41edo: Difference between revisions

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=== Blues ===

Due to its pure sounding major thirds and approximations of standard western harmony, 41 naturally is good for jazz and blues music, though a great strength of this system as opposed to many others is its excellent harmonic seventh, alongside ~~mos~~ scales that supply them, [[Miracle]] in particular.

Due to its pure sounding major thirds and approximations of standard western harmony, 41 naturally is good for jazz and blues music, though a great strength of this system as opposed to many others is its excellent harmonic seventh, alongside MOS scales that supply them, [[Miracle]] in particular.

Coltrane changes can be represented with two Pythagorean major thirds and a pental one, or a ~~mos~~ like ~~magic~~, whose circles of major thirds ~~give~~ options for rotating major and minor triads within one scale.

Coltrane changes can be represented with two Pythagorean major thirds and a pental one, or a temperament like Magic, whose MOSes are characterized by circles of major thirds, giving options for rotating major and minor triads within one scale.

Blue notes, rather than being considered inflections, can be notated as accidentals instead, such as the "blue third" which is represented by a neutral third, or any number of septimal intervals that sound great in a blues context.

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 === Blues ===
-Due to its pure sounding major thirds and approximations of standard western harmony, 41 naturally is good for jazz and blues music, though a great strength of this system as opposed to many others is its excellent harmonic seventh, alongside mos scales that supply them, [[Miracle]] in particular.
+Due to its pure sounding major thirds and approximations of standard western harmony, 41 naturally is good for jazz and blues music, though a great strength of this system as opposed to many others is its excellent harmonic seventh, alongside MOS scales that supply them, [[Miracle]] in particular.
-Coltrane changes can be represented with two Pythagorean major thirds and a pental one, or a mos like magic, whose circles of major thirds give options for rotating major and minor triads within one scale.
+Coltrane changes can be represented with two Pythagorean major thirds and a pental one, or a temperament like Magic, whose MOSes are characterized by circles of major thirds, giving options for rotating major and minor triads within one scale.
 Blue notes, rather than being considered inflections, can be notated as accidentals instead, such as the "blue third" which is represented by a neutral third, or any number of septimal intervals that sound great in a blues context.