72edo: Difference between revisions
Tristanbay (talk | contribs) →Prime harmonics: Added more prime harmonics (up to 89th) Tags: Mobile edit Mobile web edit |
m Text replacement - "Ups and Downs Notation" to "Ups and downs notation" |
||
(37 intermediate revisions by 10 users not shown) | |||
Line 7: | Line 7: | ||
{{Infobox ET}} | {{Infobox ET}} | ||
{{Wikipedia|72 equal temperament}} | {{Wikipedia|72 equal temperament}} | ||
{{ | {{ED intro}} | ||
Each step of 72edo is called a ''[[morion]]'' (plural ''moria)''. This produces a twelfth-tone tuning, with the whole tone measuring 200 | Each step of 72edo is called a ''[[morion]]'' (plural ''moria)''. This produces a twelfth-tone tuning, with the whole tone measuring 200{{c}}, the same as in [[12edo]]. 72edo is also a superset of [[24edo]], a common and standard tuning of [[Arabic, Turkish, Persian music|Arabic music]], and has itself been used to tune Turkish music. | ||
Composers that used 72edo include [[Ivan Wyschnegradsky]], [[Julián Carrillo]] (who is better associated with [[96edo]]), [[Georg Friedrich Haas]], [[Ezra Sims]], [[Rick Tagawa]], [[James Tenney]], and the jazz musician [[Joe Maneri]]. | Composers that used 72edo include [[Ivan Wyschnegradsky]], [[Julián Carrillo]] (who is better associated with [[96edo]]), [[Georg Friedrich Haas]], [[Ezra Sims]], [[Rick Tagawa]], [[James Tenney]], and the jazz musician [[Joe Maneri]]. | ||
== Theory == | == Theory == | ||
72edo approximates [[11-limit]] [[just intonation]] exceptionally well | 72edo approximates [[11-limit]] [[just intonation]] exceptionally well. It is [[consistent]] in the [[17-odd-limit]] and is the ninth [[zeta integral edo]]. It is the second edo (after [[58edo|58]]) to be [[consistency|distinctly consistent]] in the [[11-odd-limit]], the first edo to be [[consistency|consistent to distance 2]] in the 11-odd-limit, and the first edo to be consistent in the 12- and 13-[[odd prime sum limit|odd-prime-sum-limit]]. | ||
The octave, fifth and fourth are the same size as they would be in 12edo, 72, 42 and 30 steps respectively, but the classic major third ([[5/4]]) measures 23 steps, not 24, and other [[5-limit]] major intervals are one step flat of 12edo while minor ones are one step sharp. The septimal minor seventh ([[7/4]]) is 58 steps, while the undecimal semiaugmented fourth ([[11/8]]) is 33. | |||
72et is the only 11-limit regular temperament which treats harmonics 24 to 28 as being equidistant in pitch, splits [[25/24]] into two equal [[49/48]][[~]][[50/49]]'s, and splits [[28/27]] into two equal [[55/54]]~[[56/55]]'s. It is also an excellent tuning for [[miracle]] temperament, especially the 11-limit version, and the related rank-3 temperament [[prodigy]], and is a good tuning for other temperaments and scales, including [[wizard]], [[harry]], [[catakleismic]], [[compton]], [[unidec]] and [[tritikleismic]]. | |||
The 13th harmonic (octave reduced) is so closely mapped on [[acoustic phi]] that 72edo could be treated as a 2.3.5.7.11.ϕ.17 temperament. | The 13th harmonic (octave reduced) is so closely mapped on [[acoustic phi]] that 72edo could be treated as a 2.3.5.7.11.ϕ.17 temperament. | ||
Line 23: | Line 25: | ||
=== Prime harmonics === | === Prime harmonics === | ||
{{Harmonics in equal|72|columns= | {{Harmonics in equal|72|columns=9}} | ||
{{Harmonics in equal|72|start= | {{Harmonics in equal|72|columns=9|start=10|collapsed=true|title=Approximation of prime harmonics in 72edo (continued)}} | ||
=== Octave stretch === | |||
72edo's approximations of harmonics 3, 5, 7, 11, 13 and 17 can all be improved by slightly [[stretched and compressed tuning|stretching the octave]], using tunings such as [[114edt]] or [[186ed6]]. 114edt is quite hard and might be best for the 13- or 17-limit specifically. 186ed6 is milder and less disruptive, suitable for 11-limit and/or full 19-limit harmonies. | |||
=== Subsets and supersets === | === Subsets and supersets === | ||
Since 72 factors into 2<sup>3</sup> × 3<sup>2</sup>, 72edo has subset edos {{EDOs| 2, 3, 4, 6, 8, 9, 12, 18, 24, and 36 }}. [[144edo]], which doubles it, provides a possible correction to its approximate harmonic 13. | Since 72 factors into primes as {{nowrap| 2<sup>3</sup> × 3<sup>2</sup> }}, 72edo has subset edos {{EDOs| 2, 3, 4, 6, 8, 9, 12, 18, 24, and 36 }}. [[144edo]], which doubles it, provides a possible correction to its approximate harmonic 13. | ||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2 left-3" | {| class="wikitable center-all right-2 left-3" | ||
