43edo: Difference between revisions
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{{Interwiki | |||
| en = 43edo | |||
| de = 43-EDO | |||
}} | |||
{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | {{ED intro}} | ||
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== Theory == | == Theory == | ||
43edo | 43edo is strongly associated with [[meantone]]. Specifically, it is for all practical purposes equivalent to [[1/5-comma meantone]], as it tunes the perfect fifth flat of [[3/2]] and major third sharp of [[5/4]] by slightly more than four cents on both of them. Its approximations to [[7/4]] and [[11/8]] are noticeably sharp, whereas the [[13/8]] is a little flat. Except for 9/7, 11/9, 14/9, and 18/11, all [[15-odd-limit]] intervals have [[consistent]] approximations in 43edo, making it an excellent tuning in the [[7-limit|7-]], [[11-limit|11-]], and [[13-limit]]. | ||
Except for 9/7, 11/9, 14/9, and 18/11, all [[15-odd-limit]] intervals have [[consistent]] approximations in 43edo, making it an excellent tuning in the 7 | |||
=== Prime harmonics === | === Prime harmonics === | ||
{{Harmonics in equal|43}} | {{Harmonics in equal|43|columns=11}} | ||
{{Harmonics in equal|43|start=12 | {{Harmonics in equal|43|columns=11|start=12|collapsed=true|title=Approximation of prime harmonics in 43edo (continued)}} | ||
=== As a tuning for other temperaments === | |||
Besides the syntonic comma, 43et also tempers out the [[hypovishnuzma]] and the [[escapade comma]], so that six chromatic semitones make a perfect fourth and eight minor seconds make a major sixth. In the 7-limit, it supports septimal meantone, as it tempers out [[126/125]], [[225/224]], and [[3136/3125]]. The version of 11-limit meantone is the one tempering out [[99/98]], [[176/175]], and [[441/440]], sometimes called [[huygens]]. In the 13-limit it supports [[meridetone]], which tempers out [[78/77]], and [[grosstone]], which tempers out [[144/143]]. Meridetone has generator map {{val| 0 1 4 10 18 27 }}, for which 43 supplies the [[optimal patent val]] for, and grosstone {{val| 0 1 4 10 18 -16 }}. | |||
43edo's patent val {{val| 43 68 100 121 149 159 }} maps 5 to 100 steps, allowing the divison of 5 into 20 equal parts, leading to the [[jerome]] temperament, an interesting higher-limit system for which 43 supplies the optimal patent val in the 7-, 11-, 13-, 17-, 19-, and even 23-limit. It also provides the optimal patent val for the 11- and 13-limit [[amavil]] temperament, which is not meantone. [[Thuja]] is also a possibility, whose 11-limit extension makes five 11/8's stack to a major third (i.e. {{nowrap|(11/8)<sup>5</sup> → 5/1}}), with [[mos scale]]s of 15 and 28. | |||
=== | === Subsets and supersets === | ||
43edo is the 14th [[prime edo]], following [[41edo]] and coming before [[47edo]]. | 43edo is the 14th [[prime edo]], following [[41edo]] and coming before [[47edo]]. | ||
== Intervals == | == Intervals == | ||
The distance from C to C♯ is 3 edosteps (or keys, frets). Thus one edostep equals one third of a sharp. | The distance from C to C♯ is 3 edosteps (or keys, frets). Thus one edostep equals one third of a sharp. | ||
{| class="wikitable center-all right-2 left-3" | {| class="wikitable center-all right-2 left-3" | ||
|- | |- | ||
| Line 34: | Line 34: | ||
! Cents | ! Cents | ||
! Approximate ratios* | ! Approximate ratios* | ||
! colspan="3" | [[Ups and downs notation]] | ! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and vd2) | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| 1/1 | | [[1/1]] | ||
| P1 | | P1 | ||
| perfect unison | | perfect unison | ||
| Line 44: | Line 44: | ||
|- | |- | ||
| 1 | | 1 | ||
| 27. | | 27.9 | ||
| ''36/35'', 50/49, 64/63, 65/64, 66/65 | | ''[[36/35]]'', [[50/49]], [[64/63]], [[65/64]], [[66/65]] | ||
| ^1, d2 | | ^1, d2 | ||
| up unison, dim 2nd | | up unison, dim 2nd | ||
| Line 51: | Line 51: | ||
|- | |- | ||
| 2 | | 2 | ||
| 55. | | 55.8 | ||
| ''49/48'' | | [[26/25]], [[27/26]], [[33/32]], [[40/39]], ''[[49/48]]'' | ||
| vA1, ^d2 | | vA1, ^d2 | ||
| downaug unison, updim 2nd | | downaug unison, updim 2nd | ||
