4L 3s: Difference between revisions

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{{MOS intro}}
{{MOS intro}}
4L 3s can be thought of as a [[Warped diatonic|warped diatonic scale]], because it has one large step of diatonic (5L 2s, LLsLLLs) replaced with a small step (yielding LLsLsLs).
4L 3s can be seen as a [[Warped diatonic|warped diatonic scale]], where one large step of diatonic ([[5L 2s]]) is replaced with a small step.
== Name==
[[TAMNAMS]] suggests the temperament-agnostic name '''smitonic''' ''smy-TON-ik'' /smaɪˈtɒnɪk/ for this scale. The name is derived from 'sharp minor third', since the central range for the dark generator (320¢ to 333.3¢) is significantly sharp of [[6/5]] (just minor 3rd, 315.6¢).
== Notation==
:''This article assumes [[TAMNAMS]] for naming step ratios, intervals, and scale degrees, and [[Diamond-mos notation|diamond-MOS notation]] for note names.''
=== Intervals and degrees===
Names for this scale's intervals (mossteps) and scale degrees (mosdegrees) are based on the number of large and small steps from the root, starting at 0 (0-mosstep and 0-mosdegree) for the unison, per TAMNAMS. Ordinal names, such as mos-1st for the unison, are discouraged for non-diatonic MOS scales.


== Standing assumptions ==
Being a moment-of-symmetry scale, every [[interval class]] of 4L 3s, except for the unison and octave, has two [[Interval variety|varieties]] – large and small – whose [[Interval quality|relative qualities]] are denoted as major or minor, or augmented, perfect, and diminished for the generators.
The [[TAMNAMS]] system is used in this article to name 4L 3s intervals and step size ratios and step ratio ranges.
{| class="wikitable"
 
|+
The notation used in this article is LsLsLsL = JKLMNOPJ unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".)
! rowspan="2" |Interval class
 
! colspan="2" |Large variety
Thus the [[11edo]] gamut is as follows:
! colspan="2" |Small variety
 
'''J''' J&/K@ '''K''' '''L''' L&/M@ '''M''' '''N''' N&/O@ '''O''' '''P''' P&/J@ '''J'''
 
== Names ==
The [[TAMNAMS]] MOS naming system (used in this article) uses the name '''smitonic''' ''smy-TON-ik'' /smaɪˈtɒnɪk/ for this pattern. The name is derived from 'sharp minor third', since the central range of the spectrum, 4\15 = 320¢ to 7\18 = 333.33¢, has minor third generators that are significantly sharp of 6/5.
 
== Intervals ==
Note: In TAMNAMS, a k-step interval class in smitonic may be called a "k-step", "k-mosstep", or "k-smistep". 1-indexed terms such as "mos(k+1)th" are discouraged for non-diatonic mosses.
 
{| class="wikitable center-all"
|-
|-
! Generators
!Size
! Notation (1/1 = J)
!Quality
! [[TAMNAMS]] name
!Size
! In L's and s's
! Quality
! Generators
! Notation of 2/1 inverse
! [[TAMNAMS]] name
! In L's and s's
|-
| colspan="8" style="text-align:left" | The 7-note MOS has the following intervals (from some root):
|-
|-
|'''0-mosstep (unison)'''
|0
|Perfect
| 0
| 0
| J
|Perfect
| perfect unison
| 0L + 0s
| 0
| J
| octave
| 4L + 3s
|-
|-
| 1
|1-mosstep
| L
| L
| perfect 2-mosstep
|Major
| 1L + 1s
|s
| -1
|Minor
| O
| perfect 5-mosstep
| 3L + 2s
|-
|-
| 2
|2-mosstep
| N
|2L
| minor 4-mosstep  
| Augmented
| 2L + 2s
|L + s
| -2
| Perfect
| M
| major 3-mosstep
| 2L + 1s
|-
|-
| 3
|3-mosstep
| P
|2L + s
| minor 6-mosstep
|Major
| 3L + 3s
| L + 2s
| -3
|Minor
| K
| major 1-mosstep
| 1L + 0s
|-
|-
| 4
|4-mosstep
| K@
| minor 1-mosstep
| 0L + 1s
| -4
| Q&
| major 6-mosstep
| 4L + 2s
|-
| 5
| M@
| minor 3-mosstep
| 1L + 2s
| -5
| N&
| major 4-mosstep  
| 3L + 1s
| 3L + 1s
| Perfect
|2L + 2s
|Minor
|-
|-
| 6
|5-mosstep
| O@
|3L + 2s
| diminished 5-mosstep
|Perfect
| 2L + 3s
| 2L + 3s
| -6
|Diminished
| L&
| augmented 2-mosstep
| 2L + 0s
|-
|-
| colspan="8" style="text-align:left" | The chromatic 11-note MOS (either [[7L 4s]], [[4L 7s]], or [[11edo]]) also has the following intervals (from some root):
|6-mosstep
|3L + 3s
| Major
|2L + 3s
|Minor
|-
|-
| 7
|'''7-mosstep (octave)'''
| J@
|4L + 3s
| diminished 7-mosstep
|Perfect
| 5L + 2s
|4L + 3s
| -7
|Perfect
| J&
| augmented mosunison; chroma
| 1L - 1s
|-
| 8
| L@
| diminished 2-mosstep
| 0L + 2s
| -8
| O&
| augmented 5-mosstep
| 4L + 1s
|-
| 9
| N@
| diminished 4-mosstep
| 1L + 3s
| -9
| M&
| augmented 3-mosstep
| 3L + 0s
|-
| 10
| P@
| diminished 6-mosstep
| 2L + 4s
| -10
| K&
| augmented 1-mosstep
| 2L - 1s
|}
|}
===Note names===
For this article, note names are based on diamond-MOS notation, where the naturals JKLMNOP are applied to the step pattern LsLsLsL and the accidentals & (pronounced "am" or "amp") and @ (pronounced "at") are used to represent sharps and flats respectively. Thus, the basic gamut for 4L 3s is the following:


