Just intonation subgroup: Difference between revisions

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=13-limit subgroups=
=13-limit subgroups=


2.3.13
; 2.3.13:
* {{EDOs|legend=1| 7, 10, 17, 60, 70, 130, 147, 277, 424 }}
* Mustaqim mode, Ibn Sina [9/8, 39/32, 4/3, 3/2, 13/8, 16/9, 2/1]


Ets: 7, 10, 17, 60, 70, 130, 147, 277, 424
; 2.3.5.13:
* {{EDOs|legend=1| 15, 19, 34, 53, 87, 130, 140, 246, 270 }}
* The [[Chromatic pairs#Cata|Cata]], [[The Archipelago#Trinidad|Trinidad]] and [[The Archipelago#Parizekmic|Parizekmic]] temperaments subgroup.


Mustaqim mode, Ibn Sina [9/8, 39/32, 4/3, 3/2, 13/8, 16/9, 2/1]
; 2.3.7.13:
* {{EDOs|legend=1| 10, 26, 27, 36, 77, 94, 104, 130, 234 }}
* Buzurg [14/13, 16/13, 4/3, 56/39, 3/2]
* Safi al-Din tuning [8/7, 16/13, 4/3, 32/21, 64/39, 16/9, 2/1]
* Ibn Sina tuning [14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2]


2.3.5.13
; 2.5.7.13:
* {{EDOs|legend=1| 7, 10, 17, 27, 37, 84, 121, 400 }}
* The [[Chromatic_pairs#Huntington|Huntington temperament]] subgroup.


Ets: 15, 19, 34, 53, 87, 130, 140, 246, 270
; 2.5.7.11.13:
* {{EDOs|legend=1| 6, 7, 13, 19, 25, 31, 37 }}
* The [[Chromatic_pairs#Roulette|Roulette temperament]] subgroup


The [[Chromatic_pairs|Cata]], [[The_Archipelago|Trinidad]] and [[The_Archipelago|Parizekmic]] temperaments subgroup.
; 2.3.13/5:
* {{EDOs|legend=1| 5, 9, 14, 19, 24, 29, 53, 82, 111, 140, 251, 362 }}
* The [[The Archipelago#Barbados|Barbados temperament]] subgroup.


2.3.7.13
; 2.3.11/5.13/5:
* {{EDOs|legend=1| 5, 9, 14, 19, 24, 29 }}
* The [[Chromatic pairs#Bridgetown|Bridgetown temperament]] subgroup.


Ets: 10, 26, 27, 36, 77, 94, 104, 130, 234
; 2.3.11/7.13/7:
* {{EDOs|legend=1| 5, 7, 12, 17, 29, 46, 75, 196, 271 }}
* The [[Chromatic pairs#Pepperoni|Pepperoni temperament]] subgroup.


Buzurg [14/13, 16/13, 4/3, 56/39, 3/2]
; 2.7/5.11/5.13/5:
* {{EDOs|legend=1| 5, 8, 21, 29, 37, 66, 169, 235 }}
* The [[Chromatic pairs#Tridec|Tridec temperament]] subgroup.


Safi al-Din tuning [8/7, 16/13, 4/3, 32/21, 64/39, 16/9, 2/1]
[[Category:Just]]
 
[[Category:Subgroup| ]] <!-- main article -->
Ibn Sina tuning [14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2]
[[Category:Theory]]
 
2.5.7.13
 
Ets: 7, 10, 17, 27, 37, 84, 121, 400
 
The [[Chromatic_pairs|Huntington temperament]] subgroup.
 
2.5.7.11.13
 
Ets: 6, 7, 13, 19, 25, 31, 37
 
The [[Chromatic_pairs|Roulette temperament]] subgroup
 
2.3.13/5
 
Ets: 5, 9, 14, 19, 24, 29, 53, 82, 111, 140, 251, 362
 
The [[The_Archipelago|Barbados temperament]] subgroup.
 
2.3.11/5.13/5
 
5, 9, 14, 19, 24, 29
 
The [[Chromatic_pairs|Bridgetown temperament]] subgroup.
 
2.3.11/7.13/7
 
Ets: 5, 7, 12, 17, 29, 46, 75, 196, 271
 
The [[Chromatic_pairs|Pepperoni temperament]] subgroup.
 
2.7/5.11/5.13/5
 
Ets: 5, 8, 21, 29, 37, 66, 169, 235
 
The [[Chromatic pairs|Tridec temperament]] subgroup.
 
[[Category:just]]
[[Category:subgroup| ]] <!-- main article -->
[[Category:theory]]

Revision as of 10:48, 3 December 2020

Definition

A just intonation subgroup is a group generated by a finite set of positive rational numbers via arbitrary multiplications and divisions. Any such group will be contained in a p-limit group for some minimal choice of prime p, which is the prime limit of the subgroup.

It is only when the group in question is not the entire p-limit group that we have a just intonation subgroup in the strict sense. Such subgroups come in two flavors: finite index and infinite index, where intuitively speaking the index measures the relative size of the subgroup within the entire p-limit group. For example, the subgroups generated by 4 and 3, by 2 and 9, and by 4 and 6 all have index 2 in the full 3-limit (Pythagorean) group. Half of the 3-limit intervals will belong to any one of them, and half will not, and all three groups are distinct. On the other hand, the group generated by 2, 3, and 7 is of infinite index in the full 7-limit group, which is generated by 2, 3, 5 and 7. The index can be computed by taking the determinant of the matrix whose rows are the monzos of the generators.

A canonical naming system for just intonation subgroups is to give a normal interval list for the generators of the group, which will also show the rank of the group by the number of generators in the list. Below we give some of the more interesting subgroup systems. If a scale is given with the system, it means the subgroup is generated by the notes of the scale. Just intonation subgroups can be described by listing their generators with dots between them; the purpose of using dots is to flag the fact that it is a subgroup which is being referred to. This naming convention is employed below.

7-limit subgroups

2.3.7
  • EDOs5, 17, 31, 36, 135, 571
  • Archytas Diatonic [8/7, 32/27, 4/3, 3/2, 12/7, 16/9, 2/1]
  • Safi al-Din Septimal [8/7, 9/7, 4/3, 32/21, 12/7, 16/9, 2/1]
2.5.7
2.3.7/5
2.5/3.7
2.5.7/3
2.5/3.7/3
2.27/25.7/3
  • EDOs9
  • In effect, equivalent to 9EDO, which has a 7-limit version given by [27/25, 7/6, 63/50, 49/36, 72/49, 100/63, 12/7, 50/27, 2]
2.9/5.9/7

11-limit subgroups

2.3.11
2.5.11
2.7.11
2.3.5.11
2.3.7.11
2.5.7.11
2.5/3.7/3.11/3

13-limit subgroups

2.3.13
2.3.5.13
2.3.7.13
  • EDOs10, 26, 27, 36, 77, 94, 104, 130, 234
  • Buzurg [14/13, 16/13, 4/3, 56/39, 3/2]
  • Safi al-Din tuning [8/7, 16/13, 4/3, 32/21, 64/39, 16/9, 2/1]
  • Ibn Sina tuning [14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2]
2.5.7.13
2.5.7.11.13
2.3.13/5
2.3.11/5.13/5
2.3.11/7.13/7
2.7/5.11/5.13/5