15edo: Difference between revisions

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=== Keyboard layouts ===
=== Keyboard layouts ===
<gallery widths=300px>
<gallery widths="300px">
File:15_tone_keyboard.png|Porcupine layout for 15edo
File:15_tone_keyboard.png|Porcupine layout for 15edo
File:Screen Shot 2020-04-23 at 11.59.17 PM.png|Hanson layout for 15edo
File:Screen Shot 2020-04-23 at 11.59.17 PM.png|Hanson layout for 15edo
File:15edo kb3.png|Zarlino layout for 15edo
</gallery>
</gallery>


== Intervals ==
==Intervals==
{{See also|15edo-interval names}}
{{See also|15edo-interval names}}
Relative to 12edo, 15edo maintains some categorically-similar intervals, particularly the 3rds, 4ths, 5ths, and 6ths, but is quite different in the categories of 2nds and 7ths. The closest intervals it has to a 12edo [[whole tone]] are both 40 cents sharp or flat of the 200-cent 12edo whole tone. This makes it rather difficult to translate traditional diatonic melodic approaches into 15edo, and also means that things like 7th, 9th, and 11th chords will behave very differently, even though major and minor triads are still relatively familiar-sounding. One step of 15edo almost exactly equals the reduced 67th harmonic, [[67/64]].
Relative to 12edo, 15edo maintains some categorically-similar intervals, particularly the 3rds, 4ths, 5ths, and 6ths, but is quite different in the categories of 2nds and 7ths. The closest intervals it has to a 12edo [[whole tone]] are both 40 cents sharp or flat of the 200-cent 12edo whole tone. This makes it rather difficult to translate traditional diatonic melodic approaches into 15edo, and also means that things like 7th, 9th, and 11th chords will behave very differently, even though major and minor triads are still relatively familiar-sounding. One step of 15edo almost exactly equals the reduced 67th harmonic, [[67/64]].
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{| class="wikitable center-all left-8"
{| class="wikitable center-all left-8"
|-
|-
! Degree
!Degree
! Cents
!Cents
! Approximate Ratios<ref group="note">{{rd|limit=11-limit}}</ref>
!Approximate Ratios<ref group="note">{{rd|limit=11-limit}}</ref>
! [[Solfege]]<br>(porcupine-based)
![[Solfege]]<br>(porcupine-based)
! Porcupine[7]<br>(traditional)
!Porcupine[7]<br>(traditional)
! Porcupine[8]<br>(Greek)
!Porcupine[8]<br>(Greek)
!Zarlino diatonic notation
! Blackwood<br>"guitar notation"
! Blackwood<br>"guitar notation"
! Blackwood<br>Decimal
!Blackwood<br>Decimal
! Audio
!Audio
|-
|-
| 0
| 0
| 0
|0
| 1/1
|1/1
| do
|do
| D
| D
| α
| E
|C
| 1
|E
| [[File:piano_0_1edo.mp3]]
