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| <h2>IMPORTED REVISION FROM WIKISPACES</h2> | | <span style="display: block; text-align: right;">[[:de:31edo Deutsch]]</span> |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | __FORCETOC__ |
| : This revision was by author [[User:mbattaglia1|mbattaglia1]] and made on <tt>2018-07-12 03:05:18 UTC</tt>.<br>
| | ----- |
| : The original revision id was <tt>630873019</tt>.<br>
| | ''Thirty-one tone equal temperament'', also called ''31-tET'', ''31-EDO'', ''31-et'', or ''tricesimoprimal meantone temperament'', is the scale derived by dividing the octave into 31 [[Equal|equally]] large steps. The term 'Tricesimoprimal' was first used by [[Adriaan_Fokker|Adriaan Fokker]]. Each step is equivalent to a frequency ratio of the 31st root of 2, or 38.71 [[cents|cents]]. 31's perfect fifth is flat of the just interval 3:2 (over five cents), as befits a tuning supporting meantone, but the major third is less than a cent sharp (of just 5:4). 31's approximation of 7:4, a cent flat, is also very close to just. Because of these near-just values 31-et is relatively quite accurate and is in fact the sixth [[The_Riemann_Zeta_Function_and_Tuning#Zeta EDO lists|zeta integral edo]]. Many [[7-limit|7-limit]] JI scales are well-approximated in 31 (with tempering, of course). It also deals with the [[11-limit|11-limit]] fairly well, and is consistent through it, but is the [[Optimal_patent_val|optimal patent val]] for the rank five temperament tempering out the 13-limit comma 66/65. It also provides the optimal patent val for mohajira, squares and casablanca in the 11-limit and huygens/meantone, squares, winston, lupercalia and nightengale in the 13-limit. |
| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="display: block; text-align: right;">[[xenharmonie/31edo|Deutsch]]
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| </span>
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| [[toc|flat]]
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| ---- | |
| //Thirty-one tone equal temperament//, also called //31-tET//, //31-EDO//, //31-et//, or //tricesimoprimal meantone temperament//, is the scale derived by dividing the octave into 31 [[equal|equally]] large steps. The term 'Tricesimoprimal' was first used by [[Adriaan Fokker]]. Each step is equivalent to a frequency ratio of the 31st root of 2, or 38.71 [[cents]]. 31's perfect fifth is flat of the just interval 3:2 (over five cents), as befits a tuning supporting meantone, but the major third is less than a cent sharp (of just 5:4). 31's approximation of 7:4, a cent flat, is also very close to just. Because of these near-just values 31-et is relatively quite accurate and is in fact the sixth [[The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta integral edo]]. Many [[7-limit]] JI scales are well-approximated in 31 (with tempering, of course). It also deals with the [[11-limit]] fairly well, and is consistent through it, but is the [[optimal patent val]] for the rank five temperament tempering out the 13-limit comma 66/65. It also provides the optimal patent val for mohajira, squares and casablanca in the 11-limit and huygens/meantone, squares, winston, lupercalia and nightengale in the 13-limit.
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| 31edo is the 11th [[prime numbers|prime]] edo, following [[29edo]] and coming before [[37edo]]. | | 31edo is the 11th [[prime_numbers|prime]] edo, following [[29edo|29edo]] and coming before [[37edo|37edo]]. |
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| For more encyclopedic info, see [[http://en.wikipedia.org/wiki/31_equal_temperament|Wikipedia's article]]. | | For more encyclopedic info, see [http://en.wikipedia.org/wiki/31_equal_temperament Wikipedia's article]. |
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| =Linear temperaments= | | =Linear temperaments= |
| [[List of 31et rank two temperaments by badness]] | | [[List_of_31et_rank_two_temperaments_by_badness|List of 31et rank two temperaments by badness]] |
| [[List of edo-distinct 31et rank two temperaments]]
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| ||~ Generator ||~ Cents ||~ Temperaments ||~ [[Pergen]] ||
| | [[List_of_edo-distinct_31et_rank_two_temperaments|List of edo-distinct 31et rank two temperaments]] |
| || 1\31 || 38.71 || [[Slender]] || (P8, P4/13) ||
| |
| || 2\31 || 77.42 || [[Valentine]]/[[Lupercalia]] || (P8, P5/9) ||
| |
| || 3\31 || 116.13 || [[Miracle]] || (P8, P5/6) ||
| |
| || 4\31 || 154.84 || [[Nusecond]] || (P8, P11/11) ||
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| || 5\31 || 193.55 || [[Luna]]/[[Hemithirds]]/[[Hemiwürschmidt]] || (P8, WWP4/15) ||
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| || 6\31 || 232.26 || [[Mothra]]/[[Mosura]] || (P8, P5/3) ||
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| || 7\31 || 270.97 || [[Orson]]/[[Orwell]]/[[Semicomma family#Orwell-Winston|Winston]] || (P8, P12/7) ||
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| || 8\31 || 309.68 || [[Myna]] || (P8, WWP5/10) ||
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| || 9\31 || 348.39 || [[Vicentino]]/[[Mohajira]]/[[Migration]] || (P8, P5/2) ||
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| || 10\31 || 387.10 || [[Würschmidt]]/[[Worschmidt]] || (P8, WWP5/8) ||
| |
| || 11\31 || 425.81 || [[Squares]]/[[Sentinel]] || (P8, P11/4) ||
| |
| || 12\31 || 464.52 || [[Semisept]] || (P8, W<span style="vertical-align: super;">5</span>P4/14) ||
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| || 13\31 || 503.23 || [[Meantone]]/[[Meanpop]] || (P8, P5) ||
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| || 14\31 || 541.94 || [[Casablanca]]/[[Cypress]]/[[Oracle]] || (P8, W<span style="vertical-align: super;">5</span>P4/12) ||
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| || 15\31 || 580.65 || [[Tritonic]]/[[Tritoni]] || (P8, WWP4/5) ||
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| =Intervals= | | {| class="wikitable" |
| ==Selected just intervals by error== | | |- |
| | ! | Generator |
| | ! | Cents |
| | ! | Temperaments |
| | ! | [[pergen|Pergen]] |
| | |- |
| | | | 1\31 |
| | | | 38.71 |
| | | | [[Slender|Slender]] |
| | | | (P8, P4/13) |
| | |- |
| | | | 2\31 |
| | | | 77.42 |
| | | | [[Valentine|Valentine]]/[[Lupercalia|Lupercalia]] |
| | | | (P8, P5/9) |
| | |- |
| | | | 3\31 |
| | | | 116.13 |
| | | | [[Miracle|Miracle]] |
| | | | (P8, P5/6) |
| | |- |
| | | | 4\31 |
| | | | 154.84 |
| | | | [[Nusecond|Nusecond]] |
| | | | (P8, P11/11) |
| | |- |
| | | | 5\31 |
| | | | 193.55 |
| | | | [[Luna|Luna]]/[[Hemithirds|Hemithirds]]/[[Hemiwürschmidt|Hemiwürschmidt]] |
| | | | (P8, WWP4/15) |
| | |- |
| | | | 6\31 |
| | | | 232.26 |
| | | | [[Mothra|Mothra]]/[[Mosura|Mosura]] |
| | | | (P8, P5/3) |
| | |- |
| | | | 7\31 |
| | | | 270.97 |
| | | | [[Orson|Orson]]/[[Orwell|Orwell]]/[[Semicomma_family#Orwell-Winston|Winston]] |
| | | | (P8, P12/7) |
| | |- |
| | | | 8\31 |
| | | | 309.68 |
| | | | [[Myna|Myna]] |
| | | | (P8, WWP5/10) |
| | |- |
| | | | 9\31 |
| | | | 348.39 |
| | | | [[Vicentino|Vicentino]]/[[Mohajira|Mohajira]]/[[Migration|Migration]] |
| | | | (P8, P5/2) |
| | |- |
| | | | 10\31 |
| | | | 387.10 |
| | | | [[Würschmidt|Würschmidt]]/[[Worschmidt|Worschmidt]] |
| | | | (P8, WWP5/8) |
| | |- |
| | | | 11\31 |
| | | | 425.81 |
| | | | [[Squares|Squares]]/[[Sentinel|Sentinel]] |
| | | | (P8, P11/4) |
| | |- |
| | | | 12\31 |
| | | | 464.52 |
| | | | [[Semisept|Semisept]] |
| | | | (P8, W<span style="vertical-align: super;">5</span>P4/14) |
| | |- |
| | | | 13\31 |
| | | | 503.23 |
| | | | [[Meantone|Meantone]]/[[Meanpop|Meanpop]] |
| | | | (P8, P5) |
| | |- |
| | | | 14\31 |
| | | | 541.94 |
| | | | [[casablanca|Casablanca]]/[[Cypress|Cypress]]/[[Oracle|Oracle]] |
| | | | (P8, W<span style="vertical-align: super;">5</span>P4/12) |
| | |- |
| | | | 15\31 |
| | | | 580.65 |
| | | | [[Tritonic|Tritonic]]/[[Tritoni|Tritoni]] |
| | | | (P8, WWP4/5) |
| | |} |
| | |
| | =Intervals= |
| | |
| | ==Selected just intervals by error== |
| The following table shows how [[Just-24|some prominent just intervals]] are represented in 31edo (ordered by absolute error). | | The following table shows how [[Just-24|some prominent just intervals]] are represented in 31edo (ordered by absolute error). |
| ||~ Interval, complement ||~ Error (abs., in [[cent|cents]]) ||
| |
| ||= [[5_4|5/4]], [[8_5|8/5]] ||= 0.783 ||
| |
| ||= [[11_9|11/9]], [[18_11|18/11]] ||= 0.979 ||
| |
| ||= [[8_7|8/7]], [[7_4|7/4]] ||= 1.084 ||
| |
| ||= [[7_5|7/5]], [[10_7|10/7]] ||= 1.867 ||
| |
| ||= [[15_14|15/14]], [[28_15|28/15]] ||= 3.314 ||
| |
| ||= [[7_6|7/6]], [[12_7|12/7]] ||= 4.097 ||
| |
| ||= [[12_11|12/11]], [[11_6|11/6]] ||= 4.202 ||
| |
| ||= [[16_15|16/15]], [[15_8|15/8]] ||= 4.398 ||
| |
| ||= [[15_11|15/11]], [[22_15|22/15]] ||= 4.985 ||
| |
| ||= [[4_3|4/3]], [[3_2|3/2]] ||= 5.181 ||
| |
| ||= [[6_5|6/5]], [[5_3|5/3]] ||= 5.964 ||
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| ||= [[14_11|14/11]], [[11_7|11/7]] ||= 8.298 ||
| |
| ||= [[9_7|9/7]], [[14_9|14/9]] ||= 9.278 ||
| |
| ||= [[11_8|11/8]], [[16_11|16/11]] ||= 9.382 ||
| |
| ||= [[11_10|11/10]], [[20_11|20/11]] ||= 10.166 ||
| |
| ||= [[13_10|13/10]], [[20_13|20/13]] ||= 10.302 ||
| |
| ||= [[9_8|9/8]], [[16_9|16/9]] ||= 10.362 ||
| |
| ||= [[16_13|16/13]], [[13_8|13/8]] ||= 11.085 ||
| |
| ||= [[10_9|10/9]], [[9_5|9/5]] ||= 11.145 ||
| |
| ||= [[14_13|14/13]], [[13_7|13/7]] ||= 12.169 ||
| |
| ||= [[15_13|15/13]], [[26_15|26/15]] ||= 15.483 ||
| |
| ||= [[13_12|13/12]], [[24_13|24/13]] ||= 16.266 ||
| |
| ||= [[18_13|18/13]], [[13_9|13/9]] ||= 17.263 ||
| |
| ||= [[13_11|13/11]], [[22_13|22/13]] ||= 18.242 ||
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| ===1\31 octave - approx. 38.71¢ - Diesis or up-unison=== | | {| class="wikitable" |
| A single step of 31-edo is about 38.71¢. Intervals around this size are called //dieses// (singular '//diesis//'). In 31 it is equivalent to the difference between one octave and three stacked major thirds (C to E, to G#, to B#, but B# ≠ C), or four minor thirds (C to Eb to Gb to Bbb to Dbb ≠ C). In the [[11-limit]], the diesis stands in for just ratios 56:55 (31.19); 55:54 (31.77¢); 49:48 (39.70¢); 45:44 (38.91¢); 36:35 (48.77¢); 33:32 (53.27¢) and others. The diesis is a defining sound of 31edo; when it does not appear directly in a scale, it often shows up as the difference between two or more intervals of a similar size. Demonstrated in [[SpiralProgressions]]. | | |- |
| | ! | Interval, complement |
| | ! | Error (abs., in [[cent|cents]]) |
| | |- |
| | | style="text-align:center;" | [[5/4|5/4]], [[8/5|8/5]] |
| | | style="text-align:center;" | 0.783 |
| | |- |
| | | style="text-align:center;" | [[11/9|11/9]], [[18/11|18/11]] |
| | | style="text-align:center;" | 0.979 |
| | |- |
| | | style="text-align:center;" | [[8/7|8/7]], [[7/4|7/4]] |
| | | style="text-align:center;" | 1.084 |
| | |- |
| | | style="text-align:center;" | [[7/5|7/5]], [[10/7|10/7]] |
| | | style="text-align:center;" | 1.867 |
| | |- |
| | | style="text-align:center;" | [[15/14|15/14]], [[28/15|28/15]] |
| | | style="text-align:center;" | 3.314 |
| | |- |
| | | style="text-align:center;" | [[7/6|7/6]], [[12/7|12/7]] |
| | | style="text-align:center;" | 4.097 |
| | |- |
| | | style="text-align:center;" | [[12/11|12/11]], [[11/6|11/6]] |
| | | style="text-align:center;" | 4.202 |
| | |- |
| | | style="text-align:center;" | [[16/15|16/15]], [[15/8|15/8]] |
| | | style="text-align:center;" | 4.398 |
| | |- |
| | | style="text-align:center;" | [[15/11|15/11]], [[22/15|22/15]] |
| | | style="text-align:center;" | 4.985 |
| | |- |
| | | style="text-align:center;" | [[4/3|4/3]], [[3/2|3/2]] |
| | | style="text-align:center;" | 5.181 |
| | |- |
| | | style="text-align:center;" | [[6/5|6/5]], [[5/3|5/3]] |
| | | style="text-align:center;" | 5.964 |
| | |- |
| | | style="text-align:center;" | [[14/11|14/11]], [[11/7|11/7]] |
| | | style="text-align:center;" | 8.298 |
| | |- |
| | | style="text-align:center;" | [[9/7|9/7]], [[14/9|14/9]] |
| | | style="text-align:center;" | 9.278 |
| | |- |
| | | style="text-align:center;" | [[11/8|11/8]], [[16/11|16/11]] |
| | | style="text-align:center;" | 9.382 |
| | |- |
| | | style="text-align:center;" | [[11/10|11/10]], [[20/11|20/11]] |
| | | style="text-align:center;" | 10.166 |
| | |- |
| | | style="text-align:center;" | [[13/10|13/10]], [[20/13|20/13]] |
| | | style="text-align:center;" | 10.302 |
| | |- |
| | | style="text-align:center;" | [[9/8|9/8]], [[16/9|16/9]] |
| | | style="text-align:center;" | 10.362 |
| | |- |
| | | style="text-align:center;" | [[16/13|16/13]], [[13/8|13/8]] |
| | | style="text-align:center;" | 11.085 |
| | |- |
| | | style="text-align:center;" | [[10/9|10/9]], [[9/5|9/5]] |
| | | style="text-align:center;" | 11.145 |
| | |- |
| | | style="text-align:center;" | [[14/13|14/13]], [[13/7|13/7]] |
| | | style="text-align:center;" | 12.169 |
| | |- |
| | | style="text-align:center;" | [[15/13|15/13]], [[26/15|26/15]] |
| | | style="text-align:center;" | 15.483 |
| | |- |
| | | style="text-align:center;" | [[13/12|13/12]], [[24/13|24/13]] |
| | | style="text-align:center;" | 16.266 |
| | |- |
| | | style="text-align:center;" | [[18/13|18/13]], [[13/9|13/9]] |
| | | style="text-align:center;" | 17.263 |
| | |- |
| | | style="text-align:center;" | [[13/11|13/11]], [[22/13|22/13]] |
| | | style="text-align:center;" | 18.242 |
| | |} |
| | |
| | ===1\31 octave - approx. 38.71¢ - Diesis or up-unison=== |
| | A single step of 31-edo is about 38.71¢. Intervals around this size are called ''dieses'' (singular '''diesis'''). In 31 it is equivalent to the difference between one octave and three stacked major thirds (C to E, to G#, to B#, but B# ≠ C), or four minor thirds (C to Eb to Gb to Bbb to Dbb ≠ C). In the [[11-limit|11-limit]], the diesis stands in for just ratios 56:55 (31.19); 55:54 (31.77¢); 49:48 (39.70¢); 45:44 (38.91¢); 36:35 (48.77¢); 33:32 (53.27¢) and others. The diesis is a defining sound of 31edo; when it does not appear directly in a scale, it often shows up as the difference between two or more intervals of a similar size. Demonstrated in [[SpiralProgressions|SpiralProgressions]]. |
| | |
| | ===2\31 octave - approx. 77.42¢ - Minor Semitone or Chromatic Semitone or Small Minor Second or downminor 2nd=== |
| | The difference between a major and minor third. The more 'expressive' of the 'half steps,' and the larger of 31's two "microtones". In meantone, it is the ''chromatic semitone'', the interval that distinguishes major and minor intervals of the same generic interval class (eg. thirds). 2\31 stands in for just ratios 28:27 (62.96¢); 25:24 (70.67¢); 22:21 (80.54¢); 21:20 (84.45¢) and others. Generates [[Starling_temperaments#Valentine temperament|valentine temperament]] - aka [[Armodue_theory#Semi-equalized Armodue|semi-equalized Armodue]]. |
| | |
| | ====MOS Scales generated by 2\31:==== |
| | |
| | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | 15-tone ([[Maximal_evenness|ME]] or quasi-equal) |
| | | | [[1L_14s|1L 14s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 16-tone |
| | | | [[15L_1s|15L 1s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | |} |
| | |
| | ===3\31 octave - approx. 116.13¢- Major Semitone or Diatonic Semitone or Large Minor Second or minor 2nd=== |
| | The larger and clunkier of the 31edo semitones. In meantone, it is the ''diatonic semitone'' which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (119.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a ''secor'' and generates [[Gamelismic_clan|miracle temperament]]. |
| | |
| | ====MOS Scales generated by 3\31:==== |
| | |
| | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | nonatonic |
| | | | [[1L_8s|1L 8s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | decatonic (quasi-equal) |
| | | | [[9L_1s|9L 1s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 11-tone |
| | | | [[10L_1s|10L 1s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | |- |
| | | | 21-tone (Blackjack) |
| | | | [[11L_10s|11L 10s]] |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | |} |
| | |
| | ===4\31 octave - approx. 154.84¢ - Neutral Tone or Neutral Second or mid 2nd=== |
| | Exactly one half of the minor third and twice the minor semitone. 4\31 stands in for 12:11 (150.64¢); 35:32 (155.14¢); 11:10 (165.00¢) and others. Although neutral seconds are typically associated with the 11-limit, 4\31 approximates the [[7-limit|7-limit]] interval 35/32 quite well, as the 5th harmonic of the 7th harmonic or vice versa, both of which are closely approximated in 31edo. And although 31 is not extremely accurate in the 11-limit, it is notable that since 11 and 3 are both flat, the interval that distinguishes them (12/11) is only about 4.5¢ off. Generates [[Starling_temperaments|nusecond temperament]]. |
|
| |
|
| ===2\31 octave - approx. 77.42¢ - Minor Semitone or Chromatic Semitone or Small Minor Second or downminor 2nd===
| | ====MOS Scales generated by 4\31:==== |
| The difference between a major and minor third. The more 'expressive' of the 'half steps,' and the larger of 31's two "microtones". In meantone, it is the //chromatic semitone//, the interval that distinguishes major and minor intervals of the same generic interval class (eg. thirds). 2\31 stands in for just ratios 28:27 (62.96¢); 25:24 (70.67¢); 22:21 (80.54¢); 21:20 (84.45¢) and others. Generates [[Starling temperaments#Valentine%20temperament|valentine temperament]] - aka [[Armodue theory#Semi-equalized%20Armodue|semi-equalized Armodue]].
| |
| ====MOS Scales generated by 2\31:==== | |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || 15-tone ([[Maximal evenness|ME]] or quasi-equal) || [[1L 14s]] || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 3 || || ||
| |
| || 16-tone || [[15L 1s]] || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || || 1 ||
| |
|
| |
|
| ===3\31 octave - approx. 116.13¢- Major Semitone or Diatonic Semitone or Large Minor Second or minor 2nd=== | | {| class="wikitable" |
| The larger and clunkier of the 31edo semitones. In meantone, it is the //diatonic semitone// which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (119.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a //secor// and generates [[Gamelismic clan|miracle temperament]].
| | |- |
| ====MOS Scales generated by 3\31:====
| | ! | number of tones |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 || | | ! | MOS class |
| || nonatonic || [[1L 8s]] || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 7 || || || || || || || | | ! | 0 |
| || decatonic (quasi-equal) || [[9L 1s]] || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 4 || || || || | | ! | 1 |
| || 11-tone || [[10L 1s]] || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || || 1 || | | ! | 2 |
| || 21-tone (Blackjack) || [[11L 10s]] || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 1 || | | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | heptatonic |
| | | | [[1L_6s|1L 6s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | octatonic (quasi-equal) |
| | | | [[7L_1s|7L 1s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 15-tone |
| | | | [[8L_7s|8L 7s]] |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 23-tone |
| | | | [[8L_15s|8L 15s]] |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | |} |
|
| |
|
| ===4\31 octave - approx. 154.84¢ - Neutral Tone or Neutral Second or mid 2nd=== | | ===5\31 octave - approx. 193.55¢ - Whole Tone or Major Second or major 2nd=== |
| Exactly one half of the minor third and twice the minor semitone. 4\31 stands in for 12:11 (150.64¢); 35:32 (155.14¢); 11:10 (165.00¢) and others. Although neutral seconds are typically associated with the 11-limit, 4\31 approximates the [[7-limit]] interval 35/32 quite well, as the 5th harmonic of the 7th harmonic or vice versa, both of which are closely approximated in 31edo. And although 31 is not extremely accurate in the 11-limit, it is notable that since 11 and 3 are both flat, the interval that distinguishes them (12/11) is only about 4.5¢ off. Generates [[Starling temperaments|nusecond temperament]].
| | A rather smallish whole tone. Sometimes called melodically dull. As it falls between (and functions as) just whole tones 9:8 and 10:9, 5\31 is considered a "meantone". Two meantones make a near-just major third. Perhaps it is worth noting that its relative narrowness (to JI 9/8) makes it easier to distinguish from the 8/7 approximation. And although it is over 10¢ flat of 9/8, 5\31 can function as a somewhat "active" (as opposed to perfectly stable) harmonic ninth, and it can be effective in combination with the also-narrow 11th harmonic. Indeed, the 11/9 approximation is excellent. Try, for instance 31's version of a 4:6:9:11 chord (steps 0-18-36-45). Generates [[Gamelismic_clan|hemithirds temperament]] and [[Wuerschmidt_family|hermiwuerschmidt temperament]]. |
| ====MOS Scales generated by 4\31:====
| |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || heptatonic || [[1L 6s]] || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 7 || || || || || || ||
| |
| || octatonic (quasi-equal) || [[7L 1s]] || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 4 || || || || 3 || || ||
| |
| || 15-tone || [[8L 7s]] || 1 || 3 || || || 1 || 3 || || || 1 || 3 || || || 1 || 3 || || || 1 || 3 || || || 1 || 3 || || || 1 || 3 || || || 3 || || ||
| |
| || 23-tone || [[8L 15s]] || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 2 || ||
| |
|
| |
|
| ===5\31 octave - approx. 193.55¢ - Whole Tone or Major Second or major 2nd===
| | ====MOS Scales generated by 5\31:==== |
| A rather smallish whole tone. Sometimes called melodically dull. As it falls between (and functions as) just whole tones 9:8 and 10:9, 5\31 is considered a "meantone". Two meantones make a near-just major third. Perhaps it is worth noting that its relative narrowness (to JI 9/8) makes it easier to distinguish from the 8/7 approximation. And although it is over 10¢ flat of 9/8, 5\31 can function as a somewhat "active" (as opposed to perfectly stable) harmonic ninth, and it can be effective in combination with the also-narrow 11th harmonic. Indeed, the 11/9 approximation is excellent. Try, for instance 31's version of a 4:6:9:11 chord (steps 0-18-36-45). Generates [[Gamelismic clan|hemithirds temperament]] and [[Wuerschmidt family|hermiwuerschmidt temperament]].
| |
| ====MOS Scales generated by 5\31:==== | |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || hexatonic (quasi-equal) || [[1L 5s]] || 5 || || || || || 5 || || || || || 5 || || || || || 5 || || || || || 5 || || || || || 6 || || || || || ||
| |
| || heptatonic || [[6L 1s]] || 5 || || || || || 5 || || || || || 5 || || || || || 5 || || || || || 5 || || || || || 5 || || || || || 1 ||
| |
| || 13-tone || [[6L 7s]] || 4 || || || || 1 || 4 || || || || 1 || 4 || || || || 1 || 4 || || || || 1 || 4 || || || || 1 || 4 || || || || 1 || 1 ||
| |
| || 19-tone || [[6L 13s]] || 3 || || || 1 || 1 || 3 || || || 1 || 1 || 3 || || || 1 || 1 || 3 || || || 1 || 1 || 3 || || || 1 || 1 || 3 || || || 1 || 1 || 1 ||
| |
| || 25-tone || [[6L 19s]] || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 ||
| |
|
| |
|
| ===6\31 octave - approx. 232.26¢ - Supermajor Second or upmajor 2nd=== | | {| class="wikitable" |
| Exactly one half of a narrow fourth, twice a major semitone, or thrice a minor semitone. In 7-limit tonal music, 6\31 closely represents 8:7 (231.17¢). In meantone, it is a diminished third, eg. C to Ebb. Generates [[Meantone family|mothra temperament]].