| Line 58: | Line 58: | ||
|- | |- | ||
| 3 | | 3 | ||
| 83. | | 83.7 | ||
| | | ''[[18/17]]'', [[21/20]], [[22/21]], [[25/24]], ''[[28/27]]'' | ||
| A1, vm2 | | A1, vm2 | ||
| aug 1sn, downminor 2nd | | aug 1sn, downminor 2nd | ||
| Line 65: | Line 65: | ||
|- | |- | ||
| 4 | | 4 | ||
| 111. | | 111.6 | ||
| 16/15, | | [[15/14]], [[16/15]], [[17/16]] | ||
| m2 | | m2 | ||
| minor 2nd | | minor 2nd | ||
| Line 72: | Line 72: | ||
|- | |- | ||
| 5 | | 5 | ||
| 139. | | 139.5 | ||
| 12/11, 13/12, 14/13 | | [[12/11]], [[13/12]], [[14/13]] | ||
| ^m2 | | ^m2 | ||
| upminor 2nd | | upminor 2nd | ||
| Line 79: | Line 79: | ||
|- | |- | ||
| 6 | | 6 | ||
| 167. | | 167.4 | ||
| 11/10 | | [[11/10]] | ||
| vM2 | | vM2 | ||
| downmajor 2nd | | downmajor 2nd | ||
| Line 86: | Line 86: | ||
|- | |- | ||
| 7 | | 7 | ||
| 195. | | 195.3 | ||
| 9/8, 10/9 | | [[9/8]], [[10/9]] | ||
| M2 | | M2 | ||
| major 2nd | | major 2nd | ||
| Line 93: | Line 93: | ||
|- | |- | ||
| 8 | | 8 | ||
| 223. | | 223.3 | ||
| 8/7 | | [[8/7]] | ||
| ^M2, d3 | | ^M2, d3 | ||
| upmajor 2nd, dim 3rd | | upmajor 2nd, dim 3rd | ||
| Line 100: | Line 100: | ||
|- | |- | ||
| 9 | | 9 | ||
| 251. | | 251.2 | ||
| 15/13 | | [[15/13]] | ||
| vA2, ^d3 | | vA2, ^d3 | ||
| downaug 2nd, updim 3rd | | downaug 2nd, updim 3rd | ||
| Line 107: | Line 107: | ||
|- | |- | ||
| 10 | | 10 | ||
| 279. | | 279.1 | ||
| 7/6, 13/11 | | [[7/6]], [[13/11]], [[20/17]] | ||
| A2, vm3 | | A2, vm3 | ||
| aug 2nd, downminor 3rd | | aug 2nd, downminor 3rd | ||
| Line 114: | Line 114: | ||
|- | |- | ||
| 11 | | 11 | ||
| | | 307.0 | ||
| 6/5 | | [[6/5]] | ||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
| Line 121: | Line 121: | ||
|- | |- | ||
| 12 | | 12 | ||
| 334. | | 334.9 | ||
| 39/32, | | [[17/14]], ''[[27/22]]'', [[39/32]], [[40/33]] | ||
| ^m3 | | ^m3 | ||
| upminor 3rd | | upminor 3rd | ||
| Line 128: | Line 128: | ||
|- | |- | ||
| 13 | | 13 | ||
| 362. | | 362.8 | ||
| 16/13, 21/17, | | ''[[11/9]]'', [[16/13]], [[21/17]], [[26/21]] | ||
| vM3 | | vM3 | ||
| downmajor 3rd | | downmajor 3rd | ||
| Line 135: | Line 135: | ||
|- | |- | ||
| 14 | | 14 | ||
| 390. | | 390.7 | ||
| 5/4 | | [[5/4]] | ||
| M3 | | M3 | ||
| major 3rd | | major 3rd | ||
| Line 142: | Line 142: | ||
|- | |- | ||
| 15 | | 15 | ||
| 418. | | 418.6 | ||
| ''9/7'', 14/11 | | ''[[9/7]]'', [[14/11]] | ||
| ^M3, d4 | | ^M3, d4 | ||
| upmajor 3rd, dim 4th | | upmajor 3rd, dim 4th | ||
| Line 149: | Line 149: | ||
|- | |- | ||
| 16 | | 16 | ||
| 446. | | 446.5 | ||
| 13/10 | | [[13/10]], [[22/17]] | ||
| vA3, ^d4 | | vA3, ^d4 | ||
| downaug 3rd, updim 4th | | downaug 3rd, updim 4th | ||
| Line 156: | Line 156: | ||
|- | |- | ||
| 17 | | 17 | ||
| 474. | | 474.4 | ||
| 21/16 | | [[21/16]] | ||
| v4 | | v4 | ||
| down 4th | | down 4th | ||
| Line 163: | Line 163: | ||
|- | |- | ||
| 18 | | 18 | ||
| 502. | | 502.3 | ||
| 4/3 | | [[4/3]] | ||
| P4 | | P4 | ||
| perfect 4th | | perfect 4th | ||
| Line 170: | Line 170: | ||
|- | |- | ||
| 19 | | 19 | ||
| 530. | | 530.2 | ||
| 15/11 | | [[15/11]] | ||
| ^4 | | ^4 | ||
| up 4th | | up 4th | ||
| Line 177: | Line 177: | ||
|- | |- | ||
| 20 | | 20 | ||
| 558. | | 558.1 | ||
| 11/8, 18/13 | | [[11/8]], [[18/13]] | ||
| vA4 | | vA4 | ||
| downaug 4th | | downaug 4th | ||
| Line 184: | Line 184: | ||
|- | |- | ||
| 21 | | 21 | ||
| 586. | | 586.0 | ||
| | | [[7/5]], [[24/17]], [[45/32]] | ||
| A4, vd5 | | A4, vd5 | ||
| aug 4th, downdim 5th | | aug 4th, downdim 5th | ||
| Line 191: | Line 191: | ||
|- | |- | ||
| 22 | | 22 | ||
| | | 614.0 | ||
| | | [[10/7]], [[17/12]], [[64/45]] | ||
| ^A4, d5 | | ^A4, d5 | ||
| upaug 4th, dim 5th | | upaug 4th, dim 5th | ||
| Line 198: | Line 198: | ||
|- | |- | ||
| 23 | | 23 | ||
| 641. | | 641.9 | ||
| 16/11 | | [[13/9]], [[16/11]] | ||
| ^d5 | | ^d5 | ||
| updim 5th | | updim 5th | ||
| Line 205: | Line 205: | ||
|- | |- | ||
| 24 | | 24 | ||
| 669. | | 669.8 | ||
| 22/15 | | [[22/15]] | ||
| v5 | | v5 | ||
| down 5th | | down 5th | ||
| Line 212: | Line 212: | ||
|- | |- | ||
| 25 | | 25 | ||
| 697. | | 697.7 | ||
