5L 2s: Difference between revisions
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{{MOS intro}} | {{MOS intro}} | ||
The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, takes on a generalized form of LLsLLLs, where the large and small steps – denoted as L's and s's – represent whole number step sizes, thus producing different [[ | The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, takes on a generalized form of LLsLLLs, where the large and small steps – denoted as L's and s's – represent whole number step sizes, thus producing different [[edo]]s. These [[step ratio]]s affect the sizes of the diatonic scale's intervals and correspond to different tuning systems. | ||
Among the most well-known forms of this scale are the diatonic scale of [[12edo]], the Pythagorean diatonic scale, and scales produced by meantone systems. | Among the most well-known forms of this scale are the diatonic scale of [[12edo]], the Pythagorean diatonic scale, and scales produced by meantone systems. | ||
==Name== | |||
== Name == | |||
[[TAMNAMS]] suggests the temperament-agnostic name '''diatonic''' for this scale, which commonly refers to a scale with 5 whole steps and 2 half steps. Under TAMNAMS and for all scale pattern pages on the wiki, '''the term ''diatonic'' exclusively refers to 5L 2s'''. | [[TAMNAMS]] suggests the temperament-agnostic name '''diatonic''' for this scale, which commonly refers to a scale with 5 whole steps and 2 half steps. Under TAMNAMS and for all scale pattern pages on the wiki, '''the term ''diatonic'' exclusively refers to 5L 2s'''. | ||
The term ''diatonic'' may also refer to scales that have more than one size of whole step, such as those produced using [[Tetrachord|tetrachords]] or [[just intonation]]. Such diatonic-like scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate. | The term ''diatonic'' may also refer to scales that have more than one size of whole step, such as those produced using [[Tetrachord|tetrachords]] or [[just intonation]]. Such diatonic-like scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate. | ||
==Notation == | |||
== Notation == | |||
:''This article assumes [[TAMNAMS]] for naming step ratios.'' | :''This article assumes [[TAMNAMS]] for naming step ratios.'' | ||
===Intervals=== | === Intervals === | ||
Intervals are identical to that of standard notation. As such, the usual [[Interval quality|interval qualities]] of major/minor and augmented/perfect/diminished apply here. | Intervals are identical to that of standard notation. As such, the usual [[Interval quality|interval qualities]] of major/minor and augmented/perfect/diminished apply here. | ||
{{MOS intervals}} | {{MOS intervals}} | ||
===Note names=== | |||
Note names are identical to that of standard notation. Thus, the basic gamut for 5L 2s is the following: | === Note names === | ||
Note names are identical to that of standard notation. Thus, the basic gamut for 5L 2s is the following: | |||
{{MOS gamut}} | {{MOS gamut}} | ||
==Theory== | |||
===Temperament interpretations=== | == Theory == | ||
=== Temperament interpretations === | |||
{{Main| 5L 2s/Temperaments }} | |||
5L 2s has several rank-2 temperament interpretations, such as: | 5L 2s has several rank-2 temperament interpretations, such as: | ||
*[[Meantone]], with generators around 696.2¢. This includes: | * [[Meantone]], with generators around 696.2¢. This includes: | ||
**[[Flattone]], with generators around 693.7¢. | ** [[Flattone]], with generators around 693.7¢. | ||
*[[Schismic]], with generators around 702¢. | * [[Schismic]], with generators around 702¢. | ||
*[[Parapyth]], with generators around 704.7¢. | * [[Parapyth]], with generators around 704.7¢. | ||
*[[Archy]], with generators around 709.3¢. This includes: | * [[Archy]], with generators around 709.3¢. This includes: | ||
**Supra, with generators around 707.2¢ | ** Supra, with generators around 707.2¢ | ||
**Superpyth, with generators around 710.3¢ | ** Superpyth, with generators around 710.3¢ | ||
**Ultrapyth, with generators around 713.7¢. | ** Ultrapyth, with generators around 713.7¢. | ||
== Tuning ranges== | == Tuning ranges == | ||
===Simple tunings=== | === Simple tunings === | ||
[[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}} | [[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}} | ||
=== Parasoft tunings=== | |||
=== Parasoft tunings === | |||
{{See also| Flattone }} | |||
Parasoft diatonic tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | Parasoft diatonic tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | ||
Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]].{{MOS degrees|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5|MOS Prefix=dia}} | Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]]. | ||
===Hyposoft tunings=== | {{MOS degrees|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5|MOS Prefix=dia}} | ||
=== Hyposoft tunings === | |||
{{See also| Meantone }} | |||
Hyposoft diatonic tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | Hyposoft diatonic tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | ||
Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]].{{MOS degrees|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5}} | Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]]. | ||
=== Hypohard tunings=== | {{MOS degrees|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5}} | ||
:'' | |||
=== Hypohard tunings === | |||
:''See also: [[Pythagorean tuning]] and [[Schismatic family #Schismatic aka helmholtz|schismatic temperament]]'' | |||
The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | ||
====Minihard tunings==== | |||
==== Minihard tunings ==== | |||
Minihard diatonic tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | Minihard diatonic tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | ||
Edos include [[41edo]] and [[53edo]].{{MOS degrees|Step Ratio=7/3; 9/4|Genchain Extend=0, 5}} | Edos include [[41edo]] and [[53edo]]. | ||
====Quasihard tunings==== | {{MOS degrees|Step Ratio=7/3; 9/4|Genchain Extend=0, 5}} | ||
==== Quasihard tunings ==== | |||
Quasihard diatonic tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | Quasihard diatonic tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | ||
Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.{{MOS degrees|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}} | Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings. | ||
===Parahard and ultrahard tunings=== | {{MOS degrees|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}} | ||
=== Parahard and ultrahard tunings === | |||
{{See also| Archy }} | |||
Parahard (3:1 to 4:1) and ultrahard (4:1 to 1:0) diatonic tunings correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | Parahard (3:1 to 4:1) and ultrahard (4:1 to 1:0) diatonic tunings correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | ||
Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others.{{MOS degrees|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5}} | Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others. | ||
==Modes== | {{MOS degrees|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5}} | ||
== Modes == | |||
Diatonic modes have standard names from classical music theory. | Diatonic modes have standard names from classical music theory. | ||
{{MOS modes}} | {{MOS modes}} | ||
Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma. | Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma. | ||
{| class="wikitable" | |||
! colspan="2" |Mode | {| class="wikitable center-all" | ||
! colspan="8" |Scale degree (on C) | ! colspan="2" | Mode | ||
! colspan="8" | Scale degree (on C) | |||
|- | |- | ||
!UDP | ! UDP | ||
!Step pattern | ! Step pattern | ||
! 1st | ! 1st | ||
!2nd | ! 2nd | ||
!3rd | ! 3rd | ||
!4th | ! 4th | ||
!5th | ! 5th | ||
!6th | ! 6th | ||
!7th | ! 7th | ||
!8th | ! 8th | ||
|- | |- | ||
|<nowiki>6|0</nowiki> | | <nowiki>6|0</nowiki> | ||
|LLLsLLs | | LLLsLLs | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Major (E) | | Major (E) | ||
|Augmented (F#) | | Augmented (F#) | ||
|Perfect (G) | | Perfect (G) | ||
|Major (A) | | Major (A) | ||
|Major (B) | | Major (B) | ||
|Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>5|1</nowiki> | | <nowiki>5|1</nowiki> | ||
|LLsLLLs | | LLsLLLs | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Major (E) | | Major (E) | ||
|Perfect (F) | | Perfect (F) | ||
|Perfect (G) | | Perfect (G) | ||
|Major (A) | | Major (A) | ||
|Major (B) | | Major (B) | ||
|Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>4|2</nowiki> | | <nowiki>4|2</nowiki> | ||
|LLsLLsL | | LLsLLsL | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Major (E) | | Major (E) | ||
|Perfect (F) | | Perfect (F) | ||
|Perfect (G) | | Perfect (G) | ||
| Major (A) | | Major (A) | ||
| Minor (Bb) | | Minor (Bb) | ||
| Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>3|3</nowiki> | | <nowiki>3|3</nowiki> | ||
| LsLLLsL | | LsLLLsL | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Minor (Eb) | | Minor (Eb) | ||
|Perfect (F) | | Perfect (F) | ||
|Perfect (G) | | Perfect (G) | ||
|Major (A) | | Major (A) | ||
|Minor (Bb) | | Minor (Bb) | ||
|Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>2|4</nowiki> | | <nowiki>2|4</nowiki> | ||
|LsLLsLL | | LsLLsLL | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Minor (Eb) | | Minor (Eb) | ||
|Perfect (F) | | Perfect (F) | ||
|Perfect (G) | | Perfect (G) | ||
|Minor (Ab) | | Minor (Ab) | ||
|Minor (Bb) | | Minor (Bb) | ||
| Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>1|5</nowiki> | | <nowiki>1|5</nowiki> | ||
|sLLLsLL | | sLLLsLL | ||
| Perfect (C) | |||
| Minor (Db) | |||
| Minor (Eb) | |||
| Perfect (F) | |||
| Perfect (G) | |||
| Minor (Ab) | |||
| Minor (Bb) | |||
| Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>0|6</nowiki> | | <nowiki>0|6</nowiki> | ||
|sLLsLLL | | sLLsLLL | ||
|Perfect (C) | | Perfect (C) | ||
|Minor (Db) | | Minor (Db) | ||
|Minor (Eb) | | Minor (Eb) | ||
|Perfect (F) | | Perfect (F) | ||
|Diminished (Gb) | | Diminished (Gb) | ||
| Minor (Ab) | | Minor (Ab) | ||
|Minor (Bb) | | Minor (Bb) | ||
| Perfect (C) | | Perfect (C) | ||
|} | |} | ||
==Scales== | |||
== Scales == | |||
=== Subset and superset scales === | === Subset and superset scales === | ||
5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has two child scales, which are supersets of 5L 2s: | 5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has two child scales, which are supersets of 5L 2s: | ||
*[[7L 5s]], a chromatic scale produced using soft-of-basic step ratios. | * [[7L 5s]], a chromatic scale produced using soft-of-basic step ratios. | ||
*[[5L 7s]], a chromatic scale produced using hard-of-basic step ratios. | * [[5L 7s]], a chromatic scale produced using hard-of-basic step ratios. | ||
12edo, the equalized form of both 7L 5s and 5L 7s, is also a superset of 5L 2s. | 12edo, the equalized form of both 7L 5s and 5L 7s, is also a superset of 5L 2s. | ||
===MODMOS scales and muddles=== | |||
=== MODMOS scales and muddles === | |||
:''Main article: [[5L 2s MODMOSes]] and [[5L 2s Muddles]]'' | |||
=== Scala files === | === Scala files === | ||
| Line 184: | Line 208: | ||
* [[Archy7]] – 472edo tuning | * [[Archy7]] – 472edo tuning | ||
==Scale tree == | == Scale tree == | ||
{{Scale tree|depth=6|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}} | {{Scale tree|depth=6|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region}} | ||
===Step ratio diagram=== | |||
=== Step ratio diagram === | |||
[[File:5L2s.jpg|alt=5L2s.jpg|5L2s.jpg]] | [[File:5L2s.jpg|alt=5L2s.jpg|5L2s.jpg]] | ||
==See also== | == See also == | ||
* [[Diatonic functional harmony]] | |||
*[[Diatonic functional harmony]] | |||
[[Category:Diatonic| ]] <!-- main article --> | [[Category:Diatonic| ]] <!-- main article --> | ||
[[Category:7-tone scales]] | [[Category:7-tone scales]] | ||
Revision as of 13:08, 15 December 2023
| ↖ 4L 1s | ↑ 5L 1s | 6L 1s ↗ |
| ← 4L 2s | 5L 2s | 6L 2s → |
| ↙ 4L 3s | ↓ 5L 3s | 6L 3s ↘ |
sLLsLLL
5L 2s, named diatonic in TAMNAMS, is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 5 large steps and 2 small steps, repeating every octave. Generators that produce this scale range from 685.7 ¢ to 720 ¢, or from 480 ¢ to 514.3 ¢. The familiar pattern of 5 whole steps and 2 half steps, commonly written as WWHWWWH for the major scale, takes on a generalized form of LLsLLLs, where the large and small steps – denoted as L's and s's – represent whole number step sizes, thus producing different edos. These step ratios affect the sizes of the diatonic scale's intervals and correspond to different tuning systems.
Among the most well-known forms of this scale are the diatonic scale of 12edo, the Pythagorean diatonic scale, and scales produced by meantone systems.
Name
TAMNAMS suggests the temperament-agnostic name diatonic for this scale, which commonly refers to a scale with 5 whole steps and 2 half steps. Under TAMNAMS and for all scale pattern pages on the wiki, the term diatonic exclusively refers to 5L 2s.
The term diatonic may also refer to scales that have more than one size of whole step, such as those produced using tetrachords or just intonation. Such diatonic-like scales, such as Zarlino, blackdye and diasem, are called detempered diatonic scales (for an RTT-based philosophy) or deregularized diatonic scales (for an RTT-agnostic philosophy). The terms diatonic-like or diatonic-based may also be used to refer such scales, depending on what's contextually the most appropriate.
Notation
- This article assumes TAMNAMS for naming step ratios.
Intervals
Intervals are identical to that of standard notation. As such, the usual interval qualities of major/minor and augmented/perfect/diminished apply here.
