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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{Interwiki |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | |en=2L 3s |
| : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2012-11-19 21:08:39 UTC</tt>.<br>
| | |es= |
| : The original revision id was <tt>384205648</tt>.<br>
| | |de= |
| : The revision comment was: <tt></tt><br>
| | |ja=2L 3s |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| | }} |
| <h4>Original Wikitext content:</h4>
| | {{Infobox MOS |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">"Classic" [[pentatonic]]. Perhaps the most common scale in the world.
| | | Name = pentic |
| | | Periods = 1 |
| | | nLargeSteps = 2 |
| | | nSmallSteps = 3 |
| | | Equalized = 2 |
| | | Collapsed = 1 |
| | | Pattern = LsLss |
| | }} |
|
| |
|
| The [[meantone]] pentatonic scale, in which the generator approximates 4/3 but other intervals in the scale approximate 6/5 and 5/4, has by far the lowest harmonic entropy of all 5-note MOS scales, which explains the worldwide popularity of these scales and their very long history of use. It is also strictly [[Rothenberg propriety|proper]].
| | : ''For the 3/2-equivalent 2L 3s pattern, see [[2L 3s (3/2-equivalent)]].'' |
| ||||||||||||~ Generator ||~ Cents ||~ s ||~ L-s ||~ |L-2s| ||~ Scale steps ||~ Comments ||
| |
| || 2\5 || || || || || || 480 || 240 || 0 || 240 || 1 1 1 1 1 ||= ||
| |
| || || || || || || 11\27 || 488.89 || 222.22 || 44.44 || 177.78 || 6 5 5 6 5 ||= Slendro (insofar as it resembles a MOS)
| |
| would be in this region ||
| |
| || || || || || 9\22 || || 490.91 || 218.18 || 54.55 || 163.64 || 5 4 4 5 4 ||= ||
| |
| || || || || || || 16\39 || 492.31 || 215.38 || 61.54 || 153.85 || 9 7 7 9 7 ||= No-5's superpyth/dominant is around here ||
| |
| || || || || 7\17 || || || 494.12 || 211.76 || 70.59 || 141.18 || 4 3 3 4 3 ||= ||
| |
| || || || || || 12\29 || || 496.55 || 206.9 || 82.76 || 124.14 || 7 5 5 7 5 ||= ||
| |
| || || || || || || 17\41 || 497.56 || 204.88 || 87.8 || 117.07 || 10 7 7 10 7 ||= Pythagorean pentatonic is around here ||
| |
| || || || 5\12 || || || || 500 || 200 || 100 || 100 || 3 2 2 3 2 ||= Familiar 12-equal pentatonic
| |
| (also optimum rank range: L/s=3/2) || | |
| || || || || || 13\31 || || 503.23 || 193.55 || 116.13 || 77.42 || 8 5 5 8 5 ||= Optimal meantone pentatonic
| |
| is around here ||
| |
| || || || || || || || 1200/(4-phi) || 192.43 || 118.93 || 73.50 || phi 1 1 phi 1 ||= Golden meantone ||
| |
| || || || || || || 21\50 || 504 || 192 || 120 || 72 || 13 8 8 13 8 ||= ||
| |
| || || || || 8\19 || || || 505.26 || 189.47 || 126.32 || 63.16 || 5 3 3 5 3 ||= ||
| |
| || || 3\7 || || || || || 514.29 || 171.43 || 171.43 || 0 || 2 1 1 2 1 ||= (Boundary of propriety: smaller
| |
| generators than this are strictly proper) ||
| |
| || || || || 7\16 || || || 525 || 150 || 225 || 75 || 5 2 2 5 2 ||= 5-note subset of pelog (insofar as it
| |
| resembles a MOS) would be in this region ||
| |
| || || || 4\9 || || || || 533.33 || 133.33 || 266.67 || 133.33 || 3 1 1 3 1 ||= Boundary of "practicality" begins around here ||
| |
| || || || || 5\11 || || || 545.45 || 109.09 || 327.27 || 218.18 || 4 1 1 4 1 ||= Boundary of "practicality" ends around here ||
| |
| || 1\2 || || || || || || 600 || 0 || 600 || 600 || 1 0 0 1 0 ||= ||
| |
|
| |
|
| From a [[3-limit]] perspective, just make a chain of four 4/3's and octave-reduce, and you end up with pentatonic.
