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{{Infobox MOS|Tuning=5L 2s}} | {{Infobox MOS|Tuning=5L 2s|debug=1}} | ||
:''This is a test page. For the main page, see [[5L 2s]].'' | :''This is a test page. For the main page, see [[5L 2s]].'' | ||
{{MOS intro|Scale Signature=5L 2s}} | {{MOS intro|Scale Signature=5L 2s}} | ||
==Name== | Among the most well-known forms of this scale are the diatonic scale of [[12edo]], the Pythagorean diatonic scale, and scales produced by meantone systems. | ||
TAMNAMS suggests the name '''diatonic''' for this scale, which commonly refers to a scale with 5 whole steps and 2 small steps. | == Name== | ||
[[TAMNAMS]] suggests the temperament-agnostic name '''diatonic''' for this scale, which commonly refers to a scale with 5 whole steps and 2 small steps. Under TAMNAMS and for all scale pattern pages on the wiki, '''the term ''diatonic'' exclusively refers to 5L 2s'''. | |||
The term ''diatonic'' may also refer to scales produced using [[Tetrachord|tetrachords]], [[just intonation]], or in general have more than one size of whole tone. Such scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are specifically called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate. | |||
== | ==Intervals== | ||
:''This article assumes [[TAMNAMS]] for naming step ratios, mossteps, and mosdegrees.'' | |||
Names for this scale's intervals (mossteps) and scale degrees (mosdegrees) are based on the number of large and small steps from the root, starting at 0 (the 0-mosstep and 0-mosdegree) for the unison. | |||
Except for the unison and octave, all [[Interval class|interval classes]] have two [[Interval variety|varieties]] or sizes, denoted using the terms ''major'' and ''minor'' for the large and small sizes, respectively. The exception to this rule are the generators, which use the terms ''augmented'', ''perfect'', and ''diminished'' instead. | |||
{| class="wikitable" | {| class="wikitable" | ||
! | |+5L 2s interval varieties | ||
! | !Interval class | ||
! | !Specific intervals | ||
!Size (in ascending order) | |||
|- | |- | ||
|'''0-diastep''' | |||
|'''Perfect 0-diastep (unison)''' | |||
|0 | |||
|- | |- | ||
| | | rowspan="2" |1-diastep | ||
|Minor 1-diastep | |||
| | |s | ||
| | |||
| | |||
|- | |- | ||
| | |Major 1-diastep | ||
|L | |L | ||
|- | |- | ||
| | | rowspan="2" |2-diastep | ||
|Minor 2-diastep | |||
|L + s | |||
|- | |||
|Major 2-diastep | |||
|2L | |2L | ||
|- | |- | ||
| | | rowspan="2" |'''3-diastep''' | ||
|'''Perfect 3-diastep''' | |||
|2L + s | |||
|- | |||
|Augmented 3-diastep | |||
|3L | |3L | ||
|- | |- | ||
| | | rowspan="2" |'''4-diastep''' | ||
| | |Diminished 4-diastep | ||
| | |||
|2L + 2s | |2L + 2s | ||
|- | |- | ||
| | |'''Perfect 4-diastep''' | ||
| | |3L + s | ||
| | |- | ||
| rowspan="2" |5-diastep | |||
|Minor 5-diastep | |||
|3L + 2s | |3L + 2s | ||
|- | |- | ||
| | |Major 5-diastep | ||
| | |4L + s | ||
| | |- | ||
| rowspan="2" |6-diastep | |||
|Minor 6-diastep | |||
|4L + 2s | |4L + 2s | ||
|- | |- | ||
|''' | |Major 6-diastep | ||
|5L + s | |||
|- | |||
|'''7-diastep (octave)''' | |||
|'''Perfect 7-diastep (octave)''' | |||
|5L + 2s | |5L + 2s | ||
|} | |} | ||
A 7-note scale using these intervals will typically use scale degrees that represents one size from each interval class, with the true MOS upholding the step pattern of LLLsLLs, or some rotation thereof. MODMOS scales may be formed this way without upholding the step pattern, thereby creating a non-MOS pattern such as LLLLsLs, or may include alterations that exceed the two varieties typical of a MOS scale. | |||
== | ==Notation== | ||
:''See [[5L 2s/Notation]]'' | |||
==Theory== | ==Theory== | ||
=== | ===Introduction to step sizes=== | ||
The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, has step sizes of 2 (whole step) and 1 ( | :''Main article: [[Scale tree]] and [[TAMNAMS#Step ratio spectrum]]'' | ||