| Intervals | Steps subtended |
Range in cents | ||
|---|---|---|---|---|
| Generic | Specific | Abbrev. | ||
| 0-diastep | Perfect 0-diastep | P0dias | 0 | 0.0 ¢ |
| 1-diastep | Minor 1-diastep | m1dias | s | 0.0 ¢ to 171.4 ¢ |
| Major 1-diastep | M1dias | L | 171.4 ¢ to 240.0 ¢ | |
| 2-diastep | Minor 2-diastep | m2dias | L + s | 240.0 ¢ to 342.9 ¢ |
| Major 2-diastep | M2dias | 2L | 342.9 ¢ to 480.0 ¢ | |
| 3-diastep | Perfect 3-diastep | P3dias | 2L + s | 480.0 ¢ to 514.3 ¢ |
| Augmented 3-diastep | A3dias | 3L | 514.3 ¢ to 720.0 ¢ | |
| 4-diastep | Diminished 4-diastep | d4dias | 2L + 2s | 480.0 ¢ to 685.7 ¢ |
| Perfect 4-diastep | P4dias | 3L + s | 685.7 ¢ to 720.0 ¢ | |
| 5-diastep | Minor 5-diastep | m5dias | 3L + 2s | 720.0 ¢ to 857.1 ¢ |
| Major 5-diastep | M5dias | 4L + s | 857.1 ¢ to 960.0 ¢ | |
| 6-diastep | Minor 6-diastep | m6dias | 4L + 2s | 960.0 ¢ to 1028.6 ¢ |
| Major 6-diastep | M6dias | 5L + s | 1028.6 ¢ to 1200.0 ¢ | |
| 7-diastep | Perfect 7-diastep | P7dias | 5L + 2s | 1200.0 ¢ |
Note names
Note names are identical to that of standard notation. Thus, the basic gamut for 5L 2s is the following:
J, J&/K@, K, L, L&/M@, M, M&/N@, N, N&/O@, O, P, P&/J@, J
Theory
Temperament interpretations
5L 2s has several rank-2 temperament interpretations, such as:
- Meantone, with generators around 696.2¢. This includes:
- Flattone, with generators around 693.7¢.
- Schismic, with generators around 702¢.
- Parapyth, with generators around 704.7¢.
- Archy, with generators around 709.3¢. This includes:
- Supra, with generators around 707.2¢
- Superpyth, with generators around 710.3¢
- Ultrapyth, with generators around 713.7¢.
Tuning ranges
Simple tunings
17edo and 19edo are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.
| MOS degrees is deprecated. Please use Template:MOS tunings instead. |
| Scale degree | 12edo (Basic, L:s = 2:1) | 17edo (Hard, L:s = 3:1) | 19edo (Soft, L:s = 3:2) | Approx. JI Ratios | |||
|---|---|---|---|---|---|---|---|
| Steps | Cents | Steps | Cents | Steps | Cents | ||
| Perfect 0-diadegree (unison) | 0 | 0 | 0 | 0 | 0 | 0 | 1/1 (exact) |
| Minor 1-diadegree | 1 | 100 | 1 | 70.6 | 2 | 126.3 | |
| Major 1-diadegree | 2 | 200 | 3 | 211.8 | 3 | 189.5 | |
| Minor 2-diadegree | 3 | 300 | 4 | 282.4 | 5 | 315.8 | |
| Major 2-diadegree | 4 | 400 | 6 | 423.5 | 6 | 378.9 | |
| Perfect 3-diadegree | 5 | 500 | 7 | 494.1 | 8 | 505.3 | |
| Augmented 3-diadegree | 6 | 600 | 9 | 635.3 | 9 | 568.4 | |
| Diminished 4-diadegree | 6 | 600 | 8 | 564.7 | 10 | 631.6 | |
| Perfect 4-diadegree | 7 | 700 | 10 | 705.9 | 11 | 694.7 | |
| Minor 5-diadegree | 8 | 800 | 11 | 776.5 | 13 | 821.1 | |
| Major 5-diadegree | 9 | 900 | 13 | 917.6 | 14 | 884.2 | |
| Minor 6-diadegree | 10 | 1000 | 14 | 988.2 | 16 | 1010.5 | |
| Major 6-diadegree | 11 | 1100 | 16 | 1129.4 | 17 | 1073.7 | |
| Perfect 7-diadegree (octave) | 12 | 1200 | 17 | 1200 | 19 | 1200 | 2/1 (exact) |
Parasoft tunings
Parasoft diatonic tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths (3/2, flat of 702¢) to produce major 3rds that are flatter than 5/4 (386¢).
Edos include 19edo, 26edo, 45edo, and 64edo.
| MOS degrees is deprecated. Please use Template:MOS tunings instead. |
| Scale degree | 19edo (Soft, L:s = 3:2) | 26edo (Supersoft, L:s = 4:3) | 45edo (L:s = 7:5) | 64edo (L:s = 10:7) | Approx. JI Ratios | ||||
|---|---|---|---|---|---|---|---|---|---|
| Steps | Cents | Steps | Cents | Steps | Cents | Steps | Cents | ||
| Perfect 0-diadegree (unison) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1/1 (exact) |
| Minor 1-diadegree | 2 | 126.3 | 3 | 138.5 | 5 | 133.3 | 7 | 131.3 | |
| Major 1-diadegree | 3 | 189.5 | 4 | 184.6 | 7 | 186.7 | 10 | 187.5 | |
| Minor 2-diadegree | 5 | 315.8 | 7 | 323.1 | 12 | 320 | 17 | 318.8 | |
| Major 2-diadegree | 6 | 378.9 | 8 | 369.2 | 14 | 373.3 | 20 | 375 | |
| Perfect 3-diadegree | 8 | 505.3 | 11 | 507.7 | 19 | 506.7 | 27 | 506.2 | |
| Augmented 3-diadegree | 9 | 568.4 | 12 | 553.8 | 21 | 560 | 30 | 562.5 | |
| Diminished 4-diadegree | 10 | 631.6 | 14 | 646.2 | 24 | 640 | 34 | 637.5 | |
| Perfect 4-diadegree | 11 | 694.7 | 15 | 692.3 | 26 | 693.3 | 37 | 693.8 | |
| Minor 5-diadegree | 13 | 821.1 | 18 | 830.8 | 31 | 826.7 | 44 | 825 | |
| Major 5-diadegree | 14 | 884.2 | 19 | 876.9 | 33 | 880 | 47 | 881.2 | |
| Minor 6-diadegree | 16 | 1010.5 | 22 | 1015.4 | 38 | 1013.3 | 54 | 1012.5 | |
| Major 6-diadegree | 17 | 1073.7 | 23 | 1061.5 | 40 | 1066.7 | 57 | 1068.8 | |
| Perfect 7-diadegree (octave) | 19 | 1200 | 26 | 1200 | 45 | 1200 | 64 | 1200 | 2/1 (exact) |
Hyposoft tunings
Hyposoft diatonic tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢).
