User:BudjarnLambeth/Draft related tunings section: Difference between revisions
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* Highest priority: {{EDOs| 13, 103, 104, 111, 118, 159 }}. | * Highest priority: {{EDOs| 13, 103, 104, 111, 118, 159 }}. | ||
* High priority: {{EDOs| 10, 11, 24, 25, 26, 29, 30, 34, 35, 37, 47, 48, 5, 6 }}. | * High priority: {{EDOs| 10, 11, 24, 25, 26, 29, 30, 34, 35, 37, 47, 48, 5, 6 }}. | ||
* Medium-high priority: {{EDOs| 125, 145, 152, 166, 182, 198, 212, 243, 247 }}. | * Medium-high priority: {{EDOs| 125, 145, 152, 166, 182, 198, 212, 243, 247, 62, 63, 65, 68, 72, 75, 82, 89, 107, 117, 140, 171, 182, 183, 224, 270, 342 }}. | ||
* Medium priority: {{EDOs| 49, 50, 57, 58, 59 }}. | * Medium priority: {{EDOs| 49, 50, 57, 58, 59 }}. | ||
* Medium-low priority: {{EDOs| (others from 61-246 which are well suited to octave stretch/compression) }}. | * Medium-low priority: {{EDOs| (others from 61-246 which are well suited to octave stretch/compression) }}. | ||
* Low priority: {{EDOs| 20, 21, 28, 40, 43, 44, 46, 51, 52, 53, 54, 55, 56, (others from 61-124 which are not well suited) }}. | * Low priority: {{EDOs| 20, 21, 28, 40, 43, 44, 46, 51, 52, 53, 54, 55, 56, (others from 61-124 which are not well suited) }}. | ||
* Lowest priority: {{EDOs| (others bigger than 125 | * Lowest priority: {{EDOs| (others bigger than 125) }}. | ||
''Priority is higher if: there is already discussion about stretch, compression, nearby tunings or zeta on the page / the edo lends itself to stretch or compression (e.g. of the primes with 20-40% relative error, most tend in the same direction) / the edo gets a lot of attention (it's small, or especially good, or the page is especially long, or it gets used a lot by composers).'' | ''Priority is higher if: there is or was already discussion about stretch, compression, nearby tunings or zeta on the page / the edo lends itself to stretch or compression (e.g. of the primes with 20-40% relative error, most tend in the same direction) / the edo gets a lot of attention (it's small, or especially good, or the page is especially long, or it gets used a lot by composers).'' | ||
; Things to note: | ; Things to note: | ||