User:Lucius Chiaraviglio/Keyboard Layout Lab: Difference between revisions
→43edo (demonstrated to work but awaiting approval): Got approval |
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== Amavil Lumatone mappings == | == Amavil Lumatone mappings == | ||
=== 43edo (demonstrated to work | === 43edo (demonstrated to work) === | ||
It is possible to use a [[7L 2s]] (5:4 step ratio) superdiatonic mapping with [[43edo]], as in [[mavila]]. Mavila itself is not a high-accuracy tuning, but it has some relatives that are high-accuracy — in this case, [[amavil]], of the [[mabila family]]. As with mavila, it uses a sub-fifth as its generator, in this case 24\43; however, unlike actual mavila, the generator is explicitly defined as something other than the fifth, which is instead left at the most accurate mapping 43edo has to offer for ~[[3/2]] (at 25\43). Instead, the sub-fifth is mapped as a mildly flat undecimal diminished fifth ~[[22/15]]. After octave-reduction, three of them make a somewhat flat classic minor sixth ~[[8/5]]; four of them make a subminor third that functions as ~[[7/6]] (sharp), ~[[13/11]] (flat), and ~[[20/17]] (diatismic minor third, close to just, only slightly sharp); six of them make a near-just pentacircle major third ~[[14/11]]; seven of them make a near-just classic major seventh ~[[15/8]]; eight of them make a moderately flat undecimal major fourth ~[[11/8]]; and ten of them make the moderately flat perfect fifth ~[[3/2]]. The range is about 3¾ octaves, which slope mildly upwards, with a generous allotment of repeated notes to mitigate vertical wraparounds. | It is possible to use a [[7L 2s]] (5:4 step ratio) superdiatonic mapping with [[43edo]], as in [[mavila]]. Mavila itself is not a high-accuracy tuning, but it has some relatives that are high-accuracy — in this case, [[amavil]], of the [[mabila family]]. As with mavila, it uses a sub-fifth as its generator, in this case 24\43; however, unlike actual mavila, the generator is explicitly defined as something other than the fifth, which is instead left at the most accurate mapping 43edo has to offer for ~[[3/2]] (at 25\43). Instead, the sub-fifth is mapped as a mildly flat undecimal diminished fifth ~[[22/15]]. After octave-reduction, three of them make a somewhat flat classic minor sixth ~[[8/5]]; four of them make a subminor third that functions as ~[[7/6]] (sharp), ~[[13/11]] (flat), and ~[[20/17]] (diatismic minor third, close to just, only slightly sharp); six of them make a near-just pentacircle major third ~[[14/11]]; seven of them make a near-just classic major seventh ~[[15/8]]; eight of them make a moderately flat undecimal major fourth ~[[11/8]]; and ten of them make the moderately flat perfect fifth ~[[3/2]]. The range is about 3¾ octaves, which slope mildly upwards, with a generous allotment of repeated notes to mitigate vertical wraparounds. | ||