Edos include 19edo, 31edo, 43edo, and 50edo.
| MOS degrees is deprecated. Please use Template:MOS tunings instead. |
| Scale degree | 19edo (Soft, L:s = 3:2) | 31edo (Semisoft, L:s = 5:3) | 43edo (L:s = 7:4) | 50edo (L:s = 8:5) | Approx. JI Ratios | ||||
|---|---|---|---|---|---|---|---|---|---|
| Steps | Cents | Steps | Cents | Steps | Cents | Steps | Cents | ||
| Perfect 0-diadegree (unison) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1/1 (exact) |
| Minor 1-diadegree | 2 | 126.3 | 3 | 116.1 | 4 | 111.6 | 5 | 120 | |
| Major 1-diadegree | 3 | 189.5 | 5 | 193.5 | 7 | 195.3 | 8 | 192 | |
| Minor 2-diadegree | 5 | 315.8 | 8 | 309.7 | 11 | 307 | 13 | 312 | |
| Major 2-diadegree | 6 | 378.9 | 10 | 387.1 | 14 | 390.7 | 16 | 384 | |
| Perfect 3-diadegree | 8 | 505.3 | 13 | 503.2 | 18 | 502.3 | 21 | 504 | |
| Augmented 3-diadegree | 9 | 568.4 | 15 | 580.6 | 21 | 586 | 24 | 576 | |
| Diminished 4-diadegree | 10 | 631.6 | 16 | 619.4 | 22 | 614 | 26 | 624 | |
| Perfect 4-diadegree | 11 | 694.7 | 18 | 696.8 | 25 | 697.7 | 29 | 696 | |
| Minor 5-diadegree | 13 | 821.1 | 21 | 812.9 | 29 | 809.3 | 34 | 816 | |
| Major 5-diadegree | 14 | 884.2 | 23 | 890.3 | 32 | 893 | 37 | 888 | |
| Minor 6-diadegree | 16 | 1010.5 | 26 | 1006.5 | 36 | 1004.7 | 42 | 1008 | |
| Major 6-diadegree | 17 | 1073.7 | 28 | 1083.9 | 39 | 1088.4 | 45 | 1080 | |
| Perfect 7-diadegree (octave) | 19 | 1200 | 31 | 1200 | 43 | 1200 | 50 | 1200 | 2/1 (exact) |
Hypohard tunings
- See also: Pythagorean tuning and schismatic temperament
The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1).
Minihard tunings
Minihard diatonic tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of 81/64 (407¢).
| MOS degrees is deprecated. Please use Template:MOS tunings instead. |
| Scale degree | 41edo (L:s = 7:3) | 53edo (L:s = 9:4) | Approx. JI Ratios | ||
|---|---|---|---|---|---|
| Steps | Cents | Steps | Cents | ||
| Perfect 0-diadegree (unison) | 0 | 0 | 0 | 0 | 1/1 (exact) |
| Minor 1-diadegree | 3 | 87.8 | 4 | 90.6 | |
| Major 1-diadegree | 7 | 204.9 | 9 | 203.8 | |
| Minor 2-diadegree | 10 | 292.7 | 13 | 294.3 | |
| Major 2-diadegree | 14 | 409.8 | 18 | 407.5 | |
| Perfect 3-diadegree | 17 | 497.6 | 22 | 498.1 | |
| Augmented 3-diadegree | 21 | 614.6 | 27 | 611.3 | |
| Diminished 4-diadegree | 20 | 585.4 | 26 | 588.7 | |
| Perfect 4-diadegree | 24 | 702.4 | 31 | 701.9 | |
| Minor 5-diadegree | 27 | 790.2 | 35 | 792.5 | |
| Major 5-diadegree | 31 | 907.3 | 40 | 905.7 | |
| Minor 6-diadegree | 34 | 995.1 | 44 | 996.2 | |
| Major 6-diadegree | 38 | 1112.2 | 49 | 1109.4 | |
| Perfect 7-diadegree (octave) | 41 | 1200 | 53 | 1200 | 2/1 (exact) |
Quasihard tunings
Quasihard diatonic tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of 32/27 (294¢).
