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| {{User:IlL/Template:RTT_restriction}} | | {{Interwiki |
| {{Infobox MOS
| | |en=4L 3s |
| | Name = smitonic
| | |es= |
| | Periods = 1
| | |de= |
| | nLargeSteps = 4
| | |ja=4L 3s |
| | nSmallSteps = 3 | |
| | Equalized = 2 | |
| | Paucitonic = 1 | |
| | Pattern = LLsLsLs | |
| }} | | }} |
| | {{Infobox MOS}} |
|
| |
|
| '''4L 3s''' or '''smitonic''' ''smy-TON-ik'' /smaɪˈtɒnɪk/ refers to the structure of [[MOS]] scales with generators ranging from 1\4edo (one degree of [[4edo]], 300¢) to 2\7edo (two degrees of [[7edo]], or approx. 342.857¢). ''Smitonic'' is derived from 'sharp minor third', since the central range of the spectrum, 4\15 = 320¢ to 7\18 = 333.33¢ have minor third generators that are significantly sharp of 6/5.
| | {{MOS intro}} |
| | 4L 3s can be seen as a [[Warped diatonic|warped diatonic scale]], where one large step of diatonic ([[5L 2s]]) is replaced with a small step. |
|
| |
|
| 4L 3s is a distorted diatonic, because it has one large step of diatonic (5L 2s, LLsLLLs) replaced with a small step (yielding LLsLsLs).
| | == Name == |
| <!--
| | {{TAMNAMS name}} |
| 4L 3s has several temperament interpretations:
| |
|
| |
|
| # With generator size between 5\18 (333.3c) and 11\39 (338.5c): [[Sixix]], corresponding to a L/s ratio between 3/2 and 6/5.
| | == Scale properties == |
| # With generator size between 4\15 (320.0c) and 3\11 (327.3c): [[Orgone]], corresponding to a L/s ratio between 3 and 2.
| | {{TAMNAMS use}} |
| # With generator size between 5\19 (315.8c) and 4\15 (320.0c): [[Kleismic]], corresponding to a L/s ratio between 4 and 3.
| |
|
| |
|
| There are also other temperaments in the 4L 3s range, particularly [[amity]] and [[myna]], but 7 notes in the generator chain are not enough to contain the most concordant chords in these temperaments; you would need to use a [[MODMOS]] or use a larger MOS gamut.-->
| | === Intervals === |
| | {{MOS intervals}} |
|
| |
|
| == Notation == | | === Generator chain === |
| The notation used in this article is LsLsLsL = JKLMNOPJ unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".)
| | {{MOS genchain}} |
|
| |
|
| Thus the [[11edo]] gamut is as follows:
| | === Modes === |
| | {{MOS mode degrees}} |
|
| |
|
| '''J''' J&/K@ '''K''' '''L''' L&/M@ '''M''' '''N''' N&/O@ '''O''' '''P''' P&/J@ '''J''' | | ==== Proposed names ==== |
| | Alexandru Ianu ([[User:Ayceman|Ayceman]])<ref>Description of ''Sylvian Moon Dance'' mentioning the naming proposal https://musescore.com/user/36772625/scores/6700443 – The theme relates to the mystical nature of the Tribunal and TES lore, which fits smitonic.</ref> has proposed the following mode names relating to the Almsivi in Morrowind (TES): |
| | {{MOS modes |
| | | Mode Names=Nerevarine $ |
| | Vivecan $ |
| | Lorkhanic $ |
| | Sothic $ |
| | Kagrenacan $ |
| | Almalexian $ |
| | Dagothic $ |
| | }} |
|
| |
|
| == Intervals == | | == Theory == |
| {| class="wikitable center-all"
| | === Low harmonic entropy scales === |
| |- | | There are two notable harmonic entropy minima: |
| ! Generators
| | * [[Kleismic family|Kleismic temperament]], in which the generator is 6/5 and 6 of them make a 3/1. |
| ! Notation (1/1 = J)
| | * [[myna|Myna temperament]], in which the generator is also 6/5 but it takes 10 of them to make a 6/1, meaning that a larger MOS than 4L 3s is required to reach 3/2 or 4/3. |
| ! Interval category name
| | |
| ! Generators
| | === Temperament interpretations === |
| ! Notation of 2/1 inverse
| | {{main|4L 3s/Temperaments}} |
| ! Interval category name
| | 4L 3s has the following temperament interpretations: |
| |- | | * [[Sixix]], with generators around 338.6{{c}}. |
| | colspan="6" style="text-align:left" | The 7-note MOS has the following intervals (from some root):
| | * [[Orgone]], with generators around 323.4{{c}}. |
| |-
| | * [[Kleismic]], with generators around 317{{c}}. |
| | 0
| | |
| | J
| | Other temperaments, such as [[amity]] and [[myna]], require more than 7 pitches to contain the concordant chords optimized by these temperaments. If restricted to a rank-2 approach, a [[MODMOS]] or a larger MOS gamut is necessary to access these pitches. |
| | perfect unison
| |
| | 0
| |
| | J
| |
| | octave
| |
| |-
| |
| | 1
| |
| | L
| |
| | perfect smithird
| |
| | -1
| |
| | O
| |
| | perfect smisixth
| |
| |-
| |
| | 2
| |
| | N
| |
| | minor smififth (aka minor fifth)
| |
| | -2
| |
| | M
| |
| | major smifourth (aka major fourth)
| |
| |-
| |
| | 3
| |
| | P