| | |- |
| ====MOS Scales generated by 6\31:====
| | ! | number of tones |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| | ! | MOS class |
| || pentatonic (quasi-equal) || [[1L 4s]] || 6 || || || || || || 6 || || || || || || 6 || || || || || || 6 || || || || || || 7 || || || || || || || | | ! | 0 |
| || hexatonic || [[5L 1s]] || 6 || || || || || || 6 || || || || || || 6 || || || || || || 6 || || || || || || 6 || || || || || || 1 || | | ! | 1 |
| || 11-tone || [[5L 6s]] || 5 || || || || || 1 || 5 || || || || || 1 || 5 || || || || || 1 || 5 || || || || || 1 || 5 || || || || || 1 || 1 || | | ! | 2 |
| || 16-tone || [[5L 11s]] || 4 || || || || 1 || 1 || 4 || || || || 1 || 1 || 4 || || || || 1 || 1 || 4 || || || || 1 || 1 || 4 || || || || 1 || 1 || 1 ||
| | ! | 3 |
| || 21-tone || [[5L 16s]] || 3 || || || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 ||
| | ! | 4 |
| || 26-tone || [[5L 21s]] || 2 || || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 ||
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | hexatonic (quasi-equal) |
| | | | [[1L_5s|1L 5s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | heptatonic |
| | | | [[6L_1s|6L 1s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | |- |
| | | | 13-tone |
| | | | [[6L_7s|6L 7s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 19-tone |
| | | | [[6L_13s|6L 13s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 25-tone |
| | | | [[6L_19s|6L 19s]] |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |} |
|
| |
|
| ===7\31 octave - approx. 270.97¢ - Subminor Third or downminor 3rd=== | | ===6\31 octave - approx. 232.26¢ - Supermajor Second or upmajor 2nd=== |
| Exactly one half of a superfourth (11:8 approximation). In 7-limit tonal music, 7\31 stands in for 7:6 (266.87¢). In meantone temperament, it is an augmented 2nd, eg. C to D#. Generates [[Semicomma family|orwell temperament]]. | | Exactly one half of a narrow fourth, twice a major semitone, or thrice a minor semitone. In 7-limit tonal music, 6\31 closely represents 8:7 (231.17¢). In meantone, it is a diminished third, eg. C to Ebb. Generates [[Meantone_family|mothra temperament]]. |
| ====MOS Scales generated by 7\31:====
| |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || pentatonic || [[4L 1s]] || 7 || || || || || || || 7 || || || || || || || 7 || || || || || || || 7 || || || || || || || 3 || || ||
| |
| || nonatonic (quasi-equal; Orwell[9]) || [[4L 5s]] || 4 || || || || 3 || || || 4 || || || || 3 || || || 4 || || || || 3 || || || 4 || || || || 3 || || || 3 || || ||
| |
| || 13-tone (Orwell[13]) || [[9L 4s]] || 1 || 3 || || || 3 || || || 1 || 3 || || || 3 || || || 1 || 3 || || || 3 || || || 1 || 3 || || || 3 || || || 3 || || ||
| |
| || 22-tone (Orwell[22]) || [[9L 13s]] || 1 || 1 || 2 || || 1 || 2 || || 1 || 1 || 2 || || 1 || 2 || || 1 || 1 || 2 || || 1 || 2 || || 1 || 1 || 2 || || 1 || 2 || || 1 || 2 || ||
| |
|
| |
|
| | ====MOS Scales generated by 6\31:==== |
|
| |
|
| ===8\31 octave - approx. 309.68¢ - Minor Third=== | | {| class="wikitable" |
| A minor third, closer to the just 6:5 (315.64¢) than 12-edo, but still on the flat side. Exactly twice a neutral second, four times a minor semitone, and half of a large tritone. Generates [[Starling temperaments|myna temperament]].
| | |- |
| ====MOS Scales generated by 8\31:====
| | ! | number of tones |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| | ! | MOS class |
| || tetratonic (quasi-equal) || [[3L 1s]] || 8 || || || || || || || || 8 || || || || || || || || 8 || || || || || || || || 7 || || || || || || || | | ! | 0 |
| || heptatonic || [[4L 3s]] || 1 || 7 || || || || || || || 1 || 7 || || || || || || || 1 || 7 || || || || || || || 7 || || || || || || || | | ! | 1 |
| || 11-tone || [[4L 7s]] || 1 || 1 || 6 || || || || || || 1 || 1 || 6 || || || || || || 1 || 1 || 6 || || || || || || 1 || 6 || || || || || || | | ! | 2 |
| || 15-tone || [[4L 11s]] || 1 || 1 || 1 || 5 || || || || || 1 || 1 || 1 || 5 || || || || || 1 || 1 || 1 || 5 || || || || || 1 || 1 || 5 || || || || || | | ! | 3 |
| || 19-tone || [[4L 15s]] || 1 || 1 || 1 || 1 || 4 || || || || 1 || 1 || 1 || 1 || 4 || || || || 1 || 1 || 1 || 1 || 4 || || || || 1 || 1 || 1 || 4 || || || ||
| | ! | 4 |
| || 23-tone || [[4L 19s]] || 1 || 1 || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 || 3 || || ||
| | ! | 5 |
| || 27-tone || [[4L 23s]] || 1 || 1 || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 || 2 || ||
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | pentatonic (quasi-equal) |
| | | | [[1L_4s|1L 4s]] |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | hexatonic |
| | | | [[5L_1s|5L 1s]] |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | |- |
| | | | 11-tone |
| | | | [[5L_6s|5L 6s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 16-tone |
| | | | [[5L_11s|5L 11s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 21-tone |
| | | | [[5L_16s|5L 16s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 26-tone |
| | | | [[5L_21s|5L 21s]] |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |} |
|
| |
|
| | ===7\31 octave - approx. 270.97¢ - Subminor Third or downminor 3rd=== |
| | Exactly one half of a superfourth (11:8 approximation). In 7-limit tonal music, 7\31 stands in for 7:6 (266.87¢). In meantone temperament, it is an augmented 2nd, eg. C to D#. Generates [[Semicomma_family|orwell temperament]]. |
|
| |
|
| ===9\31 octave - approx. 348.39¢ - Neutral Third or mid 3rd===
| | ====MOS Scales generated by 7\31:==== |
| A neutral 3rd, about 1¢ away from 11:9 (347.41¢). 9\31 is half a perfect fifth (making it a suitable generator for [[mohajira|mohajira temperament]]), and also thrice a major semitone. It is closer in quality to a minor third than a major third, but indeed, it is distinct. It is 11¢ shy of 16/13 (359.47¢), suggesting a [[13-limit]] interpretation for 31edo. However, its close proximity to 11/9 makes it hard to hear it as 16/13, which in JI has a different quality (and, as a neutral third, is more "major-like" than "minor-like"). Also, its inversion, 22\31 (851.61¢) is wide of the 13th harmonic by about 11¢, which leaves the 143rd harmonic only about 2¢ wide after cancelling with the narrow 11th harmonic, while all the lower harmonics are either near-just or narrow. This means the errors can accumulate, for instance, with 13/9 (636.62¢) represented by 17\31 (658.06¢), a good 21.4¢ sharp.
| |
| ====MOS Scales generated by 9\31:==== | |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || tetratonic || [[3L 1s]] || 9 || || || || || || || || || 9 || || || || || || || || || 9 || || || || || || || || || 4 || || || ||
| |
| || heptatonic (quasi-equal) || [[3L 4s]] || 5 || || || || || 4 || || || || 5 || || || || || 4 || || || || 5 || || || || || 4 || || || || 4 || || || ||
| |
| || 10-tone || [[7L 3s]] || 1 || 4 || || || || 4 || || || || 1 || 4 || || || || 4 || || || || 1 || 4 || || || || 4 || || || || 4 || || || ||
| |
| || 17-tone || [[7L 10s]] || 1 || 1 || 3 || || || 1 || 3 || || || 1 || 1 || 3 || || || 1 || 3 || || || 1 || 1 || 3 || || || 1 || 3 || || || 1 || 3 || || ||
| |
| || 24-tone || [[7L 17s]] || 1 || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 1 || 2 || || 1 || 1 || 2 || || 1 || 1 || 2 || ||
| |
|
| |
|
| | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | pentatonic |
| | | | [[4L_1s|4L 1s]] |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | nonatonic (quasi-equal; Orwell[9]) |
| | | | [[4L_5s|4L 5s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 13-tone (Orwell[13]) |
| | | | [[9L_4s|9L 4s]] |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 22-tone (Orwell[22]) |
| | | | [[9L_13s|9L 13s]] |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | |} |
|
| |
|
| ===10\31 octave - approx. 387.10¢ - Major Third=== | | ===8\31 octave - approx. 309.68¢ - Minor Third=== |
| A near-just major 3rd (compare with 5:4 = 386.31¢). Has led to the characterization of 31-edo as "smooth". Generates [[Wuerschmidt family|wurshmidt/worshmidt temperaments]]. | | A minor third, closer to the just 6:5 (315.64¢) than 12-edo, but still on the flat side. Exactly twice a neutral second, four times a minor semitone, and half of a large tritone. Generates [[Starling_temperaments|myna temperament]]. |
| ====MOS Scales generated by 10\31:====
| |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || tritonic (quasi-equal) || [[1L 2s]] || 10 || || || || || || || || || || 10 || || || || || || || || || || 11 || || || || || || || || || || ||
| |
| || tetratonic || [[3L 1s]] || 10 || || || || || || || || || || 10 || || || || || || || || || || 10 || || || || || || || || || || 1 ||
| |
| || heptatonic || [[3L 4s]] || 9 || || || || || || || || || 1 || 9 || || || || || || || || || 1 || 9 || || || || || || || || || 1 || 1 ||
| |
| || 10-tone || [[3L 7s]] || 8 || || || || || || || || 1 || 1 || 8 || || || || || || || || 1 || 1 || 8 || || || || || || || || 1 || 1 || 1 ||
| |
| || 13-tone || [[3L 10s]] || 7 || || || || || || || 1 || 1 || 1 || 7 || || || || || || || 1 || 1 || 1 || 7 || || || || || || || 1 || 1 || 1 || 1 ||
| |
| || 16-tone || [[3L 13s]] || 6 || || || || || || 1 || 1 || 1 || 1 || 6 || || || || || || 1 || 1 || 1 || 1 || 6 || || || || || || 1 || 1 || 1 || 1 || 1 ||
| |
| || 19-tone || [[3L 16s]] || 5 || || || || || 1 || 1 || 1 || 1 || 1 || 5 || || || || || 1 || 1 || 1 || 1 || 1 || 5 || || || || || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 22-tone || [[3L 19s]] || 4 || || || || 1 || 1 || 1 || 1 || 1 || 1 || 4 || || || || 1 || 1 || 1 || 1 || 1 || 1 || 4 || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 25-tone || [[3L 22s]] || 3 || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 28-tone || [[3L 25s]] || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
|
| |
|
| ===11\31 octave - approx. 425.806¢ - Supermajor Third or upmajor 3rd===
| | ====MOS Scales generated by 8\31:==== |
| 11\31 functions as 14:11 (417.51¢), 23:18 (424.36¢), 32:25 (427.37¢), 9:7 (435.08¢) and others. In meantone temperament, it is a diminished fourth, eg. C to Fb. It is notable as closely approximating an interval of the [[23-limit]], suggesting the possibility of treating 16\31 (619.35¢) as a flat version of 23/16 (628.27¢). It is perhaps also notable for being close to 6\17, the bright major third of the ever-popular [[17edo]]. Generates [[Meantone family|squares temperament]].
| |
| ====MOS Scales generated by 11\31:==== | |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || tritonic || [[2L 1s]] || 11 || || || || || || || || || || || 11 || || || || || || || || || || || 9 || || || || || || || || ||
| |
| || pentatonic || [[3L 2s]] || 2 || || 9 || || || || || || || || || 2 || || 9 || || || || || || || || || 9 || || || || || || || || ||
| |
| || octatonic || [[3L 5s]] || 2 || || 2 || || 7 || || || || || || || 2 || || 2 || || 7 || || || || || || || 2 || || 7 || || || || || || ||
| |
| || 11-tone || [[3L 8s]] || 2 || || 2 || || 2 || || 5 || || || || || 2 || || 2 || || 2 || || 5 || || || || || 2 || || 2 || || 5 || || || || ||
| |
| || 14-tone (quasi-equal) || [[3L 11s]] || 2 || || 2 || || 2 || || 2 || || 3 || || || 2 || || 2 || || 2 || || 2 || || 3 || || || 2 || || 2 || || 2 || || 3 || || ||
| |
| || 17-tone || [[3L 14s]] || 2 || || 2 || || 2 || || 2 || || 2 || || 1 || 2 || || 2 || || 2 || || 2 || || 2 || || 2 || 1 || || 2 || || 2 || || 2 || || 1 ||
| |
|
| |
|
| | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tetratonic (quasi-equal) |
| | | | [[3L_1s|3L 1s]] |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | heptatonic |
| | | | [[4L_3s|4L 3s]] |
| | | | 1 |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 11-tone |
| | | | [[4L_7s|4L 7s]] |
| | | | 1 |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 15-tone |
| | | | [[4L_11s|4L 11s]] |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 19-tone |
| | | | [[4L_15s|4L 15s]] |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 23-tone |
| | | | [[4L_19s|4L 19s]] |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 27-tone |
| | | | [[4L_23s|4L 23s]] |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | |} |
|
| |
|
| ===12\31 octave - approx. 464.52¢ - Narrow Fourth or Subfourth or down 4th=== | | ===9\31 octave - approx. 348.39¢ - Neutral Third or mid 3rd=== |
| Exactly twice a supermajor second, thrice a neutral second, or four times a minor second. In the 7-limit, 12\31 functions as 21:16 (470.78¢). It is also quite close to the [[17-limit]] interval 17/13 (464.43¢), although 31edo does not offer up reasonable approximations of the 17th or 13th harmonics to help make this identity clear. This interval and its inversion 19\31 (735.48¢, a superfifth) are notable for being the only intervals in the 31edo octave larger than the 3\31 diatonic semitone (and smaller than its inversion, 28\31) that are not 11-limit consonances, and the only intervals in the 31edo octave that are not 15-limit consonances. Generates [[semisept]] temperament.
| | A neutral 3rd, about 1¢ away from 11:9 (347.41¢). 9\31 is half a perfect fifth (making it a suitable generator for [[Mohajira|mohajira temperament]]), and also thrice a major semitone. It is closer in quality to a minor third than a major third, but indeed, it is distinct. It is 11¢ shy of 16/13 (359.47¢), suggesting a [[13-limit|13-limit]] interpretation for 31edo. However, its close proximity to 11/9 makes it hard to hear it as 16/13, which in JI has a different quality (and, as a neutral third, is more "major-like" than "minor-like"). Also, its inversion, 22\31 (851.61¢) is wide of the 13th harmonic by about 11¢, which leaves the 143rd harmonic only about 2¢ wide after cancelling with the narrow 11th harmonic, while all the lower harmonics are either near-just or narrow. This means the errors can accumulate, for instance, with 13/9 (636.62¢) represented by 17\31 (658.06¢), a good 21.4¢ sharp. |
| ====MOS Scales generated by 12\31:====
| |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || tritonic || [[2L 1s]] || 12 || || || || || || || || || || || || 12 || || || || || || || || || || || || 7 || || || || || || ||
| |
| || pentatonic || [[3L 2s]] || 5 || || || || || 7 || || || || || || || 5 || || || || || 7 || || || || || || || 7 || || || || || || ||
| |
| || octatonic || [[5L 3s]] || 5 || || || || || 5 || || || || || 2 || || 5 || || || || || 5 || || || || || 2 || || 5 || || || || || 2 || ||
| |
| || 13-tone (quasi-equal) || [[5L 8s]] || 3 || || || 2 || || 3 || || || 2 || || 2 || || 3 || || || 2 || || 3 || || || 2 || || 2 || || 3 || || || 2 || || 2 || ||
| |
| || 18-tone || [[13L 5s]] || 1 || 2 || || 2 || || 1 || 2 || || 2 || || 2 || || 1 || 2 || || 2 || || 1 || 2 || || 2 || || 2 || || 1 || 2 || || 2 || || 2 || ||
| |
|
| |
|
| | ====MOS Scales generated by 9\31:==== |
|
| |
|
| ===13\31 octave - approx. 503.23¢ - Perfect Fourth=== | | {| class="wikitable" |
| A slightly wide perfect fourth (compare to 4:3 = 498.04¢). As such, it functions marvelously as a generator for [[meantone]] temperament.
| | |- |
| ====MOS Scales generated by 13\31:====
| | ! | number of tones |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 || | | ! | MOS class |
| || tritonic || [[2L 1s]] || 13 || || || || || || || || || || || || || 13 || || || || || || || || || || || || || 5 || || || || || | | ! | 0 |
| || pentatonic || [[2L 3s]] || 8 || || || || || || || || 5 || || || || || 8 || || || || || || || || 5 || || || || || 5 || || || || || | | ! | 1 |
| || heptatonic || [[5L 2s]] || 3 || || || 5 || || || || || 5 || || || || || 3 || || || 5 || || || || || 5 || || || || || 5 || || || || || | | ! | 2 |
| || 12-tone (quasi-equal) || [[7L 5s]] || 3 || || || 3 || || || 2 || || 3 || || || 2 || || 3 || || || 3 || || || 2 || || 3 || || || 2 || || 3 || || || 2 || || | | ! | 3 |
| || 19-tone || [[12L 7s]] || 1 || 2 || || 1 || 2 || || 2 || || 1 || 2 || || 2 || || 1 || 2 || || 1 || 2 || || 2 || || 1 || 2 || || 2 || || 1 || 2 || || 2 || || | | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tetratonic |
| | | | [[3L_1s|3L 1s]] |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | heptatonic (quasi-equal) |
| | | | [[3L_4s|3L 4s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 10-tone |
| | | | [[7L_3s|7L 3s]] |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 17-tone |
| | | | [[7L_10s|7L 10s]] |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 24-tone |
| | | | [[7L_17s|7L 17s]] |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | |} |
|
| |
|
| | ===10\31 octave - approx. 387.10¢ - Major Third=== |
| | A near-just major 3rd (compare with 5:4 = 386.31¢). Has led to the characterization of 31-edo as "smooth". Generates [[Wuerschmidt_family|wurshmidt/worshmidt temperaments]]. |
|
| |
|
| ===14\31 octave - approx. 541.94¢ - Superfourth or up 4th===
| | ====MOS Scales generated by 10\31:==== |
| Exactly twice a subminor third. Functions as both the 11:8 (551.32¢) and 15:11 (536.95¢) undecimal superfourths (121/120 is tempered out). Thus it makes possible a symmetrical tempered version of an 8:11:15 triad. As 11/8, 14\31 is about 9¢ flat; however, it fits nicely with the also-flat 9/8, allowing a near-just 11/9. Nonetheless, most 11-limit chords in 31edo have a somewhat unstable quality which distinguishes them from their just counterparts. Generates [[Starling temperaments|casablanca temperament]].
| |
| ====MOS Scales generated by 14\31:==== | |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || tritonic || [[2L 1s]] || 14 || || || || || || || || || || || || || || 14 || || || || || || || || || || || || || || 3 || || ||
| |
| || pentatonic || [[2L 3s]] || 11 || || || || || || || || || || || 3 || || || 11 || || || || || || || || || || || 3 || || || 3 || || ||
| |
| || heptatonic || [[2L 5s]] || 8 || || || || || || || || 3 || || || 3 || || || 8 || || || || || || || || 3 || || || 3 || || || 3 || || ||
| |
| || nonatonic || [[2L 7s]] || 5 || || || || || 3 || || || 3 || || || 3 || || || 5 || || || || || 3 || || || 3 || || || 3 || || || 3 || || ||
| |
| || 11-tone (quasi-equal) || [[9L 2s]] || 2 || || 3 || || || 3 || || || 3 || || || 3 || || || 2 || || 3 || || || 3 || || || 3 || || || 3 || || || 3 || || ||
| |
| || 20-tone || [[11L 9s]] || 2 || || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 || 2 || || 1 ||
| |
|
| |
|
| | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tritonic (quasi-equal) |
| | | | [[1L_2s|1L 2s]] |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | tetratonic |
| | | | [[3L_1s|3L 1s]] |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | |- |
| | | | heptatonic |
| | | | [[3L_4s|3L 4s]] |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 10-tone |
| | | | [[3L_7s|3L 7s]] |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 13-tone |
| | | | [[3L_10s|3L 10s]] |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 16-tone |
| | | | [[3L_13s|3L 13s]] |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 19-tone |
| | | | [[3L_16s|3L 16s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 22-tone |
| | | | [[3L_19s|3L 19s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 25-tone |
| | | | [[3L_22s|3L 22s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 28-tone |
| | | | [[3L_25s|3L 25s]] |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |} |
|
| |
|
| ===15\31 octave - approx. 580.65¢ - Small Tritone or Augmented 4th or Subdiminished Fifth or downdim 5th=== | | ===11\31 octave - approx. 425.806¢ - Supermajor Third or upmajor 3rd=== |
| In 7-limit tonal music, functions quite well as 7:5 (582.51¢). Exactly thrice a whole tone. Generates [[tritonic]] temperament.
| | 11\31 functions as 14:11 (417.51¢), 23:18 (424.36¢), 32:25 (427.37¢), 9:7 (435.08¢) and others. In meantone temperament, it is a diminished fourth, eg. C to Fb. It is notable as closely approximating an interval of the [[23-limit|23-limit]], suggesting the possibility of treating 16\31 (619.35¢) as a flat version of 23/16 (628.27¢). It is perhaps also notable for being close to 6\17, the bright major third of the ever-popular [[17edo|17edo]]. Generates [[Meantone_family|squares temperament]]. |
| ====MOS Scales generated by 15\31:====
| |
| ||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
| |
| || tritonic || [[2L 1s]] || 15 || || || || || || || || || || || || || || || 15 || || || || || || || || || || || || || || || 1 ||
| |
| || pentatonic || [[2L 3s]] || 14 || || || || || || || || || || || || || || 1 || 14 || || || || || || || || || || || || || || 1 || 1 ||
| |
| || heptatonic || [[2L 5s]] || 13 || || || || || || || || || || || || || 1 || 1 || 13 || || || || || || || || || || || || || 1 || 1 || 1 ||
| |
| || nonatonic || [[2L 7s]] || 12 || || || || || || || || || || || || 1 || 1 || 1 || 12 || || || || || || || || || || || || 1 || 1 || 1 || 1 ||
| |
| || 11-tone || [[2L 9s]] || 11 || || || || || || || || || || || 1 || 1 || 1 || 1 || 11 || || || || || || || || || || || 1 || 1 || 1 || 1 || 1 ||
| |
| || 13-tone || [[2L 11s]] || 10 || || || || || || || || || || 1 || 1 || 1 || 1 || 1 || 10 || || || || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 15-tone || [[2L 13s]] || 9 || || || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 9 || || || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 17-tone || [[2L 15s]] || 8 || || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 8 || || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 19-tone || [[2L 17s]] || 7 || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 7 || || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 21-tone || [[2L 19s]] || 6 || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 6 || || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 23-tone || [[2L 21s]] || 5 || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 5 || || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 25-tone || [[2L 23s]] || 4 || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 4 || || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 27-tone || [[2L 25s]] || 3 || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 3 || || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
| || 29-tone || [[2L 27s]] || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 2 || || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 || 1 ||
| |
|
| |
|
| ===16\31 Large Tritone or dim 5th=== | | ====MOS Scales generated by 11\31:==== |
|
| |
|
| Etc.
| | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tritonic |
| | | | [[2L_1s|2L 1s]] |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | pentatonic |
| | | | [[3L_2s|3L 2s]] |
| | | | 2 |
| | | | |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | octatonic |
| | | | [[3L_5s|3L 5s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 11-tone |
| | | | [[3L_8s|3L 8s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 14-tone (quasi-equal) |
| | | | [[3L_11s|3L 11s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 17-tone |
| | | | [[3L_14s|3L 14s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | 1 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | |} |
| | |
| | ===12\31 octave - approx. 464.52¢ - Narrow Fourth or Subfourth or down 4th=== |
| | Exactly twice a supermajor second, thrice a neutral second, or four times a minor second. In the 7-limit, 12\31 functions as 21:16 (470.78¢). It is also quite close to the [[17-limit|17-limit]] interval 17/13 (464.43¢), although 31edo does not offer up reasonable approximations of the 17th or 13th harmonics to help make this identity clear. This interval and its inversion 19\31 (735.48¢, a superfifth) are notable for being the only intervals in the 31edo octave larger than the 3\31 diatonic semitone (and smaller than its inversion, 28\31) that are not 11-limit consonances, and the only intervals in the 31edo octave that are not 15-limit consonances. Generates [[Semisept|semisept]] temperament. |
|
| |
|
| =Notation= | | ====MOS Scales generated by 12\31:==== |
|
| |
|
| 31edo can be notated with [[ups and downs notation]] like so:
| | {| class="wikitable" |
| ||= 0 ||= 1 ||= 2 ||= 3 ||= 4 ||= 5 ||= 6 ||= 7 ||= 8 ||= 9 ||= 10 ||= 11 ||= 12 ||= 13 ||= 14 ||= 15 ||= 16 ||= 17 ||= 18 ||= 19 ||= 20 ||= 21 ||= 22 ||= 23 ||= 24 ||= 25 ||= 26 ||= 27 ||= 28 ||= 29 ||= 30 ||= 31 || | | |- |
| ||= P1 ||= ^P1 | | ! | number of tones |
| d2 ||= A1
| | ! | MOS class |
| vm2 ||= m2 ||= ~2 ||= M2 ||= ^M2
| | ! | 0 |
| d3 ||= A2
| | ! | 1 |
| vm3 ||= m3 ||= ~3 ||= M3 ||= ^M3
| | ! | 2 |
| d4 ||= A3
| | ! | 3 |
| v4 ||= P4 ||= ^4 ||= A4 ||= d5 ||= v5 ||= P5 ||= ^5
| | ! | 4 |
| d6 ||= A5
| | ! | 5 |
| vm6 ||= m6 ||= ~6 ||= M6 ||= ^M6
| | ! | 6 |
| d7 ||= A6
| | ! | 7 |
| vm7 ||= m7 ||= ~7 ||= M7 ||= ^M7
| | ! | 8 |
| d8 ||= A7
| | ! | 9 |
| v8 ||= P8 ||
| | ! | 10 |
| ^ = up, v = down, ~ = mid
| | ! | 11 |
| vm2 = downminor 2nd, ~2 = mid 2nd, ^M2 = upmajor 2nd, etc.