== Low harmonic entropy scales ==
{{MOS gamut|Scale Signature=4L 3s}}
==Theory ==
===Low harmonic entropy scales===
There are two notable harmonic entropy minima:
There are two notable harmonic entropy minima:
* [[Kleismic family|Kleismic temperament]], in which the generator is 6/5 and 6 of them make a 3/1 (making the diminished 5-mosstep 3/2)
*[[Kleismic family|Kleismic temperament]], in which the generator is 6/5 and 6 of them make a 3/1.
* [[Myna]], in which the generator is also 6/5 but now '''10''' of them make a 6/1 (so no 4/3's or 3/2's appear in this scale).
*[[myna|Myna temperament]], in which the generator is also 6/5 but 10 of them make a 6/1, resulting in the intervals 4/3 and 3/2 being absent.
 
===Temperament interpretations===
== Tuning ranges ==
:''Main article: [[4L 3s/Temperaments]]''
=== Simple tunings ===
4L 3s has the following temperament interpretations:
{| class="wikitable right-2 right-3 right-4 sortable "
*[[Sixix]], with generators around 338..
|-
*[[Orgone]], with generators around 323..
! class="unsortable"|Degree
*[[Kleismic]], with generators around 317¢.
! [[11edo]] (basic)
Other temperaments, such as [[amity]] and [[myna]], require more than 7 pitches to contain the concordant chords optimized by these temperaments. If restricted to a rank-2 approach, a [[MODMOS]] or a larger MOS gamut is necessary to access these pitches.
! [[15edo]] (hard)
==Tuning ranges==
! [[18edo]] (soft)
===Simple tunings===
! class="unsortable"| Note name on J
The basic tuning for 4L 3s has a large and small step size of 2 and 1 respectively, which is supported by 11edo. Other small edos include [[15edo]] and [[18edo]].{{MOS degrees|Scale Signature=4L 3s|Step Ratio=2/1; 3/1; 3/2}}
! class="unsortable"| Approximate ratios
===Parasoft tunings===
! #Gens up
Parasoft smitonic tunings (4:3 to 3:2) can be considered "meantone smitonic" since it has the following features of [[meantone]] diatonic tunings:
|-bgcolor="#eaeaff"
| unison
| 0\11, 0.0
| 0\15, 0.0
| 0\18, 0.0
| J
|
| 0
|-
| minor 1-mosstep
| 1\11, 109.1
| 1\15, 80.0
| 2\18, 133.3
| K@
|
| +4
|-
| major 1-mosstep
| 2\11, 218.2
| 3\15, 240.0
| 3\18, 200.0
| K
| 8/7
| -3
|-bgcolor="#eaeaff"
| perf. 2-mosstep
| 3\11, 327.3
| 4\15, 320.0
| 5\18, 333.3
| L
| 77/64, 6/5
| +1
|-bgcolor="#eaeaff"
| aug. 2-mosstep
| 4\11, 436.4
| 6\15, 480.0
| 6\18, 400.0
| L&
|
| -6
|-
| minor 3-mosstep
| 4\11, 436.4
| 5\15, 400.0
| 7\18, 466.7
| M@
| 14/11
| +5
|-
| major 3-mosstep
| 5\11, 545.5
| 7\15, 560.0
| 8\18, 533.3
| M
| 11/8
| -2
|-bgcolor="#eaeaff"
| minor 4-mosstep
| 6\11, 656.6
| 8\15, 640.0
| 10\18, 666.7
| N
| 16/11
| +2
|-bgcolor="#eaeaff"
| major 4-mosstep
| 7\11, 763.6
| 10\15, 800.0
| 11\18, 733.3
| N&
| 11/7
| -5
|-
| dim. 5-mosstep
| 7\11, 763.6
| 9\15, 720.0
| 12\18, 800.0
| O@
|
| +6
|-
| perf. 5-mosstep
| 8\11, 872.7
| 11\15, 880.0
| 13\18, 866.7
| O
| 5/3
| -1
|-bgcolor="#eaeaff"
| minor 6-mosstep
| 9\11, 981.8
| 12\15, 960.0
| 15\18, 1000.0
| P
| 7/4
| +3
|-bgcolor="#eaeaff"
| major 6-mosstep
| 10\11, 1090.9
| 14\15, 1120.0
| 16\18, 1066.7
| P&
|
| -4
|}
 
=== Parasoft ===
[[Parasoft]] smitonic tunings have step ratios between 4/3 and 3/2, which implies a generator sharper than 5\18 = 333.3¢ and flatter than 7\25 = 336.0¢.
 