Edos include 17edo, 29edo, and 46edo. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.
| MOS degrees is deprecated. Please use Template:MOS tunings instead. |
| Scale degree | 17edo (Hard, L:s = 3:1) | 29edo (Semihard, L:s = 5:2) | 46edo (L:s = 8:3) | Approx. JI Ratios | |||
|---|---|---|---|---|---|---|---|
| Steps | Cents | Steps | Cents | Steps | Cents | ||
| Perfect 0-diadegree (unison) | 0 | 0 | 0 | 0 | 0 | 0 | 1/1 (exact) |
| Minor 1-diadegree | 1 | 70.6 | 2 | 82.8 | 3 | 78.3 | |
| Major 1-diadegree | 3 | 211.8 | 5 | 206.9 | 8 | 208.7 | |
| Minor 2-diadegree | 4 | 282.4 | 7 | 289.7 | 11 | 287 | |
| Major 2-diadegree | 6 | 423.5 | 10 | 413.8 | 16 | 417.4 | |
| Perfect 3-diadegree | 7 | 494.1 | 12 | 496.6 | 19 | 495.7 | |
| Augmented 3-diadegree | 9 | 635.3 | 15 | 620.7 | 24 | 626.1 | |
| Diminished 4-diadegree | 8 | 564.7 | 14 | 579.3 | 22 | 573.9 | |
| Perfect 4-diadegree | 10 | 705.9 | 17 | 703.4 | 27 | 704.3 | |
| Minor 5-diadegree | 11 | 776.5 | 19 | 786.2 | 30 | 782.6 | |
| Major 5-diadegree | 13 | 917.6 | 22 | 910.3 | 35 | 913 | |
| Minor 6-diadegree | 14 | 988.2 | 24 | 993.1 | 38 | 991.3 | |
| Major 6-diadegree | 16 | 1129.4 | 27 | 1117.2 | 43 | 1121.7 | |
| Perfect 7-diadegree (octave) | 17 | 1200 | 29 | 1200 | 46 | 1200 | 2/1 (exact) |
Parahard and ultrahard tunings
Parahard (3:1 to 4:1) and ultrahard (4:1 to 1:0) diatonic tunings correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢.
Edos include 17edo, 22edo, 27edo, and 32edo, among others.
| MOS degrees is deprecated. Please use Template:MOS tunings instead. |
| Scale degree | 17edo (Hard, L:s = 3:1) | 22edo (Superhard, L:s = 4:1) | 27edo (L:s = 5:1) | 32edo (L:s = 6:1) | Approx. JI Ratios | ||||
|---|---|---|---|---|---|---|---|---|---|
| Steps | Cents | Steps | Cents | Steps | Cents | Steps | Cents | ||
| Perfect 0-diadegree (unison) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1/1 (exact) |
| Minor 1-diadegree | 1 | 70.6 | 1 | 54.5 | 1 | 44.4 | 1 | 37.5 | |
| Major 1-diadegree | 3 | 211.8 | 4 | 218.2 | 5 | 222.2 | 6 | 225 | |
| Minor 2-diadegree | 4 | 282.4 | 5 | 272.7 | 6 | 266.7 | 7 | 262.5 | |
| Major 2-diadegree | 6 | 423.5 | 8 | 436.4 | 10 | 444.4 | 12 | 450 | |
| Perfect 3-diadegree | 7 | 494.1 | 9 | 490.9 | 11 | 488.9 | 13 | 487.5 | |
| Augmented 3-diadegree | 9 | 635.3 | 12 | 654.5 | 15 | 666.7 | 18 | 675 | |
| Diminished 4-diadegree | 8 | 564.7 | 10 | 545.5 | 12 | 533.3 | 14 | 525 | |
| Perfect 4-diadegree | 10 | 705.9 | 13 | 709.1 | 16 | 711.1 | 19 | 712.5 | |
| Minor 5-diadegree | 11 | 776.5 | 14 | 763.6 | 17 | 755.6 | 20 | 750 | |
| Major 5-diadegree | 13 | 917.6 | 17 | 927.3 | 21 | 933.3 | 25 | 937.5 | |
| Minor 6-diadegree | 14 | 988.2 | 18 | 981.8 | 22 | 977.8 | 26 | 975 | |
| Major 6-diadegree | 16 | 1129.4 | 21 | 1145.5 | 26 | 1155.6 | 31 | 1162.5 | |
| Perfect 7-diadegree (octave) | 17 | 1200 | 22 | 1200 | 27 | 1200 | 32 | 1200 | 2/1 (exact) |
Modes
Diatonic modes have standard names from classical music theory.
