Stein–Zimmermann–Gould notation: Difference between revisions

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This article discusses about an alternative set of symbols based on current practice of microtonal music with some experimental extrapolation. The notation is, in essence, ups and downs notation with a different look.  
The '''Stein–Zimmermann–Gould''' ('''SZG''') '''notation''' is a [[musical notation]] system that expands [[chain-of-fifths notation]] for [[edo]]s with higher [[sharpness]] values as well as certain [[rank-2 temperament]]s. It combines Stein–Zimmermann accidentals and Gould arrows with consistent semantics, where:
* Standard and Stein–Zimmermann accidentals represent multiples of half [[chromatic semitone]]s;
* Gould arrows represent indefinite small modifications, commonly edosteps.  


Alternative symbols may be useful for the following reasons:  
This notation started as a practical way to notate edos in [[MuseScore]], first suggested by [[Flora Canou]] around 2020 and was adopted by the [https://github.com/euwbah/musescore-microtonal-edo-plugin Microtonal plugin for Musescore 3.4+]. The use of arrows to represent edosteps was inspired by [[Kite's ups and downs notation]].  
# One may prefer a more conventional look of the score;
# The up and down symbols may not be quite accessible in computer-aided score typing.  
All symbols proposed in this article are available in MuseScore 3. (Feel free to address others.)


== What It Resolves ==
== Symbol set ==
How is the conventional notation for 31-ET related to that for 22-ET? Is there a logical unity despite the apparent differences?
The symbol set comprises standard accidentals (sharps, flats, and naturals), Stein–Zimmermann quartertone accidentals (semisharps and semiflats) and Gould arrows. When Gould arrows are not available, one may borrow the similar-looking [[Helmholtz–Ellis notation|Helmholtz–Ellis just intonation accidentals]] for prime 5. 


== Detail ==
The standard accidentals modify the note by multiples of a chromatic semitone (Pythagorean apotome, [[2187/2048]]).
Below is a table showing the characteristics of each edo in the context of heptatonic ups and downs notation.
{| class="wikitable"
|+Sharp value \ step size of a small tone
|
|'''-2'''
|'''-1'''
|'''0'''
|'''1'''
|'''2'''
|'''3'''
|'''4'''
|'''5'''
|'''6'''
|'''7'''
|'''8'''
|-
|'''-3'''
|
|
|
|
|
|6b
|
|
|
|
|
|-
|'''-2'''
|
|
|
|
|4
|11
|18b
|
|
|
|
|-
|'''-1'''
|
|
|
|2
|9
|16
|23
|30b
|
|
|
|-
|'''0'''
|
|
|
|7
|14
|21
|28
|35
|42b
|
|
|-
|'''1'''
|
|
|5
|12
|19
|26
|33
|40
|47
|54b
|
|-
|'''2'''
|
|3
|10
|17
|24
|31
|38
|45
|52
|59b
|
|-
|'''3'''
|1
|8
|15
|22
|29
|36
|43
|50
|57
|64
|71b
|-
|'''4'''
|6
|13
|20
|27
|34
|41
|48
|55
|62
|69
|…
|-
|'''5'''
|11b
|18
|25
|32
|39
|46
|53
|60
|67
|…
|
|-
|'''6'''
|
|23b
|30
|37
|44
|51
|58
|65
|72
|…
|
|-
|'''7'''
|
|
|35b
|42
|49
|56
|63
|70
|…
|
|
|-
|'''8'''
|
|
|
|47b
|54
|61
|68
|…
|
|
|
|-
|'''9'''
|
|
|
|52b
|59
|66
|…
|
|
|
|
|-
|'''10'''
|
|
|
|
|64b
|71
|…
|
|
|
|
|}
Each row represents the step size of a sharp/flat, to be called "sharp value" below.  


Each column represents the step size of a small tone, located between E–F and B–C.  
The Stein–Zimmermann quartertone accidentals modify the note by half a chromatic semitone. They apply to edos of even sharpness values only.


'''Sharp-1''' ETs have a sharp that raises 1 step. ETs of this category include 5, 12, 19, 26, etc.  
The Gould arrow accidentals are arrows attached to any of above, and modify the note by an indefinite small amount, but most commonly one step of the edo.  