|- | |- | ||
! | ! # | ||
! Cents | ! Cents | ||
! Approximate | ! Approximate ratios<ref group="note">{{sg|limit=19-limit}} For lower limits see [[Table of 72edo intervals]].</ref> | ||
! colspan="3" | [[Ups and downs notation | ! colspan="3" | [[Ups and downs notation]] | ||
! colspan="3" |[[SKULO interval names|SKULO interval names and notation]] | ! colspan="3" | [[SKULO interval names|SKULO interval names and notation]] | ||
!(K, S, U) | ! (K, S, U) | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| 1/1 | | 1/1 | ||
| P1 | | P1 | ||
Line 51: | Line 56: | ||
|- | |- | ||
| 1 | | 1 | ||
| 16. | | 16.7 | ||
| 81/80 | | 81/80, 91/90, 99/98, 100/99, 105/104 | ||
| ^1 | | ^1 | ||
| up unison | | up unison | ||
Line 62: | Line 67: | ||
|- | |- | ||
| 2 | | 2 | ||
| 33. | | 33.3 | ||
| 45/44, 64/63 | | 45/44, 49/48, 50/49, 55/54, 64/63 | ||
| ^^ | | ^^ | ||
| dup unison | | dup unison | ||
Line 73: | Line 78: | ||
|- | |- | ||
| 3 | | 3 | ||
| 50. | | 50.0 | ||
| 33/32 | | 33/32, 36/35, 40/39 | ||
| ^<sup>3</sup>1, v<sup>3</sup>m2 | | ^<sup>3</sup>1, v<sup>3</sup>m2 | ||
| trup unison, trudminor 2nd | | trup unison, trudminor 2nd | ||
Line 84: | Line 89: | ||
|- | |- | ||
| 4 | | 4 | ||
| 66. | | 66.7 | ||
| 25/24 | | 25/24, 26/25, 27/26, 28/27 | ||
| vvm2 | | vvm2 | ||
| dudminor 2nd | | dudminor 2nd | ||
Line 95: | Line 100: | ||
|- | |- | ||
| 5 | | 5 | ||
| 83. | | 83.3 | ||
| 21/20 | | 20/19, 21/20, 22/21 | ||
| vm2 | | vm2 | ||
| downminor 2nd | | downminor 2nd | ||
Line 106: | Line 111: | ||
|- | |- | ||
| 6 | | 6 | ||
| 100. | | 100.0 | ||
| | | 17/16, 18/17, 19/18 | ||
| m2 | | m2 | ||
| minor 2nd | | minor 2nd | ||
Line 117: | Line 122: | ||
|- | |- | ||
| 7 | | 7 | ||
| 116. | | 116.7 | ||
| 15/14, 16/15 | | 15/14, 16/15 | ||
| ^m2 | | ^m2 | ||
Line 128: | Line 133: | ||
|- | |- | ||
| 8 | | 8 | ||
| 133. | | 133.3 | ||
| | | 13/12, 14/13, 27/25 | ||
| ^^m2, v~2 | | ^^m2, v~2 | ||
| dupminor 2nd, downmid 2nd | | dupminor 2nd, downmid 2nd | ||
Line 139: | Line 144: | ||
|- | |- | ||
| 9 | | 9 | ||
| 150. | | 150.0 | ||
| 12/11 | | 12/11 | ||
| ~2 | | ~2 | ||
Line 150: | Line 155: | ||
|- | |- | ||
| 10 | | 10 | ||
| 166. | | 166.7 | ||
| 11/10 | | 11/10 | ||
| ^~2, vvM2 | | ^~2, vvM2 | ||
Line 161: | Line 166: | ||
|- | |- | ||
| 11 | | 11 | ||
| 183. | | 183.3 | ||
| 10/9 | | 10/9 | ||
| vM2 | | vM2 | ||
Line 172: | Line 177: | ||
|- | |- | ||
| 12 | | 12 | ||
| 200. | | 200.0 | ||
| 9/8 | | 9/8 | ||
| M2 | | M2 | ||
Line 183: | Line 188: | ||
|- | |- | ||
| 13 | | 13 | ||
| 216. | | 216.7 | ||
| 25/22 | | 17/15, 25/22 | ||
| ^M2 | | ^M2 | ||
| upmajor 2nd | | upmajor 2nd | ||
Line 194: | Line 199: | ||
|- | |- | ||
| 14 | | 14 | ||
| 233. | | 233.3 | ||
| 8/7 | | 8/7 | ||
| ^^M2 | | ^^M2 | ||
Line 205: | Line 210: | ||
|- | |- | ||
| 15 | | 15 | ||
| 250. | | 250.0 | ||
| | | 15/13, 22/19 | ||
| ^<sup>3</sup>M2, <br | | ^<sup>3</sup>M2, <br>v<sup>3</sup>m3 | ||
| trupmajor 2nd,<br | | trupmajor 2nd,<br>trudminor 3rd | ||
| ^<sup>3</sup>E, <br | | ^<sup>3</sup>E, <br>v<sup>3</sup>F | ||
| HM2, hm3 | | HM2, hm3 | ||
| hypermajor 2nd, hypominor 3rd | | hypermajor 2nd, hypominor 3rd | ||
Line 216: | Line 221: | ||
|- | |- | ||
| 16 | | 16 | ||
| 266. | | 266.7 | ||
| 7/6 | | 7/6 | ||
| vvm3 | | vvm3 | ||
Line 227: | Line 232: | ||
|- | |- | ||
| 17 | | 17 | ||
| 283. | | 283.3 | ||
| | | 13/11, 20/17 | ||
| vm3 | | vm3 | ||
| downminor 3rd | | downminor 3rd | ||
Line 238: | Line 243: | ||
|- | |- | ||
| 18 | | 18 | ||
| 300. | | 300.0 | ||
| 25/21 | | 19/16, 25/21, 32/27 | ||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
Line 249: | Line 254: | ||
|- | |- | ||
| 19 | | 19 | ||
| 316. | | 316.7 | ||
| 6/5 | | 6/5 | ||
| ^m3 | | ^m3 | ||
Line 260: | Line 265: | ||
|- | |- | ||
| 20 | | 20 | ||
| 333. | | 333.3 | ||
| 40/33 | | 17/14, 39/32, 40/33 | ||
| ^^m3, v~3 | | ^^m3, v~3 | ||
| dupminor 3rd, downmid 3rd | | dupminor 3rd, downmid 3rd | ||
Line 271: | Line 276: | ||
|- | |- | ||
