Maeve Gutierrez: Difference between revisions
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'''Maeve Gutierrez''' is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]]. | '''Maeve Gutierrez''' is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]], [[36edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]]. She is the number one fan of the 7/6 subminor third. | ||
== Discography and socials == | == Discography and socials == | ||
* [https://www.instagram.com/m43v3.wav/ Maeve Gutierrez on Instagram] | * [https://www.instagram.com/m43v3.wav/ Maeve Gutierrez on Instagram] | ||
* [https://music.apple.com/sa/artist/maeve-gutierrez/1754562060 Maeve Gutierrez on Apple Music] | * [https://music.apple.com/sa/artist/maeve-gutierrez/1754562060 Maeve Gutierrez on Apple Music] | ||
* [https://open.spotify.com/artist/2Db6qdVgx5XP4BHsFndAtA Maeve Gutierrez on Spotify] | |||
== Invented scales and chords (named) == | == Invented scales and chords (named) == | ||
'''septimal subphrygian d4 d5''' | |||
<small>subminor-coloured scales often use subminor 3rds, 6ths, and 7ths. i realized through experimentation that flattening the 2nds, 4ths, and 5ths by a similar amount that the minor 3rd, 6th, and 7th are flattened creates really pretty scales!! i have made a few submajor, subminor, and subdorian scales using this method, but this septimal scale is my favourite so far:</small> | |||
<small>[[21/20]] subminor 2nd (84.467 cents)</small> | |||
<small>[[7/6]] subminor 2nd (266.871 cents)</small> | |||
<small>[[21/16]] sub 4th (470.781 cents)</small> | |||
<small>[[28/19]] sub 5th/🐺(671.313 cents)</small> | |||
<small>[[14/9]] subminor 6th (764.916 cents)</small> | |||
<small>[[7/4]] subminor/harmonic 7th (968.826)</small> | |||
<small>[[2/1]] octave (1200c)</small> | |||
'''Lavender hexatonic scale''' | |||
<small>i designed this scale to have a soft, dreamlike sound! it is very xenharmonic, but not very dissonant. it is used in my song "lavender".</small> | |||
[[12/11]] neutral 2nd (150.637 cents) | |||
[[7/6]] subminor 3rd (266.871 cents) | |||
[[21/16]] sub4th (470.781 cents) | |||
[[105/64]] neutral 6th (857.09 cents) | |||
[[44/25]] subminor 7th (978.691 cents) | |||
[[2/1]] octave/unison | |||
=== 6ed7/3''+''7edo scale === | === 6ed7/3''+''7edo scale === | ||
| Line 11: | Line 45: | ||
=== Gutierrez Moonglade scale === | === Gutierrez Moonglade scale === | ||
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 24-tone scale she used in her | In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 24-tone scale she used in her pieces 'moonglade' and "la helada". | ||
This was the post: | This was the post: | ||
| Line 58: | Line 92: | ||
* {{EDOs|64, 72, 78, 80, 84, 90, 107, 120, 144, 162, 186, 258, 270...}} | * {{EDOs|64, 72, 78, 80, 84, 90, 107, 120, 144, 162, 186, 258, 270...}} | ||
[[Detempering]] in [[ | [[Detempering]] in [[23-limit]] just intonation: | ||
* 121/120 — 20/19 — 10/9 — 9/8 — 13/11 — 6/5 — 5/4 — 4/3 — 23/17 — 7/5 — 40/27 — 3/2 — 50/33 — 11/7 — 33/20 — 5/3 — 7/4 — 23/13 — 9/5 — 224/121 — 13/7 — 17/9 — 65/33 — 2/1 | * 121/120 — 20/19 — 10/9 — 9/8 — 13/11 — 6/5 — 5/4 — 4/3 — 23/17 — 7/5 — 40/27 — 3/2 — 50/33 — 11/7 — 33/20 — 5/3 — 7/4 — 23/13 — 9/5 — 224/121 — 13/7 — 17/9 — 65/33 — 2/1 | ||