| |
| | minor smiseventh
| |
| | -3 | |
| | K
| |
| | major smisecond
| |
| |-
| |
| | 4
| |
| | K@
| |
| | minor smisecond
| |
| | -4
| |
| | Q&
| |
| | major smiseventh
| |
| |-
| |
| | 5
| |
| | M@
| |
| | minor smifourth (aka minor fourth)
| |
| | -5
| |
| | N&
| |
| | major smififth (aka major fifth)
| |
| |-
| |
| | 6
| |
| | O@
| |
| | diminished smisixth
| |
| | -6
| |
| | L&
| |
| | augmented smithird
| |
| |-
| |
| | colspan="6" style="text-align:left" | The chromatic 11-note MOS (either [[7L 4s]], [[4L 7s]], or [[11edo]]) also has the following intervals (from some root):
| |
| |-
| |
| | 7
| |
| | J@
| |
| | diminished smioctave
| |
| | -7
| |
| | J&
| |
| | augmented smiunison; smichroma; smicomma
| |
| |-
| |
| | 8
| |
| | L@
| |
| | diminished smithird
| |
| | -8
| |
| | O&
| |
| | augmented smisixth
| |
| |-
| |
| | 9
| |
| | N@
| |
| | diminished smififth
| |
| | -9
| |
| | M&
| |
| | augmented smifourth
| |
| |-
| |
| | 10
| |
| | P@
| |
| | diminished smiseventh
| |
| | -10
| |
| | K&
| |
| | augmented smisecond
| |
| |}
| |
|
| |
|
| == Tuning ranges == | | == Tuning ranges == |
| === Parasoft === | | {{Todo|Populate|comment=Populate with JI ratios from prior edits of this page.|inline=1}} |
| [[Parasoft]] smitonic tunings have step ratios between 4/3 and 3/2, which implies a generator sharper than 5\18 = 333.3¢ and flatter than 7\25 = 336.0¢.
| |
|
| |
|
| Parasoft smitonic can be considered "meantone smitonic". This is because these tunings share the following features with [[meantone]] diatonic tunings:
| | === Simple tunings === |
| * The large step is a "meantone", somewhere between near-10/9 (as in [[32edo]]) and near-9/8 (as in [[18edo]]).
| | The simplest tunings are those with step ratios 2:1, 3:1, and 3:2, producing 11edo, 15edo, and 18edo, respectively. |
| * The augmented smithird (made of two large steps) is a roughly [[meantone]]-sized major third, thus is a stand-in for the classical diatonic major third.
| | {{MOS tunings}} |
| Parasoft smitonic tunings have both minor fifths and major fifths about equally off a just fifth, and they have otherwise fairly convincing versions of both diatonic structure and tertian harmony, provided you frequently modify using the comma-like smichromas. For this reason, parasoft might be the most accessible smitonic tuning range.
| |
|
| |
|
| Parasoft smitonic EDOs include [[18edo]], [[25edo]], and [[43edo]]. | | === Parasoft tunings === |
| * 18edo can be used to make large and small steps more distinct (the step ratio is 3/2, thus 18edo smitonic is distorted [[19edo]] diatonic), or for its nearly pure 9/8. It also makes rising fifths (733.3c, a perfect smisixth) and falling fifths (666.7c, a major smififth) almost equally off from a just fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
| | Parasoft smitonic tunings can be considered "meantone smitonic" since it has the following features of [[meantone]] diatonic tunings: |
| * [[25edo]] can be used to make the augmented smithird a good [[5/4]] (384¢).
| |
|
| |
|
| The sizes of the generator, large step and small step of smitonic are as follows in various parasoft smitonic tunings. | | * The major 1-mosstep, or large step, is around [[10/9]] to [[9/8]], thus making it a "meantone". |
| {| class="wikitable right-2 right-3 right-4 right-5"
| | * The augmented 2-mosstep is around the size of a meantone-sized major 3rd and can be used as a stand-in for such. |
| |-
| |
| !
| |
| ! [[18edo]] (soft)
| |
| ! [[25edo]] (supersoft)
| |
| ! [[43edo]]
| |
| ! Optimized (2.9.5 [[POTE]]) tuning
| |
| |-
| |
| | generator (g)
| |
| | 5\18, 333.3
| |
| | 7\25, 336.0
| |
| | 12\43, 334.9
| |
| | 335.84
| |
| |-
| |
| | L (octave - 3g)
| |
| | 3\18, 200.0
| |
| | 4\25, 192.0
| |
| | 7\43, 195.3
| |
| | 193.16
| |
| |-
| |
| | s (4g - octave)
| |
| | 2\18, 133.3
| |
| | 3\25, 144.0
| |
| | 5\43, 139.5
| |
| | 143.36
| |
| |}
| |
|
| |
|
| ==== Intervals ====
| | These tunings have a major 4-mosstep and minor 4-mosstep that are about equally off a just 3/2 (702{{c}}), and they have otherwise fairly convincing versions of both diatonic structure and tertian harmony, provided you frequently modify using the comma-like chromas. For this reason, parasoft might be the most accessible smitonic tuning range. |
| Sortable table of the extended generator chain (-13 to 13 generators) in parasoft smitonic tunings. The several different interval flavors separated by the smichroma shows that parasoft smitonic is a useful [[cluster MOS]].