The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, has step sizes of 2 (whole step) and 1 (half step), producing [[12edo]]. This can be generalized into the form LLsLLLs, with whole-number sizes for the large steps and small steps, denoted as "L" and "s" respectively. | |||
Different edos are produced by using different ratios of step sizes. A few examples are shown below. | Different edos are produced by using different ratios of step sizes. A few examples are shown below. | ||
Line 85: | Line 85: | ||
!Step pattern | !Step pattern | ||
!EDO | !EDO | ||
!Selected multiples | ! Selected multiples | ||
|- | |- | ||
|1:1 | |1:1 | ||
Line 93: | Line 93: | ||
|- | |- | ||
|4:3 | |4:3 | ||
|4 4 3 4 4 4 3 | | 4 4 3 4 4 4 3 | ||
|[[26edo]] | |[[26edo]] | ||
| | | | ||
Line 102: | Line 102: | ||
|[[38edo]] | |[[38edo]] | ||
|- | |- | ||
|5:3 | | 5:3 | ||
|5 5 3 5 5 5 3 | | 5 5 3 5 5 5 3 | ||
|[[31edo]] | |[[31edo]] | ||
| | | | ||
|- | |- | ||
|2:1 | | 2:1 | ||
|2 2 1 2 2 2 1 | |2 2 1 2 2 2 1 | ||
|[[12edo]] (standard tuning) | |[[12edo]] (standard tuning) | ||
Line 113: | Line 113: | ||
|- | |- | ||
|5:2 | |5:2 | ||
|5 5 2 5 5 5 2 | | 5 5 2 5 5 5 2 | ||
|[[29edo]] | |[[29edo]] | ||
| | | | ||
Line 134: | Line 134: | ||
Edos that are multiples of the examples above can be reached by entering non-simplified step ratios. For example, edos that are multiples of 12 are reached by using larger values whose ratio simplifies to 2:1, such as 4:2 for [[24edo]]. | Edos that are multiples of the examples above can be reached by entering non-simplified step ratios. For example, edos that are multiples of 12 are reached by using larger values whose ratio simplifies to 2:1, such as 4:2 for [[24edo]]. | ||
The step ratios 1:1 and 1:0 represent the limits for valid step ratios. A step ratio that approaches 1:1, where the large and small step are equal to one another, approaches [[7edo]], and a step ratio that approaches 1:0, where the small step "collapses" to zero, approaches [[5edo]]. | All step ratios lie on a spectrum from 1:1 to 1:0, referred to on the wiki as a scale tree. The step ratios 1:1 and 1:0 represent the limits for valid step ratios. A step ratio that approaches 1:1, where the large and small step are equal to one another, approaches [[7edo]], and a step ratio that approaches 1:0, where the small step "collapses" to zero, approaches [[5edo]]. | ||
TAMNAMS has names for regions of this spectrum based on whether they are "soft" (between 1:1 and 2:1) or "hard" (between 2:1 and 1:0). | |||
=== | ===Temperament interpretations=== | ||
: ''Main article: [[5L 2s/Temperaments]]'' | :''Main article: [[5L 2s/Temperaments]]'' | ||
5L 2s has several rank-2 temperament interpretations, such as: | 5L 2s has several rank-2 temperament interpretations, such as: | ||
* [[Meantone]], with generators around 696.2¢. This includes: | *[[Meantone]], with generators around 696.2¢. This includes: | ||
** [[Flattone]], with generators around 693.7¢. | **[[Flattone]], with generators around 693.7¢. | ||
*[[Schismic]], with generators around 702¢. | *[[Schismic]], with generators around 702¢. | ||
*[[Parapyth]], with generators around 704.7¢. | *[[Parapyth]], with generators around 704.7¢. | ||
Line 153: | Line 153: | ||
**Ultrapyth, with generators around 713.7¢. | **Ultrapyth, with generators around 713.7¢. | ||
== | ==Tuning ranges== | ||
=== Simple | ===Simple tunings=== | ||
17edo and 19edo | [[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below. | ||
=== Parasoft | ===Parasoft tunings === | ||
:''Main article: [[Flattone]]'' | :''Main article: [[Flattone]]'' | ||
Parasoft | Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | ||
===Hyposoft | |||
Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]]. | |||
===Hyposoft tunings=== | |||
:''Main article: [[Meantone]]'' | :''Main article: [[Meantone]]'' | ||
Hyposoft | Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | ||
===Hypohard | |||
Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]]. | |||
===Hypohard tunings=== | |||
:''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | :''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | ||