Parasoft smitonic can be considered "meantone smitonic". This is because these tunings share the following features with [[meantone]] diatonic tunings:  
* The large step is a "meantone", somewhere between near-10/9 (as in [[32edo]]) and near-9/8 (as in [[18edo]]).
* The augmented 2-mosstep (made of two large steps) is a roughly [[meantone]]-sized major third, thus is a stand-in for the classical diatonic major third.
Parasoft smitonic tunings have both minor fifths and major fifths about equally off a just fifth, and they have otherwise fairly convincing versions of both diatonic structure and tertian harmony, provided you frequently modify using the comma-like chromas. For this reason, parasoft might be the most accessible smitonic tuning range.
 
Parasoft smitonic EDOs include [[18edo]], [[25edo]], and [[43edo]].
* 18edo can be used to make large and small steps more distinct (the step ratio is 3/2, thus 18edo smitonic is distorted [[19edo]] diatonic), or for its nearly pure 9/8. It also makes rising fifths (733.3c, a perfect 5-mosstep) and falling fifths (666.7c, a major 4-mosstep) almost equally off from a just fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
* [[25edo]] can be used to make the augmented 2-mosstep a good [[5/4]] (384¢).
 
The sizes of the generator, large step and small step of smitonic are as follows in various parasoft smitonic tunings.
{| class="wikitable right-2 right-3 right-4 right-5"
|-
!
! [[18edo]] (soft)
! [[25edo]] (supersoft)
! [[43edo]]
! Optimized (2.9.5 [[POTE]] [[Dual-fifth temperaments|dual-3 sixix]]) tuning
|-
| generator (g)
| 5\18, 333.3
| 7\25, 336.0
| 12\43, 334.9
| 335.84
|-
| L (octave - 3g)
| 3\18, 200.0
| 4\25, 192.0
| 7\43, 195.3
| 193.16
|-
| s (4g - octave)
| 2\18, 133.3
| 3\25, 144.0
| 5\43, 139.5
| 143.36
|}
 
==== Intervals ====
Sortable table of the extended generator chain (-13 to 13 generators) in parasoft smitonic tunings. The several different interval flavors separated by the chroma shows that parasoft smitonic is a useful [[cluster MOS]], though many of the intervals lack simple JI interpretations.
{| class="wikitable right-2 right-3 right-4 sortable "
|-
! class="unsortable"|Degree
! [[18edo]] (soft)
! [[25edo]] (supersoft)
! [[43edo]]
! class="unsortable"| Note name on J
! class="unsortable"| Approximate ratios
! #Gens up
|-bgcolor="#eaeaff"
| | unison
| 0\18, 0.0
| 0\25, 0.0
| 0\43, 0.0
| J
| 1/1
| 0
|-bgcolor="#eaeaff"
| chroma
| 1\18, 66.7
| 1\25, 48.0
| 2\43, 55.8
| J&
|
| -7
|-
| dim. 1-mosstep
| 1\18, 66.7
| 2\25, 96.0
| 3\43, 83.7
| K@@
|
| +11
|-
| minor 1-mosstep
| 2\18, 133.3
| 3\25, 144.0
| 5\43, 139.5
| K@
| 13/12
| +4
|-
| major 1-mosstep
| 3\18, 200.0
| 4\25, 192.0
| 7\43, 195.3
| K
| 9/8, 10/9
| -3
|-
| aug. 1-mosstep
| 4\18, 266.7
| 5\25, 240.0
| 9\43, 251.2
| K&
|
| -10
|-bgcolor="#eaeaff"
| dim. 2-mosstep
| 4\18, 266.7
| 6\25, 288.0
| 10\43, 279.1
| L@
|
| +8
|-bgcolor="#eaeaff"
| perf. 2-mosstep
| 5\18, 333.3
| 7\25, 336.0
| 12\43, 334.9
| L
| 17/14, 40/33
| +1
|-bgcolor="#eaeaff"
| aug. 2-mosstep
| 6\18, 400.0
| 8\25, 384.4
| 14\43, 390.7
| L&
| 5/4
| -6
|-bgcolor="#eaeaff"
| doubly aug. 2-mosstep
| 7\18, 466.7
| 9\25, 432.0
| 16\43, 446.5
| L&&
|
| -13
|-
| dim. 3-mosstep
| 6\18, 400.0
| 9\25, 432.0
| 15\43, 418.6
| M@@
|
| +12
|-
| minor 3-mosstep
| 7\18, 466.7
| 10\25, 480.0
| 17\43, 474.4
| M@
| 21/16
| +5
|-
| major 3-mosstep
| 8\18, 533.3
| 11\25, 528.0
| 19\43, 530.2
| M
| 19/14, 34/25
| -2
|-
| aug. 3-mosstep
| 9\18, 600.0
| 12\25, 576.0
| 21\43, 586.0
| M&
| 7/5
| -9
|-bgcolor="#eaeaff"
| dim. 4-mosstep
| 9\18, 600.0
| 13\25, 624.0
| 22\43, 614.0
| N@
| 10/7
| +9
|-bgcolor="#eaeaff"
| minor 4-mosstep
| 10\18, 666.7
| 14\25, 672.0
| 24\43, 669.8
| N
| 28/19, 25/17
| +2
|-bgcolor="#eaeaff"
| major 4-mosstep
| 11\18, 733.3
| 15\25, 720.0
| 26\43, 725.6
| N&
| 32/21
| -5
|-bgcolor="#eaeaff"
| aug. 4-mosstep
| 12\18, 800.0
| 16\25, 768.0
| 28\43, 781.4
| N&&
|
| -12
|-
| doubly dim. 5-mosstep
| 11\18, 733.3
| 16\25, 768.0
| 27\43, 753.5
| O@@
|
| +13
|-
| dim. 5-mosstep
| 12\18, 800.0
| 17\25, 816.0
| 29\43, 809.3
| O@
| 8/5
| +6
|-
| perf. 5-mosstep
| 13\18, 866.7
| 18\25, 864.0
| 31\43, 865.1
| O
| 28/17, 33/20
| -1
|-
| aug. 5-mosstep
| 14\18, 933.3
| 19\25, 912.0
| 33\43, 920.9
| O&
|
| -8
|-bgcolor="#eaeaff"
| dim. 6-mosstep
| 14\18, 933.3
| 20\25, 960.0
| 34\34, 948.8
| P@
|
| +10
|-bgcolor="#eaeaff"
| minor 6-mosstep
| 15\18, 1000.0
| 21\25, 1008.0
| 36\43, 1004.7
| P
| 16/9, 9/5
| +3
|-bgcolor="#eaeaff"
| major 6-mosstep
| 16\18, 1066.7
| 22\25, 1056.0
| 38\43, 1060.5
| P&
| 24/13
| -4
|-bgcolor="#eaeaff"
| aug. 6-mosstep
| 17\18, 1133.3
| 23\25, 1104.0
| 40\43, 1116.3
| P&
|
| -11
|-
| dim. mosoctave
| 17\18, 1133.3
| 24\25, 1152.0
| 41\43, 1144.2
| J@
|
| +7
|}
 