| 21 | | 21 | ||
| 350. | | 350.0 | ||
| 11/9 | | 11/9, 27/22 | ||
| ~3 | | ~3 | ||
| mid 3rd | | mid 3rd | ||
Line 282: | Line 287: | ||
|- | |- | ||
| 22 | | 22 | ||
| 366. | | 366.7 | ||
| | | 16/13, 21/17, 26/21 | ||
| ^~3, vvM3 | | ^~3, vvM3 | ||
| upmid 3rd, dudmajor 3rd | | upmid 3rd, dudmajor 3rd | ||
Line 293: | Line 298: | ||
|- | |- | ||
| 23 | | 23 | ||
| 383. | | 383.3 | ||
| 5/4 | | 5/4 | ||
| vM3 | | vM3 | ||
Line 304: | Line 309: | ||
|- | |- | ||
| 24 | | 24 | ||
| 400. | | 400.0 | ||
| | | 24/19 | ||
| M3 | | M3 | ||
| major 3rd | | major 3rd | ||
Line 315: | Line 320: | ||
|- | |- | ||
| 25 | | 25 | ||
| 416. | | 416.7 | ||
| 14/11 | | 14/11 | ||
| ^M3 | | ^M3 | ||
Line 326: | Line 331: | ||
|- | |- | ||
| 26 | | 26 | ||
| 433. | | 433.3 | ||
| 9/7 | | 9/7 | ||
| ^^M3 | | ^^M3 | ||
Line 337: | Line 342: | ||
|- | |- | ||
| 27 | | 27 | ||
| 450. | | 450.0 | ||
| | | 13/10, 22/17 | ||
| ^<sup>3</sup>M3, v<sup>3</sup>4 | | ^<sup>3</sup>M3, v<sup>3</sup>4 | ||
| trupmajor 3rd, trud 4th | | trupmajor 3rd, trud 4th | ||
Line 348: | Line 353: | ||
|- | |- | ||
| 28 | | 28 | ||
| 466. | | 466.7 | ||
| 21/16 | | 17/13, 21/16 | ||
| vv4 | | vv4 | ||
| dud 4th | | dud 4th | ||
Line 359: | Line 364: | ||
|- | |- | ||
| 29 | | 29 | ||
| 483. | | 483.3 | ||
| 33/25 | | 33/25 | ||
| v4 | | v4 | ||
Line 370: | Line 375: | ||
|- | |- | ||
| 30 | | 30 | ||
| 500. | | 500.0 | ||
| 4/3 | | 4/3 | ||
| P4 | | P4 | ||
Line 381: | Line 386: | ||
|- | |- | ||
| 31 | | 31 | ||
| 516. | | 516.7 | ||
| 27/20 | | 27/20 | ||
| ^4 | | ^4 | ||
Line 392: | Line 397: | ||
|- | |- | ||
| 32 | | 32 | ||
| 533. | | 533.3 | ||
| 15/11 | | 15/11, 19/14, ''26/19'' | ||
| ^^4, v~4 | | ^^4, v~4 | ||
| dup 4th, downmid 4th | | dup 4th, downmid 4th | ||
Line 403: | Line 408: | ||
|- | |- | ||
| 33 | | 33 | ||
| 550. | | 550.0 | ||
| 11/8 | | 11/8 | ||
| ~4 | | ~4 | ||
Line 414: | Line 419: | ||
|- | |- | ||
| 34 | | 34 | ||
| 566. | | 566.7 | ||
| 25/18 | | 18/13, 25/18 | ||
| ^~4, vvA4 | | ^~4, vvA4 | ||
| upmid 4th, dudaug 4th | | upmid 4th, dudaug 4th | ||
Line 425: | Line 430: | ||
|- | |- | ||
| 35 | | 35 | ||
| 583. | | 583.3 | ||
| 7/5 | | 7/5 | ||
| vA4, vd5 | | vA4, vd5 | ||
| downaug 4th, | | downaug 4th, <br>downdim 5th | ||
downdim 5th | |||
| vG#, vAb | | vG#, vAb | ||
| kA4, ld5 | | kA4, ld5 | ||
Line 437: | Line 441: | ||
|- | |- | ||
| 36 | | 36 | ||
| 600. | | 600.0 | ||
| | | 17/12, 24/17 | ||
| A4, d5 | | A4, d5 | ||
| aug 4th, dim 5th | | aug 4th, dim 5th | ||
Line 448: | Line 452: | ||
|- | |- | ||
| 37 | | 37 | ||
| 616. | | 616.7 | ||
| 10/7 | | 10/7 | ||
| ^A4, ^d5 | | ^A4, ^d5 | ||
Line 459: | Line 463: | ||
|- | |- | ||
| 38 | | 38 | ||
| 633. | | 633.3 | ||
| 36/25 | | 13/9, 36/25 | ||
| v~5, ^^d5 | | v~5, ^^d5 | ||
| downmid 5th, | | downmid 5th, <br>dupdim 5th | ||
dupdim 5th | |||
| ^^Ab | | ^^Ab | ||
| SA4, KKd5 | | SA4, KKd5 | ||
Line 471: | Line 474: | ||
|- | |- | ||
| 39 | | 39 | ||
| 650. | | 650.0 | ||
| 16/11 | | 16/11 | ||
| ~5 | | ~5 | ||
Line 482: | Line 485: | ||
|- | |- | ||
| 40 | | 40 | ||
| 666. | | 666.7 | ||
| 22/15 | | ''19/13'', 22/15, 28/19 | ||
| vv5, ^~5 | | vv5, ^~5 | ||
| dud 5th, upmid 5th | | dud 5th, upmid 5th | ||
Line 493: | Line 496: | ||
|- | |- | ||
| 41 | | 41 | ||
| 683. | | 683.3 | ||
| 40/27 | | 40/27 | ||
| v5 | | v5 | ||
Line 504: | Line 507: | ||
|- | |- | ||
| 42 | | 42 | ||
| 700. | | 700.0 | ||
| 3/2 | | 3/2 | ||
| P5 | | P5 | ||
Line 515: | Line 518: | ||
|- | |- | ||
| 43 | | 43 | ||
| 716. | | 716.7 | ||
| 50/33 | | 50/33 | ||
| ^5 | | ^5 | ||
Line 526: | Line 529: | ||
|- | |- | ||
| 44 | | 44 | ||
| 733. | | 733.3 | ||
| 32/21 | | 26/17, 32/21 | ||
| ^^5 | | ^^5 | ||
| dup 5th | | dup 5th | ||
Line 537: | Line 540: | ||
|- | |- | ||
| 45 | | 45 | ||
| 750. | | 750.0 | ||
| | | 17/11, 20/13 | ||
| ^<sup>3</sup>5, v<sup>3</sup>m6 | | ^<sup>3</sup>5, v<sup>3</sup>m6 | ||
| trup 5th, trudminor 6th | | trup 5th, trudminor 6th | ||
Line 548: | Line 551: | ||
|- | |- | ||
| 46 | | 46 | ||
| 766. | | 766.7 | ||
| 14/9 | | 14/9 | ||
| vvm6 | | vvm6 | ||
Line 559: | Line 562: | ||
|- | |- | ||
| 47 | | 47 | ||
| 783. | | 783.3 | ||
| 11/7 | | 11/7 | ||
| vm6 | | vm6 | ||
Line 570: | Line 573: | ||
|- | |- | ||
| 48 | | 48 | ||
| 800. | | 800.0 | ||