Traditional notation can be used since an up is exactly equivalent to a sharp.  
== Usage guide for each sharpness value ==
A usage guide for edos of sharpness value below 8 will be provided here.  


{| class="wikitable"
=== Sharp-1 ===
|Step offset
Sharp-1 edos have a sharp that raises 1 step. Edos of this category include {{EDOs| 5, 12, 19, 26, and 33 }}. Standard chain-of-fifths notation can be used since an up-arrow is exactly equivalent to a sharp.
| +2
{{Sharpness-sharp1-szg}}
| +1
| 0
| -1
| -2
|-
|Symbol
|[[File:accidental doublesharp.png]]
|[[File:accidental sharp.png]]
|[[File:accidental natural.png]]
|[[File:accidental flat.png]]
|[[File:accidental doubleflat.png]]
|}


'''Sharp-2''' ETs have a sharp that raises 2 steps. ETs of this category include 10, 17, 24, 31, etc.  
=== Sharp-2 ===
Sharp-2 edos have a sharp that raises 2 steps. Edos of this category include {{EDOs| 10, 17, 24, 31, 38, and 45 }}. Stein–Zimmermann accidentals, Gould arrows, or a combination of both may be used.
{{Sharpness-sharp2-szg}}


As are commonly seen in 24-edo and 31-edo, semisharps and semiflats could be used for a substitution of the tilde.  
=== Sharp-3 ===
Sharp-3 edos have a sharp that raises 3 steps. Edos of this category include {{EDOs| 8, 15, 22, 29, 36, 43, and 50 }}. This is first sharpness value where Gould arrows must be used.  
{{Sharpness-sharp3-szg}}


{| class="wikitable"
In some cases, some notes or intervals may be best spelled with double arrows:
|Step offset
{{Sharpness-sharp3-extended-szg}}
| +4
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
|-
|Symbol
|[[File:accidental doublesharp.png]]
|[[File:accidental sesquisharp.png]]
|[[File:accidental sharp.png]]
|[[File:accidental semisharp.png]]
|[[File:accidental natural.png]]
|[[File:accidental semiflat.png]]
|[[File:accidental flat.png]]
|[[File:accidental sesquiflat.png]]
|[[File:accidental doubleflat.png]]
|}


'''Sharp-3''' ETs have a sharp that raises 3 steps. ETs of this category include 22, 29, 36, 43, etc.  
=== Sharp-4 ===
Sharp-4 edos have a sharp that raises 4 steps. Edos of this category include {{EDOs| 20, 27, 34, 41, 48, 55, and 62 }}. This is first sharpness where the Stein–Zimmermann–Gould notation works in its full form.
{{Sharpness-sharp4-szg}}


This is where you ''really'' want to use ups and downs.  
=== Sharp-5 ===
Sharp-5 edos have a sharp that raises 5 steps. Edos of this category include {{EDOs| 32, 39, 46, 53, 60, 67, and 74 }}.
{{Sharpness-sharp5-szg}}


{| class="wikitable"
In some cases, some notes or intervals may be best spelled with triple arrows:
|Step offset
{{Sharpness-sharp5-extended-szg}}
| +7
| +6
| +5
| +4
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
| -5
| -6
| -7
|-
|Symbol
|[[File:accidental doublesharp up.png]]
|[[File:accidental doublesharp.png]]
|[[File:accidental doublesharp down.png]]
|[[File:accidental sharp up.png]]
|[[File:accidental sharp.png]]
|[[File:accidental sharp down.png]]
|[[File:accidental natural up.png]]
|[[File:accidental natural.png]]
|[[File:accidental natural down.png]]
|[[File:accidental flat up.png]]
|[[File:accidental flat.png]]
|[[File:accidental flat down.png]]
|[[File:accidental doubleflat up.png]]
|[[File:accidental doubleflat.png]]
|[[File:accidental doubleflat down.png]]
|}


'''Sharp-4''' ETs have a sharp that raises 4 steps. ETs of this category include 27, 34, 41, 48, etc.  
=== Sharp-6 ===
Sharp-6 edos have a sharp that raises 6 steps. Edos of this category include {{EDOs| 44, 51, 58, 65, 72, 79, and 86 }}.
{{Sharpness-sharp6-szg}}


A combination of semisharps, semiflats, ups and downs looks very neat.
Attaching arrows to semi- and sesquisharps and flats is also another option instead of using double arrows:
{{Sharpness-sharp6-qt-szg}}