|1
|[[File:piano_0_1edo.mp3]]
|-
|-
| 1
|1
| 80
| 80
| 25/24, 21/20, 16/15, 22/21
|25/24, 21/20, 16/15, 22/21
| di
|di
| D# / Eb
|D# / Eb
| α/ β\
| α/ β\
|Db / C#
| E#
| E#
| 1# / 2b
|1# / 2b
| [[File:piano_1_15edo.mp3]]
|[[File:piano_1_15edo.mp3]]
|-
|-
| 2
|2
| 160
|160
| 11/10, 12/11, 10/9
|11/10, 12/11, 10/9
| ru
|ru
| E
|E
| β
|D
| Gb
| Gb
| 2
|2
| [[File:piano_2_15edo.mp3]]
|[[File:piano_2_15edo.mp3]]
|-
|-
| 3
|3
| 240
| 240
| 8/7, 7/6, 9/8
|8/7, 7/6, 9/8
| re
| re
| E# / Fb
| E# / Fb
| β/ χ\
|β/ χ\
|D#
| G
| G
| 3
|3
| [[File:piano_1_5edo.mp3]]
|[[File:piano_1_5edo.mp3]]
|-
|-
| 4
|4
| 320
|320
| 6/5, 11/9
|6/5, 11/9
| me
|me
| F
|F
| χ
| χ
| G#
|Eb
| 3# / 4b
|G#
| [[File:piano_4_15edo.mp3]]
|3# / 4b
|[[File:piano_4_15edo.mp3]]
|-
|-
| 5
|5
| 400
| 400
| 5/4, 14/11
|5/4, 14/11
| mi
|mi
| F# / Gb
|F# / Gb
| χ/ δ\
|χ/ δ\
| Ab
|E
| 4
|Ab
| [[File:piano_1_3edo.mp3]]
|4
|[[File:piano_1_3edo.mp3]]
|-
|-
| 6
| 6
| 480
|480
| 4/3, 9/7, 21/16
|4/3, 9/7, 21/16
| fa
|fa
| G
|G
| δ
| A
|F
| 5
|A
| [[File:piano_2_5edo.mp3]]
|5
|[[File:piano_2_5edo.mp3]]
|-
|-
| 7
|7
| 560
|560
| 11/8, 7/5
|11/8, 7/5
| fu
|fu
| G#
|G#
| δ/ ε\
|δ/ ε\
| A#
|F#
| 5# / 6b
|A#
| [[File:piano_7_15edo.mp3]]
|5# / 6b
|[[File:piano_7_15edo.mp3]]
|-
|-
| 8
|8
| 640
|640
| 16/11, 10/7
|16/11, 10/7
| su
|su
| Ab
| Ab
| ε
| Bb
|Gb
| 6
|Bb
| [[File:piano_8_15edo.mp3]]
|6
|[[File:piano_8_15edo.mp3]]
|-
|-
| 9
|9
| 720
|720
| 3/2, 14/9, 32/21
|3/2, 14/9, 32/21
| sol
|sol
| A
|A
| ε/ φ\
|ε/ φ\
| B
|G
| 7
|B
| [[File:piano_3_5edo.mp3]]
|7
|[[File:piano_3_5edo.mp3]]
|-
|-
| 10
|10
| 800
|800
| 8/5, 11/7
| 8/5, 11/7
| le
|le
| A# / Bb
|A# / Bb
| φ
| B#
|Ab / G#
| 7# / 8b
|B#
| [[File:piano_2_3edo.mp3]]
|7# / 8b
|[[File:piano_2_3edo.mp3]]
|-
|-
| 11
|11
| 880
|880
| 5/3, 18/11
|5/3, 18/11
| la
|la
| B
|B
| φ/ γ\
|φ/ γ\
| Db
|A
| 8
|Db
| [[File:piano_11_15edo.mp3]]
|8
|[[File:piano_11_15edo.mp3]]
|-
|-
| 12
|12
| 960
| 960
| 7/4, 12/7, 16/9
|7/4, 12/7, 16/9
| ta
|ta
| B# / Cb
|B# / Cb
| γ
| D
|A# / Bbb
|D
| 9
| 9
| [[File:piano_4_5edo.mp3]]
|[[File:piano_4_5edo.mp3]]
|-
|-
| 13
|13
| 1040
| 1040
| 20/11, 11/6, 9/5
|20/11, 11/6, 9/5
| tu
|tu
| C
|C
| γ/ η\
|γ/ η\
| D#
|Bb
| 9# / 0b
|D#
| [[File:piano_13_15edo.mp3]]
|9# / 0b
|[[File:piano_13_15edo.mp3]]
|-
|-
| 14
|14
| 1120
| 1120
| 48/25, 40/21, 15/8, 21/11
|48/25, 40/21, 15/8, 21/11
| ti
|ti
| C# / Db
|C# / Db
| η
| Eb
|B
| 0
|Eb
| [[File:piano_14_15edo.mp3]]
|0
|[[File:piano_14_15edo.mp3]]
|-
|-
| 15
| 15
| 1200
|1200
| 2/1
|2/1
| do
|do
| D
|D
| α
| α
|C
| E
| E
| 1
| 1
| [[File:piano_1_1edo.mp3]]
|[[File:piano_1_1edo.mp3]]
|}
|}