| | {{MOS intro}} This scale is the "classic" pentatonic scale, which is perhaps the most common scale in the world. |
| | |
| | The [[meantone]] pentatonic scale, in which the generator approximates 4/3 but other intervals in the scale approximate 6/5 and 5/4, has by far the lowest [[harmonic entropy]] of all 5-note MOS scales, which explains the worldwide popularity of these scales and their very long history of use. It is also strictly [[Rothenberg propriety|proper]]. |
| | |
| | == Names == |
| | The [[TAMNAMS]] system suggests the name '''pentic''', derived from an [[Wiktionary: pent #Etymology 2|informal clipping of "pentatonic"]] that is sometimes used to refer to this scale. |
| | |
| | == Scale properties == |
| | {{TAMNAMS use}} |
| | |
| | === Intervals === |
| | {{MOS intervals}} |
| | |
| | === Generator chain === |
| | {{MOS genchain}} |
| | |
| | === Modes === |
| | {{MOS mode degrees}} |
| | |
| | === Mode names === |
| | There are three sets of mode names: descriptive, modal (5 of the 7 heptatonic modes), and traditional Chinese. |
| | {{MOS modes |
| | | Table Headers= |
| | Descriptive $ |
| | Modal $ |
| | Chinese $ |
| | | Table Entries= |
| | Fifthless $ |
| | Phrygian $ |
| | Jué (角) $ |
| | Minor $ |
| | Aeolian $ |
| | Yǔ (羽) $ |
| | Thirdless Minor* $ |
| | Dorian $ |
| | Shāng (商) $ |
| | Thirdless Major* $ |
| | Mixolydian $ |
| | Zhǐ (徵) $ |
| | Major $ |
| | Ionian $ |
| | Gōng (宫) $ |
| | }} |
| | <nowiki />* Thirdless Minor/Major is also known as Suspended Minor/Major |
| | |
| | == Scales == |
| | === Scale list === |
| | * [[Archy5]] – 49edo tuning |
| | * [[Edson5]] – 29edo tuning |
| | * [[Pythagorean5]] – Pythagorean tuning |
| | * [[Meantone5]] – 31edo tuning |
|
| |
|
| From a [[5-limit]] perspective, the most interesting temperaments with this kind of pentatonic scale are [[meantone]] and [[Pelogic famiy|mavila]].
| | === Scale tree === |
| | {{MOS tuning spectrum |
| | | Depth = 6 |
| | | 6/5 = Slendro (insofar as it resembles a MOS) would<br />be in this region |
| | | 9/7 = No-5s [[superpyth]]/dominant is around here |
| | | 13/9 = Pythagorean pentatonic is around here |
| | | 3/2 = Familiar [[12edo|12-equal]] pentatonic |
| | | 8/5 = Optimal meantone pentatonic is around here |
| | | 5/2 = Five-note subset of [[pelog]] (insofar as it<br />resembles a MOS) would be in this region |
| | }} |
|
| |
|
| There is also the interesting 2.3.7 temperament that tempers out [[64_63|64/63]] ("no-fives [[dominant]]").</pre></div>
| | From a [[3-limit]] perspective, just make a chain of four 4/3's and octave-reduce, and you end up with pentatonic. |
| <h4>Original HTML content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>2L 3s</title></head><body>&quot;Classic&quot; <a class="wiki_link" href="/pentatonic">pentatonic</a>. Perhaps the most common scale in the world.<br />
| |
| <br />
| |
| The <a class="wiki_link" href="/meantone">meantone</a> pentatonic scale, in which the generator approximates 4/3 but other intervals in the scale approximate 6/5 and 5/4, has by far the lowest harmonic entropy of all 5-note MOS scales, which explains the worldwide popularity of these scales and their very long history of use. It is also strictly <a class="wiki_link" href="/Rothenberg%20propriety">proper</a>.<br />
| |
|
| |
|
| | From a [[5-limit]] perspective, the most interesting temperaments with this kind of pentatonic scale are [[meantone]] and [[mavila]]. |
|
| |
|
| <table class="wiki_table">
| | There is also the 2.3.7 temperament that tempers out [[64/63]] ([[archy]], "no-fives [[Meantone family#Dominant|dominant]]"). |
| <tr>
| |
| <th colspan="6">Generator<br />
| |
| </th>
| |
