Superpyth
Superpyth, a member of the archytas clan, has 4/3 as a generator, and the Archytas comma 64/63 is tempered out, so two generators represents 7/4 in addition to 16/9. Since 4/3 is a generator we can use the same standard chain-of-fourths notation that is also used for meantone and 12edo, with the understanding that, for example, A♯ is sharper than B♭ (in contrast to meantone where A♯ is flatter than B♭, or 12edo where they are identical). An interesting coincidence is that the plastic number has a value of ~486.822 cents, which, taken as a generator and assuming an octave period, constitutes a variety of superpyth.
Such a temperament without the 5th harmonic is also called archy. If the 5th harmonic is used at all, it is mapped to -9 generators through tempering out 245/243, so C-D♯ is 5/4. So superpyth is the "opposite" of septimal meantone in several different ways: meantone has 4/3 tempered wide so that intervals of 5 are simple and intervals of 7 are complex, while superpyth has 4/3 tempered narrow so that intervals of 7 are simple while intervals of 5 are complex.
If intervals of 11 are desired, the canonical way is to map 11/8 to -16 generators, so 11/8 is a double augmented second (C-Dx), tempering out 100/99. Yet a simpler but reasonable way is to map it to +6 generators, so 11/8 is a diminished fifth (C-G♭), by tempering out 99/98. The latter is called supra, or suprapyth. The two mappings unite on 22edo.
MOS scales of superpyth have cardinalities of 5, 7, 12, 17, or 22.
Temperament data
- Main article: Archytas clan #Superpyth
Interval chains
- Archy (2.3.7)
1146.61 | 437.29 | 927.97 | 218.64 | 709.32 | 0 | 490.68 | 981.36 | 272.03 | 762.71 | 53.39 |
27/14 | 9/7 | 12/7 | 9/8~8/7 | 3/2 | 1/1 | 4/3 | 7/4~16/9 | 7/6 | 14/9 | 28/27 |
- Full 7-limit superpyth
613.20 | 1102.91 | 392.62 | 882.33 | 172.04 | 661.75 | 1151.46 | 441.16 | 930.87 | 220.58 | 710.29 | 0 | 489.71 | 979.42 | 269.13 | 758.84 | 48.54 | 538.25 | 1027.96 | 317.67 | 807.38 | 97.09 | 586.80 |
10/7 | 15/8 | 5/4 | 5/3 | 10/9 | 27/14 | 9/7 | 12/7 | 9/8~8/7 | 3/2 | 1/1 | 4/3 | 7/4~16/9 | 7/6 | 14/9 | 28/27 | 9/5 | 6/5 | 8/5 | 16/15 | 7/5 |
- Supra (2.3.7.11)
857.54 | 150.35 | 643.15 | 1135.96 | 428.77 | 921.58 | 214.38 | 707.19 | 0 | 492.81 | 985.62 | 278.42 | 771.23 | 64.04 | 556.85 | 1049.65 | 342.46 |
18/11 | 12/11 | 16/11 | 27/14 | 14/11~9/7 | 12/7 | 9/8~8/7 | 3/2 | 1/1 | 4/3 | 7/4~16/9 | 7/6 | 14/9~11/7 | 33/32~28/27 | 11/8 | 11/6 | 11/9 |
- Full 11-limit suprapyth
604.44 | 1094.94 | 385.45 | 875.96 | 166.46 | 656.97 | 1147.47 | 437.98 | 928.48 | 218.99 | 709.49 | 0 | 490.51 | 981.01 | 271.52 | 762.02 | 52.53 | 543.03 | 1033.54 | 324.04 | 814.55 | 105.06 | 595.56 |
10/7 | 15/8 | 5/4 | 18/11~5/3 | 12/11~10/9 | 16/11 | 27/14 | 14/11~9/7 | 12/7 | 9/8~8/7 | 3/2 | 1/1 | 4/3 | 7/4~16/9 | 7/6 | 14/9~11/7 | 33/32~28/27 | 11/8 | 9/5~11/6 | 6/5~11/9 | 8/5 | 16/15 | 7/5 |
Scales
- 5-note MOS (2L 3s, proper)
- Archy5 – archy in 472edo tuning
- 7-note MOS (5L 2s, improper)
In contrast to the meantone diatonic scale, the superpyth diatonic is improper.
- 12-note MOS (5L 7s, borderline improper)
The boundary of propriety is 17edo.
Tuning spectrum
ET Generator |
Eigenmonzo (Unchanged Interval) |
Generator (¢) |
Comments |
---|---|---|---|
4/3 | 701.955 | Pythagorean tuning | |
10\17 | 705.882 | Lower bound of 7- and 9-odd-limit diamond monotone | |
28/27 | 707.408 | 1/5 comma | |
23\39 | 707.692 | ||
9/7 | 708.771 | 1/4 comma, 1.3.7.9 minimax | |
16/15 | 708.807 | ||
13\22 | 709.091 | ||
5/4 | 709.590 | 9-odd-limit minimax | |
54/49 | 709.745 | 2/7 comma | |
25/24 | 710.040 | ||
29\49 | 710.204 | ||
6/5 | 710.545 | ||
7/5 | 710.681 | 7-odd-limit minimax | |
7/6 | 711.043 | 1/3 comma, 1.3.7 minimax | |
16\27 | 711.111 | ||
10/9 | 711.772 | ||
49/48 | 712.861 | 2/5 comma | |
8/7 | 715.587 | 1/2 comma | |
3\5 | 720.000 | Upper bound of 7- and 9-odd-limit diamond monotone |
Music
- 12of22studyPentUp4thsMstr[dead link]
- 12of22gamelan1b[dead link]
- 12of22study3 (children's story)[dead link]
- 12of22study7[dead link]
By Joel Grant Taylor, all in Superpyth[12] in 22edo tuning.
Both by Lillian Hearne in 22edo tuning