=== Alternate interval names ===
===Alternate interval names===
{| class="wikitable center-all"
{| class="wikitable center-all"
|-
|-
! step
!step
! cents
! cents
! colspan="3" | [[Ups and downs notation|ups and downs]] notation ([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and m2)<br>(partial list, e.g. M2/m3 is also A1 and d4)
! colspan="3" |[[Ups and downs notation|ups and downs]] notation ([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and m2)<br>(partial list, e.g. M2/m3 is also A1 and d4)
! colspan="2" | porcupine notation<br>([[Enharmonic unison|EU]]: dd2)
! colspan="2" | porcupine notation<br>([[Enharmonic unison|EU]]: dd2)
|-
|-
| 0
|0
| 0
|0
| P1, m2
| P1, m2
| unison, min 2nd
|unison, min 2nd
| C# / D / Eb
|C# / D / Eb
| unison
|unison
| D
|D
|-
|-
| 1
|1
| 80
|80
| ^1, ^m2
|^1, ^m2
| up-unison, upminor 2nd
|up-unison, upminor 2nd
| ^C# / ^D / ^Eb
|^C# / ^D / ^Eb
| aug unison, dim 2nd
|aug unison, dim 2nd
| D# / Eb
| D# / Eb
|-
|-
| 2
|2
| 160
|160
| vM2
|vM2
| downmajor 2nd
| downmajor 2nd
| vD# / vE / vF / vGb
|vD# / vE / vF / vGb
| perfect 2nd
| perfect 2nd
| E
| E
|-
|-
| 3
|3
| 240
|240
| M2, m3
|M2, m3
| major 2nd, minor 3rd
|major 2nd, minor 3rd
| D# / E / F / Gb
|D# / E / F / Gb
| aug 2nd, dim 3rd
|aug 2nd, dim 3rd
| E# / Fb
|E# / Fb
|-
|-
| 4
|4
| 320
|320
| ^m3
|^m3
| upminor 3rd
|upminor 3rd
| ^D# / ^E / ^F / ^Gb
|^D# / ^E / ^F / ^Gb
| minor 3rd
|minor 3rd
| F
|F
|-
|-
| 5
| 5
| 400
| 400
| vM3
|vM3
| downmajor 3rd
|downmajor 3rd
| vF# / vG / vAb
| vF# / vG / vAb
| major 3rd, dim 4th
|major 3rd, dim 4th
| F# / Gb
|F# / Gb
|-
|-
| 6
|6
| 480
|480
| M3, P4, d5
| M3, P4, d5
| major 3rd, perfect 4th, dim 5th
|major 3rd, perfect 4th, dim 5th
| F# / G / Ab
| F# / G / Ab
| aug 3rd, minor 4th
|aug 3rd, minor 4th
| Fx / G
|Fx / G
|-
|-
| 7
|7
| 560
| 560
| ^4, ^d5
| ^4, ^d5
| up 4th, updim 5th
|up 4th, updim 5th
| ^F# / ^G / ^Ab
|^F# / ^G / ^Ab
| major 4th, dim 5th
|major 4th, dim 5th
| G# / Abb
|G# / Abb
|-
|-
| 8
|8
| 640
|640
| vA4, v5
|vA4, v5
| downaug 4th, down 5th
|downaug 4th, down 5th
| vG# / vA / vBb
| vG# / vA / vBb
| aug 4th, minor 5th
|aug 4th, minor 5th
| Gx / Ab
|Gx / Ab
|-
|-
| 9
|9
| 720
|720
| A4, P5, m6
|A4, P5, m6
| aug 4th, perfect 5th, minor 6th
|aug 4th, perfect 5th, minor 6th
| G# / A / Bb
|G# / A / Bb
| major 5th, dim 6th
|major 5th, dim 6th
| A / Bbb
|A / Bbb
|-
|-
| 10
|10
| 800
|800
| ^5, ^m6
| ^5, ^m6
| up 5th, upminor 6th
|up 5th, upminor 6th
| ^G# / ^A / ^Bb
| ^G# / ^A / ^Bb
| aug 5th, minor 6th
|aug 5th, minor 6th
| A# / Bb
|A# / Bb
|-
|-
| 11
|11
| 880
| 880
| vA5, vM6
|vA5, vM6
| downaug 5th, downmajor 6th
|downaug 5th, downmajor 6th
| vA# / vB / vC / vDb
|vA# / vB / vC / vDb
| major 6th
|major 6th
| B
| B
|-
|-
| 12
|12
| 960
|960
| M6, m7
|M6, m7
| major 6th, minor 7th
|major 6th, minor 7th
| A# / B / C / Db
|A# / B / C / Db
| aug 6th, dim 7th
|aug 6th, dim 7th
| B# / Cb
| B# / Cb
|-
|-
| 13
| 13
| 1040
|1040
| ^m7
|^m7
| upminor 7th
|upminor 7th
| ^A# / ^B / ^C / ^Db
| ^A# / ^B / ^C / ^Db
| perfect 7th
|perfect 7th
| C
|C
|-
|-
| 14
|14
| 1120
| 1120
| vM7, v8
| vM7, v8
| downmajor 7th, down octave
|downmajor 7th, down octave
| vC# / vD / vEb
|vC# / vD / vEb
| aug 7th, dim 8ve
|aug 7th, dim 8ve
| C# / Db
|C# / Db
|-
|-
| 15
|15
| 1200
|1200
| M7, P8
| M7, P8
| major 7th, octave
|major 7th, octave
| C# / D / Eb
|C# / D / Eb
| 8ve
|8ve
| D
|D
|}
|}