| | | 19/12 | ||
| m6 | | m6 | ||
| minor 6th | | minor 6th | ||
Line 581: | Line 584: | ||
|- | |- | ||
| 49 | | 49 | ||
| 816. | | 816.7 | ||
| 8/5 | | 8/5 | ||
| ^m6 | | ^m6 | ||
Line 592: | Line 595: | ||
|- | |- | ||
| 50 | | 50 | ||
| 833. | | 833.3 | ||
| | | 13/8, 21/13, 34/21 | ||
| ^^m6, v~6 | | ^^m6, v~6 | ||
| dupminor 6th, downmid 6th | | dupminor 6th, downmid 6th | ||
Line 603: | Line 606: | ||
|- | |- | ||
| 51 | | 51 | ||
| 850. | | 850.0 | ||
| 18/11 | | 18/11, 44/27 | ||
| ~6 | | ~6 | ||
| mid 6th | | mid 6th | ||
Line 614: | Line 617: | ||
|- | |- | ||
| 52 | | 52 | ||
| 866. | | 866.7 | ||
| 33/20, | | 28/17, 33/20, 64/39 | ||
| ^~6, vvM6 | | ^~6, vvM6 | ||
| upmid 6th, dudmajor 6th | | upmid 6th, dudmajor 6th | ||
Line 625: | Line 628: | ||
|- | |- | ||
| 53 | | 53 | ||
| 883. | | 883.3 | ||
| 5/3 | | 5/3 | ||
| vM6 | | vM6 | ||
Line 636: | Line 639: | ||
|- | |- | ||
| 54 | | 54 | ||
| 900. | | 900.0 | ||
| 27/16 | | 27/16, 32/19, 42/25 | ||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
Line 647: | Line 650: | ||
|- | |- | ||
| 55 | | 55 | ||
| 916. | | 916.7 | ||
| | | 17/10, 22/13 | ||
| ^M6 | | ^M6 | ||
| upmajor 6th | | upmajor 6th | ||
Line 658: | Line 661: | ||
|- | |- | ||
| 56 | | 56 | ||
| 933. | | 933.3 | ||
| 12/7 | | 12/7 | ||
| ^^M6 | | ^^M6 | ||
Line 669: | Line 672: | ||
|- | |- | ||
| 57 | | 57 | ||
| 950. | | 950.0 | ||
| | | 19/11, 26/15 | ||
| ^<sup>3</sup>M6, <br | | ^<sup>3</sup>M6, <br>v<sup>3</sup>m7 | ||
| trupmajor 6th,<br | | trupmajor 6th,<br>trudminor 7th | ||
| ^<sup>3</sup>B, <br | | ^<sup>3</sup>B, <br>v<sup>3</sup>C | ||
| HM6, hm7 | | HM6, hm7 | ||
| hypermajor 6th, hypominor 7th | | hypermajor 6th, hypominor 7th | ||
Line 680: | Line 683: | ||
|- | |- | ||
| 58 | | 58 | ||
| 966. | | 966.7 | ||
| 7/4 | | 7/4 | ||
| vvm7 | | vvm7 | ||
Line 691: | Line 694: | ||
|- | |- | ||
| 59 | | 59 | ||
| 983. | | 983.3 | ||
| 44/25 | | 30/17, 44/25 | ||
| vm7 | | vm7 | ||
| downminor 7th | | downminor 7th | ||
Line 702: | Line 705: | ||
|- | |- | ||
| 60 | | 60 | ||
| 1000. | | 1000.0 | ||
| 16/9 | | 16/9 | ||
| m7 | | m7 | ||
Line 713: | Line 716: | ||
|- | |- | ||
| 61 | | 61 | ||
| 1016. | | 1016.7 | ||
| 9/5 | | 9/5 | ||
| ^m7 | | ^m7 | ||
Line 724: | Line 727: | ||
|- | |- | ||
| 62 | | 62 | ||
| 1033. | | 1033.3 | ||
| 20/11 | | 20/11 | ||
| ^^m7, v~7 | | ^^m7, v~7 | ||
Line 735: | Line 738: | ||
|- | |- | ||
| 63 | | 63 | ||
| 1050. | | 1050.0 | ||
| 11/6 | | 11/6 | ||
| ~7 | | ~7 | ||
Line 746: | Line 749: | ||
|- | |- | ||
| 64 | | 64 | ||
| 1066. | | 1066.7 | ||
| 50/27 | | 13/7, 24/13, 50/27 | ||
| ^~7, vvM7 | | ^~7, vvM7 | ||
| upmid 7th, dudmajor 7th | | upmid 7th, dudmajor 7th | ||
Line 757: | Line 760: | ||
|- | |- | ||
| 65 | | 65 | ||
| 1083. | | 1083.3 | ||
| 15/8 | | 15/8, 28/15 | ||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
Line 768: | Line 771: | ||
|- | |- | ||
| 66 | | 66 | ||
| 1100. | | 1100.0 | ||
| | | 17/9, 32/17, 36/19 | ||
| M7 | | M7 | ||
| major 7th | | major 7th | ||
Line 779: | Line 782: | ||
|- | |- | ||
| 67 | | 67 | ||
| 1116. | | 1116.7 | ||
| 21/11 | | 19/10, 21/11, 40/21 | ||
| ^M7 | | ^M7 | ||
| upmajor 7th | | upmajor 7th | ||
Line 790: | Line 793: | ||
|- | |- | ||
| 68 | | 68 | ||
| 1133. | | 1133.3 | ||
| 27/14, 48/25 | | 25/13, 27/14, 48/25, 52/27 | ||
| ^^M7 | | ^^M7 | ||
| dupmajor 7th | | dupmajor 7th | ||
Line 801: | Line 804: | ||
|- | |- | ||
| 69 | | 69 | ||
| 1150. | | 1150.0 | ||
| 35/18 | | 35/18, 39/20, 64/33 | ||
| ^<sup>3</sup>M7, v<sup>3</sup>8 | | ^<sup>3</sup>M7, v<sup>3</sup>8 | ||
| trupmajor 7th, trud octave | | trupmajor 7th, trud octave | ||
Line 812: | Line 815: | ||
|- | |- | ||
| 70 | | 70 | ||
| 1166. | | 1166.7 | ||
| 49/25 | | 49/25, 55/28, 63/32, 88/45, 96/49 | ||
| vv8 | | vv8 | ||
| dud octave | | dud octave | ||
Line 823: | Line 826: | ||
|- | |- | ||
| 71 | | 71 | ||
| 1183. | | 1183.3 | ||
| 99/50 | | 99/50, 160/81, 180/91, 196/99, 208/105 | ||
| v8 | | v8 | ||
| down octave | | down octave | ||
Line 834: | Line 837: | ||
|- | |- | ||
| 72 | | 72 | ||
| 1200. | | 1200.0 | ||
| 2/1 | | 2/1 | ||
| P8 | | P8 | ||
Line 844: | Line 847: | ||
| D | | D | ||
|} | |} | ||
<references group="note" /> | |||