=== Hyposoft ===
[[Hyposoft]] tunings of smitonic  have [[step ratio]]s between 3/2 and 2/1 which implies that the generator is a supraminor third sharper than 3\11 = 327.27¢ and flatter than 5\18 = 333.33¢.
 
The large step is a sharper major second in these tunings than in parasoft tunings. These tunings could be considered "[[Gentle region|neogothic]] smitonic" or "[[archy]] smitonic", in analogy to parasoft smitonic being meantone smitonic.
 
{| class="wikitable right-2 right-3 right-4 right-5"
|-
!
! [[11edo]] (basic)
! [[18edo]] (soft)
! [[29edo]] (semisoft)
|-
| generator (g)
| 3\11, 327.27
| 5\18, 333.33
| 8\29, 331.03
|-
| L (octave - 3g)
| 2\11, 218.18
| 3\18, 200.00
| 5\29, 206.90
|-
| s (4g - octave)
| 1\11, 109.09
| 2\18, 133.33
| 3\29, 124.14
|}
==== Intervals ====
Sortable table of major and minor intervals in hyposoft smitonic tunings (11edo and 18edo not shown):
{| class="wikitable right-2 sortable "
|-
! class="unsortable"|Degree
! [[29edo]] (semisoft)
! class="unsortable"| Note name on J
! class="unsortable"| Approximate ratios (for 29edo)
! #Gens up
|-bgcolor="#eaeaff"
| unison
| 0\29, 0.0
| J
| 1/1
| 0
|-
| minor 1-mosstep
| 3\29, 124.1
| K@
| 14/13
| +4
|-
| major 1-mosstep
| 5\29, 206.9
| K
| 9/8
| -3
|-bgcolor="#eaeaff"
| perf. 2-mosstep
| 8\29, 331.0
| L
| 23/19, 40/33
| +1
|-bgcolor="#eaeaff"
| aug. 2-mosstep
| 10\29, 413.8
| L&
| 14/11
| -6
|-
| minor 3-mosstep
| 11\29, 455.2
| M@
| 13/10
| +5
|-
| major 3-mosstep
| 13\29, 537.9
| M
| 15/11
| -2
|-bgcolor="#eaeaff"
| minor 4-mosstep
| 16\29, 662.1
| N
| 19/13, 22/15
| +2
|-bgcolor="#eaeaff"
| major 4-mosstep
| 18\26, 744.8
| N&
| 20/13
| -5
|-
| dim. 5-mosstep
| 19\29, 786.2
| O@
| 11/7
| +6
|-
| perf. 5-mosstep
| 21\29, 869.0
| O
| 33/20, 38/23
| -1
|-bgcolor="#eaeaff"
| minor 6-mosstep
| 24\29, 993.1
| P
| 16/9
| +3
|-bgcolor="#eaeaff"
| major 6-mosstep
| 26\28, 1075.9
| P&
| 13/7
| -4
|}
 
=== Hypohard ===
[[Hypohard]] tunings have [[step ratio]]s between 2 and 3, implying a generator sharper than 4\15 = 320¢ and flatter than 3\11 = 327.27¢. The large step tends to approximate [[8/7]], and the major 3-mosstep (2 large steps + 1 small step) tends to approximate [[11/8]]; [[26edo]] is stellar in both of these approximations. This set of JI approximations is associated with [[orgone]] temperament.
 