| |
| {| class="wikitable right-2 right-3 right-4 sortable "
| |
| |-
| |
| ! class="unsortable"|Degree
| |
| ! [[18edo]] (soft)
| |
| ! [[25edo]] (supersoft)
| |
| ! [[43edo]]
| |
| ! class="unsortable"| Note name on J
| |
| ! class="unsortable"| Approximate ratios
| |
| ! #Gens up
| |
| |-bgcolor="#eaeaff"
| |
| | | unison
| |
| | 0\18, 0.0
| |
| | 0\25, 0.0
| |
| | 0\43, 0.0
| |
| | J
| |
| | 1/1
| |
| | 0
| |
| |-bgcolor="#eaeaff"
| |
| | smichroma
| |
| | 1\18, 66.7
| |
| | 1\25, 48.0
| |
| | 2\43, 55.8
| |
| | J&
| |
| |
| |
| | -7
| |
| |-
| |
| | dim. smi2nd
| |
| | 1\18, 66.7
| |
| | 2\25, 96.0
| |
| | 3\43, 83.7
| |
| | K@@
| |
| |
| |
| | +11
| |
| |-
| |
| | min. smi2nd
| |
| | 2\18, 133.3
| |
| | 3\25, 144.0
| |
| | 5\43, 139.5
| |
| | K@
| |
| |
| |
| | +4
| |
| |-
| |
| | maj. smi2nd
| |
| | 3\18, 200.0
| |
| | 4\25, 192.0
| |
| | 7\43, 195.3
| |
| | K
| |
| | 9/8, 10/9
| |
| | -3
| |
| |-
| |
| | aug. smi2nd
| |
| | 4\18, 266.7
| |
| | 5\25, 240.0
| |
| | 9\43, 251.2
| |
| | K&
| |
| |
| |
| | -10
| |
| |-bgcolor="#eaeaff"
| |
| | dim. smi3rd
| |
| | 4\18, 266.7
| |
| | 6\25, 288.0
| |
| | 10\43, 279.1
| |
| | L@
| |
| |
| |
| | +8
| |
| |-bgcolor="#eaeaff"
| |
| | perf. smi3rd
| |
| | 5\18, 333.3
| |
| | 7\25, 336.0
| |
| | 12\43, 334.9
| |
| | L
| |
| | 17/14, 40/33
| |
| | +1
| |
| |-bgcolor="#eaeaff"
| |
| | aug. smi3rd
| |
| | 6\18, 400.0
| |
| | 8\25, 384.4
| |
| | 14\43, 390.7
| |
| | L&
| |
| | 5/4
| |
| | -6
| |
| |-bgcolor="#eaeaff"
| |
| | doubly aug. smi3rd
| |
| | 7\18, 466.7
| |
| | 9\25, 432.0
| |
| | 16\43, 446.5
| |
| | L&&
| |
| |
| |
| | -13
| |
| |-
| |
| | dim. smi4th
| |
| | 6\18, 400.0
| |
| | 9\25, 432.0
| |
| | 15\43, 418.6
| |
| | M@@
| |
| |
| |
| | +12
| |
| |-
| |
| | min. smi4th
| |
| | 7\18, 466.7
| |
| | 10\25, 480.0
| |
| | 17\43, 474.4
| |
| | M@
| |
| | 21/16
| |
| | +5
| |
| |-
| |
| | maj. smi4th
| |
| | 8\18, 533.3
| |
| | 11\25, 528.0
| |
| | 19\43, 530.2
| |
| | M
| |
| | 19/14, 34/25
| |
| | -2
| |
| |-
| |
| | aug. smi4th
| |
| | 9\18, 600.0
| |
| | 12\25, 576.0
| |
| | 21\43, 586.0
| |
| | M&
| |
| | 7/5
| |
| | -9
| |
| |-bgcolor="#eaeaff"
| |
| | dim. smi5th
| |
| | 9\18, 600.0
| |
| | 13\25, 624.0
| |
| | 22\43, 614.0
| |
| | N@
| |
| | 10/7
| |
| | +9
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi5th
| |
| | 10\18, 666.7
| |
| | 14\25, 672.0
| |
| | 24\43, 669.8
| |
| | N
| |
| | 28/19, 25/17
| |
| | +2
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi5th
| |
| | 11\18, 733.3
| |
| | 15\25, 720.0
| |
| | 26\43, 725.6
| |
| | N&
| |
| | 32/21
| |
| | -5
| |
| |-bgcolor="#eaeaff"
| |
| | aug. smi5th
| |
| | 12\18, 800.0
| |
| | 16\25, 768.0
| |
| | 28\43, 781.4
| |
| | N&&
| |
| |
| |
| | -12
| |
| |-
| |
| | doubly dim. smi6th
| |
| | 11\18, 733.3
| |
| | 16\25, 768.0
| |
| | 27\43, 753.5
| |
| | O@@
| |
| |
| |
| | +13
| |
| |-
| |
| | dim. smi6th
| |
| | 12\18, 800.0
| |
| | 17\25, 816.0
| |
| | 29\43, 809.3
| |
| | O@
| |
| | 8/5
| |
| | +6
| |
| |-
| |
| | perf. smi6th
| |
| | 13\18, 866.7
| |
| | 18\25, 864.0
| |
| | 31\43, 865.1
| |
| | O
| |
| | 28/17, 33/20
| |
| | -1
| |
| |-
| |
| | aug. smi6th
| |
| | 14\18, 933.3
| |
| | 19\25, 912.0
| |
| | 33\43, 920.9
| |
| | O&
| |
| |
| |
| | -8
| |
| |-bgcolor="#eaeaff"
| |
| | dim. smi7th
| |
| | 14\18, 933.3
| |
| | 20\25, 960.0
| |
| | 34\34, 948.8
| |
| | P@
| |
| |
| |
| | +10
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi7th
| |
| | 15\18, 1000.0
| |
| | 21\25, 1008.0
| |
| | 36\43, 1004.7
| |
| | P
| |
| | 16/9, 9/5
| |
| | +3
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi7th
| |
| | 16\18, 1066.7
| |
| | 22\25, 1056.0
| |
| | 38\43, 1060.5
| |
| | P&
| |
| |
| |
| | -4
| |
| |-bgcolor="#eaeaff"
| |
| | aug. smi7th
| |
| | 17\18, 1133.3
| |
| | 23\25, 1104.0
| |
| | 40\43, 1116.3
| |
| | P&
| |
| |
| |
| | -11
| |
| |-
| |
| | dim. smioctave
| |
| | 17\18, 1133.3
| |
| | 24\25, 1152.0
| |
| | 41\43, 1144.2
| |
| | J@
| |
| |
| |
| | +7
| |
| |}
| |
|
| |
|
| === Hyposoft ===