=== Interval quality and chord names in color notation === | === Interval quality and chord names in color notation === | ||
Line 852: | Line 856: | ||
! Quality | ! Quality | ||
! [[Color notation|Color]] | ! [[Color notation|Color]] | ||
! Monzo | ! Monzo format | ||
! Examples | ! Examples | ||
|- | |- | ||
Line 862: | Line 866: | ||
| minor | | minor | ||
| fourthward wa | | fourthward wa | ||
| (a b), b | | (a b), b < -1 | ||
| 32/27, 16/9 | | 32/27, 16/9 | ||
|- | |- | ||
Line 870: | Line 874: | ||
| 6/5, 9/5 | | 6/5, 9/5 | ||
|- | |- | ||
| rowspan="2" |dupminor, | | rowspan="2" | dupminor, <br>downmid | ||
downmid | |||
| luyo | | luyo | ||
| (a b 1 0 -1) | | (a b 1 0 -1) | ||
Line 889: | Line 892: | ||
| 12/11, 18/11 | | 12/11, 18/11 | ||
|- | |- | ||
| rowspan="2" |upmid, | | rowspan="2" | upmid, <br>dudmajor | ||
dudmajor | |||
| logu | | logu | ||
| (a b -1 0 1) | | (a b -1 0 1) | ||
Line 906: | Line 908: | ||
| major | | major | ||
| fifthward wa | | fifthward wa | ||
| (a b), b | | (a b), b > 1 | ||
| 9/8, 27/16 | | 9/8, 27/16 | ||
|- | |- | ||
Line 914: | Line 916: | ||
| 9/7, 12/7 | | 9/7, 12/7 | ||
|- | |- | ||
| rowspan="2" |trupmajor, | | rowspan="2" | trupmajor, <br>trudminor | ||
trudminor | | thogu | ||
|thogu | | (a b -1 0 0 1) | ||
|(a b -1 0 0 1) | | 13/10 | ||
|13/10 | |||
|- | |- | ||
|thuyo | | thuyo | ||
|(a b 1 0 0 -1) | | (a b 1 0 0 -1) | ||
|15/13 | | 15/13 | ||
|} | |} | ||
All 72edo chords can be named using ups and downs. An up, down or mid after the chord root affects the 3rd, 6th, 7th, and/or the 11th (every other note of a stacked-3rds chord 6-1-3-5-7-9-11-13). Alterations are always enclosed in parentheses, additions never are. Here are the zo, gu, ilo, yo and ru triads: | All 72edo chords can be named using ups and downs. An up, down or mid after the chord root affects the 3rd, 6th, 7th, and/or the 11th (every other note of a stacked-3rds chord 6-1-3-5-7-9-11-13). Alterations are always enclosed in parentheses, additions never are. Here are the zo, gu, ilo, yo and ru triads: | ||
Line 928: | Line 929: | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
|- | |- | ||
! [[ | ! [[Color notation|Color of the 3rd]] | ||
! JI | ! JI chord | ||
! Notes as | ! Notes as edosteps | ||
! Notes of C | ! Notes of C chord | ||
! Written | ! Written name | ||
! Spoken | ! Spoken name | ||
|- | |- | ||
| zo | | zo | ||
Line 970: | Line 971: | ||
| C dupmajor or C dup | | C dupmajor or C dup | ||
|} | |} | ||
For a more complete list, see [[Ups and | For a more complete list, see [[Ups and downs notation #Chord names in other EDOs]]. | ||
=== Relationship between primes and rings === | === Relationship between primes and rings === | ||
In 72tet, there are 6 [[ | In 72tet, there are 6 [[ring number|rings]]. 12edo is the plain ring; thus every 6 degrees is the 3-limit. | ||
Then, after each subsequent degree in reverse, a new prime limit is unveiled from it: | Then, after each subsequent degree in reverse, a new prime limit is unveiled from it: | ||
* | * −1 degree (the down ring) corrects 81/64 to 5/4 via 80/81 | ||
* | * −2 degrees (the dud ring) corrects 16/9 to 7/4 via 63/64 | ||
* +3 degrees (the trup ring) corrects 4/3 to 11/8 via 33/32 | * +3 degrees (the trup ring) corrects 4/3 to 11/8 via 33/32 | ||
* +2 degrees (the dup ring) corrects 128/81 to 13/8 via 1053/1024 | * +2 degrees (the dup ring) corrects 128/81 to 13/8 via 1053/1024 | ||
Line 985: | Line 986: | ||
== Notations == | == Notations == | ||
=== Sagittal === | === Ups and downs notation === | ||
72edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc. | |||
{{Sharpness-sharp6a}} | |||
Half-sharps and half-flats can be used to avoid triple arrows: | |||
{{Sharpness-sharp6b}} | |||
[[Alternative symbols for ups and downs notation#Sharp-6| Alternative ups and downs]] have sharps and flats with arrows borrowed from extended [[Helmholtz–Ellis notation]]: | |||
{{Sharpness-sharp6}} | |||
If double arrows are not desirable, arrows can be attached to quarter-tone accidentals: | |||
{{Sharpness-sharp6-qt}} | |||
=== Sagittal notation === | |||
