159edo: Difference between revisions

Line 17:

Yarman started by dividing the [[4/3]] perfect fourth into 33 equal parts and continued the resultant 15.1 cent comma until just below the octave, only to then reinstate the final 79th degree with the octave so as to arrive at the "yegah-neva" partition. He then rotated the scale to begin on the Turkish "rast" note which he notated as C according to Sipürde Ahenk (C Ney), and thus the 22.8 cent larger singular comma previously on top now appears just below the Turkish neva note in the midst of his tuning scheme. Not long after proposing said 79-tone system, Yarman visited the now-deceased Ejder Güleç in İzmir who affixed mandals on Yarman's Qanun according to Yarman's instructions.

[[Gene Ward Smith]] was the first to ~~immediately~~ point out that Yarman's scheme was a MOS of 159-tET and had an 80-pitch twin. Yarman adopted this argument, because his approach and the related MOS subset out of 159-tET was, for all intents and purposes, synonymous. Yarman has stated that he thinks he introduced his Qanun to his now-deceased supervisor in Istanbul Technical University Turkish Music State Conservatory sometime during late 2006, and she suggested that Yarman include the double-sharp mandals. At the time this information was added to this article, Yarman remembered that the Qanun in his doctorate defense of 2008 included the double-sharp mandals. The acceptance of his thesis was in June 2008.

[[Gene Ward Smith]] was the first to point out that Yarman's scheme was a MOS of 159-tET and had an 80-pitch twin. Yarman adopted this argument, because his approach and the related MOS subset out of 159-tET was, for all intents and purposes, synonymous. Yarman has stated that he thinks he introduced his Qanun to his now-deceased supervisor in Istanbul Technical University Turkish Music State Conservatory sometime during late 2006, and she suggested that Yarman include the double-sharp mandals. At the time this information was added to this article, Yarman remembered that the Qanun in his doctorate defense of 2008 included the double-sharp mandals. The acceptance of his thesis was in June 2008.

Accordingly, it is no coincidence that [https://en.xen.wiki/index.php?title=159edo&type=revision&diff=5153&oldid=5154 the first records of 159edo on this Wiki from the days of Wikispaces] concern said 79-tone subset related to the [[Turkish maqam music temperaments|yarman]] yarman temperament which had been proposed by Yarman as a tuning standard for [[Arabic, Turkish, Persian|Arabic, Turkish and Persian]]Arabic, Turkish and Persian music. Based on the information given by Ozan Yarman himself, his elder colleague [[M. Ugur Kececioglu]] first utilized 159-EDO in his revamped 2011 release of the [[Notist]] score editor and therein allowed the Arel-Ezgi-Uzdilek accidentals to be bent by as little a detail as 1/3rd of a single step of 53-EDO, while also mapping AEU altogether to a suitable subset of 53-EDO to allow transpositions throughout.

@@ Line 17: / Line 17: @@
 Yarman started by dividing the [[4/3]] perfect fourth into 33 equal parts and continued the resultant 15.1 cent comma until just below the octave, only to then reinstate the final 79th degree with the octave so as to arrive at the "yegah-neva" partition. He then rotated the scale to begin on the Turkish "rast" note which he notated as C according to Sipürde Ahenk (C Ney), and thus the 22.8 cent larger singular comma previously on top now appears just below the Turkish neva note in the midst of his tuning scheme. Not long after proposing said 79-tone system, Yarman visited the now-deceased Ejder Güleç in İzmir who affixed mandals on Yarman's Qanun according to Yarman's instructions.
-[[Gene Ward Smith]] was the first to immediately point out that Yarman's scheme was a MOS of 159-tET and had an 80-pitch twin. Yarman adopted this argument, because his approach and the related MOS subset out of 159-tET was, for all intents and purposes, synonymous. Yarman has stated that he thinks he introduced his Qanun to his now-deceased supervisor in Istanbul Technical University Turkish Music State Conservatory sometime during late 2006, and she suggested that Yarman include the double-sharp mandals. At the time this information was added to this article, Yarman remembered that the Qanun in his doctorate defense of 2008 included the double-sharp mandals. The acceptance of his thesis was in June 2008.
+[[Gene Ward Smith]] was the first to point out that Yarman's scheme was a MOS of 159-tET and had an 80-pitch twin. Yarman adopted this argument, because his approach and the related MOS subset out of 159-tET was, for all intents and purposes, synonymous. Yarman has stated that he thinks he introduced his Qanun to his now-deceased supervisor in Istanbul Technical University Turkish Music State Conservatory sometime during late 2006, and she suggested that Yarman include the double-sharp mandals. At the time this information was added to this article, Yarman remembered that the Qanun in his doctorate defense of 2008 included the double-sharp mandals. The acceptance of his thesis was in June 2008.
 Accordingly, it is no coincidence that [https://en.xen.wiki/index.php?title=159edo&type=revision&diff=5153&oldid=5154 the first records of 159edo on this Wiki from the days of Wikispaces] concern said 79-tone subset related to the [[Turkish maqam music temperaments|yarman]] yarman temperament which had been proposed by Yarman as a tuning standard for [[Arabic, Turkish, Persian|Arabic, Turkish and Persian]]Arabic, Turkish and Persian music. Based on the information given by Ozan Yarman himself, his elder colleague [[M. Ugur Kececioglu]] first utilized 159-EDO in his revamped 2011 release of the [[Notist]] score editor and therein allowed the Arel-Ezgi-Uzdilek accidentals to be bent by as little a detail as 1/3rd of a single step of 53-EDO, while also mapping AEU altogether to a suitable subset of 53-EDO to allow transpositions throughout.