The 15edo porcupine genchain in both absolute and relative notation:
The 15edo porcupine genchain in both absolute and relative notation:


* …Fx - Gx - A# - B# - C# - D# - E# - F# - G# --- A --- B --- C -- D --- E --- F --- G -- Ab -- Bb - Cb - Db - Eb - Fb - Gb - Abb - Bbb…
*…Fx - Gx - A# - B# - C# - D# - E# - F# - G# --- A --- B --- C -- D --- E --- F --- G -- Ab -- Bb - Cb - Db - Eb - Fb - Gb - Abb - Bbb…
* …A3 - A4 - A5 - A6 - A7 - A1 - A2 - M3 - M4 - M5 - M6 - P7 - P1 - P2 - m3 - m4 - m5 - m6 - d7 -- d8 - d2 - d3 -- d4 - d5 -- d6…
* …A3 - A4 - A5 - A6 - A7 - A1 - A2 - M3 - M4 - M5 - M6 - P7 - P1 - P2 - m3 - m4 - m5 - m6 - d7 -- d8 - d2 - d3 -- d4 - d5 -- d6…


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For a more complete list, see [[Ups and downs notation#Chords and Chord Progressions]].
For a more complete list, see [[Ups and downs notation#Chords and Chord Progressions]].


== Notation ==
==Notation ==
There are a variety of ways to notate 15edo, and the choice of notation depends heavily on which rank-2 temperament or MOS scale one wishes to treat as being the "main focus" of 15edo composition.
There are a variety of ways to notate 15edo, and the choice of notation depends heavily on which rank-2 temperament or MOS scale one wishes to treat as being the "main focus" of 15edo composition.


=== Ups and downs notation ===
===Ups and downs notation===
15edo can be notated with [[ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that downsharp is equivalent to dup (double-up) and upflat is equivalent to dud (double-down).
15edo can be notated with [[ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that downsharp is equivalent to dup (double-up) and upflat is equivalent to dud (double-down).
{{Sharpness-sharp3a}}
{{Sharpness-sharp3a}}
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{{Sharpness-sharp3}}
{{Sharpness-sharp3}}


=== Sagittal notation ===
=== Sagittal notation===
This notation uses the same sagittal sequence as EDOs [[22edo#Sagittal notation|22]] and [[29edo#Sagittal notation|29]], is a subset of the notation for [[30edo#Sagittal notation|30-EDO]], and is a superset of the notation for [[5edo#Sagittal notation|5-EDO]].
This notation uses the same sagittal sequence as EDOs [[22edo#Sagittal notation|22]] and [[29edo#Sagittal notation|29]], is a subset of the notation for [[30edo#Sagittal notation|30-EDO]], and is a superset of the notation for [[5edo#Sagittal notation|5-EDO]].