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tritonic |
| | | | [[2L_1s|2L 1s]] |
| | | | 12 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 12 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | pentatonic |
| | | | [[3L_2s|3L 2s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | octatonic |
| | | | [[5L_3s|5L 3s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | |- |
| | | | 13-tone (quasi-equal) |
| | | | [[5L_8s|5L 8s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | |- |
| | | | 18-tone |
| | | | [[13L_5s|13L 5s]] |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | |} |
|
| |
|
| ||= 0 ||= 1 ||= 2 ||= 3 ||= 4 ||= 5 ||= 6 ||= 7 ||= 8 ||= 9 ||= 10 ||= 11 ||= 12 ||= 13 ||= 14 ||= 15 ||= 16 ||= 17 ||= 18 ||= 19 ||= 20 ||= 21 ||= 22 ||= 23 ||= 24 ||= 25 ||= 26 ||= 27 ||= 28 ||= 29 ||= 30 ||= 31 ||
| | ===13\31 octave - approx. 503.23¢ - Perfect Fourth=== |
| ||= C ||= C^ ||= C#
| | A slightly wide perfect fourth (compare to 4:3 = 498.04¢). As such, it functions marvelously as a generator for [[Meantone|meantone]] temperament. |
| Dbv ||= C#^
| |
| Db ||= Dv ||= D ||= D^ ||= D#
| |
| Ebv ||= D#^
| |
| Eb ||= Ev ||= E ||= E^
| |
| Fb ||= E#
| |
| Fv ||= F ||= F^ ||= F#
| |
| Gbv ||= F#^
| |
| Gb ||= Gv ||= G ||= G^ ||= G#
| |
| Abv ||= G#^
| |
| Ab ||= Av ||= A ||= A^ ||= A#
| |
| Bbv ||= A#^
| |
| Bb ||= Bv ||= B ||= B^
| |
| Cb ||= B#
| |
| Cv ||= C ||
| |
|
| |
|
| Combining ups and downs notation with [[Kite's color notation|color notation]], qualities can be loosely associated with colors:
| | ====MOS Scales generated by 13\31:==== |
| ||~ quality ||~ color ||~ monzo format ||~ examples ||
| |
| ||= downminor ||= blue ||= {a, b, 0, 1} ||= 7/6, 7/4 ||
| |
| ||= minor ||= fourthward white ||= {a, b}, b < -1 ||= 32/27, 16/9 ||
| |
| ||= " ||= green ||= {a, b, -1} ||= 6/5, 9/5 ||
| |
| ||= mid ||= jade ||= {a, b, 0, 0, 1} ||= 11/9, 11/6 ||
| |
| ||= " ||= amber ||= {a, b, 0, 0, -1} ||= 12/11, 18/11 ||
| |
| ||= major ||= yellow ||= {a, b, 1} ||= 5/4, 5/3 ||
| |
| ||= " ||= fifthward white ||= {a, b}, b > 1 ||= 9/8, 27/16 ||
| |
| ||= upmajor ||= red ||= {a, b, 0, -1} ||= 9/7, 12/7 ||
| |
| All 31edo chords can be named using ups and downs. Here are the blue, green, jade, yellow and red triads:
| |
| ||~ color of the 3rd ||~ JI chord ||~ notes as edosteps ||~ notes of C chord ||~ written name ||~ spoken name ||
| |
| ||= blue ||= 6:7:9 ||= 0-7-18 ||= C Ebv G ||= C.vm ||= C downminor ||
| |
| ||= green ||= 10:12:15 ||= 0-8-18 ||= C Eb G ||= Cm ||= C minor ||
| |
| ||= jade ||= 18:22:27 ||= 0-9-18 ||= C Ev G ||= C~ ||= C mid ||
| |
| ||= yellow ||= 4:5:6 ||= 0-10-18 ||= C E G ||= C ||= C major or C ||
| |
| ||= red ||= 14:18:27 ||= 0-11-18 ||= C E^ G ||= C.^ ||= C upmajor or C dot up ||
| |
| For a more complete list, see [[xenharmonic/Ups and Downs Notation#Chord%20names%20in%20other%20EDOs|Ups and Downs Notation - Chord names in other EDOs]].
| |
|
| |
|
| =Harmonic Scale= | | {| class="wikitable" |
| 31edo approximates Mode 8 of the [[OverToneSeries|harmonic series]] O.K., but many intervals between the harmonics aren't distinguished, most importantly 9/8 (major tone) and 10/9 (minor tone), as 31EDO is a meantone temperament. The interval between the 8th and 11th harmonics is approximated O.K., but the intervals between the 11th harmonic and closer harmonics such as the 12th and 9th harmonics are approximated even better. 31's version of 13/8 is quite wide and only vaguely suggests the [[13-limit]].
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tritonic |
| | | | [[2L_1s|2L 1s]] |
| | | | 13 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 13 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | pentatonic |
| | | | [[2L_3s|2L 3s]] |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | heptatonic |
| | | | [[5L_2s|5L 2s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | |- |
| | | | 12-tone (quasi-equal) |
| | | | [[7L_5s|7L 5s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | |- |
| | | | 19-tone |
| | | | [[12L_7s|12L 7s]] |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | |} |
|
| |
|
| || Overtones in "Mode 8": || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 ||
| | ===14\31 octave - approx. 541.94¢ - Superfourth or up 4th=== |
| || ...as JI Ratio from 1/1: || 1/1 || 9/8 || 5/4 || 11/8 || 3/2 || 13/8 || 7/4 || 15/8 || 2/1 ||
| | Exactly twice a subminor third. Functions as both the 11:8 (551.32¢) and 15:11 (536.95¢) undecimal superfourths (121/120 is tempered out). Thus it makes possible a symmetrical tempered version of an 8:11:15 triad. As 11/8, 14\31 is about 9¢ flat; however, it fits nicely with the also-flat 9/8, allowing a near-just 11/9. Nonetheless, most 11-limit chords in 31edo have a somewhat unstable quality which distinguishes them from their just counterparts. Generates [[Starling_temperaments|casablanca temperament]]. |
| || ...in cents: || 0 || 203.9 || 386.3 || 551.3 || 702.0 || 840.5 || 968.8 || 1088.3 || 1200.0 ||
| |
| || Nearest degree of 31edo: || 0 || 5 || 10 || 14 || 18 || 22 || 25 || 28 || 31 ||
| |
| || ...in cents: || 0 || 193.5 || 387.1 || 541.9 || 696.8 || 851.6 || 967.7 || 1083.9 || 1200.0 ||
| |
|
| |
|
| In mode 16, the most closely-matched harmonics are the composite ones, 21 and 25. Of the other harmonics:
| | ====MOS Scales generated by 14\31:==== |
|
| |
|
| * 17 is sharp, like 13. In fact, the 17:13 ratio is matched within a tenth of a cent.
| | {| class="wikitable" |
| * 19 is also sharp, like 13 and 17. The 19:17 ratio is about one cent sharp.
| | |- |
| * 23 is about as flat as 11. The chromatic semitone is about half a cent off from 23:22. 31edo could be considered a tuning of the 2.3.5.7.11.23 subset, on which it is consistent.
| | ! | number of tones |
| * 27 is quite flat, as it's 3^3 and the error from the meantone fifths accumulates.
| | ! | MOS class |
| * 29 and 31 are both //very// sharp, and intervals involving them are unlikely to play any major role.
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tritonic |
| | | | [[2L_1s|2L 1s]] |
| | | | 14 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 14 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | pentatonic |
| | | | [[2L_3s|2L 3s]] |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | heptatonic |
| | | | [[2L_5s|2L 5s]] |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | nonatonic |
| | | | [[2L_7s|2L 7s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 11-tone (quasi-equal) |
| | | | [[9L_2s|9L 2s]] |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 2 |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | | | 3 |
| | | | |
| | | | |
| | |- |
| | | | 20-tone |
| | | | [[11L_9s|11L 9s]] |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | |} |
|
| |
|
| || Odd overtones in "Mode 16": || 17 || 19 || 21 || 23 || 25 || 27 || 29 || 31 ||
| | ===15\31 octave - approx. 580.65¢ - Small Tritone or Augmented 4th or Subdiminished Fifth or downdim 5th=== |
| || ...as JI Ratio from 1/1: || 17/16 || 19/16 || 21/16 || 23/16 || 25/16 || 27/16 || 29/16 || 31/16 ||
| | In 7-limit tonal music, functions quite well as 7:5 (582.51¢). Exactly thrice a whole tone. Generates [[Tritonic|tritonic]] temperament. |
| || ...in cents: || 105.0 || 297.5 || 470.8 || 628.3 || 772.6 || 905.9 || 1029.6 || 1145.0 ||
| |
| || Nearest degree of 31edo: || 3 || 8 || 12 || 16 || 20 || 23 || 27 || 30 ||
| |
| || ...in cents: || 116.1 || 309.7 || 464.5 || 619.4 || 774.2 || 890.3 || 1045.1 || 1161.3 ||
| |
|
| |
|
| =Commas= | | ====MOS Scales generated by 15\31:==== |
| 31 EDO tempers out the following commas. (Note: This assumes the val < 31 49 72 87 107 115 |, comma values rounded to 5 significant digits.)
| |
| ||~ Ratio ||~ Monzo ||~ Value (Cents) ||~ Name 1 ||~ Name 2 ||~ Name 3 ||
| |
| ||= 34171875/33554432 ||< | -25 7 6 > ||> 31.567 ||= [[ampersand|Ampersand's Comma]] ||= ||= ||
| |
| ||= 81/80 ||< | -4 4 -1 > ||> 21.506 ||= [[Syntonic Comma]] ||= Didymos Comma ||= Meantone Comma ||
| |
| ||= 393216/390625 ||< | 17 1 -8 > ||> 11.445 ||= [[Würschmidt comma|Würschmidt Comma]] ||= ||= ||
| |
| ||= 2109375/2097152 ||< | -21 3 7 > ||> 10.061 ||= [[semicomma|Semicomma]] ||= Fokker Comma ||= ||
| |
| ||= 6719816/6714445 ||< | 38 -2 -15 > ||> 1.3843 ||= Hemithirds Comma ||= ||= ||
| |
| ||= 9859966/9733137 ||< | -10 7 8 -7 > ||> 22.413 ||= Blackjackisma ||= ||= ||
| |
| ||= 64827/64000 ||< | -9 3 -3 4 > ||> 22.227 ||= Squalentine ||= ||= ||
| |
| ||= 2430/2401 ||< | 1 5 1 -4 > ||> 20.785 ||= Nuwell ||= ||= ||
| |
| ||= 50421/50000 ||< | -4 1 -5 5 > ||> 14.516 ||= Trimyna ||= ||= ||
| |
| ||= 126/125 ||< | 1 2 -3 1 > ||> 13.795 ||= [[126_125|Septimal Semicomma]] ||= Starling Comma ||= ||
| |
| ||= 1728/1715 ||< | 6 3 -1 -3 > ||> 13.074 ||= Orwellisma ||= Orwell Comma ||= ||
| |
| ||= 1029/1024 ||< | -10 1 0 3 > ||> 8.4327 ||= Gamelisma ||= ||= ||
| |
| ||= 225/224 ||< | -5 2 2 -1 > ||> 7.7115 ||= [[225_224|Septimal Kleisma]] ||= Marvel Comma ||= ||
| |
| ||= 16875/16807 ||< | 0 3 4 -5 > ||> 6.9903 ||= Mirkwai ||= ||= ||
| |
| ||= 3136/3125 ||< | 6 0 -5 2 > ||> 6.0832 ||= Hemimean ||= ||= ||
| |
| ||= 6144/6125 ||< | 11 1 -3 -2 > ||> 5.3621 ||= Porwell ||= ||= ||
| |
| ||= 1065875/1063543 ||< | -26 -1 1 9 > ||> 3.7919 ||= Wadisma ||= ||= ||
| |
| ||= 65625/65536 ||< | -16 1 5 1 > ||> 2.3495 ||= Horwell ||= ||= ||
| |
| ||= 703125/702464 ||< | -11 2 7 -3 > ||> 1.6283 ||= Meter ||= ||= ||
| |
| ||= 2401/2400 ||< | -5 -1 -2 4 > ||> 0.72120 ||= Breedsma ||= ||= ||
| |
| ||= 99/98 ||< | -1 2 0 -2 1 > ||> 17.576 ||= Mothwellsma ||= ||= ||
| |
| ||= 121/120 ||< | -3 -1 -1 0 2 > ||> 14.367 ||= Biyatisma ||= ||= ||
| |
| ||= 176/175 ||< | 4 0 -2 -1 1 > ||> 9.8646 ||= Valinorsma ||= ||= ||
| |
| ||= 243/242 ||< | -1 5 0 0 -2 > ||> 7.1391 ||= Rastma ||= ||= ||
| |
| ||= 385/384 ||< | -7 -1 1 1 1 > ||> 4.5026 ||= [[385_384|Keenanisma]] ||= ||= ||
| |
| ||= 441/440 ||< | -3 2 -1 2 -1 > ||> 3.9302 ||= Werckisma ||= ||= ||
| |
| ||= 540/539 ||< | 2 3 1 -2 -1 > ||> 3.2090 ||= Swetisma ||= ||= ||
| |
| ||= 3025/3024 ||< | -4 -3 2 -1 2 > ||> 0.57240 ||= Lehmerisma ||= ||= ||
| |
|
| |
|
| =Modes= | | {| class="wikitable" |
| | |- |
| | ! | number of tones |
| | ! | MOS class |
| | ! | 0 |
| | ! | 1 |
| | ! | 2 |
| | ! | 3 |
| | ! | 4 |
| | ! | 5 |
| | ! | 6 |
| | ! | 7 |
| | ! | 8 |
| | ! | 9 |
| | ! | 10 |
| | ! | 11 |
| | ! | 12 |
| | ! | 13 |
| | ! | 14 |
| | ! | 15 |
| | ! | 16 |
| | ! | 17 |
| | ! | 18 |
| | ! | 19 |
| | ! | 20 |
| | ! | 21 |
| | ! | 22 |
| | ! | 23 |
| | ! | 24 |
| | ! | 25 |
| | ! | 26 |
| | ! | 27 |
| | ! | 28 |
| | ! | 29 |
| | ! | 30 |
| | |- |
| | | | tritonic |
| | | | [[2L_1s|2L 1s]] |
| | | | 15 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 15 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | |- |
| | | | pentatonic |
| | | | [[2L_3s|2L 3s]] |
| | | | 14 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 14 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | heptatonic |
| | | | [[2L_5s|2L 5s]] |
| | | | 13 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 13 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | nonatonic |
| | | | [[2L_7s|2L 7s]] |
| | | | 12 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 12 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 11-tone |
| | | | [[2L_9s|2L 9s]] |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 11 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 13-tone |
| | | | [[2L_11s|2L 11s]] |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 10 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 15-tone |
| | | | [[2L_13s|2L 13s]] |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 9 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 17-tone |
| | | | [[2L_15s|2L 15s]] |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 8 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 19-tone |
| | | | [[2L_17s|2L 17s]] |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 7 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 21-tone |
| | | | [[2L_19s|2L 19s]] |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 6 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 23-tone |
| | | | [[2L_21s|2L 21s]] |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 5 |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 25-tone |
| | | | [[2L_23s|2L 23s]] |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 4 |
| | | | |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 27-tone |
| | | | [[2L_25s|2L 25s]] |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 3 |
| | | | |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |- |
| | | | 29-tone |
| | | | [[2L_27s|2L 27s]] |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 2 |
| | | | |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | | | 1 |
| | |} |
|
| |
|
| A large open list of modes (subsets) from 31edo that people have named: [[31edo modes]]. [[http://en.wikipedia.org/wiki/Rothenberg_propriety|Strictly proper]] [[Strictly proper 7-note 31edo scales|7-note 31edo scales]] in the sense of [[David Rothenberg]]. Interesting (to somebody) [[9-note 31edo scales]]. See also [[31edo MOS scales]]. Some of the popular ones:
| | ===16\31 Large Tritone or dim 5th=== |
|
| |
|
| * 31-tone major: 5 5 3 5 5 5 3
| | Etc. |
| * Meantone[12] (Eb-G#): 2 3 3 2 3 2 3 2 3 3 2 3
| |
| * Harmonic scale 8: 5 5 4 4 4 3 3 3
| |
| * the [[Euler-Fokker genera]] (technically [[JI]] but representable in 31)
| |
|
| |
|
| |||| ====Some 31 tone equal modes:==== ||
| | =Notation= |
| || {{**2 3 3 2 3 2 3 2 3 3 2 3**}} || Meantone Chromatic (53/220-comma) ||
| |
| || {{**5 5 3 5 5 5 3**}} || Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian ||
| |
| || {{**5 3 5 5 3 5 5**}} || Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian ||
| |
| || {{**5 3 5 5 5 5 3**}} || Thirty-one tone Melodic Minor ||
| |
| || {{**5 3 5 5 3 7 3**}} || Thirty-one tone Harmonic Minor ||
| |
| || {{**5 5 3 5 3 7 3**}} || Thirty-one tone Harmonic Major ||
| |
| || {{**5 5 3 5 3 5 5**}} || Thirty-one tone Major-Minor ||
| |
| || {{**5 8 5 13**}} || Genus primum ||
| |
| || {{**10 3 5 5 5 3**}} || Genus secundum ||
| |
| || {{**8 2 8 3 7 3**}} || Genus tertium ||
| |
| || {{**10 10 10 1**}} || Genus quartum ||
| |
| || {{**5 7 6 7 5 1**}} || Genus quintum ||
| |
| || {{**4 6 2 6 4 3 3 3**}} || Genus sextum ||
| |
| || {{**4 6 5 6 4 6**}} || Genus septimum ||
| |
| || {{**6 6 6 1 6 6**}} || Genus octavum ||
| |
| || {{**4 6 9 6 4 2**}} || Genus nonum ||
| |
| || {{**13 6 6 6**}} || Genus decimum ||
| |
| || {{**5 5 3 5 5 3 2 3**}} || Genus diatonicum ||
| |
| || {{**3 5 2 3 5 3 2 5 3**}} || Genus chromaticum ||
| |
| || {{**5 5 2 1 5 5 2 3 3**}} || Genus diatonicum cum septimis ||
| |
| || {{**3 4 3 3 2 1 4 1 4 1 2 3**}} || Genus enharmonicum vocale ||
| |
| || {{**2 2 4 2 2 3 3 3 1 3 3 3**}} || Genus enharmonicum instrumentale ||
| |
| || {{**3 2 3 2 3 2 3 3 2 3 2 3**}} || Genus diatonico-chromaticum ||
| |
| || {{**5 2 1 2 5 3 2 1 4 1 2 3**}} || Genus bichromaticum ||
| |
| || {{**4 4 5 4 4 5 5**}} || Neutral Diatonic Mixolydian ||
| |
| || {{**4 5 4 4 5 5 4**}} || Neutral Diatonic Lydian ||
| |
| || {{**5 4 4 5 5 4 4**}} || Neutral Diatonic Phrygian ||
| |
| || {{**4 4 5 5 4 4 5**}} || Neutral Diatonic Dorian ||
| |
| || {{**4 5 5 4 4 5 4**}} || Neutral Diatonic Hypolydian ||
| |
| || {{**5 5 4 4 5 4 4**}} || Neutral Diatonic Hypophrygian ||
| |
| || {{**5 4 4 5 4 4 5**}} || Neutral Diatonic Hypodorian ||
| |
| || {{**4 5 4 4 5 4 5**}} || Neutral Mixolydian ||
| |
| || {{**5 4 4 5 4 5 4**}} || Neutral Lydian ||
| |
| || {{**4 4 5 4 5 4 5**}} || Neutral Phrygian ||
| |
| || {{**4 5 4 5 4 5 4**}} || Neutral Dorian ||
| |
| || {{**5 4 5 4 5 4 4**}} || Neutral Hypolydian ||
| |
| || {{**4 5 4 5 4 4 5**}} || Neutral Hypophrygian ||
| |
| || {{**5 4 5 4 4 5 4**}} || Neutral Hypodorian ||
| |
| || {{**2 2 9 2 2 9 5**}} || Hemiolic Chromatic Mixolydian ||
| |
| || {{**2 9 2 2 9 5 2**}} || Hemiolic Chromatic Lydian ||
| |
| || {{**9 2 2 9 5 2 2**}} || Hemiolic Chromatic Phrygian ||
| |
| || {{**2 2 9 5 2 2 9**}} || Hemiolic Chromatic Dorian ||
| |
| || {{**2 9 5 2 2 9 2**}} || Hemiolic Chromatic Hypolydian ||
| |
| || {{**9 5 2 2 9 2 2**}} || Hemiolic Chromatic Hypophrygian ||
| |
| || {{**5 2 2 9 2 2 9**}} || Hemiolic Chromatic Hypodorian ||
| |
| || {{**2 3 8 2 3 8 5**}} || Ratio 2:3 Chromatic Mixolydian ||
| |
| || {{**3 8 2 3 8 5 2**}} || Ratio 2:3 Chromatic Lydian ||
| |
| || {{**8 2 3 8 5 2 3**}} || Ratio 2:3 Chromatic Phrygian ||
| |
| || {{**2 3 8 5 2 3 8**}} || Ratio 2:3 Chromatic Dorian ||
| |
| || {{**3 8 5 2 3 8 2**}} || Ratio 2:3 Chromatic Hypolydian ||
| |
| || {{**8 5 2 3 8 2 3**}} || Ratio 2:3 Chromatic Hypophrygian ||
| |
| || {{**5 2 3 8 2 3 8**}} || Ratio 2:3 Chromatic Hypodorian ||
| |
| || {{**3 5 5 3 5 5 5**}} || Intense Diatonic Mixolydian, M.Locrian ||
| |
| || {{**5 3 5 5 5 3 5**}} || Intense Diatonic Phrygian, M.Dorian ||
| |
| || {{**3 5 5 5 3 5 5**}} || Intense Diatonic Dorian, M.Phrygian ||
| |
| || {{**5 5 5 3 5 5 3**}} || Intense Diatonic Hypolydian, M.Lydian ||
| |
| || {{**5 5 3 5 5 3 5**}} || Intense Diatonic Hypophrygian, M.Mixolydian ||
| |
| || {{**2 5 6 2 5 6 5**}} || Soft Diatonic Mixolydian ||
| |
| || {{**5 6 2 5 6 5 2**}} || Soft Diatonic Lydian ||
| |
| || {{**6 2 5 6 5 2 5**}} || Soft Diatonic Phrygian ||
| |
| || {{**2 5 6 5 2 5 6**}} || Soft Diatonic Dorian ||
| |
| || {{**5 6 5 2 5 6 2**}} || Soft Diatonic Hypolydian ||
| |
| || {{**6 5 2 5 6 2 5**}} || Soft Diatonic Hypophrygian ||
| |
| || {{**5 2 5 6 2 5 6**}} || Soft Diatonic Hypodorian ||
| |
| || {{**1 2 10 1 2 10 5**}} || Enharmonic Mixolydian ||
| |
| || {{**2 10 1 2 10 5 1**}} || Enharmonic Lydian ||
| |
| || {{**10 1 2 10 5 1 2**}} || Enharmonic Phrygian ||
| |
| || {{**1 2 10 5 1 2 10**}} || Enharmonic Dorian ||
| |
| || {{**2 10 5 1 2 10 1**}} || Enharmonic Hypolydian ||
| |
| || {{**10 5 1 2 10 1 2**}} || Enharmonic Hypophrygian ||
| |
| || {{**5 1 2 10 1 2 10**}} || Enharmonic Hypodorian ||
| |
| || {{**6 6 7 6 6**}} || Quasi-equal Pentatonic ||
| |
| || {{**3 2 2 3 3 2 3 3 2 2 3 3**}} || Fokker 12-tone ||
| |
| || {{**5 3 5 3 5 2 5 3**}} || Modus conjunctus ||
| |
| || {{**3 5 2 5 3 5 3 5**}} || Octatonic ||
| |
| || {{**3 3 4 3 5 3 4 3 3**}} || Hahn symmetric pentachordal ||
| |
| || {{**3 4 3 3 5 3 4 3 3**}} || Hahn pentachordal ||
| |
| || {{**4 4 2 5 3 3 4 3 3**}} || Hahn Nonatonic ||
| |
| || {{**5 1 5 1 5 1 5 1 5 1 1**}} || de Vries 11-tone ||
| |
| || {{**4 1 4 4 4 1 4 4 1 4**}} || Breed 10-tone ||
| |
| || {{**4 2 4 2 4 2 4 3 3 3**}} || Lumma Decatonic ||
| |
| || {{**5 3 3 3 3 5 3 3 3**}} || Rothenberg Generalized Diatonic ||
| |
| || {{**5 2 6 5 2 5 6**}} || "Septimal" Natural Minor ||
| |
| || {{**4 3 4 3 4 3 4 3 3**}} || Thirty-one tone Orwell ||
| |
| || {{**2 5 2 2 5 2 2 2 5 2 2**}} || Secor Sentinel ||
| |
|
| |
|
| =Music in 31-edo=
| | 31edo can be notated with [[Ups_and_Downs_Notation|ups and downs notation]] like so: |
| [[31-edo compositions|An alphabetical list of Tricesimoprimal Compositions]]. | |
|
| |
|
| [[http://archive.org/download/Aire2In31-equalTemperament/Aire2In31.mp3|Aire #2 in 31-equal temperament]] by [[Jon Lyle Smith]]
| | {| class="wikitable" |
| [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3|I Stand Hopeless Before the Gray Sea]] by Chuckles McGee
| | |- |
| [[http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3|Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)]] by [[Claudi Meneghin]]
| | | style="text-align:center;" | 0 |
| [[earwig]] by [[Andrew Heathwaite]]
| | | style="text-align:center;" | 1 |
| [[https://www.youtube.com/watch?v=r1mat9f1DZ0|Fanfare and Toccata]] by [[Juhani Nuorvala]]
| | | style="text-align:center;" | 2 |
| by Johann alias circular17: [[@https://www.youtube.com/watch?v=BBC8wiguN1A&index=5&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN|Curieuse planète]], [[@https://www.youtube.com/watch?v=8PdJgmDJwu4&index=4&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN|Heal]], [[@https://www.youtube.com/watch?v=j5eno0ejH0Y&index=2&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN|Wave from the past]], [[@https://www.youtube.com/watch?v=fyPtr24qBd8&index=1&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN|Deep but not too much]].
