41edo: Difference between revisions
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Coltrane changes can be represented with two Pythagorean major thirds and a pental one, or a temperament like Magic, whose MOSes are characterized by circles of major thirds, giving options for rotating major and minor triads within one scale. | Coltrane changes can be represented with two Pythagorean major thirds and a pental one, or a temperament like Magic, whose MOSes are characterized by circles of major thirds, giving options for rotating major and minor triads within one scale. | ||
[[Superkleismic]] presents another option for this purpose, featuring circles of minor thirds, and generating harmonic sevenths with very low complexity. | |||
Blue notes, rather than being considered inflections, can be notated as accidentals instead, such as the "blue third" which is represented by a neutral third, or any number of septimal intervals that sound great in a blues context. | Blue notes, rather than being considered inflections, can be notated as accidentals instead, such as the "blue third" which is represented by a neutral third, or any number of septimal intervals that sound great in a blues context. | ||