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</imagemap>
</imagemap>


=== Blackwood Notation (Pentatonic) ===
===Blackwood Notation (Pentatonic)===
For note names, [[Kite Giedraitis]] proposes a possible alternative to heptatonic names, pentatonic names that omit B and merge E and F into a new letter, "eef" (it rhymes with leaf). Eef, like E, is a 5th above A. Eef, like F, is a 4th above C. The circle of 5ths is C G D A Eef C. Eef is written like an E, but with the bottom horizontal line going not right but left from the vertical line. Eef can be typed as ꘙ (unicode A619) or ⊧ (unicode 22A7) or 𐐆 (unicode 10406).
For note names, [[Kite Giedraitis]] proposes a possible alternative to heptatonic names, pentatonic names that omit B and merge E and F into a new letter, "eef" (it rhymes with leaf). Eef, like E, is a 5th above A. Eef, like F, is a 4th above C. The circle of 5ths is C G D A Eef C. Eef is written like an E, but with the bottom horizontal line going not right but left from the vertical line. Eef can be typed as ꘙ (unicode A619) or ⊧ (unicode 22A7) or 𐐆 (unicode 10406).


{| class="wikitable"
{| class="wikitable"
|-
|-
| C
|C
| ^C
|^C
| vD
|vD
| D
|D
| ^D
|^D
| vꘙ
|vꘙ
| ꘙ
|ꘙ
| ^ꘙ
| ^ꘙ
| vG
|vG
| G
|G
| ^G
|^G
| vA
| vA
| A
|A
| ^A
|^A
| vC
|vC
| C
|C
|-
|-
| P1
|P1
| ^1
|^1
| v2
|v2
| P2
|P2
| ^2
|^2
| v3
|v3
| P3
|P3
| ^3
|^3
| v4
|v4
| P4
|P4
| ^4
|^4
| v5
|v5
| P5
|P5
| ^5
| ^5
| v6
|v6
| P6
|P6
|}
|}


=== Blackwood Notation (Decatonic) ===
=== Blackwood Notation (Decatonic)===
* '''Decimal Version:''' Using the nominals 1-0 (with 0 representing "10"), one of the three chains of 5edo is represented by the odd numbers, the second by the even numbers, and the third by numbers with accidentals (either odd numbers with sharps, or even numbers with flats).
*'''Decimal Version:''' Using the nominals 1-0 (with 0 representing "10"), one of the three chains of 5edo is represented by the odd numbers, the second by the even numbers, and the third by numbers with accidentals (either odd numbers with sharps, or even numbers with flats).
* '''Guitar Version:''' On a 15edo guitar, because the "perfect fourth" comes from 5edo, all of the open strings can be tuned a perfect fourth apart and still span exactly two octaves. If one starts the [[circle of fourths]] on B — B-E-A-D-G-(B) — then the open strings of the guitar can be notated as usual (E-A-D-G-B-E). However, because the circle of fourths closes at five, and does not continue to circulate through the other 10 notes of 15edo, it is necessary to use accidentals to notate intervals on the other two chains of 5edo. This notation is not particularly ideal as a basis for a staff notation (as it requires all non-5edo chords to be notated with accidentals). It is nevertheless useful because it reflects an intuitive approach to 15edo on the guitar, since 5edo provides a useful set of 3-limit landmarks (or "perfect fourths" and "perfect fifths") that can be used to navigate the fretboard. It's especially convenient for writing chord charts, where the funky accidental-laden spellings can be more or less ignored.  
*'''Guitar Version:''' On a 15edo guitar, because the "perfect fourth" comes from 5edo, all of the open strings can be tuned a perfect fourth apart and still span exactly two octaves. If one starts the [[circle of fourths]] on B — B-E-A-D-G-(B) — then the open strings of the guitar can be notated as usual (E-A-D-G-B-E). However, because the circle of fourths closes at five, and does not continue to circulate through the other 10 notes of 15edo, it is necessary to use accidentals to notate intervals on the other two chains of 5edo. This notation is not particularly ideal as a basis for a staff notation (as it requires all non-5edo chords to be notated with accidentals). It is nevertheless useful because it reflects an intuitive approach to 15edo on the guitar, since 5edo provides a useful set of 3-limit landmarks (or "perfect fourths" and "perfect fifths") that can be used to navigate the fretboard. It's especially convenient for writing chord charts, where the funky accidental-laden spellings can be more or less ignored.