The range of hypohard | The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | ||
==== Minihard | ====Minihard tunings==== | ||
Minihard | Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | ||
==== Quasihard | Edos include [[41edo]] and [[53edo]]. | ||
Quasihard | ==== Quasihard tunings==== | ||
Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | |||
17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings. | Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings. | ||
===Parahard and ultrahard | ===Parahard and ultrahard tunings=== | ||
:''Main article: [[Archy]]'' | :''Main article: [[Archy]]'' | ||
Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | |||
== Modes== | Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others. | ||
==Modes== | |||
Diatonic modes have standard names from classical music theory: | Diatonic modes have standard names from classical music theory: | ||
{{MOS modes|Scale Signature=5L 2s}} | {{MOS modes|Scale Signature=5L 2s}} | ||
Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma. | Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma. | ||
Line 193: | Line 198: | ||
!4th | !4th | ||
!5th | !5th | ||
!6th | ! 6th | ||
!7th | !7th | ||
!8th | !8th | ||
Line 200: | Line 205: | ||
|LLLsLLs | |LLLsLLs | ||
|Perfect (C) | |Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Major (E) | |Major (E) | ||
|Augmented (F#) | |Augmented (F#) | ||
Line 217: | Line 222: | ||
|Major (A) | |Major (A) | ||
|Major (B) | |Major (B) | ||
|Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>4|2</nowiki> | |<nowiki>4|2</nowiki> | ||
Line 232: | Line 237: | ||
|<nowiki>3|3</nowiki> | |<nowiki>3|3</nowiki> | ||
|LsLLLsL | |LsLLLsL | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | |Major (D) | ||
|Minor (Eb) | |Minor (Eb) | ||
Line 246: | Line 251: | ||
|Major (D) | |Major (D) | ||
|Minor (Eb) | |Minor (Eb) | ||
|Perfect (F) | | Perfect (F) | ||
|Perfect (G) | |Perfect (G) | ||
|Minor (Ab) | |Minor (Ab) | ||
Line 256: | Line 261: | ||
|Perfect (C) | |Perfect (C) | ||
|Minor (Db) | |Minor (Db) | ||
|Minor (Eb) | | Minor (Eb) | ||
|Perfect (F) | |Perfect (F) | ||
|Perfect (G) | |Perfect (G) | ||
Line 274: | Line 279: | ||
|Perfect (C) | |Perfect (C) | ||
|} | |} | ||
== Generator chain == | |||
''Explain how the scale can also be generated by stacking 6 generating intervals in any combination of up or down from the root. Also explain how this can be extended further to 11 generators to produce chromatic scales.'' | |||
==Scales== | ==Scales== | ||
===Subset and superset scales=== | ===Subset and superset scales=== | ||
5L 2s has a parent scale of 2L 3s, meaning | 5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has the two child scales, which are supersets of 5L 2s: | ||
*[[7L 5s]], a chromatic scale produced using soft-of-basic step ratios. | |||
*[[5L 7s]], a chromatic scale produced using hard-of-basic step ratios. | |||
12edo contains 5L 2s as the equalized form of both 5L 7s and 7L 5s. | |||
===MODMOS scales and muddles=== | ===MODMOS scales and muddles=== | ||
Line 293: | Line 306: | ||
*[[Archy7]] – 472edo tuning | *[[Archy7]] – 472edo tuning | ||
== | ==Scale tree == | ||
{{MOS tuning spectrum | |||
{{ | | Scale Signature = 5L 2s | ||
| Depth = 6 | |||
| 7/5 = [[Flattone]] is in this region | |||
| 21/13 = [[Golden meantone]] (696.2145{{c}}) | |||
| 5/3 = [[Meantone]] is in this region | |||
| 2/1 = (Generators smaller than this are proper) | |||
| 9/4 = The generator closest to a just [[3/2]] for EDOs less than 200 | |||
| 16/7 = [[Garibaldi]] / [[Cassandra]] | |||
| 21/8 = Golden neogothic (704.0956{{c}}) | |||
| 8/3 = [[Neogothic]] is in this region | |||
| 4/1 = [[Archy]] is in this region | |||
}} | |||
==See also== | ==See also== | ||
* [[Diatonic functional harmony]] | |||
*[[Diatonic functional harmony]] |
Latest revision as of 18:22, 3 March 2025
↖ 4L 1s | ↑ 5L 1s | 6L 1s ↗ |
← 4L 2s | 5L 2s | 6L 2s → |
↙ 4L 3s | ↓ 5L 3s | 6L 3s ↘ |
┌╥╥╥┬╥╥┬┐ │║║║│║║││ │││││││││ └┴┴┴┴┴┴┴┘
sLLsLLL
- This is a test page. For the main page, see 5L 2s.