{| class="wikitable"
=== Sharp-7 ===
|Step offset
Sharp-7 edos have a sharp that raises 7 steps. Edos of this category include {{EDOs| 56, 63, 70, 77, 84, 91, and 98 }}.  
| +9
{{Sharpness-sharp7-szg}}
| +8
| +7
| +6
| +5
| +4
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
| -5
| -6
| -7
| -8
| -9
|-
|Symbol
|[[File:accidental doublesharp up.png]]
|[[File:accidental doublesharp.png]]
|[[File:accidental doublesharp down.png]]
|[[File:accidental sesquisharp.png]]
|[[File:accidental sharp up.png]]
|[[File:accidental sharp.png]]
|[[File:accidental sharp down.png]]
|[[File:accidental semisharp.png]]
|[[File:accidental natural up.png]]
|[[File:accidental natural.png]]
|[[File:accidental natural down.png]]
|[[File:accidental semiflat.png]]
|[[File:accidental flat up.png]]
|[[File:accidental flat.png]]
|[[File:accidental flat down.png]]
|[[File:accidental sesquiflat.png]]
|[[File:accidental doubleflat up.png]]
|[[File:accidental doubleflat.png]]
|[[File:accidental doubleflat down.png]]
|}


Starting with '''sharp-5''', which includes the famous 53-ET, you'll have to use double ups and downs.  
=== Sharp-8 ===
Sharp-8 edos have a sharp that raises 8 steps. Edos of this category include {{EDOs| 61, 68, 75, 82, 89, 96, and 103 }}.
{{Sharpness-sharp8-szg}}


There's a small version of the arrow symbol available that can be stacked twice or thrice, termed raise/lower by one syntonic comma, for which the step size of 53-edo is a close approximation. These arrow symbols, possibly combined with semisharps and semiflats, could be used through sharp-5 to sharp-8 ETs.  
=== Higher sharpness values ===
Provided with more stacks of arrows, or the ability to attach arrows to demi- and sesqui-sharps and flats, edos of higher sharpness value can be notated in the same method as above.


It is basically another system, to be called the "complex system", in contrast to the "simple system" above. The complex system is compatible with lower sharp values. For example, you could use the sharp-8 68-ET for the notation of 34-ET, but the reason the former should not take priority is obvious. However you do, using arrow symbols of both systems should be definitely avoided, because they look too similar.  
{{W|SMuFL}} curently supplies [https://w3c.github.io/smufl/latest/tables/extended-stein-zimmermann-accidentals.html extended Stein-Zimmermann accidentals (U+E290–U+E29F)], which contains demi- and sesqui-sharps and flats with a single arrow.  


The rest will be discussed below.  
Here is an example of a notation scheme for sharp-10 edos.  
{{Sharpness-sharp10-qt1-szg}}


'''Flat-1''' ETs have a sharp that _lowers_ 1 step. ETs of this category include 9, 16, and 23. To have a sharp that actually lowers the tone can be counter-intuitive, yet reasonable for the system. Regardless, you could just flip it around.
Here is an example for sharp-12.  
{{Sharpness-sharp12-qt1-szg}}


{| class="wikitable"
And here is an example for sharp-14.
|Step offset
{{Sharpness-sharp14-qt1-szg}}
| +2
| +1
| 0
| -1
| -2
|-
|Symbol
|[[File:accidental doubleflat.png]]
|[[File:accidental flat.png]]
|[[File:accidental natural.png]]
|[[File:accidental sharp.png]]
|[[File:accidental doublesharp.png]]
|}


'''Flat-2''' ETs (virtually 11-ET only) have a sharp that _lowers_ 2 steps. So besides the special flavor of the sharps and flats, there are also semisharps and semiflats to fill up the spaces between.  
=== Flat-1 ===
For edos such as {{EDOs| 9, 16, 23, and 30 }}, if you notate them as if their native antidiatonic scales were diatonic, you would find that the sharp actually ''lowers'' by one step. If one wishes to "translate" diatonic songs into these edos, this is useful.  
{{Sharpness-flat1-szg}}