=== Porcupine Notation (Heptatonic) ===
===Porcupine Notation (Heptatonic) ===
Porcupine notation can be based on the Porcupine[7] Lssssss scale. By representing the 3|3 mode (sssLsss) with a chain of seconds (D E F G A B C D) and using sharps and flats (#/b) to denote an edostep up or down respectively, 15edo can be notated using standard notation. Its intervals can likewise be named with respect to diatonic intervals.
Porcupine notation can be based on the Porcupine[7] Lssssss scale. By representing the 3|3 mode (sssLsss) with a chain of seconds (D E F G A B C D) and using sharps and flats (#/b) to denote an edostep up or down respectively, 15edo can be notated using standard notation. Its intervals can likewise be named with respect to diatonic intervals.


{| class="wikitable"
{| class="wikitable"
|-
|-
! Cents
!Cents
! Interval Name(s)
! Interval Name(s)
! Note name(s)
! Note name(s)
|-
|-
| 0
|0
| Unison
| Unison
| D
|D
|-
|-
| 80
| 80
| Augmented Unison / Minor Second
|Augmented Unison / Minor Second
| D# / Eb
| D# / Eb
|-
|-
| 160
| 160
| Major Second
|Major Second
| E
|E
|-
|-
| 240
| 240
| Augmented Second / Diminished Third
|Augmented Second / Diminished Third
| E# / Fb
|E# / Fb
|-
|-
| 320
| 320
| Minor Third
| Minor Third
| F
|F
|-
|-
| 400
|400
| Major Third / Diminished Fourth
| Major Third / Diminished Fourth
| F# / Gb
|F# / Gb
|-
|-
| 480
|480
| Perfect Fourth
| Perfect Fourth
| G
| G
|-
|-
| 560
|560
| Augmented Fourth
|Augmented Fourth
| G#
|G#
|-
|-
| 640
|640
| Diminished Fifth
|Diminished Fifth
| Ab
|Ab
|-
|-
| 720
|720
| Perfect Fifth
|Perfect Fifth
| A
| A
|-
|-
| 800
| 800
| Augmented Fifth / Minor Sixth
| Augmented Fifth / Minor Sixth
| A# / Bb
|A# / Bb
|-
|-
| 880
|880
| Major Sixth
| Major Sixth
| B
| B
|-
|-
| 960
|960
| Augmented Sixth / Diminished Seventh
|Augmented Sixth / Diminished Seventh
| B# / Cb
|B# / Cb
|-
|-
| 1040
|1040
| Minor Seventh
|Minor Seventh
| C
|C
|-
|-
| 1120
|1120
| Major Seventh / Diminished Octave
|Major Seventh / Diminished Octave
| C# / Db
|C# / Db
|-
|-
| 1200
| 1200
| Octave
|Octave
| D
| D
|}
|}
Line 512: Line 530:
One neat thing about using this notation system is that its notated major scale, D E F# G A B C# D, directly corresponds to 15edo’s LH Nice-Ionian scale.
One neat thing about using this notation system is that its notated major scale, D E F# G A B C# D, directly corresponds to 15edo’s LH Nice-Ionian scale.