| UDP | Cyclic order |
Step pattern |
Mode names |
|---|---|---|---|
| 6|0 | 1 | LLLsLLs | Lydian |
| 5|1 | 5 | LLsLLLs | Ionian (major) |
| 4|2 | 2 | LLsLLsL | Mixolydian |
| 3|3 | 6 | LsLLLsL | Dorian |
| 2|4 | 3 | LsLLsLL | Aeolian (minor) |
| 1|5 | 7 | sLLLsLL | Phrygian |
| 0|6 | 4 | sLLsLLL | Locrian |
Each mode has the following scale degrees, reached by raising or lowering certain naturals by a chroma.
| Mode | Scale degree (on C) | ||||||||
|---|---|---|---|---|---|---|---|---|---|
| UDP | Step pattern | 1st | 2nd | 3rd | 4th | 5th | 6th | 7th | 8th |
| 6|0 | LLLsLLs | Perfect (C) | Major (D) | Major (E) | Augmented (F#) | Perfect (G) | Major (A) | Major (B) | Perfect (C) |
| 5|1 | LLsLLLs | Perfect (C) | Major (D) | Major (E) | Perfect (F) | Perfect (G) | Major (A) | Major (B) | Perfect (C) |
| 4|2 | LLsLLsL | Perfect (C) | Major (D) | Major (E) | Perfect (F) | Perfect (G) | Major (A) | Minor (Bb) | Perfect (C) |
| 3|3 | LsLLLsL | Perfect (C) | Major (D) | Minor (Eb) | Perfect (F) | Perfect (G) | Major (A) | Minor (Bb) | Perfect (C) |
| 2|4 | LsLLsLL | Perfect (C) | Major (D) | Minor (Eb) | Perfect (F) | Perfect (G) | Minor (Ab) | Minor (Bb) | Perfect (C) |
| 1|5 | sLLLsLL | Perfect (C) | Minor (Db) | Minor (Eb) | Perfect (F) | Perfect (G) | Minor (Ab) | Minor (Bb) | Perfect (C) |
| 0|6 | sLLsLLL | Perfect (C) | Minor (Db) | Minor (Eb) | Perfect (F) | Diminished (Gb) | Minor (Ab) | Minor (Bb) | Perfect (C) |
Scales
Subset and superset scales
5L 2s has a parent scale of 2L 3s, a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has two child scales, which are supersets of 5L 2s:
- 7L 5s, a chromatic scale produced using soft-of-basic step ratios.
- 5L 7s, a chromatic scale produced using hard-of-basic step ratios.
12edo, the equalized form of both 7L 5s and 5L 7s, is also a superset of 5L 2s.
MODMOS scales and muddles
- Main article: 5L 2s MODMOSes and 5L 2s Muddles
Scala files
- Meantone7 – 19edo and 31edo tunings
- Nestoria7 – 171edo tuning
- Pythagorean7 – Pythagorean tuning
- Garibaldi7 – 94edo tuning
- Cotoneum7 – 217edo tuning
- Edson7 – 29edo tuning
- Pepperoni7 – 271edo tuning
- Supra7 – 56edo tuning
- Archy7 – 472edo tuning
Scale tree
| Template: Scale tree is deprecated. Please use Template: MOS tuning spectrum instead.
Details: Use of a single Comments parameter has become unmaintainable. Existing scale trees should be migrated to the new template, where comments are entered using a step ratio p/q as a parameter: {{MOS tuning spectrum
| 3/2 = Example comment
| 4/3 = Another example comment
}}
|
| Generator(edo) | Cents | Step ratio | Comments | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Bright | Dark | L:s | Hardness | ||||||||
| 4\7 | 685.714 | 514.286 | 1:1 | 1.000 | Equalized 5L 2s | ||||||
| 27\47 | 689.362 | 510.638 | 7:6 | 1.167 | |||||||
| 23\40 | 690.000 | 510.000 | 6:5 | 1.200 | |||||||
| 42\73 | 690.411 | 509.589 | 11:9 | 1.222 | |||||||
| 19\33 | 690.909 | 509.091 | 5:4 | 1.250 | |||||||
| 53\92 | 691.304 | 508.696 | 14:11 | 1.273 | |||||||
| 34\59 | 691.525 | 508.475 | 9:7 | 1.286 | |||||||
| 49\85 | 691.765 | 508.235 | 13:10 | 1.300 | |||||||
