Maeve Gutierrez: Difference between revisions
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'''Maeve Gutierrez''' is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]], [[36edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]]. | '''Maeve Gutierrez''' is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]], [[36edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]]. She is the number one fan of the 7/6 subminor third. | ||
== Discography and socials == | == Discography and socials == | ||
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== Invented scales and chords (named) == | == Invented scales and chords (named) == | ||
'''septimal subphrygian d4 d5''' | |||
<small>subminor-coloured scales often use subminor 3rds, 6ths, and 7ths. i realized through experimentation that flattening the 2nds, 4ths, and 5ths by a similar amount that the minor 3rd, 6th, and 7th are flattened creates really pretty scales!! i have made a few submajor, subminor, and subdorian scales using this method, but this septimal scale is my favourite so far:</small> | |||
<small>[[21/20]] subminor 2nd (84.467 cents)</small> | |||
<small>[[7/6]] subminor 2nd (266.871 cents)</small> | |||
<small>[[21/16]] sub 4th (470.781 cents)</small> | |||
<small>[[28/19]] sub 5th/🐺(671.313 cents)</small> | |||
<small>[[14/9]] subminor 6th (764.916 cents)</small> | |||
<small>[[7/4]] subminor/harmonic 7th (968.826)</small> | |||
<small>[[2/1]] octave (1200c)</small> | |||
'''Lavender hexatonic scale''' | '''Lavender hexatonic scale''' | ||
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</pre> | </pre> | ||
=== | === Generator sequence 200, 171.429 (2/1 period) with pure 7/4 added === | ||
Gutierrez described this scale in April 2026: | |||
<pre> | |||
200.000 | |||
371.429 | |||
571.429 | |||
742.858 | |||
942.858 | |||
968.892 | |||
1114.287 | |||
1200.000 | |||
</pre> | |||
[https://scaleworkshop.plainsound.org/scale/d4y1I100G (Scale Workshop url)] | |||
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]]. | |||
==== Gutierrez-Lambeth otonal neutral hexatonic ==== | |||
[[Budjarn Lambeth]] made a variant of Maeve's scale by taking a 6-tone subset and then moving individual intervals around by a [[chroma]] until he could 'play the melody he was hearing in his head': | |||
<pre> | |||
371.429 | |||
571.429 | |||
685.718 | |||
857.148 | |||
968.892 | |||
1200.000 | |||
</pre> | |||
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: '''[[25afdo]]''', [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]]. | |||
<pre>31/25 | |||
35/25 | |||
37/25 | |||
41/25 | |||
44/25 | |||
50/25 | |||
89/72 | |||
100/72 | |||
107/72 | |||
118/72 | |||
126/72 | |||
144/72 | |||
104/84 | |||
117/84 | |||
125/84 | |||
138/84 | |||
147/84 | |||
168/84 | |||
16\52 | |||
25\52 | |||
30\52 | |||
37\52 | |||
42\52 | |||
52\52 | |||
21\67 | |||
32\67 | |||
38\67 | |||
48\67 | |||
54\67 | |||
67\67 | |||
26\84 | |||
40\84 | |||
48\84 | |||
60\84 | |||
68\84 | |||
84\84 | |||
27\88 | |||
42\88 | |||
50\88 | |||
63\88 | |||
71\88 | |||
88\88</pre> | |||
=== Gutierrez 7/6s-and-4/3s scale === | === Gutierrez 7/6s-and-4/3s scale === | ||
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[[Category:8-tone scales]] | [[Category:8-tone scales]] | ||
[[Category:Just intonation scales]] | [[Category:Just intonation scales]] | ||
=== Gutierrez 11/1-period heptachord === | |||
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the following [[nonoctave]], 7-tone [[just intonation]] chord: | |||
* 11/9 — 19/7 — 3/1 — 19/4 — 7/1 — 9/1 — 11/1 | |||
It is a [[19-limit]] chord. | |||
[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez's chord and subsets thereof is the most foundational consonance. | |||
[[EDO]]s that approximate the chord well for their size include: | |||
* {{EDOs|31, 41, 48, 72, 89, 104...}} | |||
[[EDT]]s that approximate the chord better than any smaller EDT include: | |||
* {{EDTs|22, 34, 43, 65, 88, 110...}} | |||
[[65edt]] also includes the [[Bohlen-Pierce scale]] allowing this chord to be used above any degree of that scale. | |||
The chord is closely approximated in [[63afdo|63]][[afdo]], as the JI chord: | |||
* 63:77:171:189:299:441:567:693 | |||
[[Category:7-tone scales]] | |||
[[Category:Just intonation scales]] | |||
[[Category:Nonoctave]] | |||
=== Gutierrez Dec 2025 6-tone 12afdo subset === | === Gutierrez Dec 2025 6-tone 12afdo subset === | ||