=== Porcupine Notation (Octatonic) ===
===Porcupine Notation (Octatonic)===
Porcupine notation can also be based on the Porcupine[8] LLLLLLLs scale using eight nominals: α β χ δ ε φ γ η. Others have proposed ABCDEFGHA, but conflicts with European notation have caused many to reject this approach. Thus, Greek letters can be used in their place with a close resemblance to the spelling of ABCDEFGHA. The letters are not in greek alphabetic order.
Porcupine notation can also be based on the Porcupine[8] LLLLLLLs scale using eight nominals: α β χ δ ε φ γ η. Others have proposed ABCDEFGHA, but conflicts with European notation have caused many to reject this approach. Thus, Greek letters can be used in their place with a close resemblance to the spelling of ABCDEFGHA. The letters are not in greek alphabetic order.


Line 518: Line 536:
{| class="wikitable"
{| class="wikitable"
|-
|-
! Cents
!Cents
! Interval Name
!Interval Name
! Note names
! Note names
|-
|-
| 0
|0
| Zeroquill
|Zeroquill
| α - α
|α - α
|-
|-
| 80
|80
| Small Quill / Half Quill
|Small Quill / Half Quill
| α - β\
|α - β\
|-
|-
| 160
|160
| Quill
|Quill
| α - β
|α - β
|-
|-
| 240
|240
| Small Diquill
|Small Diquill
| α - χ\
|α - χ\
|-
|-
| 320
|320
| Large Diquill
|Large Diquill
| α - χ
|α - χ
|-
|-
| 400
|400
| Small Triquill
|Small Triquill
| α - δ\
|α - δ\
|-
|-
| 480
|480
| Large Triquill
| Large Triquill
| α - δ
|α - δ
|-
|-
| 560
|560
| Small Fourquill
|Small Fourquill
| α - ε\
|α - ε\
|-
|-
| 640
|640
| Large Fourquill
| Large Fourquill
| α - ε
|α - ε
|-
|-
| 720
|720
| Small Fivequill
|Small Fivequill
| α - φ\
|α - φ\
|-
|-
| 800
|800
| Large Fivequill
|Large Fivequill
| α - φ
|α - φ
|-
|-
| 880
|880
| Small Sixquill
|Small Sixquill
| α - γ\
|α - γ\
|-
|-
| 960
|960
| Large Sixquill
|Large Sixquill
| α - γ
|α - γ
|-
|-
| 1040
|1040
| Small Sevenquill
|Small Sevenquill
| α - η\
|α - η\
|-
|-
| 1120
|1120
| Large Sevenquill
| Large Sevenquill
| α - η
| α - η
|-
|-
| 1200
|1200
| Octoquill
|Octoquill
| α - α
|α - α
|}
|}


A regular keyboard can be designed using this system by placing 7 black keys as Porcupine[7] and 8 whites as Porcupine[8]. In fact, [https://www.stephenweigelcomposerperformer.com/ Stephen Weigel] has already done this with his pink Halberstadt keyboard.
A regular keyboard can be designed using this system by placing 7 black keys as Porcupine[7] and 8 whites as Porcupine[8]. In fact, [https://www.stephenweigelcomposerperformer.com/ Stephen Weigel] has already done this with his pink Halberstadt keyboard.


== Approximation to JI ==
==Approximation to JI==
[[File:15ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 13-limit intervals]]
[[File:15ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 13-limit intervals]]
15edo offers some minor improvements over 12et in ratios of 5 (particularly in 6/5 and 5/3), and has a much better approximation to the 7th and 11th harmonics, but its approximation to the 3rd harmonic is rather off. However, the particular way in which this approximation is off is as much a feature as it is a bug, for it allows the construction of a [[5L 5s]] [[MOS scale]] wherein every note of the scale can serve as a root for a 7-limit otonal or utonal tetrad, as well as either a 5-limit major or minor 7th chord. This is known as the [[blackwood]] temperament, named after [[Easley Blackwood Jr.]], who is the first to document its existence. It has also been written on extensively by [[Igliashon Jones]] in the paper [http://www.cityoftheasleep.com/etc/5nEDOs.pdf ''Five is Not an Odd Number'']. For an in-depth treatment of harmony in 15edo based on this temperament (and its 7- and 11-limit extensions), see [[Blacksmith temperament modal harmony (in 15edo)]].
15edo offers some minor improvements over 12et in ratios of 5 (particularly in 6/5 and 5/3), and has a much better approximation to the 7th and 11th harmonics, but its approximation to the 3rd harmonic is rather off. However, the particular way in which this approximation is off is as much a feature as it is a bug, for it allows the construction of a [[5L 5s]] [[MOS scale]] wherein every note of the scale can serve as a root for a 7-limit otonal or utonal tetrad, as well as either a 5-limit major or minor 7th chord. This is known as the [[blackwood]] temperament, named after [[Easley Blackwood Jr.]], who is the first to document its existence. It has also been written on extensively by [[Igliashon Jones]] in the paper [http://www.cityoftheasleep.com/etc/5nEDOs.pdf ''Five is Not an Odd Number'']. For an in-depth treatment of harmony in 15edo based on this temperament (and its 7- and 11-limit extensions), see [[Blacksmith temperament modal harmony (in 15edo)]].