| 3/2 | | [[3/2]] | ||
| P5 | | P5 | ||
| perfect 5th | | perfect 5th | ||
| Line 219: | Line 219: | ||
|- | |- | ||
| 26 | | 26 | ||
| 725. | | 725.6 | ||
| 32/21 | | [[32/21]] | ||
| ^5 | | ^5 | ||
| up 5th | | up 5th | ||
| Line 226: | Line 226: | ||
|- | |- | ||
| 27 | | 27 | ||
| 753. | | 753.5 | ||
| 20/13 | | [[17/11]], [[20/13]] | ||
| vA5, ^d6 | | vA5, ^d6 | ||
| downaug 5th, updim 6th | | downaug 5th, updim 6th | ||
| Line 233: | Line 233: | ||
|- | |- | ||
| 28 | | 28 | ||
| 781. | | 781.4 | ||
| ''14/9'' | | [[11/7]], ''[[14/9]]'' | ||
| A5, vm6 | | A5, vm6 | ||
| aug 5th, downminor 6th | | aug 5th, downminor 6th | ||
| Line 240: | Line 240: | ||
|- | |- | ||
| 29 | | 29 | ||
| 809. | | 809.3 | ||
| 8/5 | | [[8/5]] | ||
| m6 | | m6 | ||
| minor 6th | | minor 6th | ||
| Line 247: | Line 247: | ||
|- | |- | ||
| 30 | | 30 | ||
| 837. | | 837.2 | ||
| 13/8 | | [[13/8]], ''[[18/11]]'', [[21/13]], [[34/21]] | ||
| ^m6 | | ^m6 | ||
| upminor 6th | | upminor 6th | ||
| Line 254: | Line 254: | ||
|- | |- | ||
| 31 | | 31 | ||
| 865. | | 865.1 | ||
| 64/39 | | [[28/17]], [[33/20]], ''[[44/27]]'', [[64/39]] | ||
| vM6 | | vM6 | ||
| downmajor 6th | | downmajor 6th | ||
| Line 261: | Line 261: | ||
|- | |- | ||
| 32 | | 32 | ||
| 893. | | 893.0 | ||
| 5/3 | | [[5/3]] | ||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
| Line 268: | Line 268: | ||
|- | |- | ||
| 33 | | 33 | ||
| 920. | | 920.9 | ||
| 12/7, 22/13 | | [[12/7]], [[22/13]], [[17/10]] | ||
| ^M6, d7 | | ^M6, d7 | ||
| upmajor 6th, dim 7th | | upmajor 6th, dim 7th | ||
| Line 275: | Line 275: | ||
|- | |- | ||
| 34 | | 34 | ||
| 948. | | 948.8 | ||
| 26/15 | | [[26/15]] | ||
| vA6, ^d7 | | vA6, ^d7 | ||
| downaug 6th, updim 7th | | downaug 6th, updim 7th | ||
| Line 282: | Line 282: | ||
|- | |- | ||
| 35 | | 35 | ||
| 976. | | 976.7 | ||
| 7/4 | | [[7/4]] | ||
| A6, vm7 | | A6, vm7 | ||
| aug 6th, downminor 7th | | aug 6th, downminor 7th | ||
| Line 289: | Line 289: | ||
|- | |- | ||
| 36 | | 36 | ||
| 1004. | | 1004.7 | ||
| 16/9 | | [[9/5]], [[16/9]] | ||
| m7 | | m7 | ||
| minor 7th | | minor 7th | ||
| Line 296: | Line 296: | ||
|- | |- | ||
| 37 | | 37 | ||
| 1032. | | 1032.6 | ||
| 20/11 | | [[20/11]] | ||
| ^m7 | | ^m7 | ||
| upminor 7th | | upminor 7th | ||
| Line 303: | Line 303: | ||
|- | |- | ||
| 38 | | 38 | ||
| 1060. | | 1060.5 | ||
| 11/6, 24/13 | | [[11/6]], [[13/7]], [[24/13]] | ||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
| Line 310: | Line 310: | ||
|- | |- | ||
| 39 | | 39 | ||
| 1088. | | 1088.4 | ||
| 15/8, 28/15, 32/17 | | [[15/8]], [[28/15]], [[32/17]] | ||
| M7 | | M7 | ||
| major 7th | | major 7th | ||
| Line 317: | Line 317: | ||
|- | |- | ||
| 40 | | 40 | ||
| 1116. | | 1116.3 | ||
| | | ''[[17/9]]'', [[21/11]], ''[[27/14]]'', [[40/21]], [[48/25]] | ||
| ^M7, d8 | | ^M7, d8 | ||
| upmajor 7th, dim 8ve | | upmajor 7th, dim 8ve | ||
| Line 324: | Line 324: | ||
|- | |- | ||
| 41 | | 41 | ||
| 1144. | | 1144.2 | ||
| ''96/49'' | | [[25/13]], [[39/20]], [[52/27]], [[64/33]], ''[[96/49]]'' | ||
| vA7, ^d8 | | vA7, ^d8 | ||
| downaug 7th, updim 8ve | | downaug 7th, updim 8ve | ||
| Line 331: | Line 331: | ||
|- | |- | ||
| 42 | | 42 | ||
| 1172. | | 1172.1 | ||
| ''35/18'', 49/25, 63/32, 65/33, 128/65 | | ''[[35/18]]'', [[49/25]], [[63/32]], [[65/33]], [[128/65]] | ||
| A7, v8 | | A7, v8 | ||
| aug 7th, down 8ve | | aug 7th, down 8ve | ||
| Line 338: | Line 338: | ||
|- | |- | ||
| 43 | | 43 | ||
| 1200. | | 1200.0 | ||
| 2/1 | | [[2/1]] | ||
| P8 | | P8 | ||
| perfect 8ve | | perfect 8ve | ||
| Line 352: | Line 352: | ||
Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A♯ and B♭ are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A♯ and B♭ are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | ||
=== | === Stein–Zimmermann–Gould notation === | ||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats with arrows: | |||
{{Sharpness-sharp3-szg}} | |||
{{Sharpness-sharp3}} | |||
The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}. | The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}. | ||
