Collection of EDO impressions: Difference between revisions

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|[[5edo]]

|This EDO is the smallest one commonly used, and is the first one that allows the usage of the fifth above the tonic as part of a resolved tonic harmony, though this admittedly sounds dirty, and furthermore the note a fifth above the dominant acts more like a second than a third in this case. Thankfully, this EDO doesn't take as much skill to work with as the previous three EDOs, and it is not quite as dissonant in terms of its note palette either. Beyond this, I can't say much more about this EDO than what has already been said by others who have used it, as the only reason I know beyond what I've mentioned here ~~comes from~~ observations of others' work on this EDO.

|This EDO is the smallest one commonly used, and is the first one that allows the usage of the fifth above the tonic as part of a resolved tonic harmony, though this admittedly sounds dirty, and furthermore the note a fifth above the dominant acts more like a second than a third in this case. Thankfully, this EDO doesn't take as much skill to work with as the previous three EDOs, and it is not quite as dissonant in terms of its note palette either. Beyond this, I can't say much more about this EDO than what has already been said by others who have used it, as the only reason I know anything beyond what I've mentioned here is due to observations of others' work on this EDO.

|Elemental hyperpent. You can actually play a couple of melodies in the tuning, but it gets exhausted after an hour or two. Good tuning for percussive-melodic instruments like gamelan, woodblock, etc., but it can get grating on its own.

|Equipentatonic. Nothing too original.

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 |[[5edo]]
-|This EDO is the smallest one commonly used, and is the first one that allows the usage of the fifth above the tonic as part of a resolved tonic harmony, though this admittedly sounds dirty, and furthermore the note a fifth above the dominant acts more like a second than a third in this case.  Thankfully, this EDO doesn't take as much skill to work with as the previous three EDOs, and it is not quite as dissonant in terms of its note palette either.  Beyond this, I can't say much more about this EDO than what has already been said by others who have used it, as the only reason I know beyond what I've mentioned here comes from observations of others' work on this EDO.
+|This EDO is the smallest one commonly used, and is the first one that allows the usage of the fifth above the tonic as part of a resolved tonic harmony, though this admittedly sounds dirty, and furthermore the note a fifth above the dominant acts more like a second than a third in this case.  Thankfully, this EDO doesn't take as much skill to work with as the previous three EDOs, and it is not quite as dissonant in terms of its note palette either.  Beyond this, I can't say much more about this EDO than what has already been said by others who have used it, as the only reason I know anything beyond what I've mentioned here is due to observations of others' work on this EDO.
 |Elemental hyperpent.  You can actually play a couple of melodies in the tuning, but it gets exhausted after an hour or two.  Good tuning for percussive-melodic instruments like gamelan, woodblock, etc., but it can get grating on its own.
 |Equipentatonic. Nothing too original.