| | Edos include [[18edo]], [[25edo]], and [[43edo]]. Some key considerations include: |
| [[Hyposoft]] tunings of smitonic have [[step ratio]]s between 3/2 and 2/1 which implies that the generator is a supraminor third sharper than 3\11 = 327.27¢ and flatter than 5\18 = 333.33¢. | |
|
| |
|
| The large step is a sharper major second in these tunings than in parasoft tunings. These tunings could be considered "[[Gentle region|neogothic]] smitonic" or "[[archy]] smitonic", in analogy to parasoft smitonic being meantone smitonic.
| | * 18edo can be used to make the large and small steps more distinct, or can be considered a distorted 19edo diatonic. |
| | ** 18edo has a major 1-mosstep that is close to 9/8 (203{{c}}). |
| | ** 18edo's major and minor 4-mossteps are both equally off from 12edo's diatonic perfect 5th (700{{c}}) by 33.3{{c}}. |
| | ** 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. |
| | * The augmented 2-mosstep of 25edo is very close to 5/4 (386{{c}}). |
| | {{MOS tunings|Step Ratios=3/2; 7/5; 4/3}} |
|
| |
|
| {| class="wikitable right-2 right-3 right-4 right-5"
| | === Hyposoft tunings === |
| |-
| | Hyposoft smitonic tunings (3:2 to 2:1) are characterized by generators that are a supraminor 3rd, between 327{{c}} and 333{{c}}. By analogy of parasoft tunings being called "meantone smitonic", these tunings can be considered "[[Gentle region|neogothic]] smitonic" or "[[archy]] smitonic". |
| !
| |
| ! [[11edo]] (basic)
| |
| ! [[18edo]] (soft)
| |
| ! [[29edo]] (semisoft)
| |
| |-
| |
| | generator (g)
| |
| | 3\11, 327.27
| |
| | 5\18, 333.33
| |
| | 8\29, 331.03
| |
| |-
| |
| | L (octave - 3g)
| |
| | 2\11, 218.18
| |
| | 3\18, 200.00
| |
| | 5\29, 206.90
| |
| |-
| |
| | s (4g - octave)
| |
| | 1\11, 109.09
| |
| | 2\18, 133.33
| |
| | 3\29, 124.14
| |
| |}
| |
| ==== Intervals ==== | |
| Sortable table of major and minor intervals in hyposoft smitonic tunings (11edo and 18edo not shown):
| |
| {| class="wikitable right-2 sortable "
| |
| |-
| |
| ! class="unsortable"|Degree
| |
| ! [[29edo]] (semisoft)
| |
| ! class="unsortable"| Note name on J
| |
| ! class="unsortable"| Approximate ratios (for 29edo)
| |
| ! #Gens up
| |
| |-bgcolor="#eaeaff"
| |
| | unison
| |
| | 0\29, 0.0
| |
| | J
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | min. smi2nd
| |
| | 3\29, 124.1
| |
| | K@
| |
| | 14/13
| |
| | +4
| |
| |-
| |
| | maj. smi2nd
| |
| | 5\29, 206.9
| |
| | K
| |
| | 9/8
| |
| | -3
| |
| |-bgcolor="#eaeaff"
| |
| | perf. smi3rd
| |
| | 8\29, 331.0
| |
| | L
| |
| | 23/19, 40/33
| |
| | +1
| |
| |-bgcolor="#eaeaff"
| |
| | aug. smi3rd | |
| | 10\29, 413.8
| |
| | L&
| |
| | 14/11
| |
| | -6
| |
| |-
| |
| | min. smi4th
| |
| | 11\29, 455.2
| |
| | M@
| |
| | 13/10
| |
| | +5
| |
| |-
| |
| | maj. smi4th
| |
| | 13\29, 537.9
| |
| | M
| |
| | 15/11
| |
| | -2
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi5th
| |
| | 16\29, 662.1
| |
| | N
| |
| | 19/13, 22/15
| |
| | +2
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi5th
| |
| | 18\26, 744.8
| |
| | N&
| |
| | 20/13
| |
| | -5
| |
| |-
| |
| | dim. smi6th
| |
| | 19\29, 786.2
| |
| | O@
| |
| | 11/7
| |
| | +6
| |
| |-
| |
| | perf. smi6th
| |
| | 21\29, 869.0
| |
| | O
| |
| | 33/20, 38/23
| |
| | -1
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi7th
| |
| | 24\29, 993.1
| |
| | P
| |
| | 16/9
| |
| | +3
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi7th
| |
| | 26\28, 1075.9
| |
| | P&
| |
| | 13/7
| |
| | -4
| |
| |}
| |
|
| |
|
| === Hypohard ===
| | Edos include [[11edo]] (not shown), [[18edo]], and [[29edo]]. |
| [[Hypohard]] tunings have [[step ratio]]s between 2 and 3, implying a generator sharper than 4\15 = 320¢ and flatter than 3\11 = 327.27¢. The large step tends to approximate [[8/7]], and the major smifourth (2 large steps + 1 small step) tends to approximate [[11/8]]; [[26edo]] is stellar in both of these approximations. | |
|
| |
|
| Hypohard smitonic edos include [[11edo]], [[15edo]], [[26edo]], and [[37edo]].