| Line 365: | Line 361: | ||
Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings. | Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings. | ||
=== Kite's ups and downs notation === | |||
In [[Kite's ups and downs notation]], the "third-sharp" becomes an up and the "two-thirds-sharp" becomes a downsharp. | |||
Note that downsharp can be respelled as dup (double-up), and upflat as dud. | |||
{{Ups and downs sharpness}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as [[36edo#Sagittal notation| | This notation uses the same sagittal sequence as [[36edo #Sagittal notation|36edo]]. | ||
==== Evo flavor ==== | ==== Evo flavor ==== | ||
| Line 389: | Line 390: | ||
</imagemap> | </imagemap> | ||
=== Red-Blue | === Red-Blue notation === | ||
For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. | For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. Note that this is different from [[Kite's color notation]]. We have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯). | ||
The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter). | The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter). | ||
| Line 400: | Line 401: | ||
=== Interval mappings === | === Interval mappings === | ||
{{Q-odd-limit intervals | {{Q-odd-limit intervals}} | ||
=== | === Higher-limit JI === | ||
Although not [[consistent]], 43edo performs quite well in very high prime limits. It has unambiguous mappings for most prime harmonics up to ''113'', after which the demands on its pitch resolution finally become too great. The exceptions are 23, 41, 71, 89, and 103, which have more than 35% relative error (10 cents absolute error). This high-limit capability is useful for approaches based on the harmonic series, such as for creating [[#Ringer 43|Ringer scales]]. Mappings for ratios between these prime harmonics can then be derived from those for the primes themselves, allowing for a complete set of approximations to the first 16 harmonics in the harmonic series and an almost-complete approximation of the first 32 harmonics, although the limited consistency will give some unusual results. | |||
Within harmonics 1–63, 43edo approximates harmonics 15, 31, 37, 61, and 63 close to exactly – within less than a cent (less than 3% relative error). Indeed, one step of 43edo is very close to the [[64/63|septimal comma (64/63)]]; similarly, two steps is close to [[32/31]], and four steps tunes [[16/15]] almost perfectly. It approximates 3, 9, 13, 27, 39, 43, 53 and 61 flat. It approximates 5, 7, 11, 17, 19, 21, 25, 29, 33, 47, 49, 51, 57 and 59 sharp. Overall this gives 43edo a slightly sharp tendency/feeling. | |||
|- | |||
== Regular temperament properties == | == Regular temperament properties == | ||
| Line 446: | Line 421: | ||
|- | |- | ||
| 2.3 | | 2.3 | ||
| {{ | | {{Monzo| -68 43 }} | ||
| {{ | | {{Mapping| 43 68 }} | ||
| +1.35 | | +1.35 | ||
| 1.35 | | 1.35 | ||
| Line 454: | Line 429: | ||
| 2.3.5 | | 2.3.5 | ||
| 81/80, 50331648/48828125 | | 81/80, 50331648/48828125 | ||
| {{ | | {{Mapping| 43 68 100 }} | ||
| +0.27 | | +0.27 | ||
| 1.88 | | 1.88 | ||
| Line 461: | Line 436: | ||
| 2.3.5.7 | | 2.3.5.7 | ||
| 81/80, 126/125, 17280/16807 | | 81/80, 126/125, 17280/16807 | ||
| {{ | | {{Mapping| 43 68 100 121 }} | ||
| −0.51 | | −0.51 | ||
| 2.11 | | 2.11 | ||
| Line 468: | Line 443: | ||
| 2.3.5.7.11 | | 2.3.5.7.11 | ||
| 81/80, 99/98, 126/125, 864/847 | | 81/80, 99/98, 126/125, 864/847 | ||
| {{ | | {{Mapping| 43 68 100 121 149 }} | ||
| −0.80 | | −0.80 | ||
| 1.98 | | 1.98 | ||
| Line 475: | Line 450: | ||
| 2.3.5.7.11.13 | | 2.3.5.7.11.13 | ||
| 78/77, 81/80, 99/98, 126/125, 144/143 | | 78/77, 81/80, 99/98, 126/125, 144/143 | ||
| {{ | | {{Mapping| 43 68 100 121 149 159 }} | ||
| −0.52 | | −0.52 | ||
| 1.91 | | 1.91 | ||
| Line 482: | Line 457: | ||
| 2.3.5.7.11.13.17 | | 2.3.5.7.11.13.17 | ||
| 78/77, 81/80, 99/98, 120/119, 126/125, 144/143 | | 78/77, 81/80, 99/98, 120/119, 126/125, 144/143 | ||
| {{ | | {{Mapping| 43 68 100 121 149 159 176 }} | ||
| −0.52 | | −0.52 | ||
| 1.81 | | 1.81 | ||
| Line 489: | Line 464: | ||