Hypohard smitonic edos include [[11edo]], [[15edo]], [[26edo]], and [[37edo]].
The sizes of the generator, large step and small step of smitonic are as follows in various hypohard smitonic tunings.
{| class="wikitable right-2 right-3 right-4"
|-
!
! [[11edo]] (basic)
! [[15edo]] (hard)
! [[26edo]] (semihard)
! Some JI approximations
|-
| generator (g)
| 3\11, 327.27
| 4\15, 320.00
| 7\26, 323.08
| 77/64, 6/5
|-
| L (octave - 3g)
| 2\11, 218.18
| 3\15, 240.00
| 5\26, 230.77
| 8/7
|-
| s (4g - octave)
| 1\11, 109.09
| 1\15, 80.00
| 2\26, 92.31
| 128/121, (16/15)
|}
==== Intervals ====
Sortable table of major and minor intervals in hypohard smitonic tunings:
{| class="wikitable right-2 right-3 right-4 sortable "
|-
! class="unsortable"|Degree
! [[11edo]] (basic)
! [[15edo]] (hard)
! [[26edo]] (semihard)
! class="unsortable"| Note name on J
! class="unsortable"| Approximate ratios
! #Gens up
|-bgcolor="#eaeaff"
| unison
| 0\11, 0.0
| 0\15, 0.0
| 0\26, 0.0
| J
| 1/1
| 0
|-
| minor 1-mosstep
| 1\11, 109.1
| 1\15, 80.0
| 2\26, 92.3
| K@
|
| +4
|-
| major 1-mosstep
| 2\11, 218.2
| 3\15, 240.0
| 5\26, 230.8
| K
| 8/7
| -3
|-bgcolor="#eaeaff"
| perf. 2-mosstep
| 3\11, 327.3
| 4\15, 320.0
| 7\26, 323.1
| L
| 77/64, 6/5
| +1
|-bgcolor="#eaeaff"
| aug. 2-mosstep
| 4\11, 436.4
| 6\15, 480.0
| 10\26, 461.5
| L&
|
| -6
|-
| minor 3-mosstep
| 4\11, 436.4
| 5\15, 400.0
| 9\26, 415.4
| M@
| 14/11
| +5
|-
| major 3-mosstep
| 5\11, 545.5
| 7\15, 560.0
| 12\26, 553.9
| M
| 11/8
| -2
|-bgcolor="#eaeaff"
| minor 4-mosstep
| 6\11, 656.6
| 8\15, 640.0
| 14\26, 646.2
| N
| 16/11
| +2
|-bgcolor="#eaeaff"
| major 4-mosstep
| 7\11, 763.6
| 10\15, 800.0
| 17\26, 784.62
| N&
| 11/7
| -5
|-
| dim. 5-mosstep
| 7\11, 763.6
| 9\15, 720.0
| 16\26, 738.5
| O@
|
| +6
|-
| perf. 5-mosstep
| 8\11, 872.7
| 11\15, 880.0
| 19\26, 876.9
| O
| 5/3
| -1
|-bgcolor="#eaeaff"
| minor 6-mosstep
| 9\11, 981.8
| 12\15, 960.0
| 21\26, 969.2
| P
| 7/4
| +3
|-bgcolor="#eaeaff"
| major 6-mosstep
| 10\11, 1090.9
| 14\15, 1120.0
| 24\26, 1107.7
| P&
|
| -4
|}


=== Parahard ===
*The major 1-mosstep, or large step, is around [[10/9]] to [[9/8]], thus making it a "meantone".
In [[parahard]] smitonic (step ratio between 3 and 4, thus with generator between 5\19, 315.79¢ and 4\15, 320¢), the generator is close to a pure [[6/5]] minor third, and 6 minor thirds are used to reach a perfect fifth. The parahard range contains very accurate edos such as [[53edo]] and [[72edo]], and has very accurate approximations to many [[low-overtone JI]] intervals, namely basic [[5-limit]] ratios and some ratios involving 13. However, the 7-note MOS only has one perfect fifth, so extending the chain to bigger MOSes, such as the [[4L 7s]] 11-note MOS, is suggested for getting 5-limit harmony.
*The augmented 2-mosstep is around the size of a meantone-sized major 3rd and can be used as a stand-in for such.


This set of JI approximations is associated with [[kleismic]] temperament (we're specifically describing the 2.3.5.13 extension of it called [[Chromatic pairs#Cata|cata]]).
These tunings have a major 4-mosstep and minor 4-mosstep that are about equally off a just 3/2 (702¢), and they have otherwise fairly convincing versions of both diatonic structure and tertian harmony, provided you frequently modify using the comma-like chromas. For this reason, parasoft might be the most accessible smitonic tuning range.