5L 2s, named diatonic in TAMNAMS, is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 5 large steps and 2 small steps, repeating every octave. Generators that produce this scale range from 685.7 ¢ to 720 ¢, or from 480 ¢ to 514.3 ¢. Among the most well-known forms of this scale are the diatonic scale of 12edo, the Pythagorean diatonic scale, and scales produced by meantone systems.
Name
TAMNAMS suggests the temperament-agnostic name diatonic for this scale, which commonly refers to a scale with 5 whole steps and 2 small steps. Under TAMNAMS and for all scale pattern pages on the wiki, the term diatonic exclusively refers to 5L 2s.
The term diatonic may also refer to scales produced using tetrachords, just intonation, or in general have more than one size of whole tone. Such scales, such as Zarlino, blackdye and diasem, are specifically called detempered diatonic scales (for an RTT-based philosophy) or deregularized diatonic scales (for an RTT-agnostic philosophy). The terms diatonic-like or diatonic-based may also be used to refer such scales, depending on what's contextually the most appropriate.
Intervals
- This article assumes TAMNAMS for naming step ratios, mossteps, and mosdegrees.
Names for this scale's intervals (mossteps) and scale degrees (mosdegrees) are based on the number of large and small steps from the root, starting at 0 (the 0-mosstep and 0-mosdegree) for the unison.
Except for the unison and octave, all interval classes have two varieties or sizes, denoted using the terms major and minor for the large and small sizes, respectively. The exception to this rule are the generators, which use the terms augmented, perfect, and diminished instead.
Interval class | Specific intervals | Size (in ascending order) |
---|---|---|
0-diastep | Perfect 0-diastep (unison) | 0 |
1-diastep | Minor 1-diastep | s |
Major 1-diastep | L | |
2-diastep | Minor 2-diastep | L + s |
Major 2-diastep | 2L | |
3-diastep | Perfect 3-diastep | 2L + s |
Augmented 3-diastep | 3L | |
4-diastep | Diminished 4-diastep | 2L + 2s |
Perfect 4-diastep | 3L + s | |
5-diastep | Minor 5-diastep | 3L + 2s |
Major 5-diastep | 4L + s | |
6-diastep | Minor 6-diastep | 4L + 2s |
Major 6-diastep | 5L + s | |
7-diastep (octave) | Perfect 7-diastep (octave) | 5L + 2s |
A 7-note scale using these intervals will typically use scale degrees that represents one size from each interval class, with the true MOS upholding the step pattern of LLLsLLs, or some rotation thereof. MODMOS scales may be formed this way without upholding the step pattern, thereby creating a non-MOS pattern such as LLLLsLs, or may include alterations that exceed the two varieties typical of a MOS scale.
Notation
- See 5L 2s/Notation
Theory
Introduction to step sizes
- Main article: Scale tree and TAMNAMS#Step ratio spectrum
The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, has step sizes of 2 (whole step) and 1 (half step), producing 12edo. This can be generalized into the form LLsLLLs, with whole-number sizes for the large steps and small steps, denoted as "L" and "s" respectively.