| | {{MOS tunings|Step Ratios=3/2; 5/3; 7/4}} |
| The sizes of the generator, large step and small step of smitonic are as follows in various hypohard smitonic tunings.
| |
| {| class="wikitable right-2 right-3 right-4" | |
| |-
| |
| !
| |
| ! [[11edo]] (basic)
| |
| ! [[15edo]] (hard)
| |
| ! [[26edo]] (semihard)
| |
| ! Some JI approximations
| |
| |-
| |
| | generator (g)
| |
| | 3\11, 327.27
| |
| | 4\15, 320.00
| |
| | 7\26, 323.08
| |
| | 77/64, 6/5
| |
| |-
| |
| | L (octave - 3g)
| |
| | 2\11, 218.18
| |
| | 3\15, 240.00
| |
| | 5\26, 230.77
| |
| | 8/7
| |
| |-
| |
| | s (4g - octave)
| |
| | 1\11, 109.09
| |
| | 1\15, 80.00
| |
| | 2\26, 92.31
| |
| | 128/121, (16/15)
| |
| |}
| |
| ==== Intervals ====
| |
| Sortable table of major and minor intervals in hypohard smitonic tunings:
| |
| {| class="wikitable right-2 right-3 right-4 sortable "
| |
| |-
| |
| ! class="unsortable"|Degree
| |
| ! [[11edo]] (basic)
| |
| ! [[15edo]] (hard)
| |
| ! [[26edo]] (semihard)
| |
| ! class="unsortable"| Note name on J
| |
| ! class="unsortable"| Approximate ratios
| |
| ! #Gens up
| |
| |-bgcolor="#eaeaff"
| |
| | unison
| |
| | 0\11, 0.0
| |
| | 0\15, 0.0
| |
| | 0\26, 0.0
| |
| | J
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | min. smi2nd
| |
| | 1\11, 109.1
| |
| | 1\15, 80.0
| |
| | 2\26, 92.3
| |
| | K@
| |
| |
| |
| | +4
| |
| |-
| |
| | maj. smi2nd
| |
| | 2\11, 218.2
| |
| | 3\15, 240.0
| |
| | 5\26, 230.8
| |
| | K
| |
| | 8/7
| |
| | -3
| |
| |-bgcolor="#eaeaff"
| |
| | perf. smi3rd
| |
| | 3\11, 327.3
| |
| | 4\15, 320.0
| |
| | 7\26, 323.1
| |
| | L
| |
| | 77/64, 6/5
| |
| | +1
| |
| |-bgcolor="#eaeaff"
| |
| | aug. smi3rd
| |
| | 4\11, 436.4
| |
| | 6\15, 480.0
| |
| | 10\26, 461.5
| |
| | L&
| |
| |
| |
| | -6
| |
| |-
| |
| | min. smi4th
| |
| | 4\11, 436.4
| |
| | 5\15, 400.0
| |
| | 9\26, 415.4
| |
| | M@
| |
| | 14/11
| |
| | +5
| |
| |-
| |
| | maj. smi4th
| |
| | 5\11, 545.5
| |
| | 7\15, 560.0
| |
| | 12\26, 553.9
| |
| | M
| |
| | 11/8
| |
| | -2
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi5th
| |
| | 6\11, 656.6
| |
| | 8\15, 640.0
| |
| | 14\26, 646.2
| |
| | N
| |
| | 16/11
| |
| | +2
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi5th
| |
| | 7\11, 763.6
| |
| | 10\15, 800.0
| |
| | 17\26, 784.62
| |
| | N&
| |
| | 11/7
| |
| | -5
| |
| |-
| |
| | dim. smi6th
| |
| | 7\11, 763.6
| |
| | 9\15, 720.0
| |
| | 16\26, 738.5
| |
| | O@
| |
| |
| |
| | +6
| |
| |-
| |
| | perf. smi6th
| |
| | 8\11, 872.7
| |
| | 11\15, 880.0
| |
| | 19\26, 876.9
| |
| | O
| |
| | 5/3
| |
| | -1
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi7th
| |
| | 9\11, 981.8
| |
| | 12\15, 960.0
| |
| | 21\26, 969.2
| |
| | P
| |
| | 7/4
| |
| | +3
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi7th
| |
| | 10\11, 1090.9
| |
| | 14\15, 1120.0
| |
| | 24\26, 1107.7
| |
| | P&
| |
| |
| |
| | -4
| |
| |}
| |
|
| |
|
| === Parahard === | | === Hypohard tunings=== |
| In [[parahard]] smitonic (step ratio between 3 and 4, thus with generator between 5\19, 315.79¢ and 4\15, 320¢), the generator is close to a pure [[6/5]] minor third, and 6 minor thirds are used to reach a perfect fifth. The parahard range contains very accurate edos such as [[53edo]] and [[72edo]], and has very accurate approximations to many [[low-overtone JI]] intervals, namely basic [[5-limit]] ratios and some ratios involving 13. However, the 7-note MOS only has one perfect fifth, so extending the chain to bigger MOSes, such as the [[4L 7s]] 11-note MOS, is suggested for getting 5-limit harmony.