EDOs that have parahard smitonic include [[15edo]], [[19edo]], [[34edo]], and [[53edo]].
Edos include [[18edo]], [[25edo]], and [[43edo]]. Some key considerations include:


The sizes of the generator, large step and small step of smitonic are as follows in various parahard smitonic tunings (not including 15edo).  
*18edo can be used to make the large and small steps more distinct, or can be considered a distorted 19edo diatonic.
{| class="wikitable right-2 right-3 right-4"
**18edo has a major 1-mosstep that is close to 9/8 (203¢).
|-
**18edo's major and minor 4-mossteps are both equally off from 12edo's diatonic perfect 5th (700¢) by 33.3¢.
!
**18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
! [[19edo]] (superhard)
*The augmented 2-mosstep of 25edo is very close to 5/4 (386¢).
! [[34edo]]  
*The various interval flavors separated by a chroma shows that parasoft smitonic is a useful [[cluster MOS]]. However, many of these intervals lack simple JI interpretations.
! [[53edo]]
{{MOS degrees|Scale Signature=4L 3s|Step Ratio=3/2; 4/3; 7/5|Genchain Extend=9}}
! JI intervals represented
===Hyposoft tunings===
|-
Hyposoft smitonic tunings (3:2 to 2:1) are characterized by generators that are a supraminor 3rd, between 327¢ and 333¢. By analogy of parasoft tunings being called "meantone smitonic", these tunings can be considered "[[Gentle region|neogothic]] smitonic" or "[[archy]] smitonic".
| generator (g)
| 5\19, 315.79
| 9\34, 317.65
| 14\53, 316.98
| 6/5
|-
| L (octave - 3g)
| 4\19, 252.63
| 7\34, 247.06
| 11\53, 249.06
| 15/13
|-
| s (4g - octave)
| 1\19, 63.16
| 2\34, 70.59
| 3\53, 67.92
| 25/24, 26/25
|}


==== Intervals ====
Edos include [[11edo]] (not shown), [[18edo]], and [[29edo]].
Sortable table of major and minor intervals in parahard smitonic tunings:
{{MOS degrees|Scale Signature=4L 3s|Step Ratio=3/2; 5/3|Genchain Extend=3}}
{| class="wikitable right-2 right-3 right-4 sortable "
=== Hypohard tunings===
|-
Hypohard smitonic tunings (2:1 to 3:1) have generators between 320¢ and 327¢. The major 1-mosstep, or large step, tends to approximate [[8/7]] (231¢) and the major 3-mosstep tends to approximate [[11/8]] (551¢). [[26edo]] approximates these two intervals very well. These JI approximations are associated with [[orgone]] temperament.
! class="unsortable"|Degree
! [[19edo]] (superhard)
! [[34edo]]
! [[53edo]]
! class="unsortable"| Note name on J
! class="unsortable"| Approximate ratios
! #Gens up
|-bgcolor="#eaeaff"
| unison
| 0\19, 0.0
| 0\34, 0.0
| 0\53, 0.0
| J
| 1/1
| 0
|-
| minor 1-mosstep
| 1\19, 63.2
| 2\34, 70.6
| 3\53, 67.9
| K@
| 25/24, 26/25
| +4
|-
| major 1-mosstep
| 4\19, 252.6
| 7\34, 247.1
| 11\53, 249.1
| K
| 15/13
| -3
|-bgcolor="#eaeaff"
| perf. 2-mosstep
| 5\19, 315.8
| 9\34, 317.6
| 14\53, 317.0
| L
| 6/5
| +1
|-bgcolor="#eaeaff"
| aug. 2-mosstep
| 8\19, 505.3
| 14\34, 494.1
| 22\53, 498.1
| L&
| 4/3
| -6
|-
| minor 3-mosstep
| 6\19, 378.9
| 11\34, 388.2
| 17\53, 384.9
| M@
| 5/4
| +5
|-
| major 3-mosstep
| 9\19, 568.4
| 16\34, 564.7
| 25\53, 566.0
| M
| 18/13
| -2
|-bgcolor="#eaeaff"
| minor 4-mosstep
| 10\19, 631.6
| 18\34, 635.3
| 28\53, 634.0
| N
| 13/9
| +2
|-bgcolor="#eaeaff"
| major 4-mosstep
| 16\19, 821.1
| 23\34, 811.8
| 39\53, 815.0
| N&
| 8/5
| -5
|-
| dim. 5-mosstep
| 11\19, 694.7
| 20\34, 705.9
| 31\53, 701.9
| O@
| 3/2
| +6
|-
| perf. 5-mosstep
| 14\19, 884.2
| 25\34, 882.4
| 39\53, 883.0
| O
| 5/3
| -1
|-bgcolor="#eaeaff"
| minor 6-mosstep
| 15\19, 947.4
| 27\34, 952.9
| 42\53, 950.9
| P
| 26/15
| +3
|-bgcolor="#eaeaff"
| major 6-mosstep
| 18\19, 1136.8
| 32\34, 1129.4
| 50\53, 1132.1
| P&
| 25/13
| -4
|}
 