| 2.3.5.7.11.13.17.19 | | 2.3.5.7.11.13.17.19 | ||
| 78/77, 81/80, 99/98, 120/119, 126/125, 135/133, 144/143 | | 78/77, 81/80, 99/98, 120/119, 126/125, 135/133, 144/143 | ||
| {{ | | {{Mapping| 43 68 100 121 149 159 176 183 }} | ||
| −0.87 | | −0.87 | ||
| 1.77 | | 1.77 | ||
| Line 509: | Line 484: | ||
| 3 | | 3 | ||
| <abbr title="328256967394537077627/295147905179352825856">(42 digits)</abbr> | | <abbr title="328256967394537077627/295147905179352825856">(42 digits)</abbr> | ||
| {{ | | {{Monzo| -68 43 }} | ||
| 184.07 | | 184.07 | ||
| Tribilawa | | Tribilawa | ||
| Line 516: | Line 491: | ||
| 5 | | 5 | ||
| <abbr title="254803968/244140625">(18 digits)</abbr> | | <abbr title="254803968/244140625">(18 digits)</abbr> | ||
| {{ | | {{Monzo| 20 5 -12 }} | ||
| 74.01 | | 74.01 | ||
| Saquadtrigu | | Saquadtrigu | ||
| Line 523: | Line 498: | ||
| 5 | | 5 | ||
| <abbr title="50331648/48828125">(16 digits)</abbr> | | <abbr title="50331648/48828125">(16 digits)</abbr> | ||
| {{ | | {{Monzo| 24 1 -11 }} | ||
| 52.50 | | 52.50 | ||
| Salegu | | Salegu | ||
| Line 530: | Line 505: | ||
| 5 | | 5 | ||
| [[81/80]] | | [[81/80]] | ||
| {{ | | {{Monzo| -4 4 -1 }} | ||
| 21.51 | | 21.51 | ||
| Gu | | Gu | ||
| Line 537: | Line 512: | ||
| 5 | | 5 | ||
| <abbr title="4294967296/4271484375">(20 digits)</abbr> | | <abbr title="4294967296/4271484375">(20 digits)</abbr> | ||
| {{ | | {{Monzo| 32 -7 -9 }} | ||
| 9.49 | | 9.49 | ||
| Sasa-tritrigu | | Sasa-tritrigu | ||
| Line 544: | Line 519: | ||
| 5 | | 5 | ||
| <abbr title="295578376007080078125/295147905179352825856">(42 digits)</abbr> | | <abbr title="295578376007080078125/295147905179352825856">(42 digits)</abbr> | ||
| {{ | | {{Monzo| -68 18 17 }} | ||
| 2.52 | | 2.52 | ||
| Quinla-seyo | | Quinla-seyo | ||
| Line 551: | Line 526: | ||
| 7 | | 7 | ||
| [[59049/57344]] | | [[59049/57344]] | ||
| {{ | | {{Monzo| -13 10 0 -1 }} | ||
| 50.72 | | 50.72 | ||
| Laru | | Laru | ||
| Line 558: | Line 533: | ||
| 7 | | 7 | ||
| [[3645/3584]] | | [[3645/3584]] | ||
| {{ | | {{Monzo| -9 6 1 -1 }} | ||
| 29.22 | | 29.22 | ||
| Laruyo | | Laruyo | ||
| Line 565: | Line 540: | ||
| 7 | | 7 | ||
| <abbr title="2500000/2470629">(14 digits)</abbr> | | <abbr title="2500000/2470629">(14 digits)</abbr> | ||
| {{ | | {{Monzo| 5 -1 7 -7 }} | ||
| 20.46 | | 20.46 | ||
| Sepruyo | | Sepruyo | ||
| Line 572: | Line 547: | ||
| 7 | | 7 | ||
| [[126/125]] | | [[126/125]] | ||
| {{ | | {{Monzo| 1 2 -3 1 }} | ||
| 13.80 | | 13.80 | ||
| Zotrigu | | Zotrigu | ||
| Line 579: | Line 554: | ||
| 7 | | 7 | ||
| <abbr title="2097152/2083725">(14 digits)</abbr> | | <abbr title="2097152/2083725">(14 digits)</abbr> | ||
| {{ | | {{Monzo| 21 -5 -2 -3 }} | ||
| 11.12 | | 11.12 | ||
| Satriru-agugu | | Satriru-agugu | ||
| Line 586: | Line 561: | ||
| 7 | | 7 | ||
| <abbr title="257298363/256000000">(18 digits)</abbr> | | <abbr title="257298363/256000000">(18 digits)</abbr> | ||
| {{ | | {{Monzo| -14 7 -6 6 }} | ||
| 8.76 | | 8.76 | ||
| Latribizogu | | Latribizogu | ||
| Line 593: | Line 568: | ||
| 7 | | 7 | ||
| [[225/224]] | | [[225/224]] | ||
| {{ | | {{Monzo| -5 2 2 -1 }} | ||
| 7.71 | | 7.71 | ||
| Ruyoyo | | Ruyoyo | ||
| Line 600: | Line 575: | ||
| 7 | | 7 | ||
| [[3136/3125]] | | [[3136/3125]] | ||
| {{ | | {{Monzo| 6 0 -5 2 }} | ||
| 6.08 | | 6.08 | ||
| Zozoquingu | | Zozoquingu | ||
| Line 607: | Line 582: | ||
| 7 | | 7 | ||
| <abbr title="703125/702464">(12 digits)</abbr> | | <abbr title="703125/702464">(12 digits)</abbr> | ||
| {{ | | {{Monzo| -11 2 7 -3 }} | ||
| 1.63 | | 1.63 | ||
| Latriru-asepyo | | Latriru-asepyo | ||
| Line 614: | Line 589: | ||
| 11 | | 11 | ||
| [[1350/1331]] | | [[1350/1331]] | ||
| {{ | | {{Monzo| 1 3 2 0 -3}} | ||
| 24.54 | | 24.54 | ||
| Trilu-ayoyo | | Trilu-ayoyo | ||
| Line 621: | Line 596: | ||
| 11 | | 11 | ||
| [[99/98]] | | [[99/98]] | ||
| {{ | | {{Monzo| -1 2 0 -2 1 }} | ||
| 17.58 | | 17.58 | ||
| Loruru | | Loruru | ||
| Line 628: | Line 603: | ||
| 11 | | 11 | ||
| [[176/175]] | | [[176/175]] | ||
| {{ | | {{Monzo| 4 0 -2 -1 1 }} | ||
| 9.86 | | 9.86 | ||
| Lorugugu | | Lorugugu | ||
