31edo: Difference between revisions
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== Notations == | == Notations == | ||
'''Quarter-tone notation''' is much like ups and downs notation. Between C and D (do and re) for example, we have the following notes: | |||
{| class="wikitable" | |||
|- | |||
| |'''Degree''' | |||
| |'''Letter''' | |||
| |'''Name''' | |||
| |'''English full name''' | |||
|- | |||
| |0 | |||
| |C | |||
| |do | |||
| | C | |||
|- | |||
| |1 | |||
| |C+ | |||
| |do+ | |||
| |C half-sharp | |||
|- | |||
| |2 | |||
| |C# | |||
| |do# | |||
| |C sharp | |||
|- | |||
| | 3 | |||
| |Db | |||
| |re b | |||
| |D flat | |||
|- | |||
| |4 | |||
| | Dd | |||
| |re d | |||
| |D half-flat | |||
|- | |||
| |5 | |||
| |D | |||
| |re | |||
| |D | |||
|}'''Extended pythagorean notation''' uses double sharps and double flats: | |||
{| class="wikitable" | |||
|- | |||
| |'''Degree''' | |||
| |'''Letter''' | |||
| |'''Name''' | |||
| |'''English full name''' | |||
|- | |||
| |0 | |||
| |C | |||
| |do | |||
| |C | |||
|- | |||
| |1 | |||
| |Dbb | |||
| |re bb | |||
| |D double flat | |||
|- | |||
| |2 | |||
| |C# | |||
| |do # | |||
| |C sharp | |||
|- | |||
| |3 | |||
| | Db | |||
| |re b | |||
| |D flat | |||
|- | |||
| |4 | |||
| |Cx | |||
| |do x | |||
| |C double sharp | |||
|- | |||
| | 5 | |||
| |D | |||
| |re | |||
| |D | |||
|}While using double sharp and double flat may seem confusing because it alternates between C and D, it provides a way of writing chords that is consistent with traditional notation. For example, the subminor7 chord 12:14:18:21 is written like so: | |||
* C / D# / G / A# | |||
*C# / Dx / G# / Ax | |||
*Db / E / Ab / B | |||
* D / E# / A / B# | |||
In 12-edo, we have the enharmonic equivalences C# = Db and E# = F. But in 31-edo we have: | |||
*Cx = Dd | |||
*C+ = Dbb | |||
*E# = Fd | |||
*E+ = Fb | |||
*Ex = F+ | |||
*Ed = Fbb | |||
'''Revo Sagittal notation''', from the appendix to [[The Sagittal Songbook]] by [[Jacob Barton|Jacob A. Barton]]: | |||
[[File:31edo Sagittal.png|800px]] | [[File:31edo Sagittal.png|800px]] | ||
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{{See also|:Category:31edo tracks}} | {{See also|:Category:31edo tracks}} | ||
* [[31-edo compositions|An alphabetical list of Tricesimoprimal Compositions]]. | * [[31-edo compositions|An alphabetical list of Tricesimoprimal Compositions]]. | ||
* [ | * [https://archive.org/download/Aire2In31-equalTemperament/Aire2In31.mp3 Aire #2 in 31-equal temperament] by [[Jon Lyle Smith]] {{dead link}} | ||
* [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3 I Stand Hopeless Before the Gray Sea] by [[Chuckles McGee]] | * [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3 I Stand Hopeless Before the Gray Sea] by [[Chuckles McGee]] | ||
* [http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3 Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)] by [[Claudi Meneghin]] | * [http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3 Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)] by [[Claudi Meneghin]] | ||
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=== Articles === | === Articles === | ||
* [http://www.huygens-fokker.org/docs/beerart.html de Beer, Anton, ''The Development of 31-tone Music''] [ | * [http://www.huygens-fokker.org/docs/beerart.html de Beer, Anton, ''The Development of 31-tone Music''] [https://www.webcitation.org/5xeFzBM9b Permalink] | ||
* [http://www.huygens-fokker.org/docs/fokkerorg.html Fokker, Adriaan Daniël, ''Equal Temperament and the Thirty-one-keyed organ''] [ | * [http://www.huygens-fokker.org/docs/fokkerorg.html Fokker, Adriaan Daniël, ''Equal Temperament and the Thirty-one-keyed organ''] [https://www.webcitation.org/5xeG6Tmli Permalink] | ||
* Fokker, A.D., "New Music with 31 Notes" translated by Leigh Gerdine | * Fokker, A.D., "New Music with 31 Notes" translated by Leigh Gerdine | ||
* [http://www.huygens-fokker.org/docs/rap31.html Rapoport, Paul, ''About 31-tone Equal Temperament''] [ | * [http://www.huygens-fokker.org/docs/rap31.html Rapoport, Paul, ''About 31-tone Equal Temperament''] [https://www.webcitation.org/5xeGH4uBH Permalink] | ||
* [http://www.huygens-fokker.org/docs/terp31.html Terpstra, Siemen, ''Toward a Theory of Meantone (and 31-et) Harmony''] [ | * [http://www.huygens-fokker.org/docs/terp31.html Terpstra, Siemen, ''Toward a Theory of Meantone (and 31-et) Harmony''] [https://www.webcitation.org/5xeGMeCMd Permalink] | ||
* [http://tonalsoft.com/enc/number/31edo.aspx Tonalsoft Encyclopedia article] [ | * [http://tonalsoft.com/enc/number/31edo.aspx Tonalsoft Encyclopedia article] [https://www.webcitation.org/5xeGYj7QU Permalink] | ||
=== Videos === | === Videos === | ||