17edo: Difference between revisions
m →Music: Fix typos |
Interval table: ratios first; misc. improvements |
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}} | }} | ||
{{Infobox ET}} | {{Infobox ET}} | ||
{{EDO intro|17}} | |||
{{Wikipedia|17 equal temperament}} | {{Wikipedia|17 equal temperament}} | ||
== Theory == | == Theory == | ||
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{{Harmonics in equal|17|intervals=odd}} | {{Harmonics in equal|17|intervals=odd}} | ||
=== | === Subsets and supersets === | ||
17edo is the seventh [[prime edo]], following [[13edo]] and coming before [[19edo]]. | 17edo is the seventh [[prime edo]], following [[13edo]] and coming before [[19edo]]. [[34edo]], which doubles it, provides a good correction to the harmonic 5. | ||
== Intervals == | == Intervals == | ||
{{See also|17edo solfege}} | {{See also|17edo solfege}} | ||
{| class="wikitable center-all right-2 left- | {| class="wikitable center-all right-2 left-3" | ||
|- | |- | ||
! | ! # | ||
! Cents | ! Cents | ||
! colspan="2" | | ! Approximate Ratios† | ||
! colspan="2" | [[Circle-of-fifths notation|Circle-of-fifths Notation]] * | |||
! colspan="3" | [[Ups and Downs Notation]] | ! colspan="3" | [[Ups and Downs Notation]] | ||
! colspan="2" | [[3L 4s]] | ! colspan="2" | [[3L 4s]] Notation | ||
|- | |- | ||
| 0 | | 0 | ||
| 0.00 | | 0.00 | ||
| 1/1 | |||
| Unison | | Unison | ||
| D | | D | ||
| Line 44: | Line 45: | ||
| unison | | unison | ||
| D | | D | ||
|- | |- | ||
| 1 | | 1 | ||
| 70.59 | | 70.59 | ||
| [[22/21]], [[25/24]], [[26/25]], [[28/27]], [[33/32]], [[24/23]] | |||
| Minor 2nd<br>(Semiaugmented 1sn) | | Minor 2nd<br>(Semiaugmented 1sn) | ||
| Eb<br>(D+) | | Eb<br>(D+) | ||
| up unison, | | up unison, <br>minor 2nd | ||
minor 2nd | |||
| ^1, m2 | | ^1, m2 | ||
| Eb | | Eb | ||
| augmented 1sn | | augmented 1sn | ||
| D# | | D# | ||
|- | |- | ||
| 2 | | 2 | ||
| 141.18 | | 141.18 | ||
| [[13/12]], [[12/11]], [[14/13]], [[25/23]] | |||
| Augmented 1sn<br>(Neutral 2nd) | | Augmented 1sn<br>(Neutral 2nd) | ||
| D#<br>(Ed) | | D#<br>(Ed) | ||
| augmented 1sn, | | augmented 1sn, <br>mid 2nd | ||
mid 2nd | |||
| A1, ~2 | | A1, ~2 | ||
| vE | | vE | ||
| minor 2nd | | minor 2nd | ||
| Eb | | Eb | ||
|- | |- | ||
| 3 | | 3 | ||
| 211.76 | | 211.76 | ||
| [[9/8]], [[8/7]], [[28/25]], [[25/22]], [[26/23]] | |||
| Major 2nd | | Major 2nd | ||
| E | | E | ||
| Line 79: | Line 78: | ||
| major 2nd | | major 2nd | ||
| E | | E | ||
|- | |- | ||
| 4 | | 4 | ||
| 282.35 | | 282.35 | ||
| [[13/11]], [[7/6]] | |||
| Minor 3rd | | Minor 3rd | ||
| F | | F | ||
| Line 90: | Line 89: | ||
| diminished 3rd | | diminished 3rd | ||
| Fb | | Fb | ||
|- | |- | ||
| 5 | | 5 | ||
| 352.94 | | 352.94 | ||
| [[11/9]], [[16/13]], [[28/23]] | |||
| Diminished 4th<br>(Neutral 3rd) | | Diminished 4th<br>(Neutral 3rd) | ||
| Gb<br>(F+) | | Gb<br>(F+) | ||
| Line 101: | Line 100: | ||
| perfect 3rd | | perfect 3rd | ||
| F | | F | ||
|- | |- | ||
| 6 | | 6 | ||
| 423.53 | | 423.53 | ||
| [[32/25]], [[9/7]], [[14/11]], [[33/26]], [[23/18]] | |||
| Major 3rd<br>(Semidiminished 4th) | | Major 3rd<br>(Semidiminished 4th) | ||
| F#<br>(Gd) | | F#<br>(Gd) | ||
| Line 112: | Line 111: | ||
| augmented 3rd | | augmented 3rd | ||
| F# | | F# | ||
|- | |- | ||