| | | style="text-align:center;" | 3 |
| [[https://www.youtube.com/watch?v=zZv-jUCynRU|Orphanage of the Dutch Music IX: Sonate no. II in the 31-tone temperament - YouTube]]
| | | style="text-align:center;" | 4 |
| [[https://soundcloud.com/camtaylor-1/enharmonic-melody-for-guitar|Enharmonic melody for guitar]] by Cam Taylor
| | | style="text-align:center;" | 5 |
| [[https://soundcloud.com/camtaylor-1/what-use-is-a-boy|What use is a boy]] by Cam Taylor
| | | style="text-align:center;" | 6 |
| [[https://soundcloud.com/camtaylor-1/back-to-31-hyperchromatic|Back to 31: Hyperchromatic progression on C^]] by Cam Taylor
| | | style="text-align:center;" | 7 |
| == == | | | style="text-align:center;" | 8 |
| ==Thirty-one tone pedagogy==
| | | style="text-align:center;" | 9 |
| | | style="text-align:center;" | 10 |
| | | style="text-align:center;" | 11 |
| | | style="text-align:center;" | 12 |
| | | style="text-align:center;" | 13 |
| | | style="text-align:center;" | 14 |
| | | style="text-align:center;" | 15 |
| | | style="text-align:center;" | 16 |
| | | style="text-align:center;" | 17 |
| | | style="text-align:center;" | 18 |
| | | style="text-align:center;" | 19 |
| | | style="text-align:center;" | 20 |
| | | style="text-align:center;" | 21 |
| | | style="text-align:center;" | 22 |
| | | style="text-align:center;" | 23 |
| | | style="text-align:center;" | 24 |
| | | style="text-align:center;" | 25 |
| | | style="text-align:center;" | 26 |
| | | style="text-align:center;" | 27 |
| | | style="text-align:center;" | 28 |
| | | style="text-align:center;" | 29 |
| | | style="text-align:center;" | 30 |
| | | style="text-align:center;" | 31 |
| | |- |
| | | style="text-align:center;" | P1 |
| | | style="text-align:center;" | ^P1 |
|
| |
|
| The [[MicroPedagogyCollective]] is currently at work producing demonstrative material which will encourage and enable more people to learn this system. There have been two [[ThirtyOneToneSinginCamp]]s as well.
| | d2 |
| | | style="text-align:center;" | A1 |
|
| |
|
| See also: [[31edo solfege]], [[Tricesimoprimal Tetrachordal Tesseract]], [[Pentachords of 31edo]].
| | vm2 |
| | | style="text-align:center;" | m2 |
| | | style="text-align:center;" | ~2 |
| | | style="text-align:center;" | M2 |
| | | style="text-align:center;" | ^M2 |
|
| |
|
| =Practical Theory / Books= | | d3 |
| | | style="text-align:center;" | A2 |
|
| |
|
| [[image:http://ronsword.com/images/TSG_sm.jpg width="87" height="116" link="@http://www.ronsword.com/books.html"]][[@http://www.ronsword.com/books.html|Sword, Ronald. "Tricesimoprimal Scales for Guitar." IAAA Press, UK-USA. First Ed: March 2009.]] - A comprehensive approach to 31-EDO and all the families associated for Guitar. Features over 300 scale charts / scale examples.
| | vm3 |
| | | style="text-align:center;" | m3 |
| | | style="text-align:center;" | ~3 |
| | | style="text-align:center;" | M3 |
| | | style="text-align:center;" | ^M3 |
|
| |
|
| =Other Articles=
| | d4 |
| * <span class="wiki_link_ext">[[http://www.huygens-fokker.org/docs/beerart.html|de Beer, Anton, ''The Development of 31-tone Music]]</span> [[http://www.webcitation.org/5xeFzBM9b|Permalink]]
| | | style="text-align:center;" | A3 |
| * <span class="wiki_link_ext">[[http://www.huygens-fokker.org/docs/fokkerorg.html|Fokker, Adriaan Daniël, ''Equal Temperament and the Thirty-one-keyed organ]]</span> [[http://www.webcitation.org/5xeG6Tmli|Permalink]]
| |
| * Fokker, A.D., "New Music with 31 Notes" translated by Leigh Gerdine
| |
| * <span class="wiki_link_ext">[[http://www.huygens-fokker.org/docs/rap31.html|Rapoport, Paul, ''About 31-tone Equal Temperament]]</span> [[http://www.webcitation.org/5xeGH4uBH|Permalink]]
| |
| * <span class="wiki_link_ext">[[http://www.huygens-fokker.org/docs/terp31.html|Terpstra, Siemen, ''Toward a Theory of Meantone (and 31-et) Harmony'']]</span> [[http://www.webcitation.org/5xeGMeCMd|Permalink]]
| |
| * <span class="wiki_link_ext">[[http://tonalsoft.com/enc/number/31edo.aspx|Tonalsoft Encyclopedia article]]</span> [[http://www.webcitation.org/5xeGYj7QU|Permalink]]
| |
|
| |
|
| [[media type="custom" key="28704326"]]
| | v4 |
| [[file:31-edo.svg]]</pre></div>
| | | style="text-align:center;" | P4 |
| <h4>Original HTML content:</h4>
| | | style="text-align:center;" | ^4 |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>31edo</title></head><body><span style="display: block; text-align: right;"><a class="wiki_link" href="http://xenharmonie.wikispaces.com/31edo">Deutsch</a><br />
| | | style="text-align:center;" | A4 |
| </span><br />
| | | style="text-align:center;" | d5 |
| <!-- ws:start:WikiTextTocRule:87:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:87 --><!-- ws:start:WikiTextTocRule:88: --><a href="#Linear temperaments">Linear temperaments</a><!-- ws:end:WikiTextTocRule:88 --><!-- ws:start:WikiTextTocRule:89: --> | <a href="#Intervals">Intervals</a><!-- ws:end:WikiTextTocRule:89 --><!-- ws:start:WikiTextTocRule:90: --><!-- ws:end:WikiTextTocRule:90 --><!-- ws:start:WikiTextTocRule:91: --><!-- ws:end:WikiTextTocRule:91 --><!-- ws:start:WikiTextTocRule:92: --><!-- ws:end:WikiTextTocRule:92 --><!-- ws:start:WikiTextTocRule:93: --><!-- ws:end:WikiTextTocRule:93 --><!-- ws:start:WikiTextTocRule:94: --><!-- ws:end:WikiTextTocRule:94 --><!-- ws:start:WikiTextTocRule:95: --><!-- ws:end:WikiTextTocRule:95 --><!-- ws:start:WikiTextTocRule:96: --><!-- ws:end:WikiTextTocRule:96 --><!-- ws:start:WikiTextTocRule:97: --><!-- ws:end:WikiTextTocRule:97 --><!-- ws:start:WikiTextTocRule:98: --><!-- ws:end:WikiTextTocRule:98 --><!-- ws:start:WikiTextTocRule:99: --><!-- ws:end:WikiTextTocRule:99 --><!-- ws:start:WikiTextTocRule:100: --><!-- ws:end:WikiTextTocRule:100 --><!-- ws:start:WikiTextTocRule:101: --><!-- ws:end:WikiTextTocRule:101 --><!-- ws:start:WikiTextTocRule:102: --><!-- ws:end:WikiTextTocRule:102 --><!-- ws:start:WikiTextTocRule:103: --><!-- ws:end:WikiTextTocRule:103 --><!-- ws:start:WikiTextTocRule:104: --><!-- ws:end:WikiTextTocRule:104 --><!-- ws:start:WikiTextTocRule:105: --><!-- ws:end:WikiTextTocRule:105 --><!-- ws:start:WikiTextTocRule:106: --><!-- ws:end:WikiTextTocRule:106 --><!-- ws:start:WikiTextTocRule:107: --><!-- ws:end:WikiTextTocRule:107 --><!-- ws:start:WikiTextTocRule:108: --><!-- ws:end:WikiTextTocRule:108 --><!-- ws:start:WikiTextTocRule:109: --><!-- ws:end:WikiTextTocRule:109 --><!-- ws:start:WikiTextTocRule:110: --><!-- ws:end:WikiTextTocRule:110 --><!-- ws:start:WikiTextTocRule:111: --><!-- ws:end:WikiTextTocRule:111 --><!-- ws:start:WikiTextTocRule:112: --><!-- ws:end:WikiTextTocRule:112 --><!-- ws:start:WikiTextTocRule:113: --><!-- ws:end:WikiTextTocRule:113 --><!-- ws:start:WikiTextTocRule:114: --><!-- ws:end:WikiTextTocRule:114 --><!-- ws:start:WikiTextTocRule:115: --><!-- ws:end:WikiTextTocRule:115 --><!-- ws:start:WikiTextTocRule:116: --><!-- ws:end:WikiTextTocRule:116 --><!-- ws:start:WikiTextTocRule:117: --><!-- ws:end:WikiTextTocRule:117 --><!-- ws:start:WikiTextTocRule:118: --><!-- ws:end:WikiTextTocRule:118 --><!-- ws:start:WikiTextTocRule:119: --><!-- ws:end:WikiTextTocRule:119 --><!-- ws:start:WikiTextTocRule:120: --><!-- ws:end:WikiTextTocRule:120 --><!-- ws:start:WikiTextTocRule:121: --> | <a href="#Notation">Notation</a><!-- ws:end:WikiTextTocRule:121 --><!-- ws:start:WikiTextTocRule:122: --> | <a href="#Harmonic Scale">Harmonic Scale</a><!-- ws:end:WikiTextTocRule:122 --><!-- ws:start:WikiTextTocRule:123: --> | <a href="#Commas">Commas</a><!-- ws:end:WikiTextTocRule:123 --><!-- ws:start:WikiTextTocRule:124: --> | <a href="#Modes">Modes</a><!-- ws:end:WikiTextTocRule:124 --><!-- ws:start:WikiTextTocRule:125: --><!-- ws:end:WikiTextTocRule:125 --><!-- ws:start:WikiTextTocRule:126: --> | <a href="#Music in 31-edo">Music in 31-edo</a><!-- ws:end:WikiTextTocRule:126 --><!-- ws:start:WikiTextTocRule:127: --><!-- ws:end:WikiTextTocRule:127 --><!-- ws:start:WikiTextTocRule:128: --><!-- ws:end:WikiTextTocRule:128 --><!-- ws:start:WikiTextTocRule:129: --> | <a href="#Practical Theory / Books">Practical Theory / Books</a><!-- ws:end:WikiTextTocRule:129 --><!-- ws:start:WikiTextTocRule:130: --> | <a href="#Other Articles">Other Articles</a><!-- ws:end:WikiTextTocRule:130 --><!-- ws:start:WikiTextTocRule:131: -->
| | | style="text-align:center;" | v5 |
| <!-- ws:end:WikiTextTocRule:131 --><hr />
| | | style="text-align:center;" | P5 |
| <em>Thirty-one tone equal temperament</em>, also called <em>31-tET</em>, <em>31-EDO</em>, <em>31-et</em>, or <em>tricesimoprimal meantone temperament</em>, is the scale derived by dividing the octave into 31 <a class="wiki_link" href="/equal">equally</a> large steps. The term 'Tricesimoprimal' was first used by <a class="wiki_link" href="/Adriaan%20Fokker">Adriaan Fokker</a>. Each step is equivalent to a frequency ratio of the 31st root of 2, or 38.71 <a class="wiki_link" href="/cents">cents</a>. 31's perfect fifth is flat of the just interval 3:2 (over five cents), as befits a tuning supporting meantone, but the major third is less than a cent sharp (of just 5:4). 31's approximation of 7:4, a cent flat, is also very close to just. Because of these near-just values 31-et is relatively quite accurate and is in fact the sixth <a class="wiki_link" href="/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta integral edo</a>. Many <a class="wiki_link" href="/7-limit">7-limit</a> JI scales are well-approximated in 31 (with tempering, of course). It also deals with the <a class="wiki_link" href="/11-limit">11-limit</a> fairly well, and is consistent through it, but is the <a class="wiki_link" href="/optimal%20patent%20val">optimal patent val</a> for the rank five temperament tempering out the 13-limit comma 66/65. It also provides the optimal patent val for mohajira, squares and casablanca in the 11-limit and huygens/meantone, squares, winston, lupercalia and nightengale in the 13-limit.<br />
| | | style="text-align:center;" | ^5 |
| <br />
| |
| 31edo is the 11th <a class="wiki_link" href="/prime%20numbers">prime</a> edo, following <a class="wiki_link" href="/29edo">29edo</a> and coming before <a class="wiki_link" href="/37edo">37edo</a>.<br />
| |
| <br />
| |
| For more encyclopedic info, see <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/31_equal_temperament" rel="nofollow">Wikipedia's article</a>.<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:1:&lt;h1&gt; --><h1 id="toc0"><a name="Linear temperaments"></a><!-- ws:end:WikiTextHeadingRule:1 -->Linear temperaments</h1>
| |
| <a class="wiki_link" href="/List%20of%2031et%20rank%20two%20temperaments%20by%20badness">List of 31et rank two temperaments by badness</a><br />
| |
| <a class="wiki_link" href="/List%20of%20edo-distinct%2031et%20rank%20two%20temperaments">List of edo-distinct 31et rank two temperaments</a><br />
| |
| <br />
| |
|
| |
|
| | d6 |
| | | style="text-align:center;" | A5 |
|
| |
|
| <table class="wiki_table">
| | vm6 |
| <tr>
| | | style="text-align:center;" | m6 |
| <th>Generator<br />
| | | style="text-align:center;" | ~6 |
| </th>
| | | style="text-align:center;" | M6 |
| <th>Cents<br />
| | | style="text-align:center;" | ^M6 |
| </th>
| |
| <th>Temperaments<br />
| |
| </th>
| |
| <th><a class="wiki_link" href="/Pergen">Pergen</a><br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>1\31<br />
| |
| </td>
| |
| <td>38.71<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Slender">Slender</a><br />
| |
| </td>
| |
| <td>(P8, P4/13)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>2\31<br />
| |
| </td>
| |
| <td>77.42<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Valentine">Valentine</a>/<a class="wiki_link" href="/Lupercalia">Lupercalia</a><br />
| |
| </td>
| |
| <td>(P8, P5/9)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>3\31<br />
| |
| </td>
| |
| <td>116.13<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Miracle">Miracle</a><br />
| |
| </td>
| |
| <td>(P8, P5/6)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>4\31<br />
| |
| </td>
| |
| <td>154.84<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Nusecond">Nusecond</a><br />
| |
| </td>
| |
| <td>(P8, P11/11)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>5\31<br />
| |
| </td>
| |
| <td>193.55<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Luna">Luna</a>/<a class="wiki_link" href="/Hemithirds">Hemithirds</a>/<a class="wiki_link" href="/Hemiw%C3%BCrschmidt">Hemiwürschmidt</a><br />
| |
| </td>
| |
| <td>(P8, WWP4/15)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>6\31<br />
| |
| </td>
| |
| <td>232.26<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Mothra">Mothra</a>/<a class="wiki_link" href="/Mosura">Mosura</a><br />
| |
| </td>
| |
| <td>(P8, P5/3)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>7\31<br />
| |
| </td>
| |
| <td>270.97<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Orson">Orson</a>/<a class="wiki_link" href="/Orwell">Orwell</a>/<a class="wiki_link" href="/Semicomma%20family#Orwell-Winston">Winston</a><br />
| |
| </td>
| |
| <td>(P8, P12/7)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>8\31<br />
| |
| </td>
| |
| <td>309.68<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Myna">Myna</a><br />
| |
| </td>
| |
| <td>(P8, WWP5/10)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>9\31<br />
| |
| </td>
| |
| <td>348.39<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Vicentino">Vicentino</a>/<a class="wiki_link" href="/Mohajira">Mohajira</a>/<a class="wiki_link" href="/Migration">Migration</a><br />
| |
| </td>
| |
| <td>(P8, P5/2)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>10\31<br />
| |
| </td>
| |
| <td>387.10<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/W%C3%BCrschmidt">Würschmidt</a>/<a class="wiki_link" href="/Worschmidt">Worschmidt</a><br />
| |
| </td>
| |
| <td>(P8, WWP5/8)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11\31<br />
| |
| </td>
| |
| <td>425.81<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Squares">Squares</a>/<a class="wiki_link" href="/Sentinel">Sentinel</a><br />
| |
| </td>
| |
| <td>(P8, P11/4)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>12\31<br />
| |
| </td>
| |
| <td>464.52<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Semisept">Semisept</a><br />
| |
| </td>
| |
| <td>(P8, W<span style="vertical-align: super;">5</span>P4/14)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13\31<br />
| |
| </td>
| |
| <td>503.23<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Meantone">Meantone</a>/<a class="wiki_link" href="/Meanpop">Meanpop</a><br />
| |
| </td>
| |
| <td>(P8, P5)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>14\31<br />
| |
| </td>
| |
| <td>541.94<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Casablanca">Casablanca</a>/<a class="wiki_link" href="/Cypress">Cypress</a>/<a class="wiki_link" href="/Oracle">Oracle</a><br />
| |
| </td>
| |
| <td>(P8, W<span style="vertical-align: super;">5</span>P4/12)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>15\31<br />
| |
| </td>
| |
| <td>580.65<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/Tritonic">Tritonic</a>/<a class="wiki_link" href="/Tritoni">Tritoni</a><br />
| |
| </td>
| |
| <td>(P8, WWP4/5)<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | d7 |
| <!-- ws:start:WikiTextHeadingRule:3:&lt;h1&gt; --><h1 id="toc1"><a name="Intervals"></a><!-- ws:end:WikiTextHeadingRule:3 -->Intervals</h1>
| | | style="text-align:center;" | A6 |
| <!-- ws:start:WikiTextHeadingRule:5:&lt;h2&gt; --><h2 id="toc2"><a name="Intervals-Selected just intervals by error"></a><!-- ws:end:WikiTextHeadingRule:5 -->Selected just intervals by error</h2>
| |
| The following table shows how <a class="wiki_link" href="/Just-24">some prominent just intervals</a> are represented in 31edo (ordered by absolute error).<br />
| |
|
| |
|
| | vm7 |
| | | style="text-align:center;" | m7 |
| | | style="text-align:center;" | ~7 |
| | | style="text-align:center;" | M7 |
| | | style="text-align:center;" | ^M7 |
|
| |
|
| <table class="wiki_table">
| | d8 |
| <tr>
| | | style="text-align:center;" | A7 |
| <th>Interval, complement<br />
| |
| </th>
| |
| <th>Error (abs., in <a class="wiki_link" href="/cent">cents</a>)<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/5_4">5/4</a>, <a class="wiki_link" href="/8_5">8/5</a><br />
| |
| </td>
| |
| <td style="text-align: center;">0.783<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/11_9">11/9</a>, <a class="wiki_link" href="/18_11">18/11</a><br />
| |
| </td>
| |
| <td style="text-align: center;">0.979<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/8_7">8/7</a>, <a class="wiki_link" href="/7_4">7/4</a><br />
| |
| </td>
| |
| <td style="text-align: center;">1.084<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/7_5">7/5</a>, <a class="wiki_link" href="/10_7">10/7</a><br />
| |
| </td>
| |
| <td style="text-align: center;">1.867<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/15_14">15/14</a>, <a class="wiki_link" href="/28_15">28/15</a><br />
| |
| </td>
| |
| <td style="text-align: center;">3.314<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/7_6">7/6</a>, <a class="wiki_link" href="/12_7">12/7</a><br />
| |
| </td>
| |
| <td style="text-align: center;">4.097<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/12_11">12/11</a>, <a class="wiki_link" href="/11_6">11/6</a><br />
| |
| </td>
| |
| <td style="text-align: center;">4.202<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/16_15">16/15</a>, <a class="wiki_link" href="/15_8">15/8</a><br />
| |
| </td>
| |
| <td style="text-align: center;">4.398<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/15_11">15/11</a>, <a class="wiki_link" href="/22_15">22/15</a><br />
| |
| </td>
| |
| <td style="text-align: center;">4.985<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/4_3">4/3</a>, <a class="wiki_link" href="/3_2">3/2</a><br />
| |
| </td>
| |
| <td style="text-align: center;">5.181<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/6_5">6/5</a>, <a class="wiki_link" href="/5_3">5/3</a><br />
| |
| </td>
| |
| <td style="text-align: center;">5.964<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/14_11">14/11</a>, <a class="wiki_link" href="/11_7">11/7</a><br />
| |
| </td>
| |
| <td style="text-align: center;">8.298<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/9_7">9/7</a>, <a class="wiki_link" href="/14_9">14/9</a><br />
| |
| </td>
| |
| <td style="text-align: center;">9.278<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/11_8">11/8</a>, <a class="wiki_link" href="/16_11">16/11</a><br />
| |
| </td>
| |
| <td style="text-align: center;">9.382<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/11_10">11/10</a>, <a class="wiki_link" href="/20_11">20/11</a><br />
| |
| </td>
| |
| <td style="text-align: center;">10.166<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/13_10">13/10</a>, <a class="wiki_link" href="/20_13">20/13</a><br />
| |
| </td>
| |
| <td style="text-align: center;">10.302<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/9_8">9/8</a>, <a class="wiki_link" href="/16_9">16/9</a><br />
| |
| </td>
| |
| <td style="text-align: center;">10.362<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/16_13">16/13</a>, <a class="wiki_link" href="/13_8">13/8</a><br />
| |
| </td>
| |
| <td style="text-align: center;">11.085<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/10_9">10/9</a>, <a class="wiki_link" href="/9_5">9/5</a><br />
| |
| </td>
| |
| <td style="text-align: center;">11.145<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/14_13">14/13</a>, <a class="wiki_link" href="/13_7">13/7</a><br />
| |
| </td>
| |
| <td style="text-align: center;">12.169<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/15_13">15/13</a>, <a class="wiki_link" href="/26_15">26/15</a><br />
| |
| </td>
| |
| <td style="text-align: center;">15.483<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/13_12">13/12</a>, <a class="wiki_link" href="/24_13">24/13</a><br />
| |
| </td>
| |
| <td style="text-align: center;">16.266<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/18_13">18/13</a>, <a class="wiki_link" href="/13_9">13/9</a><br />
| |
| </td>
| |
| <td style="text-align: center;">17.263<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/13_11">13/11</a>, <a class="wiki_link" href="/22_13">22/13</a><br />
| |
| </td>
| |
| <td style="text-align: center;">18.242<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | v8 |
| <!-- ws:start:WikiTextHeadingRule:7:&lt;h3&gt; --><h3 id="toc3"><a name="Intervals-Selected just intervals by error-1\31 octave - approx. 38.71¢ - Diesis or up-unison"></a><!-- ws:end:WikiTextHeadingRule:7 -->1\31 octave - approx. 38.71¢ - Diesis or up-unison</h3>
| | | style="text-align:center;" | P8 |
| A single step of 31-edo is about 38.71¢. Intervals around this size are called <em>dieses</em> (singular '<em>diesis</em>'). In 31 it is equivalent to the difference between one octave and three stacked major thirds (C to E, to G#, to B#, but B# ≠ C), or four minor thirds (C to Eb to Gb to Bbb to Dbb ≠ C). In the <a class="wiki_link" href="/11-limit">11-limit</a>, the diesis stands in for just ratios 56:55 (31.19); 55:54 (31.77¢); 49:48 (39.70¢); 45:44 (38.91¢); 36:35 (48.77¢); 33:32 (53.27¢) and others. The diesis is a defining sound of 31edo; when it does not appear directly in a scale, it often shows up as the difference between two or more intervals of a similar size. Demonstrated in <a class="wiki_link" href="/SpiralProgressions">SpiralProgressions</a>.<br />
| | |} |
| <br />
| | ^ = up, v = down, ~ = mid |
| <!-- ws:start:WikiTextHeadingRule:9:&lt;h3&gt; --><h3 id="toc4"><a name="Intervals-Selected just intervals by error-2\31 octave - approx. 77.42¢ - Minor Semitone or Chromatic Semitone or Small Minor Second or downminor 2nd"></a><!-- ws:end:WikiTextHeadingRule:9 -->2\31 octave - approx. 77.42¢ - Minor Semitone or Chromatic Semitone or Small Minor Second or downminor 2nd</h3>
| |
| The difference between a major and minor third. The more 'expressive' of the 'half steps,' and the larger of 31's two &quot;microtones&quot;. In meantone, it is the <em>chromatic semitone</em>, the interval that distinguishes major and minor intervals of the same generic interval class (eg. thirds). 2\31 stands in for just ratios 28:27 (62.96¢); 25:24 (70.67¢); 22:21 (80.54¢); 21:20 (84.45¢) and others. Generates <a class="wiki_link" href="/Starling%20temperaments#Valentine%20temperament">valentine temperament</a> - aka <a class="wiki_link" href="/Armodue%20theory#Semi-equalized%20Armodue">semi-equalized Armodue</a>.<br />
| |
| <!-- ws:start:WikiTextHeadingRule:11:&lt;h4&gt; --><h4 id="toc5"><a name="Intervals-Selected just intervals by error-2\31 octave - approx. 77.42¢ - Minor Semitone or Chromatic Semitone or Small Minor Second or downminor 2nd-MOS Scales generated by 2\31:"></a><!-- ws:end:WikiTextHeadingRule:11 -->MOS Scales generated by 2\31:</h4>
| |
|
| |
|
| |
|
| <table class="wiki_table">
| | vm2 = downminor 2nd, ~2 = mid 2nd, ^M2 = upmajor 2nd, etc. |
| <tr>
| |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>15-tone (<a class="wiki_link" href="/Maximal%20evenness">ME</a> or quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1L%2014s">1L 14s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>16-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/15L%201s">15L 1s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | {| class="wikitable" |
| <!-- ws:start:WikiTextHeadingRule:13:&lt;h3&gt; --><h3 id="toc6"><a name="Intervals-Selected just intervals by error-3\31 octave - approx. 116.13¢- Major Semitone or Diatonic Semitone or Large Minor Second or minor 2nd"></a><!-- ws:end:WikiTextHeadingRule:13 -->3\31 octave - approx. 116.13¢- Major Semitone or Diatonic Semitone or Large Minor Second or minor 2nd</h3>
| | |- |
| The larger and clunkier of the 31edo semitones. In meantone, it is the <em>diatonic semitone</em> which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (119.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a <em>secor</em> and generates <a class="wiki_link" href="/Gamelismic%20clan">miracle temperament</a>.<br />
| | | style="text-align:center;" | 0 |
| <!-- ws:start:WikiTextHeadingRule:15:&lt;h4&gt; --><h4 id="toc7"><a name="Intervals-Selected just intervals by error-3\31 octave - approx. 116.13¢- Major Semitone or Diatonic Semitone or Large Minor Second or minor 2nd-MOS Scales generated by 3\31:"></a><!-- ws:end:WikiTextHeadingRule:15 -->MOS Scales generated by 3\31:</h4>
| | | style="text-align:center;" | 1 |
|
| | | style="text-align:center;" | 2 |