Different edos are produced by using different ratios of step sizes. A few examples are shown below.
Step ratio (L:s) | Step pattern | EDO | Selected multiples |
---|---|---|---|
1:1 | 1 1 1 1 1 1 1 | 7edo | 14edo, 21edo, etc. |
4:3 | 4 4 3 4 4 4 3 | 26edo | |
3:2 | 3 3 2 3 3 3 2 | 19edo | 38edo |
5:3 | 5 5 3 5 5 5 3 | 31edo | |
2:1 | 2 2 1 2 2 2 1 | 12edo (standard tuning) | 24edo, 36edo, etc. |
5:2 | 5 5 2 5 5 5 2 | 29edo | |
3:1 | 3 3 1 3 3 3 1 | 17edo | 34edo |
4:1 | 4 4 1 4 4 4 1 | 22edo | |
1:0 | 1 1 0 1 1 1 0 | 5edo | 10edo, 15edo, etc. |
Edos that are multiples of the examples above can be reached by entering non-simplified step ratios. For example, edos that are multiples of 12 are reached by using larger values whose ratio simplifies to 2:1, such as 4:2 for 24edo.
All step ratios lie on a spectrum from 1:1 to 1:0, referred to on the wiki as a scale tree. The step ratios 1:1 and 1:0 represent the limits for valid step ratios. A step ratio that approaches 1:1, where the large and small step are equal to one another, approaches 7edo, and a step ratio that approaches 1:0, where the small step "collapses" to zero, approaches 5edo.
TAMNAMS has names for regions of this spectrum based on whether they are "soft" (between 1:1 and 2:1) or "hard" (between 2:1 and 1:0).
Temperament interpretations
- Main article: 5L 2s/Temperaments
5L 2s has several rank-2 temperament interpretations, such as:
- Meantone, with generators around 696.2¢. This includes:
- Flattone, with generators around 693.7¢.
- Schismic, with generators around 702¢.
- Parapyth, with generators around 704.7¢.
- Archy, with generators around 709.3¢. This includes:
- Supra, with generators around 707.2¢
- Superpyth, with generators around 710.3¢
- Ultrapyth, with generators around 713.7¢.
Tuning ranges
Simple tunings
17edo and 19edo are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.
Parasoft tunings
- Main article: Flattone
Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths (3/2, flat of 702¢) to produce major 3rds that are flatter than 5/4 (386¢).
Edos include 19edo, 26edo, 45edo, and 64edo.
Hyposoft tunings
- Main article: Meantone
Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢).
Edos include 19edo, 31edo, 43edo, and 50edo.
Hypohard tunings
- Main article: Pythagorean tuning and schismatic temperament
The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1).
Minihard tunings
Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of 81/64 (407¢).
Quasihard tunings
Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of 32/27 (294¢).
Edos include 17edo, 29edo, and 46edo. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.
Parahard and ultrahard tunings
- Main article: Archy
Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢.
Edos include 17edo, 22edo, 27edo, and 32edo, among others.
Modes
Diatonic modes have standard names from classical music theory:
UDP | Cyclic order |
Step pattern |
Mode names |
---|---|---|---|
6|0 | 1 | LLLsLLs | Lydian |
5|1 | 5 | LLsLLLs | Ionian (major) |
4|2 | 2 | LLsLLsL | Mixolydian |
3|3 | 6 | LsLLLsL | Dorian |
2|4 | 3 | LsLLsLL | Aeolian (minor) |
1|5 | 7 | sLLLsLL | Phrygian |
0|6 | 4 | sLLsLLL | Locrian |
Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma.