This notation uses the same sagittal sequence as EDOs [[65edo#Sagittal notation|65-EDO]] and [[79edo#Sagittal notation|79]], and is a superset of the notations for EDOs [[36edo#Sagittal notation|36]], [[24edo#Sagittal notation|24]], [[18edo#Sagittal notation|18]], [[12edo#Sagittal notation|12]], [[8edo#Sagittal notation|8]], and [[6edo#Sagittal notation|6]]. | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:72-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 719 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[81/80]] | |||
rect 120 80 220 106 [[64/63]] | |||
rect 220 80 340 106 [[33/32]] | |||
default [[File:72-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:72-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 695 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[81/80]] | |||
rect 120 80 220 106 [[64/63]] | |||
rect 220 80 340 106 [[33/32]] | |||
default [[File:72-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:72-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 711 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[81/80]] | |||
rect 120 80 220 106 [[64/63]] | |||
rect 220 80 340 106 [[33/32]] | |||
default [[File:72-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
From the appendix to [[The Sagittal Songbook]] by [[Jacob Barton|Jacob A. Barton]], a diagram of how to notate 72edo in the Revo flavor of Sagittal: | From the appendix to [[The Sagittal Songbook]] by [[Jacob Barton|Jacob A. Barton]], a diagram of how to notate 72edo in the Revo flavor of Sagittal: | ||
[[File:72edo Sagittal.png|800px]] | [[File:72edo Sagittal.png|800px]] | ||
=== Ivan Wyschnegradsky's notation === | === Ivan Wyschnegradsky's notation === | ||
{{ | {{Sharpness-sharp6-iw|72}} | ||
== JI | == Approximation to JI == | ||
[[File:72ed2.svg|250px|thumb|right|none|alt=alt : Your browser has no SVG support.|Selected intervals approximated in 72edo]] | [[File:72ed2.svg|250px|thumb|right|none|alt=alt : Your browser has no SVG support.|Selected intervals approximated in 72edo]] | ||
=== Interval mappings === | === Interval mappings === | ||
{{Q-odd-limit intervals|72}} | {{Q-odd-limit intervals|72}} | ||
=== Zeta properties === | |||
72edo is the ninth [[zeta integral edo]], as well as being a peak and gap edo, and the maximum value of the [[the Riemann zeta function and tuning#The Z function|Z function]] in the region near 72 occurs at 71.9506, giving an octave of 1200.824 cents, the stretched octaves of the zeta tuning. Below is a plot of Z in the region around 72. | |||
[[File:plot72.png|alt=plot72.png|plot72.png]] | |||
== Regular temperament properties == | == Regular temperament properties == | ||
Line 1,016: | Line 1,062: | ||
! rowspan="2" | [[Comma list]] | ! rowspan="2" | [[Comma list]] | ||
! rowspan="2" | [[Mapping]] | ! rowspan="2" | [[Mapping]] | ||
! rowspan="2" | Optimal<br | ! rowspan="2" | Optimal<br>8ve stretch (¢) | ||
! colspan="2" | Tuning error | ! colspan="2" | Tuning error | ||
|- | |- | ||
Line 1,024: | Line 1,070: | ||
| 2.3.5 | | 2.3.5 | ||
| 15625/15552, 531441/524288 | | 15625/15552, 531441/524288 | ||
| {{ | | {{Mapping| 72 114 167 }} | ||
| +0.839 | | +0.839 | ||
| 0.594 | | 0.594 | ||
Line 1,031: | Line 1,077: | ||
| 2.3.5.7 | | 2.3.5.7 | ||
| 225/224, 1029/1024, 4375/4374 | | 225/224, 1029/1024, 4375/4374 | ||
| {{ | | {{Mapping| 72 114 167 202 }} | ||
| +0.822 | | +0.822 | ||
| 0.515 | | 0.515 | ||
Line 1,038: | Line 1,084: | ||
| 2.3.5.7.11 | | 2.3.5.7.11 | ||
| 225/224, 243/242, 385/384, 4000/3993 | | 225/224, 243/242, 385/384, 4000/3993 | ||
| {{ | | {{Mapping| 72 114 167 202 249 }} | ||
| +0.734 | | +0.734 | ||
| 0.493 | | 0.493 | ||
Line 1,045: | Line 1,091: | ||
| 2.3.5.7.11.13 | | 2.3.5.7.11.13 | ||
| 169/168, 225/224, 243/242, 325/324, 385/384 | | 169/168, 225/224, 243/242, 325/324, 385/384 | ||
| {{ | | {{Mapping| 72 114 167 202 249 266 }} | ||
| +0.936 | | +0.936 | ||
| 0.638 | | 0.638 | ||
Line 1,052: | Line 1,098: | ||
| 2.3.5.7.11.13.17 | | 2.3.5.7.11.13.17 | ||
| 169/168, 221/220, 225/224, 243/242, 273/272, 325/324 | | 169/168, 221/220, 225/224, 243/242, 273/272, 325/324 | ||
| {{ | | {{Mapping| 72 114 167 202 249 266 294 }} | ||
| +0.975 | | +0.975 | ||
| 0.599 | | 0.599 | ||
| 3.59 | | 3.59 | ||
|- | |||
| 2.3.5.7.11.13.17.19 | |||
| 153/152, 169/168, 210/209, 221/220, 225/224, 243/242, 273/272 | |||
| {{Mapping| 72 114 167 202 249 266 294 306 }} | |||
| +0.780 | |||
| 0.762 | |||
| 4.57 | |||
|} | |} | ||