* (identical to original scale within 5{{c}}) | * (identical to original scale within 5{{c}}) | ||
| Line 164: | Line 198: | ||
[[Category:Tempered scales]] | [[Category:Tempered scales]] | ||
[[Category:Nonoctave]] | [[Category:Nonoctave]] | ||
==== Gutierrez doubled wisp scale ==== | |||
In December 2025, Gutierrez made this variant of the wisp scale by duplicating the chord made from the first 4 notes of the wisp scale, offset by 30 cents, until it fills the octave. She described it as 'adding shimmers and some more familiar intervals' and having a "very mysterious sound". | |||
<pre>30.000 | |||
266.871 | |||
296.871 | |||
484.920 | |||
514.920 | |||
669.278 | |||
699.278 | |||
936.149 | |||
966.149 | |||
1200.000</pre> | |||
==== Will-o-wisps' scale ==== | |||
A variant of the wisp scale created by [[Budjarn Lambeth]]. It repeats at the double octave ([[4/1]]). | |||
It is a [[JI]] scale as follows: | |||
*7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1 | |||
This is a no-11s [[19-limit]] scale. | |||
It can be approximated into [[27edo]]. As absolute steps of 27edo it is: | |||
* 6\27, 11\27, 16\27, 23\27, 27\27, 30\27, 33\27, 38\27, 43\27, 48\27, 52\27, 54\27 | |||
54\27 being a [[period]] after which the scale repeats. | |||
; Music | |||
[https://www.youtube.com/watch?v=JrpcIkElKQc ''Will-O-Wisps''] - Budjarn Lambeth (2025) | |||
== Invented scales and chords (unnamed) == | == Invented scales and chords (unnamed) == | ||
{{Idiosyncratic terms|Names of scales made up by [[Budjarn Lambeth]] for the purpose of documentation; if Gutierrez names the scales at some point, Gutierrez's names should be used instead.}} | {{Idiosyncratic terms|Names of scales made up by [[Budjarn Lambeth]] for the purpose of documentation; if Gutierrez names the scales at some point, Gutierrez's names should be used instead.}} | ||
=== Gutierrez 11/1-period | === Generator sequence 7/6, 9/8, 8/7 (4/1 period, 10-tone) === | ||
Gutierrez described this scale in December 2025: "the 2 octaves have similar notes (with the semiflat 4 or 11 existing in both) so it can be fun to play the same melody in both octaves for a shimmery sound which works well with bell-like timbres, but the second octave also allows chord extentions like subminor maj9 or susd4maj13" | |||
<pre> | |||
7/6 267c sin3 | |||
21/16 471c semiflat4 | |||
3/2 702c perfect 5 | |||
7/4 969c harm7 | |||
63/32 1173c suboctave | |||
9/4 1404c maj9 | |||
21/8 1671c semiflat 11 | |||
189/64 1875c 🐺 tritave | |||
27/8 2106c maj13 | |||
4/1 2400c octave | |||
</pre> | |||
=== Generator sequence 11/6, 13/8 (2/1 period, 10-tone) === | |||
''(Described December 2025.)'' | |||
<pre> | |||
224939/221184 | |||
20449/18432 | |||
4599777611/4076863488 | |||
418161601/339738624 | |||
1573/1152 | |||
143/96 | |||
32166277/21233664 | |||
2924207/1769472 | |||
11/6 | |||
2/1 | |||
</pre> | |||
=== Generator sequence 200, 171.429 (2/1 period) with pure 7/4 added === | |||
Gutierrez described this scale in April 2026: | |||
<pre> | |||
200.000 | |||
371.429 | |||
571.429 | |||
742.858 | |||
942.858 | |||
968.892 | |||
1114.287 | |||
1200.000 | |||