| <th>Cents<br />
| |
| </th>
| |
| <th>s<br />
| |
| </th>
| |
| <th>L-s<br />
| |
| </th>
| |
| <th>|L-2s|<br />
| |
| </th>
| |
| <th>Scale steps<br />
| |
| </th>
| |
| <th>Comments<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>2\5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>480<br />
| |
| </td>
| |
| <td>240<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>240<br />
| |
| </td>
| |
| <td>1 1 1 1 1<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>11\27<br />
| |
| </td>
| |
| <td>488.89<br />
| |
| </td>
| |
| <td>222.22<br />
| |
| </td>
| |
| <td>44.44<br />
| |
| </td>
| |
| <td>177.78<br />
| |
| </td>
| |
| <td>6 5 5 6 5<br />
| |
| </td>
| |
| <td style="text-align: center;">Slendro (insofar as it resembles a MOS)<br />
| |
| would be in this region<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9\22<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>490.91<br />
| |
| </td>
| |
| <td>218.18<br />
| |
| </td>
| |
| <td>54.55<br />
| |
| </td>
| |
| <td>163.64<br />
| |
| </td>
| |
| <td>5 4 4 5 4<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>16\39<br />
| |
| </td>
| |
| <td>492.31<br />
| |
| </td>
| |
| <td>215.38<br />
| |
| </td>
| |
| <td>61.54<br />
| |
| </td>
| |
| <td>153.85<br />
| |
| </td>
| |
| <td>9 7 7 9 7<br />
| |
| </td>
| |
| <td style="text-align: center;">No-5's superpyth/dominant is around here<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7\17<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>494.12<br />
| |
| </td>
| |
| <td>211.76<br />
| |
| </td>
| |
| <td>70.59<br />
| |
| </td>
| |
| <td>141.18<br />
| |
| </td>
| |
| <td>4 3 3 4 3<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>12\29<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>496.55<br />
| |
| </td>
| |
| <td>206.9<br />
| |
| </td>
| |
| <td>82.76<br />
| |
| </td>
| |
| <td>124.14<br />
| |
| </td>
| |
| <td>7 5 5 7 5<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>17\41<br />
| |
| </td>
| |
| <td>497.56<br />
| |
| </td>
| |
| <td>204.88<br />
| |
| </td>
| |
| <td>87.8<br />
| |
| </td>
| |
| <td>117.07<br />
| |
| </td>
| |
| <td>10 7 7 10 7<br />
| |
| </td>
| |
| <td style="text-align: center;">Pythagorean pentatonic is around here<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5\12<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>500<br />
| |
| </td>
| |
| <td>200<br />
| |
| </td>
| |
| <td>100<br />
| |
| </td>
| |
| <td>100<br />
| |
| </td>
| |
| <td>3 2 2 3 2<br />
| |
| </td>
| |
| <td style="text-align: center;">Familiar 12-equal pentatonic<br />
| |
| (also optimum rank range: L/s=3/2)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>13\31<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>503.23<br />
| |
| </td>
| |
| <td>193.55<br />
| |
| </td>
| |
| <td>116.13<br />
| |
| </td>
| |
| <td>77.42<br />
| |
| </td>
| |
| <td>8 5 5 8 5<br />
| |
| </td>
| |
| <td style="text-align: center;">Optimal meantone pentatonic<br />
| |
| is around here<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1200/(4-phi)<br />
| |
| </td>
| |
| <td>192.43<br />
| |
| </td>
| |
| <td>118.93<br />
| |
| </td>
| |
| <td>73.50<br />
| |
| </td>
| |
| <td>phi 1 1 phi 1<br />
| |
| </td>
| |
| <td style="text-align: center;">Golden meantone<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>21\50<br />
| |
| </td>
| |
| <td>504<br />
| |
| </td>
| |
| <td>192<br />
| |
| </td>
| |
| <td>120<br />
| |
| </td>
| |
| <td>72<br />
| |
| </td>
| |
| <td>13 8 8 13 8<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>8\19<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>505.26<br />
| |
| </td>
| |
| <td>189.47<br />