| | | style="text-align:center;" | 3 |
| | | style="text-align:center;" | 4 |
| | | style="text-align:center;" | 5 |
| | | style="text-align:center;" | 6 |
| | | style="text-align:center;" | 7 |
| | | style="text-align:center;" | 8 |
| | | style="text-align:center;" | 9 |
| | | style="text-align:center;" | 10 |
| | | style="text-align:center;" | 11 |
| | | style="text-align:center;" | 12 |
| | | style="text-align:center;" | 13 |
| | | style="text-align:center;" | 14 |
| | | style="text-align:center;" | 15 |
| | | style="text-align:center;" | 16 |
| | | style="text-align:center;" | 17 |
| | | style="text-align:center;" | 18 |
| | | style="text-align:center;" | 19 |
| | | style="text-align:center;" | 20 |
| | | style="text-align:center;" | 21 |
| | | style="text-align:center;" | 22 |
| | | style="text-align:center;" | 23 |
| | | style="text-align:center;" | 24 |
| | | style="text-align:center;" | 25 |
| | | style="text-align:center;" | 26 |
| | | style="text-align:center;" | 27 |
| | | style="text-align:center;" | 28 |
| | | style="text-align:center;" | 29 |
| | | style="text-align:center;" | 30 |
| | | style="text-align:center;" | 31 |
| | |- |
| | | style="text-align:center;" | C |
| | | style="text-align:center;" | C^ |
| | | style="text-align:center;" | C# |
|
| |
|
| <table class="wiki_table">
| | Dbv |
| <tr>
| | | style="text-align:center;" | C#^ |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>nonatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1L%208s">1L 8s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>decatonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/9L%201s">9L 1s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/10L%201s">10L 1s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>21-tone (Blackjack)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/11L%2010s">11L 10s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Db |
| <!-- ws:start:WikiTextHeadingRule:17:&lt;h3&gt; --><h3 id="toc8"><a name="Intervals-Selected just intervals by error-4\31 octave - approx. 154.84¢ - Neutral Tone or Neutral Second or mid 2nd"></a><!-- ws:end:WikiTextHeadingRule:17 -->4\31 octave - approx. 154.84¢ - Neutral Tone or Neutral Second or mid 2nd</h3>
| | | style="text-align:center;" | Dv |
| Exactly one half of the minor third and twice the minor semitone. 4\31 stands in for 12:11 (150.64¢); 35:32 (155.14¢); 11:10 (165.00¢) and others. Although neutral seconds are typically associated with the 11-limit, 4\31 approximates the <a class="wiki_link" href="/7-limit">7-limit</a> interval 35/32 quite well, as the 5th harmonic of the 7th harmonic or vice versa, both of which are closely approximated in 31edo. And although 31 is not extremely accurate in the 11-limit, it is notable that since 11 and 3 are both flat, the interval that distinguishes them (12/11) is only about 4.5¢ off. Generates <a class="wiki_link" href="/Starling%20temperaments">nusecond temperament</a>.<br />
| | | style="text-align:center;" | D |
| <!-- ws:start:WikiTextHeadingRule:19:&lt;h4&gt; --><h4 id="toc9"><a name="Intervals-Selected just intervals by error-4\31 octave - approx. 154.84¢ - Neutral Tone or Neutral Second or mid 2nd-MOS Scales generated by 4\31:"></a><!-- ws:end:WikiTextHeadingRule:19 -->MOS Scales generated by 4\31:</h4>
| | | style="text-align:center;" | D^ |
|
| | | style="text-align:center;" | D# |
|
| |
|
| <table class="wiki_table">
| | Ebv |
| <tr>
| | | style="text-align:center;" | D#^ |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1L%206s">1L 6s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>octatonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/7L%201s">7L 1s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>15-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/8L%207s">8L 7s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>23-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/8L%2015s">8L 15s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Eb |
| <!-- ws:start:WikiTextHeadingRule:21:&lt;h3&gt; --><h3 id="toc10"><a name="Intervals-Selected just intervals by error-5\31 octave - approx. 193.55¢ - Whole Tone or Major Second or major 2nd"></a><!-- ws:end:WikiTextHeadingRule:21 -->5\31 octave - approx. 193.55¢ - Whole Tone or Major Second or major 2nd</h3>
| | | style="text-align:center;" | Ev |
| A rather smallish whole tone. Sometimes called melodically dull. As it falls between (and functions as) just whole tones 9:8 and 10:9, 5\31 is considered a &quot;meantone&quot;. Two meantones make a near-just major third. Perhaps it is worth noting that its relative narrowness (to JI 9/8) makes it easier to distinguish from the 8/7 approximation. And although it is over 10¢ flat of 9/8, 5\31 can function as a somewhat &quot;active&quot; (as opposed to perfectly stable) harmonic ninth, and it can be effective in combination with the also-narrow 11th harmonic. Indeed, the 11/9 approximation is excellent. Try, for instance 31's version of a 4:6:9:11 chord (steps 0-18-36-45). Generates <a class="wiki_link" href="/Gamelismic%20clan">hemithirds temperament</a> and <a class="wiki_link" href="/Wuerschmidt%20family">hermiwuerschmidt temperament</a>.<br />
| | | style="text-align:center;" | E |
| <!-- ws:start:WikiTextHeadingRule:23:&lt;h4&gt; --><h4 id="toc11"><a name="Intervals-Selected just intervals by error-5\31 octave - approx. 193.55¢ - Whole Tone or Major Second or major 2nd-MOS Scales generated by 5\31:"></a><!-- ws:end:WikiTextHeadingRule:23 -->MOS Scales generated by 5\31:</h4>
| | | style="text-align:center;" | E^ |
|
| |
|
| |
|
| <table class="wiki_table">
| | Fb |
| <tr>
| | | style="text-align:center;" | E# |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>hexatonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1L%205s">1L 5s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/6L%201s">6L 1s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/6L%207s">6L 7s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>19-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/6L%2013s">6L 13s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>25-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/6L%2019s">6L 19s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Fv |
| <!-- ws:start:WikiTextHeadingRule:25:&lt;h3&gt; --><h3 id="toc12"><a name="Intervals-Selected just intervals by error-6\31 octave - approx. 232.26¢ - Supermajor Second or upmajor 2nd"></a><!-- ws:end:WikiTextHeadingRule:25 -->6\31 octave - approx. 232.26¢ - Supermajor Second or upmajor 2nd</h3>
| | | style="text-align:center;" | F |
| Exactly one half of a narrow fourth, twice a major semitone, or thrice a minor semitone. In 7-limit tonal music, 6\31 closely represents 8:7 (231.17¢). In meantone, it is a diminished third, eg. C to Ebb. Generates <a class="wiki_link" href="/Meantone%20family">mothra temperament</a>.<br />
| | | style="text-align:center;" | F^ |
| <!-- ws:start:WikiTextHeadingRule:27:&lt;h4&gt; --><h4 id="toc13"><a name="Intervals-Selected just intervals by error-6\31 octave - approx. 232.26¢ - Supermajor Second or upmajor 2nd-MOS Scales generated by 6\31:"></a><!-- ws:end:WikiTextHeadingRule:27 -->MOS Scales generated by 6\31:</h4>
| | | style="text-align:center;" | F# |
|
| |
|
| |
|
| <table class="wiki_table">
| | Gbv |
| <tr>
| | | style="text-align:center;" | F#^ |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1L%204s">1L 4s</a><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>hexatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%201s">5L 1s</a><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%206s">5L 6s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>16-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%2011s">5L 11s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>21-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%2016s">5L 16s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>26-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%2021s">5L 21s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Gb |
| <!-- ws:start:WikiTextHeadingRule:29:&lt;h3&gt; --><h3 id="toc14"><a name="Intervals-Selected just intervals by error-7\31 octave - approx. 270.97¢ - Subminor Third or downminor 3rd"></a><!-- ws:end:WikiTextHeadingRule:29 -->7\31 octave - approx. 270.97¢ - Subminor Third or downminor 3rd</h3>
| | | style="text-align:center;" | Gv |
| Exactly one half of a superfourth (11:8 approximation). In 7-limit tonal music, 7\31 stands in for 7:6 (266.87¢). In meantone temperament, it is an augmented 2nd, eg. C to D#. Generates <a class="wiki_link" href="/Semicomma%20family">orwell temperament</a>.<br />
| | | style="text-align:center;" | G |
| <!-- ws:start:WikiTextHeadingRule:31:&lt;h4&gt; --><h4 id="toc15"><a name="Intervals-Selected just intervals by error-7\31 octave - approx. 270.97¢ - Subminor Third or downminor 3rd-MOS Scales generated by 7\31:"></a><!-- ws:end:WikiTextHeadingRule:31 -->MOS Scales generated by 7\31:</h4>
| | | style="text-align:center;" | G^ |
|
| | | style="text-align:center;" | G# |
|
| |
|
| <table class="wiki_table">
| | Abv |
| <tr>
| | | style="text-align:center;" | G#^ |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%201s">4L 1s</a><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>nonatonic (quasi-equal; Orwell[9])<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%205s">4L 5s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13-tone (Orwell[13])<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/9L%204s">9L 4s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>22-tone (Orwell[22])<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/9L%2013s">9L 13s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Ab |
| <br />
| | | style="text-align:center;" | Av |
| <!-- ws:start:WikiTextHeadingRule:33:&lt;h3&gt; --><h3 id="toc16"><a name="Intervals-Selected just intervals by error-8\31 octave - approx. 309.68¢ - Minor Third"></a><!-- ws:end:WikiTextHeadingRule:33 -->8\31 octave - approx. 309.68¢ - Minor Third</h3>
| | | style="text-align:center;" | A |
| A minor third, closer to the just 6:5 (315.64¢) than 12-edo, but still on the flat side. Exactly twice a neutral second, four times a minor semitone, and half of a large tritone. Generates <a class="wiki_link" href="/Starling%20temperaments">myna temperament</a>.<br />
| | | style="text-align:center;" | A^ |
| <!-- ws:start:WikiTextHeadingRule:35:&lt;h4&gt; --><h4 id="toc17"><a name="Intervals-Selected just intervals by error-8\31 octave - approx. 309.68¢ - Minor Third-MOS Scales generated by 8\31:"></a><!-- ws:end:WikiTextHeadingRule:35 -->MOS Scales generated by 8\31:</h4>
| | | style="text-align:center;" | A# |
|
| |
|
| |
|
| <table class="wiki_table">
| | Bbv |
| <tr>
| | | style="text-align:center;" | A#^ |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tetratonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%201s">3L 1s</a><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%203s">4L 3s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%207s">4L 7s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>15-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%2011s">4L 11s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>19-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%2015s">4L 15s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>23-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%2019s">4L 19s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>27-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/4L%2023s">4L 23s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Bb |
| <br />
| | | style="text-align:center;" | Bv |
| <!-- ws:start:WikiTextHeadingRule:37:&lt;h3&gt; --><h3 id="toc18"><a name="Intervals-Selected just intervals by error-9\31 octave - approx. 348.39¢ - Neutral Third or mid 3rd"></a><!-- ws:end:WikiTextHeadingRule:37 -->9\31 octave - approx. 348.39¢ - Neutral Third or mid 3rd</h3>
| | | style="text-align:center;" | B |
| A neutral 3rd, about 1¢ away from 11:9 (347.41¢). 9\31 is half a perfect fifth (making it a suitable generator for <a class="wiki_link" href="/mohajira">mohajira temperament</a>), and also thrice a major semitone. It is closer in quality to a minor third than a major third, but indeed, it is distinct. It is 11¢ shy of 16/13 (359.47¢), suggesting a <a class="wiki_link" href="/13-limit">13-limit</a> interpretation for 31edo. However, its close proximity to 11/9 makes it hard to hear it as 16/13, which in JI has a different quality (and, as a neutral third, is more &quot;major-like&quot; than &quot;minor-like&quot;). Also, its inversion, 22\31 (851.61¢) is wide of the 13th harmonic by about 11¢, which leaves the 143rd harmonic only about 2¢ wide after cancelling with the narrow 11th harmonic, while all the lower harmonics are either near-just or narrow. This means the errors can accumulate, for instance, with 13/9 (636.62¢) represented by 17\31 (658.06¢), a good 21.4¢ sharp.<br />
| | | style="text-align:center;" | B^ |
| <!-- ws:start:WikiTextHeadingRule:39:&lt;h4&gt; --><h4 id="toc19"><a name="Intervals-Selected just intervals by error-9\31 octave - approx. 348.39¢ - Neutral Third or mid 3rd-MOS Scales generated by 9\31:"></a><!-- ws:end:WikiTextHeadingRule:39 -->MOS Scales generated by 9\31:</h4>
| |
|
| |
|
| |
|
| <table class="wiki_table">
| | Cb |
| <tr>
| | | style="text-align:center;" | B# |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tetratonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%201s">3L 1s</a><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%204s">3L 4s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>10-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/7L%203s">7L 3s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>17-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/7L%2010s">7L 10s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>24-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/7L%2017s">7L 17s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | Cv |
| <br />
| | | style="text-align:center;" | C |
| <!-- ws:start:WikiTextHeadingRule:41:&lt;h3&gt; --><h3 id="toc20"><a name="Intervals-Selected just intervals by error-10\31 octave - approx. 387.10¢ - Major Third"></a><!-- ws:end:WikiTextHeadingRule:41 -->10\31 octave - approx. 387.10¢ - Major Third</h3>
| | |} |
| A near-just major 3rd (compare with 5:4 = 386.31¢). Has led to the characterization of 31-edo as &quot;smooth&quot;. Generates <a class="wiki_link" href="/Wuerschmidt%20family">wurshmidt/worshmidt temperaments</a>.<br />
| |
| <!-- ws:start:WikiTextHeadingRule:43:&lt;h4&gt; --><h4 id="toc21"><a name="Intervals-Selected just intervals by error-10\31 octave - approx. 387.10¢ - Major Third-MOS Scales generated by 10\31:"></a><!-- ws:end:WikiTextHeadingRule:43 -->MOS Scales generated by 10\31:</h4>
| |
|
| |
|
| |
|
| <table class="wiki_table">
| | Combining ups and downs notation with [[Kite's_color_notation|color notation]], qualities can be loosely associated with colors: |
| <tr>
| |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tritonic (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/1L%202s">1L 2s</a><br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>tetratonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%201s">3L 1s</a><br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%204s">3L 4s</a><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>10-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%207s">3L 7s</a><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2010s">3L 10s</a><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>16-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2013s">3L 13s</a><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>19-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2016s">3L 16s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>22-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2019s">3L 19s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>25-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2022s">3L 22s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>28-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2025s">3L 25s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | {| class="wikitable" |
| <!-- ws:start:WikiTextHeadingRule:45:&lt;h3&gt; --><h3 id="toc22"><a name="Intervals-Selected just intervals by error-11\31 octave - approx. 425.806¢ - Supermajor Third or upmajor 3rd"></a><!-- ws:end:WikiTextHeadingRule:45 -->11\31 octave - approx. 425.806¢ - Supermajor Third or upmajor 3rd</h3>
| | |- |
| 11\31 functions as 14:11 (417.51¢), 23:18 (424.36¢), 32:25 (427.37¢), 9:7 (435.08¢) and others. In meantone temperament, it is a diminished fourth, eg. C to Fb. It is notable as closely approximating an interval of the <a class="wiki_link" href="/23-limit">23-limit</a>, suggesting the possibility of treating 16\31 (619.35¢) as a flat version of 23/16 (628.27¢). It is perhaps also notable for being close to 6\17, the bright major third of the ever-popular <a class="wiki_link" href="/17edo">17edo</a>. Generates <a class="wiki_link" href="/Meantone%20family">squares temperament</a>.<br />
| | ! | quality |
| <!-- ws:start:WikiTextHeadingRule:47:&lt;h4&gt; --><h4 id="toc23"><a name="Intervals-Selected just intervals by error-11\31 octave - approx. 425.806¢ - Supermajor Third or upmajor 3rd-MOS Scales generated by 11\31:"></a><!-- ws:end:WikiTextHeadingRule:47 -->MOS Scales generated by 11\31:</h4>
| | ! | color |
|
| | ! | monzo format |
| | ! | examples |
| | |- |
| | | style="text-align:center;" | downminor |
| | | style="text-align:center;" | blue |
| | | style="text-align:center;" | {a, b, 0, 1} |
| | | style="text-align:center;" | 7/6, 7/4 |
| | |- |
| | | style="text-align:center;" | minor |
| | | style="text-align:center;" | fourthward white |
| | | style="text-align:center;" | {a, b}, b < -1 |
| | | style="text-align:center;" | 32/27, 16/9 |
| | |- |
| | | style="text-align:center;" | " |
| | | style="text-align:center;" | green |
| | | style="text-align:center;" | {a, b, -1} |
| | | style="text-align:center;" | 6/5, 9/5 |
| | |- |
| | | style="text-align:center;" | mid |
| | | style="text-align:center;" | jade |
| | | style="text-align:center;" | {a, b, 0, 0, 1} |
| | | style="text-align:center;" | 11/9, 11/6 |
| | |- |
| | | style="text-align:center;" | " |
| | | style="text-align:center;" | amber |
| | | style="text-align:center;" | {a, b, 0, 0, -1} |
| | | style="text-align:center;" | 12/11, 18/11 |
| | |- |
| | | style="text-align:center;" | major |
| | | style="text-align:center;" | yellow |
| | | style="text-align:center;" | {a, b, 1} |
| | | style="text-align:center;" | 5/4, 5/3 |
| | |- |
| | | style="text-align:center;" | " |
| | | style="text-align:center;" | fifthward white |
| | | style="text-align:center;" | {a, b}, b > 1 |
| | | style="text-align:center;" | 9/8, 27/16 |
| | |- |
| | | style="text-align:center;" | upmajor |
| | | style="text-align:center;" | red |
| | | style="text-align:center;" | {a, b, 0, -1} |
| | | style="text-align:center;" | 9/7, 12/7 |
| | |} |
| | All 31edo chords can be named using ups and downs. Here are the blue, green, jade, yellow and red triads: |
|
| |
|
| <table class="wiki_table">
| | {| class="wikitable" |
| <tr>
| | |- |
| <th>number of tones<br />
| | ! | color of the 3rd |
| </th>
| | ! | JI chord |
| <th>MOS class<br />
| | ! | notes as edosteps |
| </th>
| | ! | notes of C chord |
| <th>0<br />
| | ! | written name |
| </th>
| | ! | spoken name |
| <th>1<br />
| | |- |
| </th>
| | | style="text-align:center;" | blue |
| <th>2<br />
| | | style="text-align:center;" | 6:7:9 |
| </th>
| | | style="text-align:center;" | 0-7-18 |
| <th>3<br />
| | | style="text-align:center;" | C Ebv G |
| </th>
| | | style="text-align:center;" | C.vm |
| <th>4<br />
| | | style="text-align:center;" | C downminor |
| </th>
| | |- |
| <th>5<br />
| | | style="text-align:center;" | green |
| </th>
| | | style="text-align:center;" | 10:12:15 |
| <th>6<br />
| | | style="text-align:center;" | 0-8-18 |
| </th>
| | | style="text-align:center;" | C Eb G |
| <th>7<br />
| | | style="text-align:center;" | Cm |
| </th>
| | | style="text-align:center;" | C minor |
| <th>8<br />
| | |- |
| </th>
| | | style="text-align:center;" | jade |
| <th>9<br />
| | | style="text-align:center;" | 18:22:27 |
| </th>
| | | style="text-align:center;" | 0-9-18 |
| <th>10<br />
| | | style="text-align:center;" | C Ev G |
| </th>
| | | style="text-align:center;" | C~ |
| <th>11<br />
| | | style="text-align:center;" | C mid |
| </th>
| | |- |
| <th>12<br />
| | | style="text-align:center;" | yellow |
| </th>
| | | style="text-align:center;" | 4:5:6 |
| <th>13<br />
| | | style="text-align:center;" | 0-10-18 |
| </th>
| | | style="text-align:center;" | C E G |
| <th>14<br />
| | | style="text-align:center;" | C |
| </th>
| | | style="text-align:center;" | C major or C |
| <th>15<br />
| | |- |
| </th>
| | | style="text-align:center;" | red |
| <th>16<br />
| | | style="text-align:center;" | 14:18:27 |
| </th>
| | | style="text-align:center;" | 0-11-18 |
| <th>17<br />
| | | style="text-align:center;" | C E^ G |
| </th>
| | | style="text-align:center;" | C.^ |
| <th>18<br />
| | | style="text-align:center;" | C upmajor or C dot up |
| </th>
| | |} |
| <th>19<br />
| | For a more complete list, see [[Ups_and_Downs_Notation#Chord names in other EDOs|Ups and Downs Notation - Chord names in other EDOs]]. |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tritonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%201s">2L 1s</a><br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%202s">3L 2s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>octatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%205s">3L 5s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%208s">3L 8s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>14-tone (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2011s">3L 11s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>17-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%2014s">3L 14s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | =Harmonic Scale= |
| <br />
| | 31edo approximates Mode 8 of the [[OverToneSeries|harmonic series]] O.K., but many intervals between the harmonics aren't distinguished, most importantly 9/8 (major tone) and 10/9 (minor tone), as 31EDO is a meantone temperament. The interval between the 8th and 11th harmonics is approximated O.K., but the intervals between the 11th harmonic and closer harmonics such as the 12th and 9th harmonics are approximated even better. 31's version of 13/8 is quite wide and only vaguely suggests the [[13-limit|13-limit]]. |
| <!-- ws:start:WikiTextHeadingRule:49:&lt;h3&gt; --><h3 id="toc24"><a name="Intervals-Selected just intervals by error-12\31 octave - approx. 464.52¢ - Narrow Fourth or Subfourth or down 4th"></a><!-- ws:end:WikiTextHeadingRule:49 -->12\31 octave - approx. 464.52¢ - Narrow Fourth or Subfourth or down 4th</h3>
| |
| Exactly twice a supermajor second, thrice a neutral second, or four times a minor second. In the 7-limit, 12\31 functions as 21:16 (470.78¢). It is also quite close to the <a class="wiki_link" href="/17-limit">17-limit</a> interval 17/13 (464.43¢), although 31edo does not offer up reasonable approximations of the 17th or 13th harmonics to help make this identity clear. This interval and its inversion 19\31 (735.48¢, a superfifth) are notable for being the only intervals in the 31edo octave larger than the 3\31 diatonic semitone (and smaller than its inversion, 28\31) that are not 11-limit consonances, and the only intervals in the 31edo octave that are not 15-limit consonances. Generates <a class="wiki_link" href="/semisept">semisept</a> temperament.<br />
| |
| <!-- ws:start:WikiTextHeadingRule:51:&lt;h4&gt; --><h4 id="toc25"><a name="Intervals-Selected just intervals by error-12\31 octave - approx. 464.52¢ - Narrow Fourth or Subfourth or down 4th-MOS Scales generated by 12\31:"></a><!-- ws:end:WikiTextHeadingRule:51 -->MOS Scales generated by 12\31:</h4>
| |
|
| |
|
| |
|
| <table class="wiki_table">
| | {| class="wikitable" |
| <tr>
| | |- |
| <th>number of tones<br />
| | | | Overtones in "Mode 8": |
| </th>
| | | | 8 |
| <th>MOS class<br />
| | | | 9 |
| </th>
| | | | 10 |
| <th>0<br />
| | | | 11 |
| </th>
| | | | 12 |
| <th>1<br />
| | | | 13 |
| </th>
| | | | 14 |
| <th>2<br />
| | | | 15 |
| </th>
| | | | 16 |
| <th>3<br />
| | |- |
| </th>
| | | | ...as JI Ratio from 1/1: |
| <th>4<br />
| | | | 1/1 |
| </th>
| | | | 9/8 |
| <th>5<br />
| | | | 5/4 |
| </th>
| | | | 11/8 |
| <th>6<br />