</pre> | |||
[https://scaleworkshop.plainsound.org/scale/d4y1I100G (Scale Workshop url)] | |||
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]]. | |||
==== Gutierrez-Lambeth otonal neutral hexatonic ==== | |||
[[Budjarn Lambeth]] made a variant of Maeve's scale by taking a 6-tone subset and then moving individual intervals around by a [[chroma]] until he could 'play the melody he was hearing in his head': | |||
<pre> | |||
371.429 | |||
571.429 | |||
685.718 | |||
857.148 | |||
968.892 | |||
1200.000 | |||
</pre> | |||
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: '''[[25afdo]]''', [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]]. | |||
<pre>31/25 | |||
35/25 | |||
37/25 | |||
41/25 | |||
44/25 | |||
50/25 | |||
89/72 | |||
100/72 | |||
107/72 | |||
118/72 | |||
126/72 | |||
144/72 | |||
104/84 | |||
117/84 | |||
125/84 | |||
138/84 | |||
147/84 | |||
168/84 | |||
16\52 | |||
25\52 | |||
30\52 | |||
37\52 | |||
42\52 | |||
52\52 | |||
21\67 | |||
32\67 | |||
38\67 | |||
48\67 | |||
54\67 | |||
67\67 | |||
26\84 | |||
40\84 | |||
48\84 | |||
60\84 | |||
68\84 | |||
84\84 | |||
27\88 | |||
42\88 | |||
50\88 | |||
63\88 | |||
71\88 | |||
88\88</pre> | |||
=== Gutierrez 7/6s-and-4/3s scale === | === Gutierrez 7/6s-and-4/3s scale === | ||
| Line 209: | Line 363: | ||
[[Category:8-tone scales]] | [[Category:8-tone scales]] | ||
[[Category:Just intonation scales]] | [[Category:Just intonation scales]] | ||
=== Gutierrez 11/1-period heptachord === | |||
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the following [[nonoctave]], 7-tone [[just intonation]] chord: | |||
* 11/9 — 19/7 — 3/1 — 19/4 — 7/1 — 9/1 — 11/1 | |||
It is a [[19-limit]] chord. | |||
[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez's chord and subsets thereof is the most foundational consonance. | |||
[[EDO]]s that approximate the chord well for their size include: | |||
* {{EDOs|31, 41, 48, 72, 89, 104...}} | |||
[[EDT]]s that approximate the chord better than any smaller EDT include: | |||
* {{EDTs|22, 34, 43, 65, 88, 110...}} | |||
[[65edt]] also includes the [[Bohlen-Pierce scale]] allowing this chord to be used above any degree of that scale. | |||
The chord is closely approximated in [[63afdo|63]][[afdo]], as the JI chord: | |||
* 63:77:171:189:299:441:567:693 | |||
[[Category:7-tone scales]] | |||
[[Category:Just intonation scales]] | |||
[[Category:Nonoctave]] | |||
=== Gutierrez Dec 2025 6-tone 12afdo subset === | |||
<pre> | |||
13/12 | |||
7/6 | |||
4/3 | |||
3/2 | |||
10/6 | |||
7/4 | |||
2/1 | |||
</pre> | |||
=== Gutierrez double primodal scales === | |||
These are to [[primodal]] scales what [[bihexany]]s are to [[hexany]]s (two copies of the scale offset by some [[just]] interval). | |||
==== 17 Feb 2026 ==== | |||
<pre> | |||
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents) | |||
fraction ~cents name | |||
1/1(2/1) 0 (1200) unison/octave | |||
78/77 22 comma | |||
13/12 139 small neu2 | |||
169/154 161 big neu2 | |||
7/6 267 sin7 | |||
13/11 289 min3 | |||
4/3 498 perf4 | |||
104/77 520 super4 | |||
3/2 702 perf5 | |||
117/77 724 semiaug 5 | |||
5/3 884 small maj6 | |||
130/77 907 big maj6 | |||
11/6 1049 neu7 | |||