| |
| </td>
| |
| <td>126.32<br />
| |
| </td>
| |
| <td>63.16<br />
| |
| </td>
| |
| <td>5 3 3 5 3<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td>3\7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>514.29<br />
| |
| </td>
| |
| <td>171.43<br />
| |
| </td>
| |
| <td>171.43<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>2 1 1 2 1<br />
| |
| </td>
| |
| <td style="text-align: center;">(Boundary of propriety: smaller<br />
| |
| generators than this are strictly proper)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7\16<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>525<br />
| |
| </td>
| |
| <td>150<br />
| |
| </td>
| |
| <td>225<br />
| |
| </td>
| |
| <td>75<br />
| |
| </td>
| |
| <td>5 2 2 5 2<br />
| |
| </td>
| |
| <td style="text-align: center;">5-note subset of pelog (insofar as it<br />
| |
| resembles a MOS) would be in this region<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4\9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>533.33<br />
| |
| </td>
| |
| <td>133.33<br />
| |
| </td>
| |
| <td>266.67<br />
| |
| </td>
| |
| <td>133.33<br />
| |
| </td>
| |
| <td>3 1 1 3 1<br />
| |
| </td>
| |
| <td style="text-align: center;">Boundary of &quot;practicality&quot; begins around here<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5\11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>545.45<br />
| |
| </td>
| |
| <td>109.09<br />
| |
| </td>
| |
| <td>327.27<br />
| |
| </td>
| |
| <td>218.18<br />
| |
| </td>
| |
| <td>4 1 1 4 1<br />
| |
| </td>
| |
| <td style="text-align: center;">Boundary of &quot;practicality&quot; ends around here<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>1\2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>600<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>600<br />
| |
| </td>
| |
| <td>600<br />
| |
| </td>
| |
| <td>1 0 0 1 0<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | [[Category:Pentic]] |
| From a <a class="wiki_link" href="/3-limit">3-limit</a> perspective, just make a chain of four 4/3's and octave-reduce, and you end up with pentatonic.<br />
| | [[Category:5-tone scales]] |
| <br />
| |
| From a <a class="wiki_link" href="/5-limit">5-limit</a> perspective, the most interesting temperaments with this kind of pentatonic scale are <a class="wiki_link" href="/meantone">meantone</a> and <a class="wiki_link" href="/Pelogic%20famiy">mavila</a>.<br />
| |
| <br />
| |
| There is also the interesting 2.3.7 temperament that tempers out <a class="wiki_link" href="/64_63">64/63</a> (&quot;no-fives <a class="wiki_link" href="/dominant">dominant</a>&quot;).</body></html></pre></div>
| |
- For the 3/2-equivalent 2L 3s pattern, see 2L 3s (3/2-equivalent).
2L 3s is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 2 large steps and 3 small steps, repeating every octave. Generators that produce this scale range from 480 ¢ to 600 ¢, or from 600 ¢ to 720 ¢. This scale is the "classic" pentatonic scale, which is perhaps the most common scale in the world.
The meantone pentatonic scale, in which the generator approximates 4/3 but other intervals in the scale approximate 6/5 and 5/4, has by far the lowest harmonic entropy of all 5-note MOS scales, which explains the worldwide popularity of these scales and their very long history of use. It is also strictly proper.
Names
The TAMNAMS system suggests the name pentic, derived from an informal clipping of "pentatonic" that is sometimes used to refer to this scale.
Scale properties
- This article uses TAMNAMS conventions for the names of this scale's intervals and scale degrees. The use of 1-indexed ordinal names is reserved for interval regions.