| | | | 3/2 |
| </th>
| | | | 13/8 |
| <th>7<br />
| | | | 7/4 |
| </th>
| | | | 15/8 |
| <th>8<br />
| | | | 2/1 |
| </th>
| | |- |
| <th>9<br />
| | | | ...in cents: |
| </th>
| | | | 0 |
| <th>10<br />
| | | | 203.9 |
| </th>
| | | | 386.3 |
| <th>11<br />
| | | | 551.3 |
| </th>
| | | | 702.0 |
| <th>12<br />
| | | | 840.5 |
| </th>
| | | | 968.8 |
| <th>13<br />
| | | | 1088.3 |
| </th>
| | | | 1200.0 |
| <th>14<br />
| | |- |
| </th>
| | | | Nearest degree of 31edo: |
| <th>15<br />
| | | | 0 |
| </th>
| | | | 5 |
| <th>16<br />
| | | | 10 |
| </th>
| | | | 14 |
| <th>17<br />
| | | | 18 |
| </th>
| | | | 22 |
| <th>18<br />
| | | | 25 |
| </th>
| | | | 28 |
| <th>19<br />
| | | | 31 |
| </th>
| | |- |
| <th>20<br />
| | | | ...in cents: |
| </th>
| | | | 0 |
| <th>21<br />
| | | | 193.5 |
| </th>
| | | | 387.1 |
| <th>22<br />
| | | | 541.9 |
| </th>
| | | | 696.8 |
| <th>23<br />
| | | | 851.6 |
| </th>
| | | | 967.7 |
| <th>24<br />
| | | | 1083.9 |
| </th>
| | | | 1200.0 |
| <th>25<br />
| | |} |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tritonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%201s">2L 1s</a><br />
| |
| </td>
| |
| <td>12<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>12<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/3L%202s">3L 2s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>octatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%203s">5L 3s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13-tone (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%208s">5L 8s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>18-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/13L%205s">13L 5s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | In mode 16, the most closely-matched harmonics are the composite ones, 21 and 25. Of the other harmonics: |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:53:&lt;h3&gt; --><h3 id="toc26"><a name="Intervals-Selected just intervals by error-13\31 octave - approx. 503.23¢ - Perfect Fourth"></a><!-- ws:end:WikiTextHeadingRule:53 -->13\31 octave - approx. 503.23¢ - Perfect Fourth</h3>
| |
| A slightly wide perfect fourth (compare to 4:3 = 498.04¢). As such, it functions marvelously as a generator for <a class="wiki_link" href="/meantone">meantone</a> temperament.<br />
| |
| <!-- ws:start:WikiTextHeadingRule:55:&lt;h4&gt; --><h4 id="toc27"><a name="Intervals-Selected just intervals by error-13\31 octave - approx. 503.23¢ - Perfect Fourth-MOS Scales generated by 13\31:"></a><!-- ws:end:WikiTextHeadingRule:55 -->MOS Scales generated by 13\31:</h4>
| |
|
| |
|
| |
|
| <table class="wiki_table">
| | <ul><li>17 is sharp, like 13. In fact, the 17:13 ratio is matched within a tenth of a cent.</li><li>19 is also sharp, like 13 and 17. The 19:17 ratio is about one cent sharp.</li><li>23 is about as flat as 11. The chromatic semitone is about half a cent off from 23:22. 31edo could be considered a tuning of the 2.3.5.7.11.23 subset, on which it is consistent.</li><li>27 is quite flat, as it's 3^3 and the error from the meantone fifths accumulates.</li><li>29 and 31 are both ''very'' sharp, and intervals involving them are unlikely to play any major role.</li></ul> |
| <tr>
| |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tritonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%201s">2L 1s</a><br />
| |
| </td>
| |
| <td>13<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>13<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%203s">2L 3s</a><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/5L%202s">5L 2s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>12-tone (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/7L%205s">7L 5s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>19-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/12L%207s">12L 7s</a><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | {| class="wikitable" |
| <br />
| | |- |
| <!-- ws:start:WikiTextHeadingRule:57:&lt;h3&gt; --><h3 id="toc28"><a name="Intervals-Selected just intervals by error-14\31 octave - approx. 541.94¢ - Superfourth or up 4th"></a><!-- ws:end:WikiTextHeadingRule:57 -->14\31 octave - approx. 541.94¢ - Superfourth or up 4th</h3>
| | | | Odd overtones in "Mode 16": |
| Exactly twice a subminor third. Functions as both the 11:8 (551.32¢) and 15:11 (536.95¢) undecimal superfourths (121/120 is tempered out). Thus it makes possible a symmetrical tempered version of an 8:11:15 triad. As 11/8, 14\31 is about 9¢ flat; however, it fits nicely with the also-flat 9/8, allowing a near-just 11/9. Nonetheless, most 11-limit chords in 31edo have a somewhat unstable quality which distinguishes them from their just counterparts. Generates <a class="wiki_link" href="/Starling%20temperaments">casablanca temperament</a>.<br />
| | | | 17 |
| <!-- ws:start:WikiTextHeadingRule:59:&lt;h4&gt; --><h4 id="toc29"><a name="Intervals-Selected just intervals by error-14\31 octave - approx. 541.94¢ - Superfourth or up 4th-MOS Scales generated by 14\31:"></a><!-- ws:end:WikiTextHeadingRule:59 -->MOS Scales generated by 14\31:</h4>
| | | | 19 |
|
| | | | 21 |
| | | | 23 |
| | | | 25 |
| | | | 27 |
| | | | 29 |
| | | | 31 |
| | |- |
| | | | ...as JI Ratio from 1/1: |
| | | | 17/16 |
| | | | 19/16 |
| | | | 21/16 |
| | | | 23/16 |
| | | | 25/16 |
| | | | 27/16 |
| | | | 29/16 |
| | | | 31/16 |
| | |- |
| | | | ...in cents: |
| | | | 105.0 |
| | | | 297.5 |
| | | | 470.8 |
| | | | 628.3 |
| | | | 772.6 |
| | | | 905.9 |
| | | | 1029.6 |
| | | | 1145.0 |
| | |- |
| | | | Nearest degree of 31edo: |
| | | | 3 |
| | | | 8 |
| | | | 12 |
| | | | 16 |
| | | | 20 |
| | | | 23 |
| | | | 27 |
| | | | 30 |
| | |- |
| | | | ...in cents: |
| | | | 116.1 |
| | | | 309.7 |
| | | | 464.5 |
| | | | 619.4 |
| | | | 774.2 |
| | | | 890.3 |
| | | | 1045.1 |
| | | | 1161.3 |
| | |} |
|
| |
|
| <table class="wiki_table">
| | =Commas= |
| <tr>
| | 31 EDO tempers out the following commas. (Note: This assumes the val < 31 49 72 87 107 115 |, comma values rounded to 5 significant digits.) |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tritonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%201s">2L 1s</a><br />
| |
| </td> | |
| <td>14<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>14<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%203s">2L 3s</a><br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%205s">2L 5s</a><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>nonatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%207s">2L 7s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11-tone (quasi-equal)<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/9L%202s">9L 2s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>20-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/11L%209s">11L 9s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br /> | | {| class="wikitable" |
| <br /> | | |- |
| <!-- ws:start:WikiTextHeadingRule:61:&lt;h3&gt; --><h3 id="toc30"><a name="Intervals-Selected just intervals by error-15\31 octave - approx. 580.65¢ - Small Tritone or Augmented 4th or Subdiminished Fifth or downdim 5th"></a><!-- ws:end:WikiTextHeadingRule:61 -->15\31 octave - approx. 580.65¢ - Small Tritone or Augmented 4th or Subdiminished Fifth or downdim 5th</h3> | | ! | Ratio |
| In 7-limit tonal music, functions quite well as 7:5 (582.51¢). Exactly thrice a whole tone. Generates <a class="wiki_link" href="/tritonic">tritonic</a> temperament.<br />
| | ! | Monzo |
| <!-- ws:start:WikiTextHeadingRule:63:&lt;h4&gt; --><h4 id="toc31"><a name="Intervals-Selected just intervals by error-15\31 octave - approx. 580.65¢ - Small Tritone or Augmented 4th or Subdiminished Fifth or downdim 5th-MOS Scales generated by 15\31:"></a><!-- ws:end:WikiTextHeadingRule:63 -->MOS Scales generated by 15\31:</h4> | | ! | Value (Cents) |
|
| | ! | Name 1 |
| | ! | Name 2 |
| | ! | Name 3 |
| | |- |
| | | style="text-align:center;" | 34171875/33554432 |
| | | | | -25 7 6 > |
| | | style="text-align:right;" | 31.567 |
| | | style="text-align:center;" | [[ampersand|Ampersand's Comma]] |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 81/80 |
| | | | | -4 4 -1 > |
| | | style="text-align:right;" | 21.506 |
| | | style="text-align:center;" | [[Syntonic_Comma|Syntonic Comma]] |
| | | style="text-align:center;" | Didymos Comma |
| | | style="text-align:center;" | Meantone Comma |
| | |- |
| | | style="text-align:center;" | 393216/390625 |
| | | | | 17 1 -8 > |
| | | style="text-align:right;" | 11.445 |
| | | style="text-align:center;" | [[Würschmidt_comma|Würschmidt Comma]] |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 2109375/2097152 |
| | | | | -21 3 7 > |
| | | style="text-align:right;" | 10.061 |
| | | style="text-align:center;" | [[semicomma|Semicomma]] |
| | | style="text-align:center;" | Fokker Comma |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 6719816/6714445 |
| | | | | 38 -2 -15 > |
| | | style="text-align:right;" | 1.3843 |
| | | style="text-align:center;" | Hemithirds Comma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 9859966/9733137 |
| | | | | -10 7 8 -7 > |
| | | style="text-align:right;" | 22.413 |
| | | style="text-align:center;" | Blackjackisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 64827/64000 |
| | | | | -9 3 -3 4 > |
| | | style="text-align:right;" | 22.227 |
| | | style="text-align:center;" | Squalentine |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 2430/2401 |
| | | | | 1 5 1 -4 > |
| | | style="text-align:right;" | 20.785 |
| | | style="text-align:center;" | Nuwell |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 50421/50000 |
| | | | | -4 1 -5 5 > |
| | | style="text-align:right;" | 14.516 |
| | | style="text-align:center;" | Trimyna |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 126/125 |
| | | | | 1 2 -3 1 > |
| | | style="text-align:right;" | 13.795 |
| | | style="text-align:center;" | [[126/125|Septimal Semicomma]] |
| | | style="text-align:center;" | Starling Comma |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 1728/1715 |
| | | | | 6 3 -1 -3 > |
| | | style="text-align:right;" | 13.074 |
| | | style="text-align:center;" | Orwellisma |
| | | style="text-align:center;" | Orwell Comma |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 1029/1024 |
| | | | | -10 1 0 3 > |
| | | style="text-align:right;" | 8.4327 |
| | | style="text-align:center;" | Gamelisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 225/224 |
| | | | | -5 2 2 -1 > |
| | | style="text-align:right;" | 7.7115 |
| | | style="text-align:center;" | [[225/224|Septimal Kleisma]] |
| | | style="text-align:center;" | Marvel Comma |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 16875/16807 |
| | | | | 0 3 4 -5 > |
| | | style="text-align:right;" | 6.9903 |
| | | style="text-align:center;" | Mirkwai |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 3136/3125 |
| | | | | 6 0 -5 2 > |
| | | style="text-align:right;" | 6.0832 |
| | | style="text-align:center;" | Hemimean |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 6144/6125 |
| | | | | 11 1 -3 -2 > |
| | | style="text-align:right;" | 5.3621 |
| | | style="text-align:center;" | Porwell |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 1065875/1063543 |
| | | | | -26 -1 1 9 > |
| | | style="text-align:right;" | 3.7919 |
| | | style="text-align:center;" | Wadisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 65625/65536 |
| | | | | -16 1 5 1 > |
| | | style="text-align:right;" | 2.3495 |
| | | style="text-align:center;" | Horwell |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 703125/702464 |
| | | | | -11 2 7 -3 > |
| | | style="text-align:right;" | 1.6283 |
| | | style="text-align:center;" | Meter |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 2401/2400 |
| | | | | -5 -1 -2 4 > |
| | | style="text-align:right;" | 0.72120 |
| | | style="text-align:center;" | Breedsma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 99/98 |
| | | | | -1 2 0 -2 1 > |
| | | style="text-align:right;" | 17.576 |
| | | style="text-align:center;" | Mothwellsma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 121/120 |
| | | | | -3 -1 -1 0 2 > |
| | | style="text-align:right;" | 14.367 |
| | | style="text-align:center;" | Biyatisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 176/175 |
| | | | | 4 0 -2 -1 1 > |
| | | style="text-align:right;" | 9.8646 |
| | | style="text-align:center;" | Valinorsma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 243/242 |
| | | | | -1 5 0 0 -2 > |
| | | style="text-align:right;" | 7.1391 |
| | | style="text-align:center;" | Rastma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 385/384 |
| | | | | -7 -1 1 1 1 > |
| | | style="text-align:right;" | 4.5026 |
| | | style="text-align:center;" | [[385/384|Keenanisma]] |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 441/440 |
| | | | | -3 2 -1 2 -1 > |
| | | style="text-align:right;" | 3.9302 |
| | | style="text-align:center;" | Werckisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 540/539 |
| | | | | 2 3 1 -2 -1 > |
| | | style="text-align:right;" | 3.2090 |
| | | style="text-align:center;" | Swetisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |- |
| | | style="text-align:center;" | 3025/3024 |
| | | | | -4 -3 2 -1 2 > |
| | | style="text-align:right;" | 0.57240 |
| | | style="text-align:center;" | Lehmerisma |
| | | style="text-align:center;" | |
| | | style="text-align:center;" | |
| | |} |
|
| |
|
| <table class="wiki_table">
| | =Modes= |
| <tr>
| |
| <th>number of tones<br />
| |
| </th>
| |
| <th>MOS class<br />
| |
| </th>
| |
| <th>0<br />
| |
| </th>
| |
| <th>1<br />
| |
| </th>
| |
| <th>2<br />
| |
| </th>
| |
| <th>3<br />
| |
| </th>
| |
| <th>4<br />
| |
| </th>
| |
| <th>5<br />
| |
| </th>
| |
| <th>6<br />
| |
| </th>
| |
| <th>7<br />
| |
| </th>
| |
| <th>8<br />
| |
| </th>
| |
| <th>9<br />
| |
| </th>
| |
| <th>10<br />
| |
| </th>
| |
| <th>11<br />
| |
| </th>
| |
| <th>12<br />
| |
| </th>
| |
| <th>13<br />
| |
| </th>
| |
| <th>14<br />
| |
| </th>
| |
| <th>15<br />
| |
| </th>
| |
| <th>16<br />
| |
| </th>
| |
| <th>17<br />
| |
| </th>
| |
| <th>18<br />
| |
| </th>
| |
| <th>19<br />
| |
| </th>
| |
| <th>20<br />
| |
| </th>
| |
| <th>21<br />
| |
| </th>
| |
| <th>22<br />
| |
| </th>
| |
| <th>23<br />
| |
| </th>
| |
| <th>24<br />
| |
| </th>
| |
| <th>25<br />
| |
| </th>
| |
| <th>26<br />
| |
| </th>
| |
| <th>27<br />
| |
| </th>
| |
| <th>28<br />
| |
| </th>
| |
| <th>29<br />
| |
| </th>
| |
| <th>30<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td>tritonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%201s">2L 1s</a><br />
| |
| </td>
| |
| <td>15<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>15<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>pentatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%203s">2L 3s</a><br />
| |
| </td>
| |
| <td>14<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>14<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>heptatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%205s">2L 5s</a><br />
| |
| </td>
| |
| <td>13<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>13<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>nonatonic<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%207s">2L 7s</a><br />
| |
| </td>
| |
| <td>12<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>12<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%209s">2L 9s</a><br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2011s">2L 11s</a><br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>15-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2013s">2L 13s</a><br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>17-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2015s">2L 15s</a><br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>19-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2017s">2L 17s</a><br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>7<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>21-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2019s">2L 19s</a><br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>6<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>23-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2021s">2L 21s</a><br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>25-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2023s">2L 23s</a><br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>4<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>27-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2025s">2L 25s</a><br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>29-tone<br />
| |
| </td>
| |
| <td><a class="wiki_link" href="/2L%2027s">2L 27s</a><br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>2<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| <td>1<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | A large open list of modes (subsets) from 31edo that people have named: [[31edo_modes|31edo modes]]. [http://en.wikipedia.org/wiki/Rothenberg_propriety Strictly proper] [[Strictly_proper_7-note_31edo_scales|7-note 31edo scales]] in the sense of [[David_Rothenberg|David Rothenberg]]. Interesting (to somebody) [[9-note_31edo_scales|9-note 31edo scales]]. See also [[31edo_MOS_scales|31edo MOS scales]]. Some of the popular ones: |
| <!-- ws:start:WikiTextHeadingRule:65:&lt;h3&gt; --><h3 id="toc32"><a name="Intervals-Selected just intervals by error-16\31 Large Tritone or dim 5th"></a><!-- ws:end:WikiTextHeadingRule:65 -->16\31 Large Tritone or dim 5th</h3>
| |
| <br />
| |
| Etc.<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:67:&lt;h1&gt; --><h1 id="toc33"><a name="Notation"></a><!-- ws:end:WikiTextHeadingRule:67 -->Notation</h1>
| |
| <br />
| |
| 31edo can be notated with <a class="wiki_link" href="/ups%20and%20downs%20notation">ups and downs notation</a> like so:<br /> | |
|
| |
|
| | <ul><li>31-tone major: 5 5 3 5 5 5 3</li><li>Meantone[12] (Eb-G#): 2 3 3 2 3 2 3 2 3 3 2 3</li><li>Harmonic scale 8: 5 5 4 4 4 3 3 3</li><li>the [[Euler-Fokker_genera|Euler-Fokker genera]] (technically [[JI|JI]] but representable in 31)</li></ul> |
|
| |
|
| <table class="wiki_table">
| | {| class="wikitable" |
| <tr>
| | |- |
| <td style="text-align: center;">0<br />
| | | colspan="2" | |
| </td>
| | ====Some 31 tone equal modes:==== |
| <td style="text-align: center;">1<br />
| | |- |
| </td>
| | | | <tt>'''2 3 3 2 3 2 3 2 3 3 2 3'''</tt> |
| <td style="text-align: center;">2<br />
| | | | Meantone Chromatic (53/220-comma) |
| </td>
| | |- |
| <td style="text-align: center;">3<br />
| | | | <tt>'''5 5 3 5 5 5 3'''</tt> |
| </td>
| | | | Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian |
| <td style="text-align: center;">4<br />
| | |- |
| </td>
| | | | <tt>'''5 3 5 5 3 5 5'''</tt> |
| <td style="text-align: center;">5<br />
| | | | Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian |
| </td>
| | |- |
| <td style="text-align: center;">6<br />
| | | | <tt>'''5 3 5 5 5 5 3'''</tt> |
| </td>
| | | | Thirty-one tone Melodic Minor |
| <td style="text-align: center;">7<br />
| | |- |
| </td>
| | | | <tt>'''5 3 5 5 3 7 3'''</tt> |
| <td style="text-align: center;">8<br />
| | | | Thirty-one tone Harmonic Minor |
| </td>
| | |- |
| <td style="text-align: center;">9<br />
| | | | <tt>'''5 5 3 5 3 7 3'''</tt> |
| </td>
| | | | Thirty-one tone Harmonic Major |
| <td style="text-align: center;">10<br />
| | |- |
| </td>
| | | | <tt>'''5 5 3 5 3 5 5'''</tt> |
| <td style="text-align: center;">11<br />
| | | | Thirty-one tone Major-Minor |
| </td>
| | |- |
| <td style="text-align: center;">12<br />
| | | | <tt>'''5 8 5 13'''</tt> |
| </td>
| | | | Genus primum |
| <td style="text-align: center;">13<br />
| | |- |
| </td>
| | | | <tt>'''10 3 5 5 5 3'''</tt> |
| <td style="text-align: center;">14<br />
| | | | Genus secundum |
| </td>
| | |- |
| <td style="text-align: center;">15<br />
| | | | <tt>'''8 2 8 3 7 3'''</tt> |
| </td>
| | | | Genus tertium |
| <td style="text-align: center;">16<br />
| | |- |
| </td>
| | | | <tt>'''10 10 10 1'''</tt> |
| <td style="text-align: center;">17<br />
| | | | Genus quartum |
| </td>
| | |- |
| <td style="text-align: center;">18<br />
| | | | <tt>'''5 7 6 7 5 1'''</tt> |
| </td>
| | | | Genus quintum |
| <td style="text-align: center;">19<br />
| | |- |
| </td>
| | | | <tt>'''4 6 2 6 4 3 3 3'''</tt> |
| <td style="text-align: center;">20<br />
| | | | Genus sextum |
| </td>
| | |- |
| <td style="text-align: center;">21<br />
| | | | <tt>'''4 6 5 6 4 6'''</tt> |
| </td>
| | | | Genus septimum |
| <td style="text-align: center;">22<br />
| | |- |
| </td>
| | | | <tt>'''6 6 6 1 6 6'''</tt> |
| <td style="text-align: center;">23<br />
| | | | Genus octavum |
| </td>
| | |- |
| <td style="text-align: center;">24<br />
| | | | <tt>'''4 6 9 6 4 2'''</tt> |
| </td>
| | | | Genus nonum |
| <td style="text-align: center;">25<br />
| | |- |
| </td>
| | | | <tt>'''13 6 6 6'''</tt> |
| <td style="text-align: center;">26<br />
| | | | Genus decimum |
| </td>
| | |- |
| <td style="text-align: center;">27<br />
| | | | <tt>'''5 5 3 5 5 3 2 3'''</tt> |
| </td>
| | | | Genus diatonicum |
| <td style="text-align: center;">28<br />
| | |- |
| </td>
| | | | <tt>'''3 5 2 3 5 3 2 5 3'''</tt> |
| <td style="text-align: center;">29<br />
| | | | Genus chromaticum |
| </td>
| | |- |
| <td style="text-align: center;">30<br />
| | | | <tt>'''5 5 2 1 5 5 2 3 3'''</tt> |
| </td>
| | | | Genus diatonicum cum septimis |
| <td style="text-align: center;">31<br />
| | |- |
| </td>
| | | | <tt>'''3 4 3 3 2 1 4 1 4 1 2 3'''</tt> |
| </tr>
| | | | Genus enharmonicum vocale |
| <tr>
| | |- |
| <td style="text-align: center;">P1<br />
| | | | <tt>'''2 2 4 2 2 3 3 3 1 3 3 3'''</tt> |
| </td>
| | | | Genus enharmonicum instrumentale |
| <td style="text-align: center;">^P1<br />
| | |- |
| d2<br />
| | | | <tt>'''3 2 3 2 3 2 3 3 2 3 2 3'''</tt> |
| </td>
| | | | Genus diatonico-chromaticum |
| <td style="text-align: center;">A1<br />
| | |- |
| vm2<br />
| | | | <tt>'''5 2 1 2 5 3 2 1 4 1 2 3'''</tt> |
| </td>
| | | | Genus bichromaticum |
| <td style="text-align: center;">m2<br />
| | |- |
| </td>
| | | | <tt>'''4 4 5 4 4 5 5'''</tt> |
| <td style="text-align: center;">~2<br />
| | | | Neutral Diatonic Mixolydian |
| </td>
| | |- |
| <td style="text-align: center;">M2<br />
| | | | <tt>'''4 5 4 4 5 5 4'''</tt> |
| </td>
| | | | Neutral Diatonic Lydian |
| <td style="text-align: center;">^M2<br />
| | |- |
| d3<br />
| | | | <tt>'''5 4 4 5 5 4 4'''</tt> |
| </td>
| | | | Neutral Diatonic Phrygian |
| <td style="text-align: center;">A2<br />
| | |- |
| vm3<br />
| | | | <tt>'''4 4 5 5 4 4 5'''</tt> |
| </td>
| | | | Neutral Diatonic Dorian |
| <td style="text-align: center;">m3<br />
| | |- |
| </td>
| | | | <tt>'''4 5 5 4 4 5 4'''</tt> |
| <td style="text-align: center;">~3<br />
| | | | Neutral Diatonic Hypolydian |
| </td>
| | |- |
| <td style="text-align: center;">M3<br />
| | | | <tt>'''5 5 4 4 5 4 4'''</tt> |
| </td>
| | | | Neutral Diatonic Hypophrygian |
| <td style="text-align: center;">^M3<br />
| | |- |
| d4<br />
| | | | <tt>'''5 4 4 5 4 4 5'''</tt> |
| </td>
| | | | Neutral Diatonic Hypodorian |
| <td style="text-align: center;">A3<br />
| | |- |
| v4<br />
| | | | <tt>'''4 5 4 4 5 4 5'''</tt> |
| </td>
| | | | Neutral Mixolydian |
| <td style="text-align: center;">P4<br />
| | |- |
| </td>
| | | | <tt>'''5 4 4 5 4 5 4'''</tt> |
| <td style="text-align: center;">^4<br />
| | | | Neutral Lydian |
| </td>
| | |- |
| <td style="text-align: center;">A4<br />
| | | | <tt>'''4 4 5 4 5 4 5'''</tt> |
| </td>
| | | | Neutral Phrygian |
| <td style="text-align: center;">d5<br />
| | |- |
| </td>
| | | | <tt>'''4 5 4 5 4 5 4'''</tt> |
| <td style="text-align: center;">v5<br />
| | | | Neutral Dorian |
| </td>
| | |- |
| <td style="text-align: center;">P5<br />
| | | | <tt>'''5 4 5 4 5 4 4'''</tt> |
| </td>
| | | | Neutral Hypolydian |
| <td style="text-align: center;">^5<br />
| | |- |
| d6<br />
| | | | <tt>'''4 5 4 5 4 4 5'''</tt> |
| </td>
| | | | Neutral Hypophrygian |
| <td style="text-align: center;">A5<br />
| | |- |
| vm6<br />
| | | | <tt>'''5 4 5 4 4 5 4'''</tt> |
| </td>
| | | | Neutral Hypodorian |
| <td style="text-align: center;">m6<br />
| | |- |
| </td>
| | | | <tt>'''2 2 9 2 2 9 5'''</tt> |
| <td style="text-align: center;">~6<br />
| | | | Hemiolic Chromatic Mixolydian |
| </td>
| | |- |
| <td style="text-align: center;">M6<br />
| | | | <tt>'''2 9 2 2 9 5 2'''</tt> |
| </td>
| | | | Hemiolic Chromatic Lydian |
| <td style="text-align: center;">^M6<br />
| | |- |
| d7<br />