| Line 635: | Line 610: | ||
| 11 | | 11 | ||
| [[441/440]] | | [[441/440]] | ||
| {{ | | {{Monzo| -3 2 -1 2 -1 }} | ||
| 3.93 | | 3.93 | ||
| Luzozogu | | Luzozogu | ||
| Line 642: | Line 617: | ||
| 11 | | 11 | ||
| [[4000/3993]] | | [[4000/3993]] | ||
| {{ | | {{Monzo| 5 -1 3 0 -3}} | ||
| 3.03 | | 3.03 | ||
| Triluyo | | Triluyo | ||
| Line 649: | Line 624: | ||
| 11 | | 11 | ||
| <abbr title="131072/130977">(12 digits)</abbr> | | <abbr title="131072/130977">(12 digits)</abbr> | ||
| {{ | | {{Monzo| 17 -5 0 -2 -1 }} | ||
| 1.26 | | 1.26 | ||
| Salururu | | Salururu | ||
| Line 656: | Line 631: | ||
| 11 | | 11 | ||
| <abbr title="117440512/117406179">(18 digits)</abbr> | | <abbr title="117440512/117406179">(18 digits)</abbr> | ||
| {{ | | {{Monzo| 24 -6 0 1 -5 }} | ||
| 0.51 | | 0.51 | ||
| Saquinlu-azo | | Saquinlu-azo | ||
| Line 663: | Line 638: | ||
| 13 | | 13 | ||
| [[78/77]] | | [[78/77]] | ||
| {{ | | {{Monzo| 1 1 0 -1 -1 1 }} | ||
| 22.34 | | 22.34 | ||
| Tholuru | | Tholuru | ||
| Line 670: | Line 645: | ||
| 13 | | 13 | ||
| [[144/143]] | | [[144/143]] | ||
| {{ | | {{Monzo| 4 2 0 0 -1 -1 }} | ||
| 12.06 | | 12.06 | ||
| Thulu | | Thulu | ||
| Line 677: | Line 652: | ||
| 13 | | 13 | ||
| [[169/168]] | | [[169/168]] | ||
| {{ | | {{Monzo| -3 -1 0 -1 0 2 }} | ||
| 10.27 | | 10.27 | ||
| Thothoru | | Thothoru | ||
| Line 684: | Line 659: | ||
| 13 | | 13 | ||
| <abbr title="373248/371293">(12 digits)</abbr> | | <abbr title="373248/371293">(12 digits)</abbr> | ||
| {{ | | {{Monzo| 9 6 0 0 0 -5 }} | ||
| 9.09 | | 9.09 | ||
| Quinthu | | Quinthu | ||
| Line 691: | Line 666: | ||
| 13 | | 13 | ||
| [[364/363]] | | [[364/363]] | ||
| {{ | | {{Monzo| 2 -1 0 1 -2 1 }} | ||
| 4.76 | | 4.76 | ||
| Tholuluzo | | Tholuluzo | ||
| Line 698: | Line 673: | ||
| 13 | | 13 | ||
| [[1001/1000]] | | [[1001/1000]] | ||
| {{ | | {{Monzo| -3 0 -3 1 1 1 }} | ||
| 1.73 | | 1.73 | ||
| Tholozotrigu | | Tholozotrigu | ||
| Line 705: | Line 680: | ||
| 13 | | 13 | ||
| [[2080/2079]] | | [[2080/2079]] | ||
| {{ | | {{Monzo| 5 -3 1 -1 -1 1 }} | ||
| 0.83 | | 0.83 | ||
| Tholuruyo | | Tholuruyo | ||
| Line 712: | Line 687: | ||
| 13 | | 13 | ||
| [[4096/4095]] | | [[4096/4095]] | ||
| {{ | | {{Monzo| 12 -2 -1 -1 0 -1 }} | ||
| 0.42 | | 0.42 | ||
| Sathurugu | | Sathurugu | ||
| | | Minisma | ||
|- | |- | ||
| 17 | | 17 | ||
| [[120/119]] | | [[120/119]] | ||
| {{ | | {{Monzo| 3 1 1 -1 0 0 -1 }} | ||
| 14.49 | | 14.49 | ||
| Suruyo | | Suruyo | ||
| Line 726: | Line 701: | ||
| 17 | | 17 | ||
| [[221/220]] | | [[221/220]] | ||
| {{ | | {{Monzo| -2 0 -1 0 -1 1 1 }} | ||
| 7.85 | | 7.85 | ||
| Sotholugu | | Sotholugu | ||
| Line 733: | Line 708: | ||
| 17 | | 17 | ||
| [[256/255]] | | [[256/255]] | ||
| {{ | | {{Monzo| 8 -1 -1 0 0 0 -1 }} | ||
| 6.78 | | 6.78 | ||
| Sugu | | Sugu | ||
| Line 740: | Line 715: | ||
| 17 | | 17 | ||
| [[273/272]] | | [[273/272]] | ||
| {{ | | {{Monzo| 5 1 -1 0 0 0 0 -1 }} | ||
| 6.35 | | 6.35 | ||
| Suthozo | | Suthozo | ||
| Line 747: | Line 722: | ||
| 17 | | 17 | ||
| [[715/714]] | | [[715/714]] | ||
| {{ | | {{Monzo| -1 -1 1 -1 1 1 -1 }} | ||
| 2.42 | | 2.42 | ||
| Sutholoruyo | | Sutholoruyo | ||
| Line 754: | Line 729: | ||
| 19 | | 19 | ||
| [[96/95]] | | [[96/95]] | ||
| {{ | | {{Monzo| 5 1 -1 0 0 0 0 -1 }} | ||
| 18.13 | | 18.13 | ||
| Nugu | | Nugu | ||
| Line 761: | Line 736: | ||
| 19 | | 19 | ||
| [[153/152]] | | [[153/152]] | ||
| {{ | | {{Monzo| -3 2 0 0 0 0 1 -1}} | ||
| 11.35 | | 11.35 | ||
| Nuso | | Nuso | ||
| Line 768: | Line 743: | ||
| 19 | | 19 | ||
| [[171/170]] | | [[171/170]] | ||
| {{ | | {{Monzo| -1 2 -1 0 0 0 -1 1 }} | ||
| 10.15 | | 10.15 | ||
| Nosugu | | Nosugu | ||
| Line 775: | Line 750: | ||
| 19 | | 19 | ||
| [[209/208]] | | [[209/208]] | ||
| {{ | | {{Monzo| -4 0 0 0 1 -1 0 1 }} | ||
| 8.30 | | 8.30 | ||
| Nothulo | | Nothulo | ||
| Line 782: | Line 757: | ||
| 19 | | 19 | ||
| [[210/209]] | | [[210/209]] | ||
| {{ | | {{Monzo| 1 1 1 1 -1 0 0 -1 }} | ||
| 8.26 | | 8.26 | ||
| Nuluzoyo | | Nuluzoyo | ||
| Spleen comma | | Spleen comma | ||
|} | |} | ||
