17edo: Difference between revisions

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! Cents

! Approximate ratios<ref group="note">{{sg|limit=2.3.25.7.11.13.85.23 subgroup}}</ref>

! colspan="2" | [[Circle-of-fifths notation]]<~~sup~~>†</~~sup~~>

! colspan="2" | [[Circle-of-fifths notation]]<ref group="note">Half-sharps and half-flats (denoted "t" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in 34edo, in which an up or down respectively constitute a quarter-sharp or quarter-flat. </ref>

! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and ^d2)

! colspan="3" | [[SKULO interval names|SKULO notation]] {{nowrap|(U {{=}} 1)}}

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| D

|}

<~~sup>†<~~/~~sup~~> Half-sharps and half-flats (denoted "t" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat.

=== Interval quality and chord names in color notation ===

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|-

! [[Harmonic limit|Prime<br>limit]]

! [[Ratio]]<ref>Ratios longer than 10 digits are presented by placeholders with informative hints</ref>

! [[Ratio]]<ref group="note">Ratios longer than 10 digits are presented by placeholders with informative hints</ref>

! [[Monzo]]

! [[Cent]]s

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| Diatisma

|}

Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.

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== See also ==

* [[Lumatone mapping for 17edo]]

~~== Notes ==~~

~~<references group="note" />~~

[[Category:Teentuning]]

@@ Line 35: / Line 35: @@
 ! Cents
 ! Approximate ratios<ref group="note">{{sg|limit=2.3.25.7.11.13.85.23&nbsp;subgroup}}</ref>
-! colspan="2" | [[Circle-of-fifths notation]]<sup>†</sup>
+! colspan="2" | [[Circle-of-fifths notation]]<ref group="note">Half-sharps and half-flats (denoted "t" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in 34edo, in which an up or down respectively constitute a quarter-sharp or quarter-flat. </ref>
 ! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and ^d2)
 ! colspan="3" | [[SKULO interval names|SKULO notation]] {{nowrap|(U {{=}} 1)}}
@@ Line 255: / Line 255: @@
 | D
 |}
-<sup>†</sup> Half-sharps and half-flats (denoted "t" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat.
+<references group="note" />
 === Interval quality and chord names in color notation ===
@@ Line 576: / Line 576: @@
 |-
 ! [[Harmonic limit|Prime<br>limit]]
-! [[Ratio]]<ref>Ratios longer than 10 digits are presented by placeholders with informative hints</ref>
+! [[Ratio]]<ref group="note">Ratios longer than 10 digits are presented by placeholders with informative hints</ref>
 ! [[Monzo]]
 ! [[Cent]]s
@@ Line 687: / Line 687: @@
 | Diatisma
 |}
+<references group="note" />
 Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated.
@@ Line 835: / Line 836: @@
 == See also ==
 * [[Lumatone mapping for 17edo]]
-== Notes ==
-<references group="note" />
 [[Category:Teentuning]]