== Modes ==
A naming scheme proposed by Alexandru Ianu ([[User:Ayceman]])<ref>Description of ''Sylvian Moon Dance'' mentioning the naming proposal https://musescore.com/user/36772625/scores/6700443 – The theme relates to the mystical nature of the Tribunal and TES lore, which fits smitonic.</ref>, relating to the Almsivi in Morrowind (TES):
{| class="wikitable center-all"
|-
! Mode
! [[Modal UDP Notation|UDP]]
! Name
|-
| LLsLsLs
| <nowiki>6|0</nowiki>
| Nerevarine
|-
| LsLLsLs
| <nowiki>5|1</nowiki>
| Vivecan
|-
| LsLsLLs
| <nowiki>4|2</nowiki>
| Lorkhanic
|-
| LsLsLsL
| <nowiki>3|3</nowiki>
| Sothic
|-
| sLLsLsL
| <nowiki>2|4</nowiki>
| Kagrenacan
|-
| sLsLLsL
| <nowiki>1|5</nowiki>
| Almalexian
|-
| sLsLsLL
| <nowiki>0|6</nowiki>
| Dagothic
|}


== Approaches ==
Other hypohard edos include [[11edo]] (not shown), [[15edo]] and [[37edo]].
* [[4L 3s/Inthar's approach]]
{{MOS degrees|Scale Signature=4L 3s|Step Ratio=3/1; 5/2; 7/3|Genchain Extend=3}}
===Parahard tunings===
Parahard smitonic tunings (3:1 to 4:1) have generators between 315.9¢ and 320¢, putting it close to a pure 6/5 (316¢). Stacking six generators and octave-reducing approximates 3/2 (702¢), a diatonic perfect 5th, represented by the diminished 5-mosstep.


== Temperaments ==
This range contains very accurate edos such as [[53edo]] and [[72edo]], and has very accurate approximations to many [[low-overtone JI]] intervals, namely basic [[5-limit]] ratios and some ratios involving 13. However, 4L 3s only has one interval of 3/2, so it's suggested to use a larger MOS, such as [[4L 7s]], to achieve 5-limit harmony.
{{main|4L 3s/Temperaments}}
4L 3s has several temperament interpretations (see main article for mappings and optimal generator tunings):


# With generator size between 5\18 (333.3c) and 11\39 (338.5c): [[Sixix]], corresponding to a L/s ratio between 3/2 and 6/5.
These JI approximations are associated with [[kleismic]] temperament, though the 2.3.5.13 extension described here is called [[Chromatic pairs#Cata|cata]].
# With generator size between 4\15 (320.0c) and 3\11 (327.3c): [[Orgone]], corresponding to a L/s ratio between 3 and 2.
# With generator size between 5\19 (315.8c) and 4\15 (320.0c): [[Kleismic]], corresponding to a L/s ratio between 4 and 3.


There are also other temperaments in the 4L 3s range, particularly [[amity]] and [[myna]], but 7 notes in the generator chain are not enough to contain the concordant chords optimized by these temperaments; you would need to use a [[MODMOS]] or use a larger MOS gamut, if you restrict to a rank-2 approach.
Parahard edos smaller than 53edo include [[15edo]] (not shown), [[19edo]], and [[34edo]].
{{MOS degrees|Scale Signature=4L 3s|Step Ratio=4/1; 7/2; 11/3; 15/4|Genchain Extend=3|Prefix=smi}}
==Modes==
Alexandru Ianu ([[User:Ayceman|Ayceman]])<ref>Description of ''Sylvian Moon Dance'' mentioning the naming proposal https://musescore.com/user/36772625/scores/6700443 – The theme relates to the mystical nature of the Tribunal and TES lore, which fits smitonic.</ref> has proposed the following mode names relating to the Almsivi in Morrowind (TES):


== Scales ==
{{MOS modes|Scale Signature=4L 3s|Mode Names=Nerevarine; Vivecan; Lorkhanic; Sothic; Kagrenacan; Almalexian; Dagothic}}
* [[Orgone7]]
==Scales==
* [[Cata7]]
* [[Myna7]]


== Music ==
===Scala files===
* [[City of the Asleep]], [https://cityoftheasleep.bandcamp.com/album/an-amputated-elliptic-knob-of-the-cryptocurve-regenerates "An Amputated Elliptic Knob of the Cryptocurve Regenerates"] (Various orgone edos)
*[[Orgone7]]
* [[User:Ks26|ks26]], [https://www.youtube.com/watch?v=AEnEYk3X1as Ghost Bridge] (11edo)
*[[Cata7]]
* [[User:Ayceman|Alexandru Ianu]], [https://youtu.be/81uZbsmbet8 Sylvian Moon Dance] (11edo) ([[:File:Sylvian_Moon_Dance.pdf|sheet music]])
*[[Myna7]]
* [[File:Sixix Fugue.mp3]] A fugue in [[18edo]] smitonic functional harmony (WIP)


== Scale tree ==
== Scale tree==
Generator ranges:
{{Scale tree|4L 3s|Comments=6/5: [[Amity]]/[[hitchcock]]↑;
* Chroma-positive generator: 857.1429 cents (5\7) to 900 cents (3\4)
5/4: [[Sixix]];
* Chroma-negative generator: 300 cents (1\4) to 342.8571 cents (2\7)
13/8: Golden 4L 3s (868.3282¢);
 