| | Hypohard smitonic tunings (2:1 to 3:1) have generators between 320{{c}} and 327{{c}}. The major 1-mosstep, or large step, tends to approximate [[8/7]] (231{{c}}) and the major 3-mosstep tends to approximate [[11/8]] (551{{c}}). [[26edo]] approximates these two intervals very well. These JI approximations are associated with [[orgone]] temperament. |
|
| |
|
| EDOs that have parahard smitonic include [[15edo]], [[19edo]], [[34edo]], and [[53edo]].
| | Other hypohard edos include [[11edo]] (not shown), [[15edo]] and [[37edo]]. |
|
| |
|
| The sizes of the generator, large step and small step of smitonic are as follows in various parahard smitonic tunings (not including 15edo).
| | {{MOS tunings|Step Ratios=3/1; 5/2; 7/3}} |
| {| class="wikitable right-2 right-3 right-4"
| |
| |-
| |
| !
| |
| ! [[19edo]] (superhard)
| |
| ! [[34edo]]
| |
| ! [[53edo]]
| |
| ! JI intervals represented
| |
| |-
| |
| | generator (g)
| |
| | 5\19, 315.79
| |
| | 9\34, 317.65
| |
| | 14\53, 316.98
| |
| | 6/5
| |
| |-
| |
| | L (octave - 3g)
| |
| | 4\19, 252.63
| |
| | 7\34, 247.06
| |
| | 11\53, 249.06
| |
| | 15/13
| |
| |-
| |
| | s (4g - octave)
| |
| | 1\19, 63.16
| |
| | 2\34, 70.59
| |
| | 3\53, 67.92
| |
| | 25/24, 26/25
| |
| |}
| |
|
| |
|
| ==== Intervals ==== | | === Parahard tunings === |
| Sortable table of major and minor intervals in parahard smitonic tunings:
| | Parahard smitonic tunings (3:1 to 4:1) have generators between 315.9{{c}} and 320{{c}}, putting it close to a pure 6/5 (316{{c}}). Stacking six generators and octave-reducing approximates 3/2 (702{{c}}), a diatonic perfect 5th, represented by the diminished 5-mosstep. |
| {| class="wikitable right-2 right-3 right-4 sortable "
| |
| |-
| |
| ! class="unsortable"|Degree
| |
| ! [[19edo]] (superhard)
| |
| ! [[34edo]]
| |
| ! [[53edo]]
| |
| ! class="unsortable"| Note name on J
| |
| ! class="unsortable"| Approximate ratios
| |
| ! #Gens up
| |
| |-bgcolor="#eaeaff"
| |
| | unison
| |
| | 0\19, 0.0
| |
| | 0\34, 0.0
| |
| | 0\53, 0.0
| |
| | J
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | min. smi2nd
| |
| | 1\19, 63.2
| |
| | 2\34, 70.6
| |
| | 3\53, 67.9
| |
| | K@
| |
| | 25/24, 26/25
| |
| | +4
| |
| |-
| |
| | maj. smi2nd
| |
| | 4\19, 252.6
| |
| | 7\34, 247.1
| |
| | 11\53, 249.1
| |
| | K
| |
| | 15/13
| |
| | -3
| |
| |-bgcolor="#eaeaff"
| |
| | perf. smi3rd
| |
| | 5\19, 315.8
| |
| | 9\34, 317.6
| |
| | 14\53, 317.0
| |
| | L
| |
| | 6/5
| |
| | +1
| |
| |-bgcolor="#eaeaff"
| |
| | aug. smi3rd
| |
| | 8\19, 505.3
| |
| | 14\34, 494.1
| |
| | 22\53, 498.1
| |
| | L&
| |
| | 4/3
| |
| | -6
| |
| |-
| |
| | min. smi4th
| |
| | 6\19, 378.9
| |
| | 11\34, 388.2
| |
| | 17\53, 384.9
| |
| | M@
| |
| | 5/4
| |
| | +5
| |
| |-
| |
| | maj. smi4th
| |
| | 9\19, 568.4
| |
| | 16\34, 564.7
| |
| | 25\53, 566.0
| |
| | M
| |
| | 18/13
| |
| | -2
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi5th
| |
| | 10\19, 631.6
| |
| | 18\34, 635.3
| |
| | 28\53, 634.0
| |
| | N
| |
| | 13/9
| |
| | +2
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi5th
| |
| | 16\19, 821.1
| |
| | 23\34, 811.8
| |
| | 39\53, 815.0
| |
| | N&
| |
| | 8/5
| |
| | -5
| |
| |-
| |
| | dim. smi6th
| |
| | 11\19, 694.7
| |
| | 20\34, 705.9
| |
| | 31\53, 701.9
| |
| | O@
| |
| | 3/2
| |
| | +6
| |
| |-
| |
| | perf. smi6th
| |
| | 14\19, 884.2
| |
| | 25\34, 882.4
| |
| | 39\53, 883.0
| |
| | O
| |
| | 5/3
| |
| | -1
| |
| |-bgcolor="#eaeaff"
| |
| | min. smi7th
| |
| | 15\19, 947.4
| |
| | 27\34, 952.9
| |
| | 42\53, 950.9
| |
| | P
| |
| | 26/15
| |
| | +3
| |
| |-bgcolor="#eaeaff"
| |
| | maj. smi7th
| |
| | 18\19, 1136.8
| |
| | 32\34, 1129.4
| |
| | 50\53, 1132.1
| |
| | P&
| |
| | 25/13
| |
| | -4
| |
| |}
| |
|
| |
|
| == Modes ==
| | This range contains very accurate edos such as [[53edo]] and [[72edo]], and has very accurate approximations to many [[low-overtone JI]] intervals, namely basic [[5-limit]] ratios and some ratios involving 13. However, 4L 3s only has one interval of 3/2, so it's suggested to use a larger MOS, such as [[4L 7s]], to achieve 5-limit harmony. |