13/7 1072 submaj7 | |||
</pre> | |||
==== 19 Feb 2026 ==== | |||
<pre> | |||
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents) | |||
fraction ~cents name | |||
1/1(2/1) 0 (1200) unison/octave | |||
78/77 22 comma | |||
13/12 139 small neu2 | |||
169/154 161 big neu2 | |||
7/6 267 sin7 | |||
13/11 289 min3 | |||
4/3 498 perf4 | |||
104/77 520 super4 | |||
3/2 702 perf5 | |||
117/77 724 semiaug 5 | |||
5/3 884 small maj6 | |||
130/77 907 big maj6 | |||
11/6 1049 neu7 | |||
13/7 1072 submaj7 | |||
</pre> | |||
=== Gutierrez-Lambeth quasi-subharmonic pentatonic === | === Gutierrez-Lambeth quasi-subharmonic pentatonic === | ||
| Line 266: | Line 510: | ||
* 37 23 93 65 52 | * 37 23 93 65 52 | ||
* (identical to original scale within 0.6{{c}}) | * (identical to original scale within 0.6{{c}}) | ||
=== Gutierrez slendric plural-octave scale === | |||
Gutierrez described this scale in December 2025: "using a period of 7/4 on slendric generator sequence gives you alot of near-octaves so each octave is a different mode of the same scale" | |||
<pre>8/7 | |||
21/16 | |||
3/2 | |||
12/7 | |||
7/4 (period) | |||
2/1 | |||
147/64 | |||
21/8 | |||
3/1 | |||
49/16 | |||
7/2 | |||
1029/256 | |||
147/32 | |||
21/4 | |||
343/64 | |||
49/8 | |||
7203/1024 | |||
1029/128 | |||
147/16 | |||
2401/256 | |||
343/32 | |||
50421/4096 | |||
7203/512 | |||
1029/64 | |||
16807/1024 (5 periods)</pre> | |||
== Other discoveries == | == Other discoveries == | ||
| Line 271: | Line 544: | ||
Gutierrez was the first to explore [[13ed8/3]] as a possible tuning, describing its uses on the [[Xenharmonic Alliance]] Discord server. | Gutierrez was the first to explore [[13ed8/3]] as a possible tuning, describing its uses on the [[Xenharmonic Alliance]] Discord server. | ||
== | == Scale recommendations == | ||
If a composer likes Gutierrez's original scales, they may also like scales by other theorists which Gutierrez has recommended using. These are some examples of those: | If a composer likes Gutierrez's original scales, they may also like scales by other theorists which Gutierrez has recommended using. These are some examples of those: | ||
; [[Cloudtone]][10] in [[45edo]] | |||
If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage. | |||
* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]]) | |||
; [[Decimetra]][20] in [[90edo]] | |||
If you take two copies of [[10edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the decimetra[20] [[MOS scale]] in 90edo. | |||
* Step pattern: 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 ([[10L 10s]]) | |||
; [[31edo modes|Superlydian b7 d6]] in [[31edo]] | |||
Gutierrez: "F# [[31edo]] superlydian b7 d6 (5 7 3 3 4 4 5) has a very bright sound & has a good mix of [[consonance]] & [[dissonance]]... could also work in 24edo." | |||
* Step pattern: 5 7 3 3 4 4 5 | |||
; [[Superpyth]][5] in [[27edo]] | ; [[Superpyth]][5] in [[27edo]] | ||
| Line 278: | Line 563: | ||
* Step pattern: 6 5 6 5 5 ([[2L 3s]]) | * Step pattern: 6 5 6 5 5 ([[2L 3s]]) | ||
{{Navbox scale gallery}} | |||
[[Category:People]] | [[Category:People]] | ||
[[Category:Composers]] | [[Category:Composers]] | ||
[[Category:Theorists]] | [[Category:Theorists]] | ||