22edo: Difference between revisions
m Used gallery tag for TIBIA's score preview, reorganized last few sections |
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Shown below is [[Paul Erlich]]'s "Tibia" in G, with independent ups and downs. | Shown below is [[Paul Erlich]]'s "Tibia" in G, with independent ups and downs. | ||
<gallery> | |||
Tibia in G CORRECTED-1.png|alt=Tibia in G CORRECTED-1.png|200px|thumb|left|Tibia in G (page 1) | |||
Tibia in G CORRECTED-2.png|alt=Tibia in G CORRECTED-2.png|200px|thumb|center|Tibia in G (page 2) | |||
</gallery> | |||
== Music == | == Music == | ||
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== See also == | == See also == | ||
* [[Lumatone mapping for 22edo]] | * [[Lumatone mapping for 22edo]] | ||
* [[William_Lynch's_Thoughts_on_Septimal_Harmony_and_22_EDO|William Lynch's Thoughts on Septimal Harmony and 22 EDO]] | |||
* [[22edo/Eliora's approach|Eliora's Approach]] | |||
== References == | |||
# Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951] | |||
# Bosanquet, R.H.M. [http://www.webcitation.org/5kjJcrhEx ''On the Hindoo division of the octave, with additions to the theory of higher orders''], Proceedings of the Royal Society of London vol. 26, 1879, pp. 272-284. Reproduced in Tagore, Sourindro Mohun, ''Hindu Music from Various Authors'', Chowkhamba Sanskrit Series, Varanasi, India, 1965 | |||
== External links == | |||
* [http://lumma.org/tuning/erlich/erlich-decatonic.pdf Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''] | |||
* [http://porcupinemusic.weebly.com/ "Porcupine Music" - Website Focused on the Development of 22 EDO music] | |||
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