Mode | Scale degree (on C) | ||||||||
---|---|---|---|---|---|---|---|---|---|
UDP | Step pattern | 1st | 2nd | 3rd | 4th | 5th | 6th | 7th | 8th |
6|0 | LLLsLLs | Perfect (C) | Major (D) | Major (E) | Augmented (F#) | Perfect (G) | Major (A) | Major (B) | Perfect (C) |
5|1 | LLsLLLs | Perfect (C) | Major (D) | Major (E) | Perfect (F) | Perfect (G) | Major (A) | Major (B) | Perfect (C) |
4|2 | LLsLLsL | Perfect (C) | Major (D) | Major (E) | Perfect (F) | Perfect (G) | Major (A) | Minor (Bb) | Perfect (C) |
3|3 | LsLLLsL | Perfect (C) | Major (D) | Minor (Eb) | Perfect (F) | Perfect (G) | Major (A) | Minor (Bb) | Perfect (C) |
2|4 | LsLLsLL | Perfect (C) | Major (D) | Minor (Eb) | Perfect (F) | Perfect (G) | Minor (Ab) | Minor (Bb) | Perfect (C) |
1|5 | sLLLsLL | Perfect (C) | Minor (Db) | Minor (Eb) | Perfect (F) | Perfect (G) | Minor (Ab) | Minor (Bb) | Perfect (C) |
0|6 | sLLsLLL | Perfect (C) | Minor (Db) | Minor (Eb) | Perfect (F) | Diminished (Gb) | Minor (Ab) | Minor (Bb) | Perfect (C) |
Generator chain
Explain how the scale can also be generated by stacking 6 generating intervals in any combination of up or down from the root. Also explain how this can be extended further to 11 generators to produce chromatic scales.
Scales
Subset and superset scales
5L 2s has a parent scale of 2L 3s, a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has the two child scales, which are supersets of 5L 2s:
- 7L 5s, a chromatic scale produced using soft-of-basic step ratios.
- 5L 7s, a chromatic scale produced using hard-of-basic step ratios.
12edo contains 5L 2s as the equalized form of both 5L 7s and 7L 5s.
MODMOS scales and muddles
- 5L 2s Muddles and
Scala files
- Meantone7 – 19edo and 31edo tunings
- Nestoria7 – 171edo tuning
- Pythagorean7 – Pythagorean tuning
- Garibaldi7 – 94edo tuning
- Cotoneum7 – 217edo tuning
- Pepperoni7 – 271edo tuning
- Supra7 – 56edo tuning
- Archy7 – 472edo tuning
Scale tree
Generator(edo) | Cents | Step ratio | Comments | ||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Bright | Dark | L:s | Hardness | ||||||||
4\7 | 685.714 | 514.286 | 1:1 | 1.000 | Equalized 5L 2s | ||||||
27\47 | 689.362 | 510.638 | 7:6 | 1.167 | |||||||
23\40 | 690.000 | 510.000 | 6:5 | 1.200 | |||||||
42\73 | 690.411 | 509.589 | 11:9 | 1.222 | |||||||
19\33 | 690.909 | 509.091 | 5:4 | 1.250 | |||||||
53\92 | 691.304 | 508.696 | 14:11 | 1.273 | |||||||
34\59 | 691.525 | 508.475 | 9:7 | 1.286 | |||||||
49\85 | 691.765 | 508.235 | 13:10 | 1.300 | |||||||
15\26 | 692.308 | 507.692 | 4:3 | 1.333 | Supersoft 5L 2s | ||||||
56\97 | 692.784 | 507.216 | 15:11 | 1.364 | |||||||
41\71 | 692.958 | 507.042 | 11:8 | 1.375 | |||||||
67\116 | 693.103 | 506.897 | 18:13 | 1.385 | |||||||
26\45 | 693.333 | 506.667 | 7:5 | 1.400 | Flattone is in this region | ||||||
63\109 | 693.578 | 506.422 | 17:12 | 1.417 | |||||||
37\64 | 693.750 | 506.250 | 10:7 | 1.429 | |||||||