72et has lower relative errors than any previous equal temperaments in the 7-, 11-, 13-, 17-, and 19-limit. The next equal temperaments doing better in these subgroups are [[99edo|99]], [[270edo|270]], [[224edo|224]], [[494edo|494]], and [[217edo|217]], respectively. | * 72et has lower relative errors than any previous equal temperaments in the 7-, 11-, 13-, 17-, and 19-limit. The next equal temperaments doing better in these subgroups are [[99edo|99]], [[270edo|270]], [[224edo|224]], [[494edo|494]], and [[217edo|217]], respectively. | ||
=== Commas === | === Commas === | ||
Line 1,063: | Line 1,116: | ||
{| class="commatable wikitable center-1 center-2 right-4" | {| class="commatable wikitable center-1 center-2 right-4" | ||
! [[Harmonic limit|Prime<br | |- | ||
! [[Harmonic limit|Prime<br>limit]] | |||
! [[Ratio]]<ref group="note">{{rd}}</ref> | ! [[Ratio]]<ref group="note">{{rd}}</ref> | ||
! [[Monzo]] | ! [[Monzo]] | ||
Line 1,071: | Line 1,125: | ||
| 3 | | 3 | ||
| [[531441/524288|(12 digits)]] | | [[531441/524288|(12 digits)]] | ||
| {{Monzo|-19 12 }} | | {{Monzo| -19 12 }} | ||
| 23.46 | | 23.46 | ||
| Pythagorean comma | | Pythagorean comma | ||
Line 1,085: | Line 1,139: | ||
| {{Monzo| -25 7 6 }} | | {{Monzo| -25 7 6 }} | ||
| 31.57 | | 31.57 | ||
| [[Ampersand]] | | [[Ampersand comma]] | ||
|- | |- | ||
| 5 | | 5 | ||
Line 1,127: | Line 1,181: | ||
| {{Monzo| 0 3 4 -5 }} | | {{Monzo| 0 3 4 -5 }} | ||
| 6.99 | | 6.99 | ||
| Mirkwai | | Mirkwai comma | ||
|- | |- | ||
| 7 | | 7 | ||
Line 1,133: | Line 1,187: | ||
| {{Monzo| -4 9 -2 -2 }} | | {{Monzo| -4 9 -2 -2 }} | ||
| 7.32 | | 7.32 | ||
| Cataharry | | Cataharry comma | ||
|- | |- | ||
| 7 | | 7 | ||
Line 1,175: | Line 1,229: | ||
| {{Monzo| -2 0 3 -3 1 }} | | {{Monzo| -2 0 3 -3 1 }} | ||
| 3.78 | | 3.78 | ||
| Moctdel | | Moctdel comma | ||
|- | |- | ||
| 11 | | 11 | ||
Line 1,187: | Line 1,241: | ||
| {{Monzo| 5 -1 3 0 -3 }} | | {{Monzo| 5 -1 3 0 -3 }} | ||
| 3.03 | | 3.03 | ||
| Wizardharry | | Wizardharry comma | ||
|- | |- | ||
| 11 | | 11 | ||
Line 1,229: | Line 1,283: | ||
| {{Monzo| 2 -1 0 1 -2 1 }} | | {{Monzo| 2 -1 0 1 -2 1 }} | ||
| 4.76 | | 4.76 | ||
| | | Minor minthma | ||
|- | |- | ||
| 13 | | 13 | ||
Line 1,279: | Line 1,333: | ||
| Jacobin comma | | Jacobin comma | ||
|} | |} | ||
<references group="note" /> | |||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
Line 1,288: | Line 1,343: | ||
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | |+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | ||
|- | |- | ||
! Periods<br | ! Periods<br>per 8ve | ||
! Generator* | ! Generator* | ||
! Cents* | ! Cents* | ||
! Associated<br | ! Associated<br>ratio* | ||
! Temperament | ! Temperament | ||
|- | |- | ||
Line 1,367: | Line 1,422: | ||
|- | |- | ||
| 2 | | 2 | ||
| 21\72<br | | 21\72<br>(19\72) | ||
| 316.7<br | | 316.7<br>(283.3) | ||
| 6/5<br | | 6/5<br>(13/11) | ||
| [[Bikleismic]] | | [[Bikleismic]] | ||
|- | |- | ||
| 2 | | 2 | ||
| 23\72<br | | 23\72<br>(13\72) | ||
| 383.3<br | | 383.3<br>(216.7) | ||
| 5/4<br | | 5/4<br>(17/15) | ||
| [[Wizard]] / lizard / gizzard | | [[Wizard]] / lizard / gizzard | ||
|- | |- | ||
Line 1,385: | Line 1,440: | ||
|- | |- | ||
| 3 | | 3 | ||
| 19\72<br | | 19\72<br>(5\72) | ||
| 316.7<br | | 316.7<br>(83.3) | ||
| 6/5<br | | 6/5<br>(21/20) | ||
| [[Tritikleismic]] | | [[Tritikleismic]] | ||
|- | |- | ||
| 4 | | 4 | ||
| 19\72<br | | 19\72<br>(1\72) | ||
| 316.7<br | | 316.7<br>(16.7) | ||
| 6/5<br | | 6/5<br>(105/104) | ||
| [[Quadritikleismic]] | | [[Quadritikleismic]] | ||
|- | |- | ||
| 8 | | 8 | ||
| 34\72<br | | 34\72<br>(2\72) | ||
| 566.7<br | | 566.7<br>(33.3) | ||
| 168/121<br | | 168/121<br>(55/54) | ||
| [[Octowerck]] / octowerckis | | [[Octowerck]] / octowerckis | ||
|- | |- | ||
| 8 | | 8 | ||
| 35\72<br | | 35\72<br>(1\72) | ||
| 583.3<br | | 583.3<br>(16.7) | ||
| 7/5<br | | 7/5<br>(100/99) | ||
| [[Octoid]] / octopus | | [[Octoid]] / octopus | ||
|- | |- | ||
| 9 | | 9 | ||
| 19\72<br | | 19\72<br>(3\72) | ||
| 316.7<br | | 316.7<br>(50.0) | ||
| 6/5<br | | 6/5<br>(36/35) | ||
| [[Ennealimmal]] / ennealimnic | | [[Ennealimmal]] / ennealimnic | ||
|- | |- | ||
| 9 | | 9 | ||
| 23\72<br | | 23\72<br>(1\72) | ||
| 383.3<br | | 383.3<br>(16.7) | ||