| 7 | | 7 | ||
| 494.12 | | 494.12 | ||
| [[4/3]], [[21/16]] | |||
| Perfect 4th | | Perfect 4th | ||
| G | | G | ||
| Line 123: | Line 122: | ||
| minor 4th | | minor 4th | ||
| G | | G | ||
|- | |- | ||
| 8 | | 8 | ||
| 564.71 | | 564.71 | ||
| [[11/8]], [[18/13]], [[32/23]] | |||
| Diminshed 5th<br>(Semiaugmented 4th) | | Diminshed 5th<br>(Semiaugmented 4th) | ||
| Ab<br>(G+) | | Ab<br>(G+) | ||
| Line 134: | Line 133: | ||
| major 4th | | major 4th | ||
| G# | | G# | ||
|- | |- | ||
| 9 | | 9 | ||
| 635.29 | | 635.29 | ||
| [[16/11]], [[13/9]], [[23/16]] | |||
| Augmented 4th<br>(Semidiminished 5th) | | Augmented 4th<br>(Semidiminished 5th) | ||
| G#<br>(Ad) | | G#<br>(Ad) | ||
| Line 145: | Line 144: | ||
| minor 5th | | minor 5th | ||
| Ab | | Ab | ||
|- | |- | ||
| 10 | | 10 | ||
| 705.88 | | 705.88 | ||
| [[3/2]], [[32/21]] | |||
| Perfect 5th | | Perfect 5th | ||
| A | | A | ||
| Line 156: | Line 155: | ||
| major 5th | | major 5th | ||
| A | | A | ||
|- | |- | ||
| 11 | | 11 | ||
| 776.47 | | 776.47 | ||
| [[25/16]], [[14/9]], [[11/7]], [[52/33]], [[36/23]] | |||
| Minor 6th<br>(Semiaugmented 5th) | | Minor 6th<br>(Semiaugmented 5th) | ||
| Bb<br>(A+) | | Bb<br>(A+) | ||
| Line 167: | Line 166: | ||
| diminished 6th | | diminished 6th | ||
| Bb | | Bb | ||
|- | |- | ||
| 12 | | 12 | ||
| 847.06 | | 847.06 | ||
| [[13/8]], [[18/11]], [[23/14]] | |||
| Augmented 5th<br>(Neutral 6th) | | Augmented 5th<br>(Neutral 6th) | ||
| A#<br>(Bd) | | A#<br>(Bd) | ||
| Line 178: | Line 177: | ||
| perfect 6th | | perfect 6th | ||
| B | | B | ||
|- | |- | ||
| 13 | | 13 | ||
| 917.65 | | 917.65 | ||
| [[17/10]], [[22/13]], [[12/7]] | |||
| Major 6th | | Major 6th | ||
| B | | B | ||
| Line 189: | Line 188: | ||
| augmented 6th | | augmented 6th | ||
| B# | | B# | ||
|- | |- | ||
| 14 | | 14 | ||
| 988.24 | | 988.24 | ||
| [[16/9]], [[7/4]], [[25/14]], [[44/25]], [[23/13]] | |||
| Minor 7th | | Minor 7th | ||
| C | | C | ||
| Line 200: | Line 199: | ||
| minor 7th | | minor 7th | ||
| Cb | | Cb | ||
|- | |- | ||
| 15 | | 15 | ||
| 1058.82 | | 1058.82 | ||
| [[11/6]], [[24/13]], [[13/7]], [[46/25]] | |||
| Diminished 8ve<br>(Neutral 7th) | | Diminished 8ve<br>(Neutral 7th) | ||
| Db<br>(C+) | | Db<br>(C+) | ||
| Line 211: | Line 210: | ||
| major 7th | | major 7th | ||
| C | | C | ||
|- | |- | ||
| 16 | | 16 | ||
| 1129.41 | | 1129.41 | ||
| [[21/11]], [[25/13]], [[48/25]], [[27/14]], [[64/33]], [[23/12]] | |||
| Major 7th<br>(Semidiminished 8ve) | | Major 7th<br>(Semidiminished 8ve) | ||
| C#<br>(Dd) | | C#<br>(Dd) | ||
| major 7th, | | major 7th,<br>down 8ve | ||
down 8ve | |||
| M7, v8 | | M7, v8 | ||
| C# | | C# | ||
| diminished 8ve | | diminished 8ve | ||
| Db | | Db | ||
|- | |- | ||
| 17 | | 17 | ||
| 1200.00 | | 1200.00 | ||
| [[2/1]] | |||
| Octave | | Octave | ||
| D | | D | ||
| Line 234: | Line 232: | ||
| octave | | octave | ||
| D | | D | ||
|} | |} | ||
<nowiki>*</nowiki> Half-sharps and half-flats (denoted "+" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edo steps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat. | <nowiki>*</nowiki> Half-sharps and half-flats (denoted "+" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edo steps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat. | ||