<references group="note" /> | |||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
| Line 800: | Line 776: | ||
| 1 | | 1 | ||
| 1\43 | | 1\43 | ||
| 27. | | 27.9 | ||
| 64/63 | | 64/63 | ||
| [[Arch]] | | [[Arch]] | ||
| Line 806: | Line 782: | ||
| 1 | | 1 | ||
| 2\43 | | 2\43 | ||
| 55. | | 55.8 | ||
| 33/32 | | 33/32 | ||
| [[Escapade]] | | [[Escapade]] | ||
|- | |||
| 1 | |||
| 3\43 | |||
| 83.7 | |||
| 21/20 | |||
| [[Marvolo]] | |||
|- | |- | ||
| 1 | | 1 | ||
| 4\43 | | 4\43 | ||
| 111. | | 111.6 | ||
| 16/15 | | 16/15 | ||
| [[Vavoom]] | | [[Vavoom]] | ||
| Line 818: | Line 800: | ||
| 1 | | 1 | ||
| 5\43 | | 5\43 | ||
| 139. | | 139.5 | ||
| 13/12 | | 13/12 | ||
| [[Jerome]] | | [[Jerome]] | ||
| Line 824: | Line 806: | ||
| 1 | | 1 | ||
| 6\43 | | 6\43 | ||
| 167. | | 167.4 | ||
| 11/10 | | 11/10 | ||
| [[Superpine]] | | [[Superpine]] | ||
| Line 830: | Line 812: | ||
| 1 | | 1 | ||
| 7\43 | | 7\43 | ||
| 195. | | 195.3 | ||
| 28/25 | | 28/25 | ||
| [[Didacus]] | | [[Didacus]] | ||
| Line 836: | Line 818: | ||
| 1 | | 1 | ||
| 8\43 | | 8\43 | ||
| 223. | | 223.3 | ||
| 8/7 | | 8/7 | ||
| [[Kumonga]] | | [[Kumonga]] | ||
| Line 842: | Line 824: | ||
| 1 | | 1 | ||
| 9\43 | | 9\43 | ||
| 251. | | 251.2 | ||
| 15/13 | | 15/13 | ||
| [[Hemimeantone]] | | [[Hemimeantone]] | ||
| Line 848: | Line 830: | ||
| 1 | | 1 | ||
| 10\43 | | 10\43 | ||
| 279. | | 279.1 | ||
| 75/64 | | 75/64 | ||
| [[Decipentic]] | | [[Decipentic]] | ||
| Line 854: | Line 836: | ||
| 1 | | 1 | ||
| 11\43 | | 11\43 | ||
| 334. | | 334.9 | ||
| 17/14 | | 17/14 | ||
| [[Cohemimabila]] | | [[Cohemimabila]] | ||
| Line 860: | Line 842: | ||
| 1 | | 1 | ||
| 13\43 | | 13\43 | ||
| 362. | | 362.8 | ||
| 16/13 | | 16/13 | ||
| [[ | | [[Demibuzzard]] / interpental | ||
|- | |- | ||
| 1 | | 1 | ||
| 14\43 | | 14\43 | ||
| 390. | | 390.7 | ||
| 5/4 | | 5/4 | ||
| [[Amigo]] | | [[Amigo]] | ||
| Line 872: | Line 854: | ||
| 1 | | 1 | ||
| 16\43 | | 16\43 | ||
| 446. | | 446.5 | ||
| 13/10 | | 13/10 | ||
| [[Supersensi]] | | [[Supersensi]] | ||
|- | |||
| 1 | |||
| 17\43 | |||
| 474.4 | |||
| 21/16 | |||
| [[Buzzard]] (2.3.7) | |||
|- | |- | ||
| 1 | | 1 | ||
| 18\43 | | 18\43 | ||
| 502. | | 502.3 | ||
| 4/3 | | 4/3 | ||
| [[Meantone]] | | [[Meantone]] | ||
| Line 884: | Line 872: | ||
| 1 | | 1 | ||
| 19\43 | | 19\43 | ||
| 530. | | 530.2 | ||
| 15/11 | | 15/11 | ||
| [[Amavil]] | | [[Amavil]] | ||
| Line 890: | Line 878: | ||
| 1 | | 1 | ||
| 20\43 | | 20\43 | ||
| 558. | | 558.1 | ||
| 11/8 | | 11/8 | ||
| [[Thuja]] | | [[Thuja]] | ||
| Line 896: | Line 884: | ||
| 1 | | 1 | ||
| 21\43 | | 21\43 | ||
| 586. | | 586.0 | ||
| 7/5 | | 7/5 | ||
| [[Merman]] | | [[Merman]] | ||
|} | |} | ||
<nowiki/>* [[Normal | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave | ||
== Detemperaments == | == Detemperaments == | ||
| Line 915: | Line 903: | ||
=== Harmonic scales === | === Harmonic scales === | ||
43edo represents the first 16 overtones of the [[harmonic series]] well (written as a ratio of 8:9:10:11:12:13:14:15:16 in [[just intonation]]) with degrees 0, 7, 14, 20, 25, 30, 35, 39, and 43, and scale steps of 7, 7, 6, 5, 5, 5, 4, and 4. | 43edo represents the first 16 overtones of the [[harmonic series]] well (written as a ratio of 8:9:10:11:12:13:14:15:16 in [[just intonation]]) with degrees 0, 7, 14, 20, 25, 30, 35, 39, and 43, and scale steps of 7, 7, 6, 5, 5, 5, 4, and 4. | ||
* 7\43 (195. | * 7\43 (195.3¢) stands in for frequency ratio [[9/8]] (203.9¢) and [[10/9]] (182.4¢). | ||
* 6\43 (156. | * 6\43 (156.5¢) stands in for [[11/10]] (165.0¢). | ||
* 5\46 (130. | * 5\46 (130.4¢) stands in for [[12/11]] (150.6¢), [[13/12]] (138.6¢), and [[14/13]] (128.3¢). | ||
* 4\43 (111. | * 4\43 (111.6¢) stands in for [[15/14]] (119.4¢) and [[16/15]] (111.7¢). | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
| Line 1,003: | Line 991: | ||
* Fossa pentatonic scale (approximated from [[catnip]] in [[60edo]]): 5 14 6 6 12 | * Fossa pentatonic scale (approximated from [[catnip]] in [[60edo]]): 5 14 6 6 12 | ||
