | Notably, 159edo provides the [[optimal patent val]] for 11-limit [[guiron]], 13-limit [[tritikleismic]], the 13-limit rank-3 temperament [[Gamelismic family #Portending|portending]], as well as the 17-limit rank-6 temperament tempering out [[273/272]]. In addition to this, it also supports both forms of the yarman temperament, with a generator of 2\159 which can be taken as an approximate [[105/104]]. Both have a [[mos]] of 79 or 80 notes to the octave, and have their optimal patent vals supplied by 159edo in 7-limit, 11-limit, 13-limit, 17-limit and even 19-limit forms. While the patent val [[support]]s both [[cartography]] and [[iodine]] temperaments, which are among the best 13-limit temperaments in the [[mercator family]], the 159d and 159f mappings support other members of this temperament family. | ||
=== Prime harmonics === | === Prime harmonics === | ||
| Line 80: | Line 80: | ||
| ? | | ? | ||
| [[121/120]], [[100/99]] | | [[121/120]], [[100/99]] | ||
| [[144/143]] | | [[144/143]], [[105/104]] | ||
| [[120/119]] | | [[120/119]] | ||
|- | |- | ||
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| 211.3207547 | | 211.3207547 | ||
| | | | ||
| | | [[640/567]] | ||
| ? | | ? | ||
| [[44/39]] | | [[44/39]] | ||
| Line 1,110: | Line 1,110: | ||
| 988.6792458 | | 988.6792458 | ||
| | | | ||
| | | [[567/320]] | ||
| ? | | ? | ||
| [[39/22]] | | [[39/22]] | ||
| Line 1,320: | Line 1,320: | ||
| ? | | ? | ||
| [[240/121]], [[99/50]] | | [[240/121]], [[99/50]] | ||
| [[143/72]] | | [[143/72]], [[208/105]] | ||
| [[119/60]] | | [[119/60]] | ||
|- | |- | ||
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| 2.2461 | | 2.2461 | ||
| | | | ||
| [[ | | [[Alphatricot comma]] | ||
|- | |- | ||
| 5 | | 5 | ||
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|- | |- | ||
|} | |} | ||
<references group="note" /> | |||
In the 23-limit, with the 19- | In the 23-limit, with the 19-prime skipped, this system is known to temper out [[392/391]], [[460/459]], [[507/506]], [[529/528]], [[897/896]], [[1105/1104]], [[1288/1287]], [[2024/2023]], [[2025/2024]], and [[2646/2645]] among others. | ||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
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| [[Iodine]] | | [[Iodine]] | ||
|} | |} | ||
<nowiki/>* [[Normal | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | ||
== Instruments == | == Instruments == | ||
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== Music == | == Music == | ||
The songs below are written in 159edo, or, in approximations that differ from the actual 159edo by only fractions of a [[cent]]. | The songs below are written in 159edo, or, in approximations that differ from the actual 159edo by only fractions of a [[cent]]. | ||
; [[Back Of The Class]] & [[Dawson Berry]] | |||
* [https://soundcloud.com/backoftheclassss/embrace ''Embrace''] (2025) | |||
; [[Dawson Berry]] | ; [[Dawson Berry]] | ||
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* [https://www.youtube.com/watch?v=niSgSld0lUA ''Foes and Forgiveness''] (2024) | * [https://www.youtube.com/watch?v=niSgSld0lUA ''Foes and Forgiveness''] (2024) | ||
* [https://www.youtube.com/watch?v=a2YLIxQZZPk ''Youthful Fun''] (2025) | * [https://www.youtube.com/watch?v=a2YLIxQZZPk ''Youthful Fun''] (2025) | ||
; [[Eufalesio]] | |||
* [https://soundcloud.com/eufalesio/transhypertonal-ai-megalomania ''TRANSHYPERTONAL AI MEGALOMANIA''] (2024) | |||
; [[Ozan Yarman]] | ; [[Ozan Yarman]] | ||
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* [https://www.youtube.com/watch?v=tAcmvGgERC4 ''79'lu sistemde MISIRLI Udi İbrahim Efendi'nin çoksesli Acemaşiran Sazsemaisi -- Ozan Yarman''] – Adjemashiran Sazsemai of "Egyptian" Ud-player Ibrahim Efendi in 79 MOS 159-tET as polyphonalized by Ozan Yarman (2005-2022) | * [https://www.youtube.com/watch?v=tAcmvGgERC4 ''79'lu sistemde MISIRLI Udi İbrahim Efendi'nin çoksesli Acemaşiran Sazsemaisi -- Ozan Yarman''] – Adjemashiran Sazsemai of "Egyptian" Ud-player Ibrahim Efendi in 79 MOS 159-tET as polyphonalized by Ozan Yarman (2005-2022) | ||
* [https://www.youtube.com/watch?v=dT9RssZ1950 ''79-ton RAST KAR-I NATIK (Ozan Yarman -- thicc vokal ver.)''] – RAST KAR-I NATIK by Ozan Yarman in his 79-tone Qanun tuning | * [https://www.youtube.com/watch?v=dT9RssZ1950 ''79-ton RAST KAR-I NATIK (Ozan Yarman -- thicc vokal ver.)''] – RAST KAR-I NATIK by Ozan Yarman in his 79-tone Qanun tuning | ||
* [https://www.youtube.com/watch?v=gRRnKzjshHg ''Ushshaq Improvisation on the 79-tone Qanun''] (2025) | |||
* [https://www.youtube.com/watch?v=zYvIaVyWrS8 ''Urmo-Yarmanian BUSELİK Improvisation on the 79-tone Qanun''] (2025) | |||
== See also == | == See also == | ||
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* [http://www.ozanyarman.com/files/34ten79a.pdf ''Search For A Theoretical Model Conforming To Turkish Maqam Music Practice: A Selection Of Fixed-Pitch Settings From 34-tone Equal Temperament To The 79-tone Tuning''] – also by Ozan Yarman, gives a summary | * [http://www.ozanyarman.com/files/34ten79a.pdf ''Search For A Theoretical Model Conforming To Turkish Maqam Music Practice: A Selection Of Fixed-Pitch Settings From 34-tone Equal Temperament To The 79-tone Tuning''] – also by Ozan Yarman, gives a summary | ||
* [http://www.bestii.com/~mschulter/17-MOS-tunings_Letter-to-Ozan.txt Letter to Ozan Yarman] by Margo Schulter [https://www.webcitation.org/5xepptaan (permalink)] | * [http://www.bestii.com/~mschulter/17-MOS-tunings_Letter-to-Ozan.txt Letter to Ozan Yarman] by Margo Schulter [https://www.webcitation.org/5xepptaan (permalink)] | ||
== References == | == References == | ||