19edo: Difference between revisions
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Because 19edo allows for more blended, consonant harmonies than 12edo does, it can be a much better candidate for using alternate forms of harmony such as quartal, secundal, and poly chords. [[William Lynch]] suggests the use of seventh chords of various types to be the fundamental sonorities with a triad deemed as incomplete. Higher extensions involving the 7th harmonic as well as other non diatonic chord extensions which tend to clash in 12edo blend much better in 19edo. | Because 19edo allows for more blended, consonant harmonies than 12edo does, it can be a much better candidate for using alternate forms of harmony such as quartal, secundal, and poly chords. [[William Lynch]] suggests the use of seventh chords of various types to be the fundamental sonorities with a triad deemed as incomplete. Higher extensions involving the 7th harmonic as well as other non diatonic chord extensions which tend to clash in 12edo blend much better in 19edo. | ||
19edo's | 19edo's tritones are also very accurate approximations of the 23rd harmonic, being only 3.3 cents off [[32/23]] and [[23/16]], respectively. | ||
In addition, [[Joseph Yasser]] talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19edo becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased "A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe." Yasser believed that music would eventually move to a 19-tone system with a 12-note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend tonality without sounding too alien. | In addition, [[Joseph Yasser]] talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19edo becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased "A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe." Yasser believed that music would eventually move to a 19-tone system with a 12-note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend tonality without sounding too alien. | ||
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| Twethozogu | | Twethozogu | ||
| Major kirnbergisma | | Major kirnbergisma | ||
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| 23 | |||
| [[208/207]] | |||
| {{monzo| 4 -2 0 0 0 1 0 0 -1 }} | |||
| 8.34 | |||
| Twethutho | |||
| Vicetone comma | |||
|- | |- | ||
| 23 | | 23 | ||