48\83 | 693.976 | 506.024 | 13:9 | 1.444 | |||||||
11\19 | 694.737 | 505.263 | 3:2 | 1.500 | Soft 5L 2s | ||||||
51\88 | 695.455 | 504.545 | 14:9 | 1.556 | |||||||
40\69 | 695.652 | 504.348 | 11:7 | 1.571 | |||||||
69\119 | 695.798 | 504.202 | 19:12 | 1.583 | |||||||
29\50 | 696.000 | 504.000 | 8:5 | 1.600 | |||||||
76\131 | 696.183 | 503.817 | 21:13 | 1.615 | Golden meantone (696.2145 ¢) | ||||||
47\81 | 696.296 | 503.704 | 13:8 | 1.625 | |||||||
65\112 | 696.429 | 503.571 | 18:11 | 1.636 | |||||||
18\31 | 696.774 | 503.226 | 5:3 | 1.667 | Semisoft 5L 2s Meantone is in this region | ||||||
61\105 | 697.143 | 502.857 | 17:10 | 1.700 | |||||||
43\74 | 697.297 | 502.703 | 12:7 | 1.714 | |||||||
68\117 | 697.436 | 502.564 | 19:11 | 1.727 | |||||||
25\43 | 697.674 | 502.326 | 7:4 | 1.750 | |||||||
57\98 | 697.959 | 502.041 | 16:9 | 1.778 | |||||||
32\55 | 698.182 | 501.818 | 9:5 | 1.800 | |||||||
39\67 | 698.507 | 501.493 | 11:6 | 1.833 | |||||||
7\12 | 700.000 | 500.000 | 2:1 | 2.000 | Basic 5L 2s Scales with tunings softer than this are proper (Generators smaller than this are proper) | ||||||
38\65 | 701.538 | 498.462 | 11:5 | 2.200 | |||||||
31\53 | 701.887 | 498.113 | 9:4 | 2.250 | The generator closest to a just 3/2 for EDOs less than 200 | ||||||
55\94 | 702.128 | 497.872 | 16:7 | 2.286 | Garibaldi / Cassandra | ||||||
24\41 | 702.439 | 497.561 | 7:3 | 2.333 | |||||||
65\111 | 702.703 | 497.297 | 19:8 | 2.375 | |||||||
41\70 | 702.857 | 497.143 | 12:5 | 2.400 | |||||||
58\99 | 703.030 | 496.970 | 17:7 | 2.429 | |||||||
17\29 | 703.448 | 496.552 | 5:2 | 2.500 | Semihard 5L 2s | ||||||
61\104 | 703.846 | 496.154 | 18:7 | 2.571 | |||||||
44\75 | 704.000 | 496.000 | 13:5 | 2.600 | |||||||
71\121 | 704.132 | 495.868 | 21:8 | 2.625 | Golden neogothic (704.0956 ¢) | ||||||
27\46 | 704.348 | 495.652 | 8:3 | 2.667 | Neogothic is in this region | ||||||
64\109 | 704.587 | 495.413 | 19:7 | 2.714 | |||||||
37\63 | 704.762 | 495.238 | 11:4 | 2.750 | |||||||
47\80 | 705.000 | 495.000 | 14:5 | 2.800 | |||||||
10\17 | 705.882 | 494.118 | 3:1 | 3.000 | Hard 5L 2s | ||||||
43\73 | 706.849 | 493.151 | 13:4 | 3.250 | |||||||
33\56 | 707.143 | 492.857 | 10:3 | 3.333 | |||||||
56\95 | 707.368 | 492.632 | 17:5 | 3.400 | |||||||
23\39 | 707.692 | 492.308 | 7:2 | 3.500 | |||||||
59\100 | 708.000 | 492.000 | 18:5 | 3.600 | |||||||
36\61 | 708.197 | 491.803 | 11:3 | 3.667 | |||||||
49\83 | 708.434 | 491.566 | 15:4 | 3.750 | |||||||
13\22 | 709.091 | 490.909 | 4:1 | 4.000 | Superhard 5L 2s Archy is in this region | ||||||
42\71 | 709.859 | 490.141 | 13:3 | 4.333 | |||||||
29\49 | 710.204 | 489.796 | 9:2 | 4.500 | |||||||
45\76 | 710.526 | 489.474 | 14:3 | 4.667 | |||||||
16\27 | 711.111 | 488.889 | 5:1 | 5.000 | |||||||
35\59 | 711.864 | 488.136 | 11:2 | 5.500 | |||||||
19\32 | 712.500 | 487.500 | 6:1 | 6.000 | |||||||
22\37 | 713.514 | 486.486 | 7:1 | 7.000 | |||||||
3\5 | 720.000 | 480.000 | 1:0 | → ∞ | Collapsed 5L 2s |