* [[Magnetosphere scale]] (approximated from [[Hexany 1728]]): 4 10 11 11 7 | * [[Magnetosphere scale]] (approximated from [[Hexany 1728]]): 4 10 11 11 7 | ||
== Instruments == | |||
*[[Lumatone mapping for 43edo]] | |||
*[[Skip fretting system 43 2 9]] | |||
=== Keyboards === | |||
A possible isomorphic keyboard layout for 43edo: | |||
[[File:Fifth Comma Meantone Keyboard Layout.svg|800px|none|thumb]] | |||
== Music == | == Music == | ||
| Line 1,015: | Line 1,011: | ||
* [https://www.youtube.com/watch?v=GkuUVQYpjo4 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | * [https://www.youtube.com/watch?v=GkuUVQYpjo4 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | ||
* [https://www.youtube.com/watch?v=UYaZZXUrGeA ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | * [https://www.youtube.com/watch?v=UYaZZXUrGeA ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | ||
; {{W|John Bull (composer)|John Bull}} | |||
* [https://www.youtube.com/watch?v=hkW5aqnhaSc ''Fantasia «Ut Re Mi Fa Sol La»''] (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – rendered by Claudi Meneghin (2026) | |||
; {{W|Frédéric Chopin}} | |||
* [https://www.youtube.com/watch?v=VyEKLxAtWm4 ''Prelude'', Op. 28, No. 4] (1838) – arranged for organ, rendered by Claudi Meneghin (2021) | |||
* ''"Waterfall" Étude from 12 Études, op. 10'' (1829–1832) | |||
** [https://www.youtube.com/shorts/m408V08QAMI Sine wave version] — rendered by Claudi Meneghin (2025) | |||
** [https://www.youtube.com/shorts/oZiYri-sDYo Fortepiano version] — rendered by Claudi Meneghin (2025) | |||
; {{W|George Frideric Handel}} | ; {{W|George Frideric Handel}} | ||
| Line 1,031: | Line 1,036: | ||
; [[Bryan Deister]] | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/watch?v=pALxebjbhZo ''microtonal improvisation in 43edo''] (2023) | * [https://www.youtube.com/watch?v=pALxebjbhZo ''microtonal improvisation in 43edo''] (2023) | ||
* [https://www.youtube.com/shorts/URUCEOW3Mqo ''43edo improv''] (2025) | |||
* [https://www.youtube.com/shorts/f0zt-iBln44 ''Being for the Benefit of Mr. Kite! - The Beatles (microtonal cover in 43edo)''] (2025) | |||
* [https://www.youtube.com/shorts/Qh5rjmsfwE0 ''43edo improv''] (2026) | |||
* [https://www.youtube.com/watch?v=j5qbzEPRUUY ''Waltz in 43edo''] (2026) | |||
; [[Cale Gibbard]] | |||
* [https://www.youtube.com/watch?v=nUoTzgi8FtM 43edo fun with A, Bbb, Cbbb] (2023) | * [https://www.youtube.com/watch?v=nUoTzgi8FtM 43edo fun with A, Bbb, Cbbb] (2023) | ||
; [[Peter Kosmorsky]] | ; [[Peter Kosmorsky]] | ||
* [[:File:43_edo_counterpoint.mid|43 edo counterpoint.mid]] [http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3 mp3]{{dead link}} (late 2011) – in meantone | * [[:File:43_edo_counterpoint.mid|43 edo counterpoint.mid]] [http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3 mp3]{{dead link}} (late 2011) – in meantone | ||
| Line 1,042: | Line 1,052: | ||
; [[Juhan Puhm]] ([http://juhanpuhmmusic.ca site]) | ; [[Juhan Puhm]] ([http://juhanpuhmmusic.ca site]) | ||
* ''Meantone Suite V in D Minor'' (2017) – [https://www.youtube.com/watch?v=I68hwh45CyQ YouTube] | [http://juhanpuhmmusic.ca/Juhan-Puhm-Meantone-Suite-V-D-Minor.pdf score] | * ''Meantone Suite V in D Minor'' (2017) – [https://www.youtube.com/watch?v=I68hwh45CyQ YouTube] | [http://juhanpuhmmusic.ca/Juhan-Puhm-Meantone-Suite-V-D-Minor.pdf score] | ||
; [[Sevish]] | |||
* Mystify (2025) – [https://www.youtube.com/watch?v=NgXXTMS5YPc Youtube] | [https://sevish.bandcamp.com/track/mystify Bandcamp] | |||
; [[Randy Wells]] | ; [[Randy Wells]] | ||
| Line 1,048: | Line 1,061: | ||
; [[Xotla]] | ; [[Xotla]] | ||
* "Beebounce" from ''Jazzbeetle'' (2023) – [https://open.spotify.com/track/4PzANNtxXsNEsdApnYKgHK Spotify] | [https://xotla.bandcamp.com/track/beebounce-43edo Bandcamp] | [https://youtu.be/EZIg5fojFfE YouTube] – jazzy big band electronic hybrid | * "Beebounce" from ''Jazzbeetle'' (2023) – [https://open.spotify.com/track/4PzANNtxXsNEsdApnYKgHK Spotify] | [https://xotla.bandcamp.com/track/beebounce-43edo Bandcamp] | [https://youtu.be/EZIg5fojFfE YouTube] – jazzy big band electronic hybrid | ||
== References == | == References == | ||