{| class="wikitable"
However, a much more intuitive solution is to swap the meaning of sharps and flats in regards to fifthspan (so that sharp still raises and flat still lowers), allowing the accidentals to more naturally notate these edos' native antidiatonic (in this case, the normal set of sharp-1 accidentals would be used).
|Step offset
| +4
| +3
| +2
| +1
| 0
| -1
| -2
| -3
| -4
|-
|Symbol
|[[File:accidental doubleflat.png]]
|[[File:accidental sesquiflat.png]]
|[[File:accidental flat.png]]
|[[File:accidental semiflat.png]]
|[[File:accidental natural.png]]
|[[File:accidental semisharp.png]]
|[[File:accidental sharp.png]]
|[[File:accidental sesquisharp.png]]
|[[File:accidental doublesharp.png]]
|}


The '''zero''' row is even more special in that the conventional meaning of the sharp or flat does not apply.  
=== Flat-2 ===
Flat-2 edos (virtually [[11edo]] only), if you pretend their native antidiatonic scales are diatonic, have a sharp that ''lowers'' 2 steps. So besides the special flavor of the sharps and flats, there are also semisharps and semiflats to fill up the spaces between. It makes the most sense to notate them as subsets.  
{{Sharpness-flat2-szg}}


One possible solution is to use the simple system for 14- and 21-ET, and the complex system for 28- and 35-ET.
=== Zero ===
The lower three multiples of 7 ({{EDOs| 7, 14, and 21 }}) are known as "perfect" or sharp-0 edos, since, by tempering out the Pythagorean apotome of [[2187/2048]], the traditional sharps and flats are redundant and cannot raise or lower the pitch. Here, the notes can only be modified by arrows. [[28edo]] and [[35edo]] also fall into this category using their native fifths, but they are better notated as subsets.
{{Sharpness-0-szg}}


Conclusively, this set of symbols cover all ETs below 72 except 59, 66, and 71.
== Limitations ==
Some edos have odd-numbered sharpness values 9 and above, and are difficult to notate due to the lack of support for the stacks of arrows required. Edos below 72 known to be impractical for this reason are {{EDOs| 59 and 66 }}. Therefore, such edos are capped from their full strength. 
 
Conclusively, this set of symbols still covers most edos up to 72.  
 
{{Navbox notation}}


[[Category:Notation]]
[[Category:Notation]]
[[Category:Ups and downs notation]]

Latest revision as of 01:36, 16 May 2026

The Stein–Zimmermann–Gould (SZG) notation is a musical notation system that expands chain-of-fifths notation for edos with higher sharpness values as well as certain rank-2 temperaments. It combines Stein–Zimmermann accidentals and Gould arrows with consistent semantics, where:

  • Standard and Stein–Zimmermann accidentals represent multiples of half chromatic semitones;
  • Gould arrows represent indefinite small modifications, commonly edosteps.

This notation started as a practical way to notate edos in MuseScore, first suggested by Flora Canou around 2020 and was adopted by the Microtonal plugin for Musescore 3.4+. The use of arrows to represent edosteps was inspired by Kite's ups and downs notation.

Symbol set

The symbol set comprises standard accidentals (sharps, flats, and naturals), Stein–Zimmermann quartertone accidentals (semisharps and semiflats) and Gould arrows. When Gould arrows are not available, one may borrow the similar-looking Helmholtz–Ellis just intonation accidentals for prime 5.

The standard accidentals modify the note by multiples of a chromatic semitone (Pythagorean apotome, 2187/2048).

The Stein–Zimmermann quartertone accidentals modify the note by half a chromatic semitone. They apply to edos of even sharpness values only.

The Gould arrow accidentals are arrows attached to any of above, and modify the note by an indefinite small amount, but most commonly one step of the edo.

Usage guide for each sharpness value

A usage guide for edos of sharpness value below 8 will be provided here.

Sharp-1

Sharp-1 edos have a sharp that raises 1 step. Edos of this category include 5, 12, 19, 26, and 33. Standard chain-of-fifths notation can be used since an up-arrow is exactly equivalent to a sharp.

Step offset −2 −1 0 +1 +2
Symbol

Sharp-2

Sharp-2 edos have a sharp that raises 2 steps. Edos of this category include 10, 17, 24, 31, 38, and 45. Stein–Zimmermann accidentals, Gould arrows, or a combination of both may be used.