Intervals
Intervals of 2L 3s
| Intervals
|
Steps subtended
|
Range in cents
|
| Generic
|
Specific
|
Abbrev.
|
| 0-pentstep
|
Perfect 0-pentstep
|
P0ms
|
0
|
0.0 ¢
|
| 1-pentstep
|
Minor 1-pentstep
|
m1ms
|
s
|
0.0 ¢ to 240.0 ¢
|
| Major 1-pentstep
|
M1ms
|
L
|
240.0 ¢ to 600.0 ¢
|
| 2-pentstep
|
Diminished 2-pentstep
|
d2ms
|
2s
|
0.0 ¢ to 480.0 ¢
|
| Perfect 2-pentstep
|
P2ms
|
L + s
|
480.0 ¢ to 600.0 ¢
|
| 3-pentstep
|
Perfect 3-pentstep
|
P3ms
|
L + 2s
|
600.0 ¢ to 720.0 ¢
|
| Augmented 3-pentstep
|
A3ms
|
2L + s
|
720.0 ¢ to 1200.0 ¢
|
| 4-pentstep
|
Minor 4-pentstep
|
m4ms
|
L + 3s
|
600.0 ¢ to 960.0 ¢
|
| Major 4-pentstep
|
M4ms
|
2L + 2s
|
960.0 ¢ to 1200.0 ¢
|
| 5-pentstep
|
Perfect 5-pentstep
|
P5ms
|
2L + 3s
|
1200.0 ¢
|
Generator chain
Generator chain of 2L 3s
| Bright gens |
Scale degree |
Abbrev.
|
| 6 |
Augmented 2-pentdegree |
A2md
|
| 5 |
Augmented 0-pentdegree |
A0md
|
| 4 |
Augmented 3-pentdegree |
A3md
|
| 3 |
Major 1-pentdegree |
M1md
|
| 2 |
Major 4-pentdegree |
M4md
|
| 1 |
Perfect 2-pentdegree |
P2md
|
| 0 |
Perfect 0-pentdegree Perfect 5-pentdegree |
P0md P5md
|
| −1 |
Perfect 3-pentdegree |
P3md
|
| −2 |
Minor 1-pentdegree |
m1md
|
| −3 |
Minor 4-pentdegree |
m4md
|
| −4 |
Diminished 2-pentdegree |
d2md
|
| −5 |
Diminished 5-pentdegree |
d5md
|
| −6 |
Diminished 3-pentdegree |
d3md
|
Modes
Scale degrees of the modes of 2L 3s
| UDP
|
Cyclic order
|
Step pattern
|
Scale degree (pentdegree)
|
| 0
|
1
|
2
|
3
|
4
|
5
|
| 4|0
|
1
|
LsLss
|
Perf.
|
Maj.
|
Perf.
|
Aug.
|
Maj.
|
Perf.
|
| 3|1
|
3
|
LssLs
|
Perf.
|
Maj.
|
Perf.
|
Perf.
|
Maj.
|
Perf.
|
| 2|2
|
5
|
sLsLs
|
Perf.
|
Min.
|
Perf.
|
Perf.
|
Maj.
|
Perf.
|
| 1|3
|
2
|
sLssL
|
Perf.
|
Min.
|
Perf.
|
Perf.
|
Min.
|
Perf.
|
| 0|4
|
4
|
ssLsL
|
Perf.
|
Min.
|
Dim.
|
Perf.
|
Min.
|
Perf.
|
Mode names
There are three sets of mode names: descriptive, modal (5 of the 7 heptatonic modes), and traditional Chinese.