| | | | <tt>'''9 2 2 9 5 2 2'''</tt> |
| </td>
| | | | Hemiolic Chromatic Phrygian |
| <td style="text-align: center;">A6<br />
| | |- |
| vm7<br />
| | | | <tt>'''2 2 9 5 2 2 9'''</tt> |
| </td>
| | | | Hemiolic Chromatic Dorian |
| <td style="text-align: center;">m7<br />
| | |- |
| </td>
| | | | <tt>'''2 9 5 2 2 9 2'''</tt> |
| <td style="text-align: center;">~7<br />
| | | | Hemiolic Chromatic Hypolydian |
| </td>
| | |- |
| <td style="text-align: center;">M7<br />
| | | | <tt>'''9 5 2 2 9 2 2'''</tt> |
| </td>
| | | | Hemiolic Chromatic Hypophrygian |
| <td style="text-align: center;">^M7<br />
| | |- |
| d8<br />
| | | | <tt>'''5 2 2 9 2 2 9'''</tt> |
| </td>
| | | | Hemiolic Chromatic Hypodorian |
| <td style="text-align: center;">A7<br />
| | |- |
| v8<br />
| | | | <tt>'''2 3 8 2 3 8 5'''</tt> |
| </td>
| | | | Ratio 2:3 Chromatic Mixolydian |
| <td style="text-align: center;">P8<br />
| | |- |
| </td>
| | | | <tt>'''3 8 2 3 8 5 2'''</tt> |
| </tr>
| | | | Ratio 2:3 Chromatic Lydian |
| </table>
| | |- |
| | | | <tt>'''8 2 3 8 5 2 3'''</tt> |
| | | | Ratio 2:3 Chromatic Phrygian |
| | |- |
| | | | <tt>'''2 3 8 5 2 3 8'''</tt> |
| | | | Ratio 2:3 Chromatic Dorian |
| | |- |
| | | | <tt>'''3 8 5 2 3 8 2'''</tt> |
| | | | Ratio 2:3 Chromatic Hypolydian |
| | |- |
| | | | <tt>'''8 5 2 3 8 2 3'''</tt> |
| | | | Ratio 2:3 Chromatic Hypophrygian |
| | |- |
| | | | <tt>'''5 2 3 8 2 3 8'''</tt> |
| | | | Ratio 2:3 Chromatic Hypodorian |
| | |- |
| | | | <tt>'''3 5 5 3 5 5 5'''</tt> |
| | | | Intense Diatonic Mixolydian, M.Locrian |
| | |- |
| | | | <tt>'''5 3 5 5 5 3 5'''</tt> |
| | | | Intense Diatonic Phrygian, M.Dorian |
| | |- |
| | | | <tt>'''3 5 5 5 3 5 5'''</tt> |
| | | | Intense Diatonic Dorian, M.Phrygian |
| | |- |
| | | | <tt>'''5 5 5 3 5 5 3'''</tt> |
| | | | Intense Diatonic Hypolydian, M.Lydian |
| | |- |
| | | | <tt>'''5 5 3 5 5 3 5'''</tt> |
| | | | Intense Diatonic Hypophrygian, M.Mixolydian |
| | |- |
| | | | <tt>'''2 5 6 2 5 6 5'''</tt> |
| | | | Soft Diatonic Mixolydian |
| | |- |
| | | | <tt>'''5 6 2 5 6 5 2'''</tt> |
| | | | Soft Diatonic Lydian |
| | |- |
| | | | <tt>'''6 2 5 6 5 2 5'''</tt> |
| | | | Soft Diatonic Phrygian |
| | |- |
| | | | <tt>'''2 5 6 5 2 5 6'''</tt> |
| | | | Soft Diatonic Dorian |
| | |- |
| | | | <tt>'''5 6 5 2 5 6 2'''</tt> |
| | | | Soft Diatonic Hypolydian |
| | |- |
| | | | <tt>'''6 5 2 5 6 2 5'''</tt> |
| | | | Soft Diatonic Hypophrygian |
| | |- |
| | | | <tt>'''5 2 5 6 2 5 6'''</tt> |
| | | | Soft Diatonic Hypodorian |
| | |- |
| | | | <tt>'''1 2 10 1 2 10 5'''</tt> |
| | | | Enharmonic Mixolydian |
| | |- |
| | | | <tt>'''2 10 1 2 10 5 1'''</tt> |
| | | | Enharmonic Lydian |
| | |- |
| | | | <tt>'''10 1 2 10 5 1 2'''</tt> |
| | | | Enharmonic Phrygian |
| | |- |
| | | | <tt>'''1 2 10 5 1 2 10'''</tt> |
| | | | Enharmonic Dorian |
| | |- |
| | | | <tt>'''2 10 5 1 2 10 1'''</tt> |
| | | | Enharmonic Hypolydian |
| | |- |
| | | | <tt>'''10 5 1 2 10 1 2'''</tt> |
| | | | Enharmonic Hypophrygian |
| | |- |
| | | | <tt>'''5 1 2 10 1 2 10'''</tt> |
| | | | Enharmonic Hypodorian |
| | |- |
| | | | <tt>'''6 6 7 6 6'''</tt> |
| | | | Quasi-equal Pentatonic |
| | |- |
| | | | <tt>'''3 2 2 3 3 2 3 3 2 2 3 3'''</tt> |
| | | | Fokker 12-tone |
| | |- |
| | | | <tt>'''5 3 5 3 5 2 5 3'''</tt> |
| | | | Modus conjunctus |
| | |- |
| | | | <tt>'''3 5 2 5 3 5 3 5'''</tt> |
| | | | Octatonic |
| | |- |
| | | | <tt>'''3 3 4 3 5 3 4 3 3'''</tt> |
| | | | Hahn symmetric pentachordal |
| | |- |
| | | | <tt>'''3 4 3 3 5 3 4 3 3'''</tt> |
| | | | Hahn pentachordal |
| | |- |
| | | | <tt>'''4 4 2 5 3 3 4 3 3'''</tt> |
| | | | Hahn Nonatonic |
| | |- |
| | | | <tt>'''5 1 5 1 5 1 5 1 5 1 1'''</tt> |
| | | | de Vries 11-tone |
| | |- |
| | | | <tt>'''4 1 4 4 4 1 4 4 1 4'''</tt> |
| | | | Breed 10-tone |
| | |- |
| | | | <tt>'''4 2 4 2 4 2 4 3 3 3'''</tt> |
| | | | Lumma Decatonic |
| | |- |
| | | | <tt>'''5 3 3 3 3 5 3 3 3'''</tt> |
| | | | Rothenberg Generalized Diatonic |
| | |- |
| | | | <tt>'''5 2 6 5 2 5 6'''</tt> |
| | | | "Septimal" Natural Minor |
| | |- |
| | | | <tt>'''4 3 4 3 4 3 4 3 3'''</tt> |
| | | | Thirty-one tone Orwell |
| | |- |
| | | | <tt>'''2 5 2 2 5 2 2 2 5 2 2'''</tt> |
| | | | Secor Sentinel |
| | |} |
|
| |
|
| ^ = up, v = down, ~ = mid<br />
| | =Music in 31-edo= |
| vm2 = downminor 2nd, ~2 = mid 2nd, ^M2 = upmajor 2nd, etc.<br />
| | [[31-edo_compositions|An alphabetical list of Tricesimoprimal Compositions]]. |
| <br />
| |
|
| |
|
| | [http://archive.org/download/Aire2In31-equalTemperament/Aire2In31.mp3 Aire #2 in 31-equal temperament] by [[Jon_Lyle_Smith|Jon Lyle Smith]] |
|
| |
|
| <table class="wiki_table">
| | [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3 I Stand Hopeless Before the Gray Sea] by Chuckles McGee |
| <tr>
| |
| <td style="text-align: center;">0<br />
| |
| </td>
| |
| <td style="text-align: center;">1<br />
| |
| </td>
| |
| <td style="text-align: center;">2<br />
| |
| </td>
| |
| <td style="text-align: center;">3<br />
| |
| </td>
| |
| <td style="text-align: center;">4<br />
| |
| </td>
| |
| <td style="text-align: center;">5<br />
| |
| </td>
| |
| <td style="text-align: center;">6<br />
| |
| </td>
| |
| <td style="text-align: center;">7<br />
| |
| </td>
| |
| <td style="text-align: center;">8<br />
| |
| </td>
| |
| <td style="text-align: center;">9<br />
| |
| </td>
| |
| <td style="text-align: center;">10<br />
| |
| </td>
| |
| <td style="text-align: center;">11<br />
| |
| </td>
| |
| <td style="text-align: center;">12<br />
| |
| </td>
| |
| <td style="text-align: center;">13<br />
| |
| </td>
| |
| <td style="text-align: center;">14<br />
| |
| </td>
| |
| <td style="text-align: center;">15<br />
| |
| </td>
| |
| <td style="text-align: center;">16<br />
| |
| </td>
| |
| <td style="text-align: center;">17<br />
| |
| </td>
| |
| <td style="text-align: center;">18<br />
| |
| </td>
| |
| <td style="text-align: center;">19<br />
| |
| </td>
| |
| <td style="text-align: center;">20<br />
| |
| </td>
| |
| <td style="text-align: center;">21<br />
| |
| </td>
| |
| <td style="text-align: center;">22<br />
| |
| </td>
| |
| <td style="text-align: center;">23<br />
| |
| </td>
| |
| <td style="text-align: center;">24<br />
| |
| </td>
| |
| <td style="text-align: center;">25<br />
| |
| </td>
| |
| <td style="text-align: center;">26<br />
| |
| </td>
| |
| <td style="text-align: center;">27<br />
| |
| </td>
| |
| <td style="text-align: center;">28<br />
| |
| </td>
| |
| <td style="text-align: center;">29<br />
| |
| </td>
| |
| <td style="text-align: center;">30<br />
| |
| </td>
| |
| <td style="text-align: center;">31<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">C<br />
| |
| </td>
| |
| <td style="text-align: center;">C^<br />
| |
| </td>
| |
| <td style="text-align: center;">C#<br />
| |
| Dbv<br />
| |
| </td>
| |
| <td style="text-align: center;">C#^<br />
| |
| Db<br />
| |
| </td>
| |
| <td style="text-align: center;">Dv<br />
| |
| </td>
| |
| <td style="text-align: center;">D<br />
| |
| </td>
| |
| <td style="text-align: center;">D^<br />
| |
| </td>
| |
| <td style="text-align: center;">D#<br />
| |
| Ebv<br />
| |
| </td>
| |
| <td style="text-align: center;">D#^<br />
| |
| Eb<br />
| |
| </td>
| |
| <td style="text-align: center;">Ev<br />
| |
| </td>
| |
| <td style="text-align: center;">E<br />
| |
| </td>
| |
| <td style="text-align: center;">E^<br />
| |
| Fb<br />
| |
| </td>
| |
| <td style="text-align: center;">E#<br />
| |
| Fv<br />
| |
| </td>
| |
| <td style="text-align: center;">F<br />
| |
| </td>
| |
| <td style="text-align: center;">F^<br />
| |
| </td>
| |
| <td style="text-align: center;">F#<br />
| |
| Gbv<br />
| |
| </td>
| |
| <td style="text-align: center;">F#^<br />
| |
| Gb<br />
| |
| </td>
| |
| <td style="text-align: center;">Gv<br />
| |
| </td>
| |
| <td style="text-align: center;">G<br />
| |
| </td>
| |
| <td style="text-align: center;">G^<br />
| |
| </td>
| |
| <td style="text-align: center;">G#<br />
| |
| Abv<br />
| |
| </td>
| |
| <td style="text-align: center;">G#^<br />
| |
| Ab<br />
| |
| </td>
| |
| <td style="text-align: center;">Av<br />
| |
| </td>
| |
| <td style="text-align: center;">A<br />
| |
| </td>
| |
| <td style="text-align: center;">A^<br />
| |
| </td>
| |
| <td style="text-align: center;">A#<br />
| |
| Bbv<br />
| |
| </td>
| |
| <td style="text-align: center;">A#^<br />
| |
| Bb<br />
| |
| </td>
| |
| <td style="text-align: center;">Bv<br />
| |
| </td>
| |
| <td style="text-align: center;">B<br />
| |
| </td>
| |
| <td style="text-align: center;">B^<br />
| |
| Cb<br />
| |
| </td>
| |
| <td style="text-align: center;">B#<br />
| |
| Cv<br />
| |
| </td>
| |
| <td style="text-align: center;">C<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | [http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3 Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)] by [[Claudi_Meneghin|Claudi Meneghin]] |
| Combining ups and downs notation with <a class="wiki_link" href="/Kite%27s%20color%20notation">color notation</a>, qualities can be loosely associated with colors:<br />
| |
|
| |
|
| | [[earwig|earwig]] by [[Andrew_Heathwaite|Andrew Heathwaite]] |
|
| |
|
| <table class="wiki_table">
| | [https://www.youtube.com/watch?v=r1mat9f1DZ0 Fanfare and Toccata] by [[Juhani_Nuorvala|Juhani Nuorvala]] |
| <tr>
| |
| <th>quality<br />
| |
| </th>
| |
| <th>color<br />
| |
| </th>
| |
| <th>monzo format<br />
| |
| </th>
| |
| <th>examples<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">downminor<br />
| |
| </td>
| |
| <td style="text-align: center;">blue<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b, 0, 1}<br />
| |
| </td>
| |
| <td style="text-align: center;">7/6, 7/4<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">minor<br />
| |
| </td>
| |
| <td style="text-align: center;">fourthward white<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b}, b &lt; -1<br />
| |
| </td>
| |
| <td style="text-align: center;">32/27, 16/9<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">&quot;<br />
| |
| </td>
| |
| <td style="text-align: center;">green<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b, -1}<br />
| |
| </td>
| |
| <td style="text-align: center;">6/5, 9/5<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">mid<br />
| |
| </td>
| |
| <td style="text-align: center;">jade<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b, 0, 0, 1}<br />
| |
| </td>
| |
| <td style="text-align: center;">11/9, 11/6<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">&quot;<br />
| |
| </td>
| |
| <td style="text-align: center;">amber<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b, 0, 0, -1}<br />
| |
| </td>
| |
| <td style="text-align: center;">12/11, 18/11<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">major<br />
| |
| </td>
| |
| <td style="text-align: center;">yellow<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b, 1}<br />
| |
| </td>
| |
| <td style="text-align: center;">5/4, 5/3<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">&quot;<br />
| |
| </td>
| |
| <td style="text-align: center;">fifthward white<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b}, b &gt; 1<br />
| |
| </td>
| |
| <td style="text-align: center;">9/8, 27/16<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">upmajor<br />
| |
| </td>
| |
| <td style="text-align: center;">red<br />
| |
| </td>
| |
| <td style="text-align: center;">{a, b, 0, -1}<br />
| |
| </td>
| |
| <td style="text-align: center;">9/7, 12/7<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| All 31edo chords can be named using ups and downs. Here are the blue, green, jade, yellow and red triads:<br />
| | by Johann alias circular17: [https://www.youtube.com/watch?v=BBC8wiguN1A&index=5&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN Curieuse planète], [https://www.youtube.com/watch?v=8PdJgmDJwu4&index=4&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN Heal], [https://www.youtube.com/watch?v=j5eno0ejH0Y&index=2&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN Wave from the past], [https://www.youtube.com/watch?v=fyPtr24qBd8&index=1&list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN Deep but not too much]. |
|
| |
|
| | [https://www.youtube.com/watch?v=zZv-jUCynRU Orphanage of the Dutch Music IX: Sonate no. II in the 31-tone temperament - YouTube] |
|
| |
|
| <table class="wiki_table">
| | [https://soundcloud.com/camtaylor-1/enharmonic-melody-for-guitar Enharmonic melody for guitar] by Cam Taylor |
| <tr>
| |
| <th>color of the 3rd<br />
| |
| </th>
| |
| <th>JI chord<br />
| |
| </th>
| |
| <th>notes as edosteps<br />
| |
| </th>
| |
| <th>notes of C chord<br />
| |
| </th>
| |
| <th>written name<br />
| |
| </th>
| |
| <th>spoken name<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">blue<br />
| |
| </td>
| |
| <td style="text-align: center;">6:7:9<br />
| |
| </td>
| |
| <td style="text-align: center;">0-7-18<br />
| |
| </td>
| |
| <td style="text-align: center;">C Ebv G<br />
| |
| </td>
| |
| <td style="text-align: center;">C.vm<br />
| |
| </td>
| |
| <td style="text-align: center;">C downminor<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">green<br />
| |
| </td>
| |
| <td style="text-align: center;">10:12:15<br />
| |
| </td>
| |
| <td style="text-align: center;">0-8-18<br />
| |
| </td>
| |
| <td style="text-align: center;">C Eb G<br />
| |
| </td>
| |
| <td style="text-align: center;">Cm<br />
| |
| </td>
| |
| <td style="text-align: center;">C minor<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">jade<br />
| |
| </td>
| |
| <td style="text-align: center;">18:22:27<br />
| |
| </td>
| |
| <td style="text-align: center;">0-9-18<br />
| |
| </td>
| |
| <td style="text-align: center;">C Ev G<br />
| |
| </td>
| |
| <td style="text-align: center;">C~<br />
| |
| </td>
| |
| <td style="text-align: center;">C mid<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">yellow<br />
| |
| </td>
| |
| <td style="text-align: center;">4:5:6<br />
| |
| </td>
| |
| <td style="text-align: center;">0-10-18<br />
| |
| </td>
| |
| <td style="text-align: center;">C E G<br />
| |
| </td>
| |
| <td style="text-align: center;">C<br />
| |
| </td>
| |
| <td style="text-align: center;">C major or C<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">red<br />
| |
| </td>
| |
| <td style="text-align: center;">14:18:27<br />
| |
| </td>
| |
| <td style="text-align: center;">0-11-18<br />
| |
| </td>
| |
| <td style="text-align: center;">C E^ G<br />
| |
| </td>
| |
| <td style="text-align: center;">C.^<br />
| |
| </td>
| |
| <td style="text-align: center;">C upmajor or C dot up<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| For a more complete list, see <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation#Chord%20names%20in%20other%20EDOs">Ups and Downs Notation - Chord names in other EDOs</a>.<br />
| | [https://soundcloud.com/camtaylor-1/what-use-is-a-boy What use is a boy] by Cam Taylor |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:69:&lt;h1&gt; --><h1 id="toc34"><a name="Harmonic Scale"></a><!-- ws:end:WikiTextHeadingRule:69 -->Harmonic Scale</h1>
| |
| 31edo approximates Mode 8 of the <a class="wiki_link" href="/OverToneSeries">harmonic series</a> O.K., but many intervals between the harmonics aren't distinguished, most importantly 9/8 (major tone) and 10/9 (minor tone), as 31EDO is a meantone temperament. The interval between the 8th and 11th harmonics is approximated O.K., but the intervals between the 11th harmonic and closer harmonics such as the 12th and 9th harmonics are approximated even better. 31's version of 13/8 is quite wide and only vaguely suggests the <a class="wiki_link" href="/13-limit">13-limit</a>.<br />
| |
| <br />
| |
|
| |
|
| | [https://soundcloud.com/camtaylor-1/back-to-31-hyperchromatic Back to 31: Hyperchromatic progression on C^] by Cam Taylor |
|
| |
|
| <table class="wiki_table">
| | == == |
| <tr>
| |
| <td>Overtones in &quot;Mode 8&quot;:<br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td>9<br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td>11<br />
| |
| </td>
| |
| <td>12<br />
| |
| </td>
| |
| <td>13<br />
| |
| </td>
| |
| <td>14<br />
| |
| </td>
| |
| <td>15<br />
| |
| </td>
| |
| <td>16<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>...as JI Ratio from 1/1:<br />
| |
| </td>
| |
| <td>1/1<br />
| |
| </td>
| |
| <td>9/8<br />
| |
| </td>
| |
| <td>5/4<br />
| |
| </td>
| |
| <td>11/8<br />
| |
| </td>
| |
| <td>3/2<br />
| |
| </td>
| |
| <td>13/8<br />
| |
| </td>
| |
| <td>7/4<br />
| |
| </td>
| |
| <td>15/8<br />
| |
| </td>
| |
| <td>2/1<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>...in cents:<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>203.9<br />
| |
| </td>
| |
| <td>386.3<br />
| |
| </td>
| |
| <td>551.3<br />
| |
| </td>
| |
| <td>702.0<br />
| |
| </td>
| |
| <td>840.5<br />
| |
| </td>
| |
| <td>968.8<br />
| |
| </td>
| |
| <td>1088.3<br />
| |
| </td>
| |
| <td>1200.0<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Nearest degree of 31edo:<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>5<br />
| |
| </td>
| |
| <td>10<br />
| |
| </td>
| |
| <td>14<br />
| |
| </td>
| |
| <td>18<br />
| |
| </td>
| |
| <td>22<br />
| |
| </td>
| |
| <td>25<br />
| |
| </td>
| |
| <td>28<br />
| |
| </td>
| |
| <td>31<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>...in cents:<br />
| |
| </td>
| |
| <td>0<br />
| |
| </td>
| |
| <td>193.5<br />
| |
| </td>
| |
| <td>387.1<br />
| |
| </td>
| |
| <td>541.9<br />
| |
| </td>
| |
| <td>696.8<br />
| |
| </td>
| |
| <td>851.6<br />
| |
| </td>
| |
| <td>967.7<br />
| |
| </td>
| |
| <td>1083.9<br />
| |
| </td>
| |
| <td>1200.0<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | ==Thirty-one tone pedagogy== |
| In mode 16, the most closely-matched harmonics are the composite ones, 21 and 25. Of the other harmonics:<br />
| |
| <br />
| |
| <ul><li>17 is sharp, like 13. In fact, the 17:13 ratio is matched within a tenth of a cent.</li><li>19 is also sharp, like 13 and 17. The 19:17 ratio is about one cent sharp.</li><li>23 is about as flat as 11. The chromatic semitone is about half a cent off from 23:22. 31edo could be considered a tuning of the 2.3.5.7.11.23 subset, on which it is consistent.</li><li>27 is quite flat, as it's 3^3 and the error from the meantone fifths accumulates.</li><li>29 and 31 are both <em>very</em> sharp, and intervals involving them are unlikely to play any major role.</li></ul><br />
| |
|
| |
|
| | The [[MicroPedagogyCollective|MicroPedagogyCollective]] is currently at work producing demonstrative material which will encourage and enable more people to learn this system. There have been two [[ThirtyOneToneSinginCamp|ThirtyOneToneSinginCamp]]s as well. |
|
| |
|
| <table class="wiki_table">
| | See also: [[31edo_solfege|31edo solfege]], [[Tricesimoprimal_Tetrachordal_Tesseract|Tricesimoprimal Tetrachordal Tesseract]], [[Pentachords_of_31edo|Pentachords of 31edo]]. |
| <tr>
| |
| <td>Odd overtones in &quot;Mode 16&quot;:<br />
| |
| </td>
| |
| <td>17<br />
| |
| </td>
| |
| <td>19<br />
| |
| </td>
| |
| <td>21<br />
| |
| </td>
| |
| <td>23<br />
| |
| </td>
| |
| <td>25<br />
| |
| </td>
| |
| <td>27<br />
| |
| </td>
| |
| <td>29<br />
| |
| </td>
| |
| <td>31<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>...as JI Ratio from 1/1:<br />
| |
| </td>
| |
| <td>17/16<br />
| |
| </td>
| |
| <td>19/16<br />
| |
| </td>
| |
| <td>21/16<br />
| |
| </td>
| |
| <td>23/16<br />
| |
| </td>
| |
| <td>25/16<br />
| |
| </td>
| |
| <td>27/16<br />
| |
| </td>
| |
| <td>29/16<br />
| |
| </td>
| |
| <td>31/16<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>...in cents:<br />
| |
| </td>
| |
| <td>105.0<br />
| |
| </td>
| |
| <td>297.5<br />
| |
| </td>
| |
| <td>470.8<br />
| |
| </td>
| |
| <td>628.3<br />
| |
| </td>
| |
| <td>772.6<br />
| |
| </td>
| |
| <td>905.9<br />
| |
| </td>
| |
| <td>1029.6<br />
| |
| </td>
| |
| <td>1145.0<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Nearest degree of 31edo:<br />
| |
| </td>
| |
| <td>3<br />
| |
| </td>
| |
| <td>8<br />
| |
| </td>
| |
| <td>12<br />
| |
| </td>
| |
| <td>16<br />
| |
| </td>
| |
| <td>20<br />
| |
| </td>
| |
| <td>23<br />
| |
| </td>
| |
| <td>27<br />
| |
| </td>
| |
| <td>30<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>...in cents:<br />
| |
| </td>
| |
| <td>116.1<br />
| |
| </td>
| |
| <td>309.7<br />
| |
| </td>
| |
| <td>464.5<br />
| |
| </td>
| |
| <td>619.4<br />
| |
| </td>
| |
| <td>774.2<br />
| |
| </td>
| |
| <td>890.3<br />
| |
| </td>
| |
| <td>1045.1<br />
| |
| </td>
| |
| <td>1161.3<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | =Practical Theory / Books= |
| <!-- ws:start:WikiTextHeadingRule:71:&lt;h1&gt; --><h1 id="toc35"><a name="Commas"></a><!-- ws:end:WikiTextHeadingRule:71 -->Commas</h1>
| |
| 31 EDO tempers out the following commas. (Note: This assumes the val &lt; 31 49 72 87 107 115 |, comma values rounded to 5 significant digits.)<br />
| |
|
| |
|
| | [http://www.ronsword.com/books.html |
|
| |
|
| <table class="wiki_table">
| | <div class='external-image-warning' style='background-color:#f8f9fa; border: 1px solid #eaecf0; padding-left: 0.5em; padding-right:0.5em; display:inline-block'> |
| <tr>
| | External image: http://ronsword.com/images/TSG_sm.jpg<br> |
| <th>Ratio<br />
| | : <small><b>WARNING</b>: MediaWiki doesn't have very good support for external images.</small><br> |
| </th>
| | : <small>Furthermore, since external images can break, we recommend that you replace the above with a local copy of the image.</small> |
| <th>Monzo<br />
| | </div> |
| </th>
| | [[Category:IMPORTDEBUG - Change External Images] |
| <th>Value (Cents)<br />
| |
| </th>
| |
| <th>Name 1<br />
| |
| </th>
| |
| <th>Name 2<br />
| |
| </th>
| |
| <th>Name 3<br />
| |
| </th>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">34171875/33554432<br />
| |
| </td>
| |
| <td style="text-align: left;">| -25 7 6 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">31.567<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/ampersand">Ampersand's Comma</a><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">81/80<br />
| |
| </td>
| |
| <td style="text-align: left;">| -4 4 -1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">21.506<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/Syntonic%20Comma">Syntonic Comma</a><br />
| |
| </td>
| |
| <td style="text-align: center;">Didymos Comma<br />
| |
| </td>
| |
| <td style="text-align: center;">Meantone Comma<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">393216/390625<br />
| |
| </td>
| |
| <td style="text-align: left;">| 17 1 -8 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">11.445<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/W%C3%BCrschmidt%20comma">Würschmidt Comma</a><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">2109375/2097152<br />
| |
| </td>
| |
| <td style="text-align: left;">| -21 3 7 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">10.061<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/semicomma">Semicomma</a><br />
| |
| </td>
| |
| <td style="text-align: center;">Fokker Comma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">6719816/6714445<br />
| |
| </td>
| |
| <td style="text-align: left;">| 38 -2 -15 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">1.3843<br />
| |
| </td>
| |
| <td style="text-align: center;">Hemithirds Comma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">9859966/9733137<br />
| |
| </td>
| |
| <td style="text-align: left;">| -10 7 8 -7 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">22.413<br />
| |
| </td>
| |
| <td style="text-align: center;">Blackjackisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">64827/64000<br />
| |
| </td>
| |
| <td style="text-align: left;">| -9 3 -3 4 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">22.227<br />
| |
| </td>
| |
| <td style="text-align: center;">Squalentine<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">2430/2401<br />
| |
| </td>
| |
| <td style="text-align: left;">| 1 5 1 -4 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">20.785<br />
| |
| </td>
| |
| <td style="text-align: center;">Nuwell<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">50421/50000<br />
| |
| </td>
| |
| <td style="text-align: left;">| -4 1 -5 5 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">14.516<br />
| |
| </td>
| |
| <td style="text-align: center;">Trimyna<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">126/125<br />
| |
| </td>
| |