Step offset −4 −3 −2 −1 0 +1 +2 +3 +4
Symbol

Sharp-3

Sharp-3 edos have a sharp that raises 3 steps. Edos of this category include 8, 15, 22, 29, 36, 43, and 50. This is first sharpness value where Gould arrows must be used.

Step offset 0 1 2 3 4 5 6 7
Sharp symbol
Flat symbol

In some cases, some notes or intervals may be best spelled with double arrows:

Step offset 0 1 2 3 4 5 6 7 8
Sharp symbol
Flat symbol

Sharp-4

Sharp-4 edos have a sharp that raises 4 steps. Edos of this category include 20, 27, 34, 41, 48, 55, and 62. This is first sharpness where the Stein–Zimmermann–Gould notation works in its full form.

Step offset 0 1 2 3 4 5 6 7 8 9
Sharp symbol
Flat symbol

Sharp-5

Sharp-5 edos have a sharp that raises 5 steps. Edos of this category include 32, 39, 46, 53, 60, 67, and 74.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
Flat symbol

In some cases, some notes or intervals may be best spelled with triple arrows:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Sharp symbol
Flat symbol

Sharp-6

Sharp-6 edos have a sharp that raises 6 steps. Edos of this category include 44, 51, 58, 65, 72, 79, and 86.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Sharp symbol
Flat symbol

Attaching arrows to semi- and sesquisharps and flats is also another option instead of using double arrows:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Sharp symbol
Flat symbol

Sharp-7

Sharp-7 edos have a sharp that raises 7 steps. Edos of this category include 56, 63, 70, 77, 84, 91, and 98.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Sharp symbol
Flat symbol

Sharp-8

Sharp-8 edos have a sharp that raises 8 steps. Edos of this category include 61, 68, 75, 82, 89, 96, and 103.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Sharp symbol
Flat symbol

Higher sharpness values

Provided with more stacks of arrows, or the ability to attach arrows to demi- and sesqui-sharps and flats, edos of higher sharpness value can be notated in the same method as above.

SMuFL curently supplies extended Stein-Zimmermann accidentals (U+E290–U+E29F), which contains demi- and sesqui-sharps and flats with a single arrow.

Here is an example of a notation scheme for sharp-10 edos.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
Flat symbol
Step offset 13 14 15 16 17 18 19 20 21 22
Sharp symbol
Flat symbol

Here is an example for sharp-12.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Sharp symbol
Flat symbol
Step Offset 16 17 18 19 20 21 22 23 24 25 26 27
Sharp Symbol
Flat Symbol

And here is an example for sharp-14.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Sharp symbol
Flat symbol
Step Offset 18 19 20 21 22 23 24 25 26 27 28 29 30 31
Sharp Symbol
Flat Symbol

Flat-1

For edos such as 9, 16, 23, and 30, if you notate them as if their native antidiatonic scales were diatonic, you would find that the sharp actually lowers by one step. If one wishes to "translate" diatonic songs into these edos, this is useful.

Step offset −2 −1 0 +1 +2
Symbol

However, a much more intuitive solution is to swap the meaning of sharps and flats in regards to fifthspan (so that sharp still raises and flat still lowers), allowing the accidentals to more naturally notate these edos' native antidiatonic (in this case, the normal set of sharp-1 accidentals would be used).

Flat-2

Flat-2 edos (virtually 11edo only), if you pretend their native antidiatonic scales are diatonic, have a sharp that lowers 2 steps. So besides the special flavor of the sharps and flats, there are also semisharps and semiflats to fill up the spaces between. It makes the most sense to notate them as subsets.

Step offset −4 −3 −2 −1 0 +1 +2 +3 +4
Symbol

Zero

The lower three multiples of 7 (7, 14, and 21) are known as "perfect" or sharp-0 edos, since, by tempering out the Pythagorean apotome of 2187/2048, the traditional sharps and flats are redundant and cannot raise or lower the pitch. Here, the notes can only be modified by arrows. 28edo and 35edo also fall into this category using their native fifths, but they are better notated as subsets.

Step offset −3 −2 −1 0 +1 +2 +3
Symbol

Limitations

Some edos have odd-numbered sharpness values 9 and above, and are difficult to notate due to the lack of support for the stacks of arrows required. Edos below 72 known to be impractical for this reason are 59 and 66. Therefore, such edos are capped from their full strength.

Conclusively, this set of symbols still covers most edos up to 72.