| 5/4<br | | 5/4<br>(105/104) | ||
| [[Enneaportent]] | | [[Enneaportent]] | ||
|- | |- | ||
| 12 | | 12 | ||
| 23\72<br | | 23\72<br>(1\72) | ||
| 383.3<br | | 383.3<br>(16.7) | ||
| 5/4<br | | 5/4<br>(100/99) | ||
| [[Compton]] / comptone | | [[Compton]] / comptone | ||
|- | |- | ||
| 18 | | 18 | ||
| 19\72<br | | 19\72<br>(1\72) | ||
| 316.7<br | | 316.7<br>(16.7) | ||
| 6/5<br | | 6/5<br>(105/104) | ||
| [[Hemiennealimmal]] | | [[Hemiennealimmal]] | ||
|- | |- | ||
| 24 | | 24 | ||
| 23\72<br | | 23\72<br>(1\72) | ||
| 383.3<br | | 383.3<br>(16.7) | ||
| 5/4<br | | 5/4<br>(105/104) | ||
| [[Hours]] | | [[Hours]] | ||
|- | |- | ||
| 36 | | 36 | ||
| 23\72<br | | 23\72<br>(1\72) | ||
| 383.3<br | | 383.3<br>(16.7) | ||
| 5/4<br | | 5/4<br>(81/80) | ||
| [[ | | [[Gamelstearn]] | ||
|} | |} | ||
<nowiki />* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[ | <nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[normal lists|minimal form]] in parentheses if distinct | ||
== Scales == | == Scales == | ||
Line 1,461: | Line 1,516: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! Harmonics in "Mode 8": | |||
| 8 | | 8 | ||
| | | | ||
Line 1,480: | Line 1,535: | ||
| 16 | | 16 | ||
|- | |- | ||
! …as JI Ratio from 1/1: | |||
| 1/1 | | 1/1 | ||
| | | | ||
Line 1,499: | Line 1,554: | ||
| 2/1 | | 2/1 | ||
|- | |- | ||
! …in cents: | |||
| 0 | | 0 | ||
| | | | ||
Line 1,518: | Line 1,573: | ||
| 1200.0 | | 1200.0 | ||
|- | |- | ||
! Nearest degree of 72edo: | |||
| 0 | | 0 | ||
| | | | ||
Line 1,537: | Line 1,592: | ||
| 72 | | 72 | ||
|- | |- | ||
! …in cents: | |||
| 0 | | 0 | ||
| | | | ||
Line 1,556: | Line 1,611: | ||
| 1200.0 | | 1200.0 | ||
|- | |- | ||
! Steps as Freq. Ratio: | |||
| | | | ||
| 9:8 | | 9:8 | ||
Line 1,575: | Line 1,630: | ||
| | | | ||
|- | |- | ||
! …in cents: | |||
| | | | ||
| 203.9 | | 203.9 | ||
Line 1,594: | Line 1,649: | ||
| | | | ||
|- | |- | ||
! Nearest degree of 72edo: | |||
| | | | ||
| 12 | | 12 | ||
Line 1,613: | Line 1,668: | ||
| | | | ||
|- | |- | ||
! …in cents: | |||
| | | | ||
| 200.0 | | 200.0 | ||
Line 1,634: | Line 1,689: | ||
== Instruments == | == Instruments == | ||
If one can get six 12edo instruments tuned a twelfth-tone apart, it is possible to use these instruments in combination to play the full gamut of 72edo (see Music). | |||
One can also use a skip fretting system: | |||
* [[Skip fretting system 72 2 27]] | |||
Alternatively, an appropriately mapped keyboard of sufficient size is usable for playing 72edo: | Alternatively, an appropriately mapped keyboard of sufficient size is usable for playing 72edo: | ||
* [[Lumatone mapping for 72edo]] | |||
== Music == | == Music == | ||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/VwVp3RVao_k ''microtonal improvisation in 72edo''] (2025) | |||
; [[Ambient Esoterica]] | ; [[Ambient Esoterica]] | ||
* [https://www.youtube.com/watch?v=seWcDAoQjxY ''Goetic Synchronities''] (2023) | * [https://www.youtube.com/watch?v=seWcDAoQjxY ''Goetic Synchronities''] (2023) | ||
Line 1,653: | Line 1,714: | ||
; [[Claudi Meneghin]] | ; [[Claudi Meneghin]] | ||
* [http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Claudi-Meneghin-Twinkle-canon-72-edo.mp3 ''Twinkle canon | * [http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Claudi-Meneghin-Twinkle-canon-72-edo.mp3 ''Twinkle canon – 72 edo'']{{dead link}} | ||
* [https://www.youtube.com/watch?v=zR0NDgh4944 ''The Miracle Canon'', 3-in-1 on a Ground] | * [https://www.youtube.com/watch?v=zR0NDgh4944 ''The Miracle Canon'', 3-in-1 on a Ground] | ||
* [https://www.youtube.com/watch?v=w6Bckog1eOM ''Sicilienne in Miracle''] | * [https://www.youtube.com/watch?v=w6Bckog1eOM ''Sicilienne in Miracle''] | ||
Line 1,679: | Line 1,740: | ||
* [https://www.myspace.com/dawier Danny Wier, composer and musician who specializes in 72-edo] | * [https://www.myspace.com/dawier Danny Wier, composer and musician who specializes in 72-edo] | ||
* [http://tonalsoft.com/enc/number/72edo.aspx 72-ed2 / 72-edo / 72-ET / 72-tone equal-temperament] on [[Tonalsoft Encyclopedia]] | * [http://tonalsoft.com/enc/number/72edo.aspx 72-ed2 / 72-edo / 72-ET / 72-tone equal-temperament] on [[Tonalsoft Encyclopedia]] | ||
[[Category:Listen]] | [[Category:Listen]] |