| A naming scheme proposed by Alexandru Ianu ([[User:Ayceman]])<ref>Description of ''Sylvian Moon Dance'' mentioning the naming proposal https://musescore.com/user/36772625/scores/6700443 - The theme relates to the mystical nature of the Tribunal and TES lore, which fits smitonic.</ref>, relating to the Almsivi in Morrowind (TES):
| |
| * 6|0 LLsLsLs: Nerevarine (the most major-like)
| |
| * 5|1 LsLLsLs: Vivecan (harmonic minor-like)
| |
| * 4|2 LsLsLLs: Lorkhanic (melodic-minor-like)
| |
| * 3|3 LsLsLsL: Sothic (symmetric)
| |
| * 2|4 sLLsLsL: Kagrenacan (locrian-like?)
| |
| * 1|5 sLsLLsL: Almalexian (dorian but with a minor second)
| |
| * 0|6 sLsLsLL: Dagothic (freygish-like)
| |
|
| |
|
| == Pseudo-diatonic theory ==
| | These JI approximations are associated with [[kleismic]] temperament, through the 2.3.5.13 extension known as [[Kleismic family#Cata|cata]]. |
| === Hypohard ===
| | |
| === Parasoft ===
| | Parahard edos smaller than 53edo include [[15edo]] (not shown), [[19edo]], and [[34edo]]. |
| == Primodal theory ==
| | |
| === Primodal chords ===
| | {{MOS tunings|Step Ratios=4/1; 11/3; 7/2}} |
| === Nejis ===
| |
| == Temperaments ==
| |
| {{main| 4L 3s/Temperaments }} | |
|
| |
|
| == Scales == | | == Scales == |
| | * [[Orgone7]] |
| | * [[Cata7]] |
| * [[Myna7]] | | * [[Myna7]] |
| * [[Cata7]]
| |
|
| |
|
| == Samples == | | == Scale tree== |
| [[File:Sixix Fugue.mp3]] A fugue in [[18edo]] smitonic functional harmony (WIP) | | {{MOS tuning spectrum |
| | | 6/5 = [[Amity]]/[[hitchcock]] ↑ |
| | | 5/4 = [[Sixix]] |
| | | 4/3 = [[Supramin]] |
| | | 13/8 = Golden 4L 3s (868.3282{{c}}) |
| | | 12/5 = [[Hyperkleismic]] |
| | | 5/2 = [[Orgone]] |
| | | 13/5 = Golden superkleismic |
| | | 8/3 = [[Superkleismic]] |
| | | 11/3 = [[Hanson]]/[[keemun]] |
| | | 6/1 = [[Oolong]]/[[myna]] ↓ |
| | }} |
|
| |
|
| == Scale tree == | | == Music == |
| The spectrum looks like this:
| | * [[City of the Asleep]], [https://cityoftheasleep.bandcamp.com/album/an-amputated-elliptic-knob-of-the-cryptocurve-regenerates "An Amputated Elliptic Knob of the Cryptocurve Regenerates"] (Various orgone edos) |
| | * [[User:Ks26|ks26]], [https://www.youtube.com/watch?v=AEnEYk3X1as Ghost Bridge] (11edo) |
| | * [[User:Ayceman|Alexandru Ianu]], [https://youtu.be/81uZbsmbet8 Sylvian Moon Dance] (11edo) ([[:File:Sylvian_Moon_Dance.pdf|sheet music]]) |
|
| |
|
| {| class="wikitable"
| |
| |-
| |
| ! colspan="8" | Generator
| |
| ! | Tetrachord
| |
| ! | g in cents
| |
| ! | 2g
| |
| ! | 3g
| |
| ! | 4g
| |
| ! | Comments
| |
| |-
| |
| | | 1\4
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 1 0 1
| |
| | | 300
| |
| | | 600
| |
| | | 900
| |
| | | 0
| |
| | style="text-align:center;" |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |9\35
| |
| |8 1 8
| |
| |308.571
| |
| |617.143
| |
| |925.714
| |
| |34.286
| |
| |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8\31
| |
| | |
| |
| | | 7 1 7
| |
| | | 309.677
| |
| | | 619.355
| |
| | | 929.023
| |
| | | 38.71
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7\27
| |
| | |
| |
| | |
| |
| | | 6 1 6
| |
| | | 311.111
| |
| | | 622.222
| |
| | | 933.333
| |
| | | 44.444
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 6\23
| |
| | |
| |
| | |
| |
| | |
| |
| | | 5 1 5
| |
| | | 313.043
| |
| | | 626.087
| |
| | | 939.13
| |
| | | 52.174
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | | 5\19
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 4 1 4
| |
| | | 315.789
| |
| | | 631.579
| |
| | | 947.368
| |
| | | 63.158
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 9\34
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7 2 7
| |
| | | 317.647
| |
| | | 634.294
| |
| | | 951.941
| |
| | | 70.588
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | | 4\15
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 3 1 3
| |
| | | 320
| |
| | | 640
| |
| | | 960
| |
| | | 80
| |
| | style="text-align:center;" | L/s = 3.
