29edo: Difference between revisions
m →Theory Tags: Mobile edit Mobile web edit |
|||
| Line 868: | Line 868: | ||
Such a scale could be called "[[Nicetone]]" as a play on meantone. Since it preserves most of the same 5-limit relationships, nicetone is only slightly xenharmonic (in contrast to [[Superpyth|superpyth]], which is quite blatantly so). The fact that 29edo's superfourth is within a cent of 15:11, and its 13:11 is within half a cent of a just 13:11, are both happy accidents. One just has to make sure that one is using a timbre that allows these higher-limit harmonic relationships to sound apparent and consonant enough to substitute for their simpler counterparts. The nicetone scale is also the cradle of the superdiatonic scales 522352253 and 3243324323 in between the [[leapfrog]] diatonic and chromatic scales. | Such a scale could be called "[[Nicetone]]" as a play on meantone. Since it preserves most of the same 5-limit relationships, nicetone is only slightly xenharmonic (in contrast to [[Superpyth|superpyth]], which is quite blatantly so). The fact that 29edo's superfourth is within a cent of 15:11, and its 13:11 is within half a cent of a just 13:11, are both happy accidents. One just has to make sure that one is using a timbre that allows these higher-limit harmonic relationships to sound apparent and consonant enough to substitute for their simpler counterparts. The nicetone scale is also the cradle of the superdiatonic scales 522352253 and 3243324323 in between the [[leapfrog]] diatonic and chromatic scales. | ||
=== MisterShafXen’s notation === | |||
[[MisterShafXen’s 29edo notation]] | |||
[[File:29edoNicetone.mp3]] | [[File:29edoNicetone.mp3]] | ||