Modes of 2L 3s
| UDP |
Cyclic order |
Step pattern |
Descriptive |
Modal |
Chinese
|
| 4|0 |
1 |
LsLss |
Fifthless |
Phrygian |
Jué (角)
|
| 3|1 |
3 |
LssLs |
Minor |
Aeolian |
Yǔ (羽)
|
| 2|2 |
5 |
sLsLs |
Thirdless Minor* |
Dorian |
Shāng (商)
|
| 1|3 |
2 |
sLssL |
Thirdless Major* |
Mixolydian |
Zhǐ (徵)
|
| 0|4 |
4 |
ssLsL |
Major |
Ionian |
Gōng (宫)
|
* Thirdless Minor/Major is also known as Suspended Minor/Major
Scales
Scale list
Scale tree
Scale tree and tuning spectrum of 2L 3s
| Generator(edo)
|
Cents
|
Step ratio
|
Comments
|
| Bright
|
Dark
|
L:s
|
Hardness
|
| 2\5
|
|
|
|
|
|
|
480.000
|
720.000
|
1:1
|
1.000
|
Equalized 2L 3s
|
|
|
|
|
|
|
|
13\32
|
487.500
|
712.500
|
7:6
|
1.167
|
|
|
|
|
|
|
|
11\27
|
|
488.889
|
711.111
|
6:5
|
1.200
|
Slendro (insofar as it resembles a MOS) would be in this region
|
|
|
|
|
|
|
|
20\49
|
489.796
|
710.204
|
11:9
|
1.222
|
|
|
|
|
|
|
9\22
|
|
|
490.909
|
709.091
|
5:4
|
1.250
|
|
|
|
|
|
|
|
|
25\61
|
491.803
|
708.197
|
14:11
|
1.273
|
|
|
|
|
|
|
|
16\39
|
|
492.308
|
707.692
|
9:7
|
1.286
|
No-5s superpyth/dominant is around here
|
|
|
|
|
|
|
|
23\56
|
492.857
|
707.143
|
13:10
|
1.300
|
|
|
|
|
|
7\17
|
|
|
|
494.118
|
705.882
|
4:3
|
1.333
|
Supersoft 2L 3s
|
|
|
|
|
|
|
|
26\63
|
495.238
|
704.762
|
15:11
|
1.364
|
|
|
|
|
|
|
|
19\46
|
|
495.652
|
704.348
|
11:8
|
1.375
|
|
|
|
|
|
|
|
|
31\75
|
496.000
|
704.000
|
18:13
|
1.385
|
|
|
|
|
|
|
12\29
|
|
|
496.552
|
703.448
|
7:5
|
1.400
|
|
|
|
|
|
|
|
|
29\70
|
497.143
|
702.857
|
17:12
|
1.417
|
|
|
|
|
|
|
|
17\41
|
|
497.561
|
702.439
|
10:7
|
1.429
|
|
|
|
|
|
|
|
|
22\53
|
498.113
|
701.887
|
13:9
|
1.444
|
Pythagorean pentatonic is around here
|
|
|
|
5\12
|
|
|
|
|
500.000
|
700.000
|
3:2
|
1.500
|
Soft 2L 3s Familiar 12-equal pentatonic
|
|
|
|
|
|
|
|
23\55
|
501.818
|
698.182
|
14:9
|
1.556
|
|
|
|
|
|
|
|
18\43
|
|
502.326
|
697.674
|
11:7
|
1.571
|
|
|
|
|
|
|
|
|
31\74
|
502.703
|
697.297
|
19:12
|
1.583
|
|
|
|
|
|
|
13\31
|
|
|
503.226
|
696.774
|
8:5
|
1.600
|
Optimal meantone pentatonic is around here
|
|
|
|
|
|
|
|
34\81
|
503.704
|
696.296
|
21:13
|
1.615
|
|
|
|
|
|
|
|
21\50
|
|
504.000
|
696.000
|
13:8
|
1.625
|
|
|
|
|
|
|
|
|
29\69
|
504.348
|
695.652
|
18:11
|
1.636
|
|
|
|
|
|
8\19
|
|
|
|
505.263
|
694.737
|
5:3
|
1.667
|
Semisoft 2L 3s
|
|
|
|
|
|
|
|
27\64
|
506.250
|
693.750
|
17:10
|
1.700
|
|
|
|
|
|
|
|
19\45
|
|
506.667
|
693.333
|
12:7
|
1.714
|
|
|
|
|
|
|
|
|
30\71
|
507.042
|
692.958
|
19:11
|
1.727
|
|
|
|
|
|
|
11\26
|
|
|
507.692
|
692.308
|
7:4
|
1.750
|
|
|
|
|
|
|
|
|
25\59
|
508.475
|