| 15\26 | 692.308 | 507.692 | 4:3 | 1.333 | Supersoft 5L 2s | ||||||
| 56\97 | 692.784 | 507.216 | 15:11 | 1.364 | |||||||
| 41\71 | 692.958 | 507.042 | 11:8 | 1.375 | |||||||
| 67\116 | 693.103 | 506.897 | 18:13 | 1.385 | |||||||
| 26\45 | 693.333 | 506.667 | 7:5 | 1.400 | |||||||
| 63\109 | 693.578 | 506.422 | 17:12 | 1.417 | |||||||
| 37\64 | 693.750 | 506.250 | 10:7 | 1.429 | |||||||
| 48\83 | 693.976 | 506.024 | 13:9 | 1.444 | |||||||
| 11\19 | 694.737 | 505.263 | 3:2 | 1.500 | Soft 5L 2s | ||||||
| 51\88 | 695.455 | 504.545 | 14:9 | 1.556 | |||||||
| 40\69 | 695.652 | 504.348 | 11:7 | 1.571 | |||||||
| 69\119 | 695.798 | 504.202 | 19:12 | 1.583 | |||||||
| 29\50 | 696.000 | 504.000 | 8:5 | 1.600 | |||||||
| 76\131 | 696.183 | 503.817 | 21:13 | 1.615 | |||||||
| 47\81 | 696.296 | 503.704 | 13:8 | 1.625 | |||||||
| 65\112 | 696.429 | 503.571 | 18:11 | 1.636 | |||||||
| 18\31 | 696.774 | 503.226 | 5:3 | 1.667 | Semisoft 5L 2s | ||||||
| 61\105 | 697.143 | 502.857 | 17:10 | 1.700 | |||||||
| 43\74 | 697.297 | 502.703 | 12:7 | 1.714 | |||||||
| 68\117 | 697.436 | 502.564 | 19:11 | 1.727 | |||||||
| 25\43 | 697.674 | 502.326 | 7:4 | 1.750 | |||||||
| 57\98 | 697.959 | 502.041 | 16:9 | 1.778 | |||||||
| 32\55 | 698.182 | 501.818 | 9:5 | 1.800 | |||||||
| 39\67 | 698.507 | 501.493 | 11:6 | 1.833 | |||||||
| 7\12 | 700.000 | 500.000 | 2:1 | 2.000 | Basic 5L 2s Scales with tunings softer than this are proper | ||||||
| 38\65 | 701.538 | 498.462 | 11:5 | 2.200 | |||||||
| 31\53 | 701.887 | 498.113 | 9:4 | 2.250 | |||||||
| 55\94 | 702.128 | 497.872 | 16:7 | 2.286 | |||||||
| 24\41 | 702.439 | 497.561 | 7:3 | 2.333 | |||||||
| 65\111 | 702.703 | 497.297 | 19:8 | 2.375 | |||||||
| 41\70 | 702.857 | 497.143 | 12:5 | 2.400 | |||||||
| 58\99 | 703.030 | 496.970 | 17:7 | 2.429 | |||||||
| 17\29 | 703.448 | 496.552 | 5:2 | 2.500 | Semihard 5L 2s | ||||||
| 61\104 | 703.846 | 496.154 | 18:7 | 2.571 | |||||||
| 44\75 | 704.000 | 496.000 | 13:5 | 2.600 | |||||||
| 71\121 | 704.132 | 495.868 | 21:8 | 2.625 | |||||||
| 27\46 | 704.348 | 495.652 | 8:3 | 2.667 | |||||||
| 64\109 | 704.587 | 495.413 | 19:7 | 2.714 | |||||||
| 37\63 | 704.762 | 495.238 | 11:4 | 2.750 | |||||||
| 47\80 | 705.000 | 495.000 | 14:5 | 2.800 | |||||||
| 10\17 | 705.882 | 494.118 | 3:1 | 3.000 | Hard 5L 2s | ||||||
| 43\73 | 706.849 | 493.151 | 13:4 | 3.250 | |||||||
| 33\56 | 707.143 | 492.857 | 10:3 | 3.333 | |||||||
| 56\95 | 707.368 | 492.632 | 17:5 | 3.400 | |||||||
| 23\39 | 707.692 | 492.308 | 7:2 | 3.500 | |||||||
| 59\100 | 708.000 | 492.000 | 18:5 | 3.600 | |||||||
| 36\61 | 708.197 | 491.803 | 11:3 | 3.667 | |||||||
| 49\83 | 708.434 | 491.566 | 15:4 | 3.750 | |||||||
| 13\22 | 709.091 | 490.909 | 4:1 | 4.000 | Superhard 5L 2s | ||||||
| 42\71 | 709.859 | 490.141 | 13:3 | 4.333 | |||||||
| 29\49 | 710.204 | 489.796 | 9:2 | 4.500 | |||||||
| 45\76 | 710.526 | 489.474 | 14:3 | 4.667 | |||||||
| 16\27 | 711.111 | 488.889 | 5:1 | 5.000 | |||||||
| 35\59 | 711.864 | 488.136 | 11:2 | 5.500 | |||||||
| 19\32 | 712.500 | 487.500 | 6:1 | 6.000 | |||||||
| 22\37 | 713.514 | 486.486 | 7:1 | 7.000 | |||||||
| 3\5 | 720.000 | 480.000 | 1:0 | → ∞ | Collapsed 5L 2s | ||||||