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 11\41
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8 3 8
| |
| | | 321.951
| |
| | | 643.902
| |
| | | 965.854
| |
| | | 87.805
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 29\108
| |
| | |
| |
| | | 21 8 21
| |
| | | 322.222
| |
| | | 644.444
| |
| | | 966.667
| |
| | | 88.889
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 18\67
| |
| | |
| |
| | |
| |
| | | 13 5 13
| |
| | | 322.388
| |
| | | 644.776
| |
| | | 967.364
| |
| | | 89.522
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7\26
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 5 2 5
| |
| | | 323.077
| |
| | | 646.154
| |
| | | 969.231
| |
| | | 92.308
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 31/115
| |
| | | 22 9 22
| |
| | | 323.478
| |
| | | 646.956
| |
| | | 970.434
| |
| | | 93.913
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 2.44 1 2.44
| |
| | | 323.501
| |
| | | 647.002
| |
| | | 970.003
| |
| | | 94.004
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 24/89
| |
| | |
| |
| | | 17 7 17
| |
| | | 323.595
| |
| | | 647.191
| |
| | | 970.786
| |
| | | 94.382
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 17/63
| |
| | |
| |
| | |
| |
| | | 12 5 12
| |
| | | 323.809
| |
| | | 647.619
| |
| | | 971.428
| |
| | | 95.238
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 10/37
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7 3 7
| |
| | | 324.324
| |
| | | 648.648
| |
| | | 972.972
| |
| | | 97.297
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | | 3\11
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 2 1 2
| |
| | | 327.273
| |
| | | 654.545
| |
| | | 981.818
| |
| | | 109.091
| |
| | style="text-align:center;" | Boundary of propriety (generators <br>larger than this are proper)
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8\29
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 5 3 5
| |
| | | 331.034
| |
| | | 662.069
| |
| | | 993.013
| |
| | | 124.138
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 21\76
| |
| | |
| |
| | |
| |
| | | 13 8 13
| |
| | | 331.579
| |
| | | 663.158
| |
| | | 994.739
| |
| | | 126.316
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 34\123
| |
| | | 21 13 21
| |
| | | 331.707
| |
| | | 663.415
| |
| | | 995.122
| |
| | | 126.829
| |
| | style="text-align:center;" | Golden smitonic
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 13\47
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8 5 8
| |
| | | 331.915
| |
| | | 663.83
| |
| | | 995.745
| |
| | | 127.66
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | | 5\18
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 3 2 3
| |
| | | 333.333
| |
| | | 666.667
| |
| | | 1000
| |
| | | 133.333
| |
| | style="text-align:center;" | Optimum rank range (L/s=3/2)
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7\25
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 4 3 4
| |
| | | 336
| |
| | | 672
| |
| | | 1008
| |
| | | 144
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 9\32
| |
| | |
| |
| | |
| |
| | |
| |
| | | 5 4 5
| |
| | | 337.5
| |
| | | 675
| |
| | | 1012.5
| |
| | | 150
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 11\39
| |
| | |
| |
| | |
| |
| | | 6 5 6
| |
| | | 338.462
| |
| | | 676.923
| |
| | | 1015.385
| |
| | | 153.846
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 13\46
| |
| | |
| |
| | | 7 6 7
| |
| | | 339.13
| |
| | | 678.261
| |
| | | 1017.391
| |
| | | 156.522
| |
| | style="text-align:center;" |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 15\53
| |
| | | 8 7 8
| |
| | | 339.623
| |
| | | 679.245
| |
| | | 1018.868
| |
| | | 158.491
| |
| | style="text-align:center;" |
| |
| |-
| |
| | | 2\7
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 1 1 1
| |
| | | 342.857
| |
| | | 685.714
| |
| | | 1028.571
| |
| | | 171.429
| |
| | style="text-align:center;" |
| |
| |}
| |
| == References == | | == References == |
| [[Category:Smitonic|*]]<!--Main article--> | | <references /> |
| [[Category:Scales]] | | |
| [[Category:MOS scales]]
| | [[Category:Smitonic|*]] <!--Main article--> |
| [[Category:Abstract MOS patterns]]
| | [[Category:7-tone scales]] |