19edo: Difference between revisions

@@ Line 270: / Line 270: @@
 | C(♯3), Cmaj(♯3), C(A3)
 | C supermajor, C major sharp-three, C augmented-three
+|-
+|
+| 4:5:6:7
+| 0–6–11–15
+| C–E–G–B𝄫
+| C(h7), Cadd(d7), Cmaj(add(d7))
+| C harmonic 7, C (major) add dim-seven
+|-
+|
+| 1/(4:5:6:7)<br />= 1:6/5:3/2:12/7
+| 0–5–11–15
+| C–E♭–G–A♯
+| Cm(♯6), Cm(A6), Cm(add(♯6)), Cm(add(A6))
+| C minor (add) sharp-six, C minor (add) aug-six
 |}
-–6–11–15 = C–E–G–B𝄫 = C,d7 = Cadd(d7) = C add dim-seven = C major dim-seven = 4:5:6:7
-–5–11–15 = C–E♭–G–A♯ = Cm(♯6) = Cm(A6) = C minor sharp-six or C minor aug-six = 1/(4:5:6:7) = 1/1–6/5–3/2–12/7
 The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate zo and ru ratios.