691.525
|
16:9
|
1.778
|
|
|
|
|
|
|
|
14\33
|
|
509.091
|
690.909
|
9:5
|
1.800
|
|
|
|
|
|
|
|
|
17\40
|
510.000
|
690.000
|
11:6
|
1.833
|
|
|
|
3\7
|
|
|
|
|
|
514.286
|
685.714
|
2:1
|
2.000
|
Basic 2L 3s Scales with tunings softer than this are proper
|
|
|
|
|
|
|
|
16\37
|
518.919
|
681.081
|
11:5
|
2.200
|
|
|
|
|
|
|
|
13\30
|
|
520.000
|
680.000
|
9:4
|
2.250
|
|
|
|
|
|
|
|
|
23\53
|
520.755
|
679.245
|
16:7
|
2.286
|
|
|
|
|
|
|
10\23
|
|
|
521.739
|
678.261
|
7:3
|
2.333
|
|
|
|
|
|
|
|
|
27\62
|
522.581
|
677.419
|
19:8
|
2.375
|
|
|
|
|
|
|
|
17\39
|
|
523.077
|
676.923
|
12:5
|
2.400
|
|
|
|
|
|
|
|
|
24\55
|
523.636
|
676.364
|
17:7
|
2.429
|
|
|
|
|
|
7\16
|
|
|
|
525.000
|
675.000
|
5:2
|
2.500
|
Semihard 2L 3s Five-note subset of pelog (insofar as it resembles a MOS) would be in this region
|
|
|
|
|
|
|
|
25\57
|
526.316
|
673.684
|
18:7
|
2.571
|
|
|
|
|
|
|
|
18\41
|
|
526.829
|
673.171
|
13:5
|
2.600
|
|
|
|
|
|
|
|
|
29\66
|
527.273
|
672.727
|
21:8
|
2.625
|
|
|
|
|
|
|
11\25
|
|
|
528.000
|
672.000
|
8:3
|
2.667
|
|
|
|
|
|
|
|
|
26\59
|
528.814
|
671.186
|
19:7
|
2.714
|
|
|
|
|
|
|
|
15\34
|
|
529.412
|
670.588
|
11:4
|
2.750
|
|
|
|
|
|
|
|
|
19\43
|
530.233
|
669.767
|
14:5
|
2.800
|
|
|
|
|
4\9
|
|
|
|
|
533.333
|
666.667
|
3:1
|
3.000
|
Hard 2L 3s
|
|
|
|
|
|
|
|
17\38
|
536.842
|
663.158
|
13:4
|
3.250
|
|
|
|
|
|
|
|
13\29
|
|
537.931
|
662.069
|
10:3
|
3.333
|
|
|
|
|
|
|
|
|
22\49
|
538.776
|
661.224
|
17:5
|
3.400
|
|
|
|
|
|
|
9\20
|
|
|
540.000
|
660.000
|
7:2
|
3.500
|
|
|
|
|
|
|
|
|
23\51
|
541.176
|
658.824
|
18:5
|
3.600
|
|
|
|
|
|
|
|
14\31
|
|
541.935
|
658.065
|
11:3
|
3.667
|
|
|
|
|
|
|
|
|
19\42
|
542.857
|
657.143
|
15:4
|
3.750
|
|
|
|
|
|
5\11
|
|
|
|
545.455
|
654.545
|
4:1
|
4.000
|
Superhard 2L 3s
|
|
|
|
|
|
|
|
16\35
|
548.571
|
651.429
|
13:3
|
4.333
|
|
|
|
|
|
|
|
11\24
|
|
550.000
|
650.000
|
9:2
|
4.500
|
|
|
|
|
|
|
|
|
17\37
|
551.351
|
648.649
|
14:3
|
4.667
|
|
|
|
|
|
|
6\13
|
|
|
553.846
|
646.154
|
5:1
|
5.000
|
|
|
|
|
|
|
|
|
13\28
|
557.143
|
642.857
|
11:2
|
5.500
|
|
|
|
|
|
|
|
7\15
|
|
560.000
|
640.000
|
6:1
|
6.000
|
|
|
|
|
|
|
|
|
8\17
|
564.706
|
635.294
|
7:1
|
7.000
|
|
| 1\2
|
|
|
|
|
|
|
600.000
|
600.000
|
1:0
|
→ ∞
|
Collapsed 2L 3s
|
From a 3-limit perspective, just make a chain of four 4/3's and octave-reduce, and you end up with pentatonic.
From a 5-limit perspective, the most interesting temperaments with this kind of pentatonic scale are meantone and mavila.
There is also the 2.3.7 temperament that tempers out 64/63 (archy, "no-fives dominant").