12/5: [[Hyperkleismic]];
{| class="wikitable center-all"
5/2 [[Orgone]];
! colspan="6" rowspan="2" | Generator <br><small>(Chroma-positive)</small>
13/5: Golden superkleismic;
! colspan="2" | Cents
8/3: [[Superkleismic]];
! rowspan="2" | L
11/3: [[Hanson]]/[[keemun]];
! rowspan="2" | s
6/1: [[Oolong]]/[[myna]]↓;
! rowspan="2" | L/s
2/1: (Generators smaller than this are proper)}}
! rowspan="2" | Comments
==Music==
|-
*[[City of the Asleep]], [https://cityoftheasleep.bandcamp.com/album/an-amputated-elliptic-knob-of-the-cryptocurve-regenerates "An Amputated Elliptic Knob of the Cryptocurve Regenerates"] (Various orgone edos)
! <small>Chroma-positive</small>
*[[User:Ks26|ks26]], [https://www.youtube.com/watch?v=AEnEYk3X1as Ghost Bridge] (11edo)
! <small>Chroma-negative</small>
*[[User:Ayceman|Alexandru Ianu]], [https://youtu.be/81uZbsmbet8 Sylvian Moon Dance] (11edo) ([[:File:Sylvian_Moon_Dance.pdf|sheet music]])
|-
*[[File:Sixix Fugue.mp3|256x256px]] A fugue in [[18edo]] smitonic functional harmony (WIP)
| 5\7 || || || || || || 857.143 || 342.857 || 1 || 1 || 1.000 ||
==See also==
|-
Approaches:
| || || || || || 28\39 || 861.538 || 338.462 || 6 || 5 || 1.200 || [[Amity]]/[[hitchcock]]↑
*[[4L 3s/Inthar's approach]]
|-
==References==
| || || || || 23\32 || || 862.500 || 337.500 || 5 || 4 || 1.250 || [[Sixix]]
<references />
|-
| || || || || || 41\57 || 863.158 || 336.842 || 9 || 7 || 1.286 ||
|-
| || || || 18\25 || || || 864.000 || 336.000 || 4 || 3 || 1.333 ||
|-
| || || || || || 49\68 || 864.706 || 335.294 || 11 || 8 || 1.375 ||
|-
| || || || || 31\43 || || 865.116 || 334.884 || 7 || 5 || 1.400 ||
|-
| || || || || || 17\58 || 865.574 || 334.426 || 10 || 7 || 1.429 ||
|-
| || || 13\18 || || || || 866.667 || 333.333 || 3 || 2 || 1.500 ||
|-
| || || || || || 47\65 || 867.692 || 332.308 || 11 || 7 || 1.571 ||
|-
| || || || || 34\47 || || 868.085 || 331.915 || 8 || 5 || 1.600 ||
|-
| || || || || || 55\76 || 868.421 || 331.579 || 13 || 8 || 1.625 || Golden smitonic (868.3282¢)
|-
| || || || 21\29 || || || 868.966 || 331.034 || 5 || 3 || 1.667 ||
|-
| || || || || || 50\69 || 869.565 || 330.435 || 12 || 7 || 1.714 ||
|-
| || || || || 29\40 || || 870.000 || 330.000 || 7 || 4 || 1.750 ||
|-
| || || || || || 37\51 || 870.588 || 329.422 || 9 || 5 || 1.800 ||
|-
| || 8\11 || || || || || 872.727 || 327.273 || 2 || 1 || 2.000 || Basic smitonic <br>(Generators smaller than this are proper)
|-
| || || || || || 35\48 || 875.000 || 325.000 || 9 || 4 || 2.250 ||
|-
| || || || || 27\37 || || 875.676 || 324.324 || 7 || 3 || 2.333 ||
|-
| || || || || || 46\63 || 876.190 || 323.810 || 12 || 5 || 2.400 || [[Hyperkleismic]]
|-
| || || || 19\26 || || || 876.923 || 323.077 || 5 || 2 || 2.500 || [[Orgone]] is in this region
|-
| || || || || || 49\67 || 877.612 || 322.388 || 13 || 5 || 2.600 || Golden superkleismic (877.7318¢)
|-
| || || || || 30\41 || || 878.049 || 321.951 || 8 || 3 || 2.667 || [[Superkleismic]]
|-
| || || || || || 41\56 || 878.571 || 321.429 || 11 || 4 || 2.750 ||
|-
| || || 11\15 || || || || 880.000 || 320.000 || 3 || 1 || 3.000 ||
|-
| || || || || || 36\49 || 881.633 || 318.367 || 10 || 3 || 3.333 ||
|-
| || || || || 25\34 || || 882.353 || 317.647 || 7 || 2 || 3.500 ||
|-
| || || || || || 39\53 || 883.019 || 316.981 || 11 || 3 || 3.667 || [[Hanson]]/[[keemun]] is in this region
|-
| || || || 14\19 || || || 884.211 || 315.789 || 4 || 1 || 4.000 ||
|-
| || || || || || 31\42 || 885.714 || 314.286 || 9 || 2 || 4.500 ||
|-
| || || || || 17\23 || || 886.957 || 313.043 || 5 || 1 || 5.000 ||
|-
| || || || || || 20\27 || 888.889 || 311.111 || 6 || 1 || 6.000 || [[Oolong]], [[myna]]
|-
| 3\4 || || || || || || 900.000 || 300.000 || 1 || 0 || → inf ||
|}


== References ==
[[Category:Smitonic|*]]<!--Main article-->
[[Category:Smitonic|*]]<!--Main article-->
[[Category:7-tone scales]]
[[Category:7-tone scales]]