159edo: Difference between revisions
Rewrites and changes to this article made at Ozan Yarman's request- I still need to rework the links to Ozan Yarman's pieces... |
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[[Gene Ward Smith]] was the first to immediately point out that Yarman's scheme was a MOS of 159-tET and had an 80-pitch twin. Yarman adopted this argument, because his approach and the related MOS subset out of 159-tET was, for all intents and purposes, synonymous. Yarman has stated that he thinks he introduced his Qanun to his now-deceased supervisor in Istanbul Technical University Turkish Music State Conservatory sometime during late 2006, and she suggested that Yarman include the double-sharp mandals. At the time this information was added to this article, Yarman remembered that the Qanun in his doctorate defense of 2008 included the double-sharp mandals. The acceptance of his thesis was in June 2008. | [[Gene Ward Smith]] was the first to immediately point out that Yarman's scheme was a MOS of 159-tET and had an 80-pitch twin. Yarman adopted this argument, because his approach and the related MOS subset out of 159-tET was, for all intents and purposes, synonymous. Yarman has stated that he thinks he introduced his Qanun to his now-deceased supervisor in Istanbul Technical University Turkish Music State Conservatory sometime during late 2006, and she suggested that Yarman include the double-sharp mandals. At the time this information was added to this article, Yarman remembered that the Qanun in his doctorate defense of 2008 included the double-sharp mandals. The acceptance of his thesis was in June 2008. | ||
Accordingly, it is no coincidence that [https://en.xen.wiki/index.php?title=159edo&type=revision&diff=5153&oldid=5154 the first records of 159edo on this Wiki from the days of Wikispaces] concern said 79-tone subset related to the [[Turkish maqam music temperaments|yarman]] yarman temperament which had been proposed by Yarman as a tuning standard for [[Arabic, Turkish, Persian|Arabic, Turkish and Persian]]Arabic, Turkish and Persian music. Based on the information given by Ozan Yarman himself, his elder colleague [[M. Ugur Kececioglu]]first utilized 159-EDO in his revamped 2011 release of the [[Notist]] score editor and therein allowed the Arel-Ezgi-Uzdilek accidentals to be bent by as little a detail as 1/3rd of a single step of 53-EDO, while also mapping AEU altogether to a suitable subset of 53-EDO to allow transpositions throughout. | Accordingly, it is no coincidence that [https://en.xen.wiki/index.php?title=159edo&type=revision&diff=5153&oldid=5154 the first records of 159edo on this Wiki from the days of Wikispaces] concern said 79-tone subset related to the [[Turkish maqam music temperaments|yarman]] yarman temperament which had been proposed by Yarman as a tuning standard for [[Arabic, Turkish, Persian|Arabic, Turkish and Persian]]Arabic, Turkish and Persian music. Based on the information given by Ozan Yarman himself, his elder colleague [[M. Ugur Kececioglu]] first utilized 159-EDO in his revamped 2011 release of the [[Notist]] score editor and therein allowed the Arel-Ezgi-Uzdilek accidentals to be bent by as little a detail as 1/3rd of a single step of 53-EDO, while also mapping AEU altogether to a suitable subset of 53-EDO to allow transpositions throughout. | ||
=== Relationship to the JND === | === Relationship to the JND === | ||