| <td style="text-align: left;">| 1 2 -3 1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">13.795<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/126_125">Septimal Semicomma</a><br />
| |
| </td>
| |
| <td style="text-align: center;">Starling Comma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">1728/1715<br />
| |
| </td>
| |
| <td style="text-align: left;">| 6 3 -1 -3 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">13.074<br />
| |
| </td>
| |
| <td style="text-align: center;">Orwellisma<br />
| |
| </td>
| |
| <td style="text-align: center;">Orwell Comma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">1029/1024<br />
| |
| </td>
| |
| <td style="text-align: left;">| -10 1 0 3 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">8.4327<br />
| |
| </td>
| |
| <td style="text-align: center;">Gamelisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">225/224<br />
| |
| </td>
| |
| <td style="text-align: left;">| -5 2 2 -1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">7.7115<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/225_224">Septimal Kleisma</a><br />
| |
| </td>
| |
| <td style="text-align: center;">Marvel Comma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">16875/16807<br />
| |
| </td>
| |
| <td style="text-align: left;">| 0 3 4 -5 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">6.9903<br />
| |
| </td>
| |
| <td style="text-align: center;">Mirkwai<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">3136/3125<br />
| |
| </td>
| |
| <td style="text-align: left;">| 6 0 -5 2 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">6.0832<br />
| |
| </td>
| |
| <td style="text-align: center;">Hemimean<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">6144/6125<br />
| |
| </td>
| |
| <td style="text-align: left;">| 11 1 -3 -2 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">5.3621<br />
| |
| </td>
| |
| <td style="text-align: center;">Porwell<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">1065875/1063543<br />
| |
| </td>
| |
| <td style="text-align: left;">| -26 -1 1 9 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">3.7919<br />
| |
| </td>
| |
| <td style="text-align: center;">Wadisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">65625/65536<br />
| |
| </td>
| |
| <td style="text-align: left;">| -16 1 5 1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">2.3495<br />
| |
| </td>
| |
| <td style="text-align: center;">Horwell<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">703125/702464<br />
| |
| </td>
| |
| <td style="text-align: left;">| -11 2 7 -3 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">1.6283<br />
| |
| </td>
| |
| <td style="text-align: center;">Meter<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">2401/2400<br />
| |
| </td>
| |
| <td style="text-align: left;">| -5 -1 -2 4 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">0.72120<br />
| |
| </td>
| |
| <td style="text-align: center;">Breedsma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">99/98<br />
| |
| </td>
| |
| <td style="text-align: left;">| -1 2 0 -2 1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">17.576<br />
| |
| </td>
| |
| <td style="text-align: center;">Mothwellsma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">121/120<br />
| |
| </td>
| |
| <td style="text-align: left;">| -3 -1 -1 0 2 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">14.367<br />
| |
| </td>
| |
| <td style="text-align: center;">Biyatisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">176/175<br />
| |
| </td>
| |
| <td style="text-align: left;">| 4 0 -2 -1 1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">9.8646<br />
| |
| </td>
| |
| <td style="text-align: center;">Valinorsma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">243/242<br />
| |
| </td>
| |
| <td style="text-align: left;">| -1 5 0 0 -2 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">7.1391<br />
| |
| </td>
| |
| <td style="text-align: center;">Rastma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">385/384<br />
| |
| </td>
| |
| <td style="text-align: left;">| -7 -1 1 1 1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">4.5026<br />
| |
| </td>
| |
| <td style="text-align: center;"><a class="wiki_link" href="/385_384">Keenanisma</a><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">441/440<br />
| |
| </td>
| |
| <td style="text-align: left;">| -3 2 -1 2 -1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">3.9302<br />
| |
| </td>
| |
| <td style="text-align: center;">Werckisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">540/539<br />
| |
| </td>
| |
| <td style="text-align: left;">| 2 3 1 -2 -1 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">3.2090<br />
| |
| </td>
| |
| <td style="text-align: center;">Swetisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td style="text-align: center;">3025/3024<br />
| |
| </td>
| |
| <td style="text-align: left;">| -4 -3 2 -1 2 &gt;<br />
| |
| </td>
| |
| <td style="text-align: right;">0.57240<br />
| |
| </td>
| |
| <td style="text-align: center;">Lehmerisma<br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| <td style="text-align: center;"><br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | ]][http://www.ronsword.com/books.html Sword, Ronald. "Tricesimoprimal Scales for Guitar." IAAA Press, UK-USA. First Ed: March 2009.] - A comprehensive approach to 31-EDO and all the families associated for Guitar. Features over 300 scale charts / scale examples. |
| <!-- ws:start:WikiTextHeadingRule:73:&lt;h1&gt; --><h1 id="toc36"><a name="Modes"></a><!-- ws:end:WikiTextHeadingRule:73 -->Modes</h1>
| |
| <br />
| |
| A large open list of modes (subsets) from 31edo that people have named: <a class="wiki_link" href="/31edo%20modes">31edo modes</a>. <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Rothenberg_propriety" rel="nofollow">Strictly proper</a> <a class="wiki_link" href="/Strictly%20proper%207-note%2031edo%20scales">7-note 31edo scales</a> in the sense of <a class="wiki_link" href="/David%20Rothenberg">David Rothenberg</a>. Interesting (to somebody) <a class="wiki_link" href="/9-note%2031edo%20scales">9-note 31edo scales</a>. See also <a class="wiki_link" href="/31edo%20MOS%20scales">31edo MOS scales</a>. Some of the popular ones:<br />
| |
| <br />
| |
| <ul><li>31-tone major: 5 5 3 5 5 5 3</li><li>Meantone[12] (Eb-G#): 2 3 3 2 3 2 3 2 3 3 2 3</li><li>Harmonic scale 8: 5 5 4 4 4 3 3 3</li><li>the <a class="wiki_link" href="/Euler-Fokker%20genera">Euler-Fokker genera</a> (technically <a class="wiki_link" href="/JI">JI</a> but representable in 31)</li></ul><br />
| |
|
| |
|
| | =Other Articles= |
| | <ul><li><span style="">[http://www.huygens-fokker.org/docs/beerart.html de Beer, Anton, ''The Development of 31-tone Music]</span> [http://www.webcitation.org/5xeFzBM9b Permalink]</li><li><span style="">[http://www.huygens-fokker.org/docs/fokkerorg.html Fokker, Adriaan Daniël, ''Equal Temperament and the Thirty-one-keyed organ]</span> [http://www.webcitation.org/5xeG6Tmli Permalink]</li><li>Fokker, A.D., "New Music with 31 Notes" translated by Leigh Gerdine</li><li><span style="">[http://www.huygens-fokker.org/docs/rap31.html Rapoport, Paul, ''About 31-tone Equal Temperament]</span> [http://www.webcitation.org/5xeGH4uBH Permalink]</li><li><span style="">[http://www.huygens-fokker.org/docs/terp31.html Terpstra, Siemen, ''Toward a Theory of Meantone (and 31-et) Harmony'']</span> [http://www.webcitation.org/5xeGMeCMd Permalink]</li><li><span style="">[http://tonalsoft.com/enc/number/31edo.aspx Tonalsoft Encyclopedia article]</span> [http://www.webcitation.org/5xeGYj7QU Permalink]</li></ul> |
|
| |
|
| <table class="wiki_table">
| | [[File:31-edo.svg|alt=alt : Your browser has no SVG support.]] |
| <tr>
| |
| <td colspan="2"><!-- ws:start:WikiTextHeadingRule:75:&lt;h4&gt; --><h4 id="toc37"><a name="Modes---Some 31 tone equal modes:"></a><!-- ws:end:WikiTextHeadingRule:75 -->Some 31 tone equal modes:</h4>
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 3 3 2 3 2 3 2 3 3 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Meantone Chromatic (53/220-comma)<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 3 5 5 5 3</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 3 5 5 3 5 5</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 3 5 5 5 5 3</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Melodic Minor<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 3 5 5 3 7 3</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Harmonic Minor<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 3 5 3 7 3</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Harmonic Major<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 3 5 3 5 5</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Major-Minor<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 8 5 13</strong></tt><br />
| |
| </td>
| |
| <td>Genus primum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>10 3 5 5 5 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus secundum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>8 2 8 3 7 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus tertium<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>10 10 10 1</strong></tt><br />
| |
| </td>
| |
| <td>Genus quartum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 7 6 7 5 1</strong></tt><br />
| |
| </td>
| |
| <td>Genus quintum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 6 2 6 4 3 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus sextum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 6 5 6 4 6</strong></tt><br />
| |
| </td>
| |
| <td>Genus septimum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>6 6 6 1 6 6</strong></tt><br />
| |
| </td>
| |
| <td>Genus octavum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 6 9 6 4 2</strong></tt><br />
| |
| </td>
| |
| <td>Genus nonum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>13 6 6 6</strong></tt><br />
| |
| </td>
| |
| <td>Genus decimum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 3 5 5 3 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus diatonicum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 5 2 3 5 3 2 5 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus chromaticum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 2 1 5 5 2 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus diatonicum cum septimis<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 4 3 3 2 1 4 1 4 1 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus enharmonicum vocale<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 2 4 2 2 3 3 3 1 3 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus enharmonicum instrumentale<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 2 3 2 3 2 3 3 2 3 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus diatonico-chromaticum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 2 1 2 5 3 2 1 4 1 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Genus bichromaticum<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 4 5 4 4 5 5</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 5 4 4 5 5 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 4 4 5 5 4 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 4 5 5 4 4 5</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 5 5 4 4 5 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Hypolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 4 4 5 4 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Hypophrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 4 4 5 4 4 5</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Diatonic Hypodorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 5 4 4 5 4 5</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 4 4 5 4 5 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 4 5 4 5 4 5</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 5 4 5 4 5 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 4 5 4 5 4 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Hypolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 5 4 5 4 4 5</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Hypophrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 4 5 4 4 5 4</strong></tt><br />
| |
| </td>
| |
| <td>Neutral Hypodorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 2 9 2 2 9 5</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 9 2 2 9 5 2</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>9 2 2 9 5 2 2</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 2 9 5 2 2 9</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 9 5 2 2 9 2</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Hypolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>9 5 2 2 9 2 2</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Hypophrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 2 2 9 2 2 9</strong></tt><br />
| |
| </td>
| |
| <td>Hemiolic Chromatic Hypodorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 3 8 2 3 8 5</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 8 2 3 8 5 2</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>8 2 3 8 5 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 3 8 5 2 3 8</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 8 5 2 3 8 2</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Hypolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>8 5 2 3 8 2 3</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Hypophrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 2 3 8 2 3 8</strong></tt><br />
| |
| </td>
| |
| <td>Ratio 2:3 Chromatic Hypodorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 5 5 3 5 5 5</strong></tt><br />
| |
| </td>
| |
| <td>Intense Diatonic Mixolydian, M.Locrian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 3 5 5 5 3 5</strong></tt><br />
| |
| </td>
| |
| <td>Intense Diatonic Phrygian, M.Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 5 5 5 3 5 5</strong></tt><br />
| |
| </td>
| |
| <td>Intense Diatonic Dorian, M.Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 5 3 5 5 3</strong></tt><br />
| |
| </td>
| |
| <td>Intense Diatonic Hypolydian, M.Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 5 3 5 5 3 5</strong></tt><br />
| |
| </td>
| |
| <td>Intense Diatonic Hypophrygian, M.Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 5 6 2 5 6 5</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 6 2 5 6 5 2</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>6 2 5 6 5 2 5</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 5 6 5 2 5 6</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 6 5 2 5 6 2</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Hypolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>6 5 2 5 6 2 5</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Hypophrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 2 5 6 2 5 6</strong></tt><br />
| |
| </td>
| |
| <td>Soft Diatonic Hypodorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>1 2 10 1 2 10 5</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Mixolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 10 1 2 10 5 1</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Lydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>10 1 2 10 5 1 2</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Phrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>1 2 10 5 1 2 10</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Dorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 10 5 1 2 10 1</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Hypolydian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>10 5 1 2 10 1 2</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Hypophrygian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 1 2 10 1 2 10</strong></tt><br />
| |
| </td>
| |
| <td>Enharmonic Hypodorian<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>6 6 7 6 6</strong></tt><br />
| |
| </td>
| |
| <td>Quasi-equal Pentatonic<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 2 2 3 3 2 3 3 2 2 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Fokker 12-tone<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 3 5 3 5 2 5 3</strong></tt><br />
| |
| </td>
| |
| <td>Modus conjunctus<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 5 2 5 3 5 3 5</strong></tt><br />
| |
| </td>
| |
| <td>Octatonic<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 3 4 3 5 3 4 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Hahn symmetric pentachordal<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>3 4 3 3 5 3 4 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Hahn pentachordal<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 4 2 5 3 3 4 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Hahn Nonatonic<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 1 5 1 5 1 5 1 5 1 1</strong></tt><br />
| |
| </td>
| |
| <td>de Vries 11-tone<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 1 4 4 4 1 4 4 1 4</strong></tt><br />
| |
| </td>
| |
| <td>Breed 10-tone<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 2 4 2 4 2 4 3 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Lumma Decatonic<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 3 3 3 3 5 3 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Rothenberg Generalized Diatonic<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>5 2 6 5 2 5 6</strong></tt><br />
| |
| </td>
| |
| <td>&quot;Septimal&quot; Natural Minor<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>4 3 4 3 4 3 4 3 3</strong></tt><br />
| |
| </td>
| |
| <td>Thirty-one tone Orwell<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><tt><strong>2 5 2 2 5 2 2 2 5 2 2</strong></tt><br />
| |
| </td>
| |
| <td>Secor Sentinel<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | [[:File:31-edo.svg|31-edo.svg]] [[Category:31edo]] |
| <!-- ws:start:WikiTextHeadingRule:77:&lt;h1&gt; --><h1 id="toc38"><a name="Music in 31-edo"></a><!-- ws:end:WikiTextHeadingRule:77 -->Music in 31-edo</h1>
| | [[Category:books]] |
| <a class="wiki_link" href="/31-edo%20compositions">An alphabetical list of Tricesimoprimal Compositions</a>.<br />
| | [[Category:edo]] |
| <br />
| | [[Category:golden]] |
| <a class="wiki_link_ext" href="http://archive.org/download/Aire2In31-equalTemperament/Aire2In31.mp3" rel="nofollow">Aire #2 in 31-equal temperament</a> by <a class="wiki_link" href="/Jon%20Lyle%20Smith">Jon Lyle Smith</a><br />
| | [[Category:listen]] |
| <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3" rel="nofollow">I Stand Hopeless Before the Gray Sea</a> by Chuckles McGee<br />
| | [[Category:meantone]] |
| <a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3" rel="nofollow">Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)</a> by <a class="wiki_link" href="/Claudi%20Meneghin">Claudi Meneghin</a><br />
| | [[Category:prime_edo]] |
| <a class="wiki_link" href="/earwig">earwig</a> by <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a><br />
| | [[Category:semicomma]] |
| <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=r1mat9f1DZ0" rel="nofollow">Fanfare and Toccata</a> by <a class="wiki_link" href="/Juhani%20Nuorvala">Juhani Nuorvala</a><br />
| | [[Category:zeta]] |
| by Johann alias circular17: <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=BBC8wiguN1A&amp;index=5&amp;list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN" rel="nofollow" target="_blank">Curieuse planète</a>, <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=8PdJgmDJwu4&amp;index=4&amp;list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN" rel="nofollow" target="_blank">Heal</a>, <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=j5eno0ejH0Y&amp;index=2&amp;list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN" rel="nofollow" target="_blank">Wave from the past</a>, <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=fyPtr24qBd8&amp;index=1&amp;list=PLRE0IICPofOVS-W5X2Rd7d9d3qzhxMnJN" rel="nofollow" target="_blank">Deep but not too much</a>.<br />
| | [[Category:IMPORTDEBUG - Image in Link]] |
| <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=zZv-jUCynRU" rel="nofollow">Orphanage of the Dutch Music IX: Sonate no. II in the 31-tone temperament - YouTube</a><br />
| |
| <a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1/enharmonic-melody-for-guitar" rel="nofollow">Enharmonic melody for guitar</a> by Cam Taylor<br />
| |
| <a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1/what-use-is-a-boy" rel="nofollow">What use is a boy</a> by Cam Taylor<br />
| |
| <a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1/back-to-31-hyperchromatic" rel="nofollow">Back to 31: Hyperchromatic progression on C^</a> by Cam Taylor<br />
| |
| <!-- ws:start:WikiTextHeadingRule:79:&lt;h2&gt; --><h2 id="toc39"><!-- ws:end:WikiTextHeadingRule:79 --> </h2>
| |
| <!-- ws:start:WikiTextHeadingRule:81:&lt;h2&gt; --><h2 id="toc40"><a name="Music in 31-edo-Thirty-one tone pedagogy"></a><!-- ws:end:WikiTextHeadingRule:81 -->Thirty-one tone pedagogy</h2>
| |
| <br />
| |
| The <a class="wiki_link" href="/MicroPedagogyCollective">MicroPedagogyCollective</a> is currently at work producing demonstrative material which will encourage and enable more people to learn this system. There have been two <a class="wiki_link" href="/ThirtyOneToneSinginCamp">ThirtyOneToneSinginCamp</a>s as well.<br />
| |
| <br />
| |
| See also: <a class="wiki_link" href="/31edo%20solfege">31edo solfege</a>, <a class="wiki_link" href="/Tricesimoprimal%20Tetrachordal%20Tesseract">Tricesimoprimal Tetrachordal Tesseract</a>, <a class="wiki_link" href="/Pentachords%20of%2031edo">Pentachords of 31edo</a>.<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:83:&lt;h1&gt; --><h1 id="toc41"><a name="Practical Theory / Books"></a><!-- ws:end:WikiTextHeadingRule:83 -->Practical Theory / Books</h1>
| |
| <br />
| |
| <!-- ws:start:WikiTextRemoteImageRule:8692:&lt;a href=&quot;http://www.ronsword.com/books.html&quot; target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;&lt;img src=&quot;http://ronsword.com/images/TSG_sm.jpg&quot; alt=&quot;&quot; title=&quot;&quot; style=&quot;height: 116px; width: 87px;&quot; /&gt;&lt;/a&gt; --><a href="http://www.ronsword.com/books.html" target="_blank" rel="nofollow"><img src="http://ronsword.com/images/TSG_sm.jpg" alt="external image TSG_sm.jpg" title="external image TSG_sm.jpg" style="height: 116px; width: 87px;" /></a><!-- ws:end:WikiTextRemoteImageRule:8692 --><a class="wiki_link_ext" href="http://www.ronsword.com/books.html" rel="nofollow" target="_blank">Sword, Ronald. &quot;Tricesimoprimal Scales for Guitar.&quot; IAAA Press, UK-USA. First Ed: March 2009.</a> - A comprehensive approach to 31-EDO and all the families associated for Guitar. Features over 300 scale charts / scale examples.<br />
| |
| <br />
| |
| <!-- ws:start:WikiTextHeadingRule:85:&lt;h1&gt; --><h1 id="toc42"><a name="Other Articles"></a><!-- ws:end:WikiTextHeadingRule:85 -->Other Articles</h1>
| |
| <ul><li><span class="wiki_link_ext"><a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/beerart.html" rel="nofollow">de Beer, Anton, ''The Development of 31-tone Music</a></span> <a class="wiki_link_ext" href="http://www.webcitation.org/5xeFzBM9b" rel="nofollow">Permalink</a></li><li><span class="wiki_link_ext"><a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/fokkerorg.html" rel="nofollow">Fokker, Adriaan Daniël, ''Equal Temperament and the Thirty-one-keyed organ</a></span> <a class="wiki_link_ext" href="http://www.webcitation.org/5xeG6Tmli" rel="nofollow">Permalink</a></li><li>Fokker, A.D., &quot;New Music with 31 Notes&quot; translated by Leigh Gerdine</li><li><span class="wiki_link_ext"><a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/rap31.html" rel="nofollow">Rapoport, Paul, ''About 31-tone Equal Temperament</a></span> <a class="wiki_link_ext" href="http://www.webcitation.org/5xeGH4uBH" rel="nofollow">Permalink</a></li><li><span class="wiki_link_ext"><a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/terp31.html" rel="nofollow">Terpstra, Siemen, ''Toward a Theory of Meantone (and 31-et) Harmony''</a></span> <a class="wiki_link_ext" href="http://www.webcitation.org/5xeGMeCMd" rel="nofollow">Permalink</a></li><li><span class="wiki_link_ext"><a class="wiki_link_ext" href="http://tonalsoft.com/enc/number/31edo.aspx" rel="nofollow">Tonalsoft Encyclopedia article</a></span> <a class="wiki_link_ext" href="http://www.webcitation.org/5xeGYj7QU" rel="nofollow">Permalink</a></li></ul><br />
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