=== 15-odd-limit interval mappings ===
===15-odd-limit interval mappings===
{{Q-odd-limit intervals}}
{{Q-odd-limit intervals}}


=== Zeta peak index ===
===Zeta peak index===
{| class="wikitable center-all"
{| class="wikitable center-all"
|-
|-
! colspan="3" | Tuning
! colspan="3" |Tuning
! colspan="3" | Strength
! colspan="3" | Strength
! colspan="2" | Closest edo
! colspan="2" |Closest edo
! colspan="2" | Integer limit
! colspan="2" |Integer limit
|-
|-
! ZPI
!ZPI
! Steps per octave
!Steps per octave
! Step size (cents)
!Step size (cents)
! Height
!Height
! Integral
!Integral
! Gap
!Gap
! Edo
!Edo
! Octave (cents)
!Octave (cents)
! Consistent
!Consistent
! Distinct
!Distinct
|-
|-
| [[47zpi]]
|[[47zpi]]
| 15.0534898676781
| 15.0534898676781
| 79.7157343943591
|79.7157343943591
| 5.050324
|5.050324
| 1.104057
|1.104057
| 14.918297
|14.918297
| 15edo
|15edo
| 1195.73601591539
|1195.73601591539
| 8
| 8
| 7
|7
|}
|}


== Regular temperament properties ==
==Regular temperament properties==
{| class="wikitable center-4 center-5 center-6"
{| class="wikitable center-4 center-5 center-6"
|-
|-
! rowspan="2" | [[Subgroup]]
! rowspan="2" |[[Subgroup]]
! rowspan="2" | [[Comma list]]
! rowspan="2" | [[Comma list]]
! rowspan="2" | [[Mapping]]
! rowspan="2" |[[Mapping]]
! rowspan="2" | Optimal<br>8ve stretch (¢)
! rowspan="2" |Optimal<br>8ve stretch (¢)
! colspan="2" | Tuning error
! colspan="2" |Tuning error
|-
|-
! [[TE error|Absolute]] (¢)
!
[[TE error|Absolute]] (¢)
! [[TE simple badness|Relative]] (%)
! [[TE simple badness|Relative]] (%)
|-
|-
| 2.3.5
|2.3.5
| 128/125, 250/243
| 128/125, 250/243
| {{mapping| 15 24 35 }}
|{{mapping| 15 24 35 }}
| −5.75
| −5.75
| 4.63
|4.63
| 5.81
|5.81
|-
|-
| 2.3.5.7
|2.3.5.7
| 28/27, 49/48, 126/125
|28/27, 49/48, 126/125
| {{mapping| 15 24 35 42 }}
|
| −3.55
{{mapping| 15 24 35 42 }}
| 5.56
|−3.55
| 6.97
|5.56
|6.97
|-
|-
| 2.3.5.7.11
|2.3.5.7.11
| 28/27, 49/48, 55/54, 77/75
|28/27, 49/48, 55/54, 77/75
| {{mapping| 15 24 35 42 52 }}
|{{mapping| 15 24 35 42 52 }}
| −3.34
|−3.34
| 4.99
|4.99
| 6.25
| 6.25
|}
|}


=== Errors by subgroup ===
===Errors by subgroup===
{| class="wikitable center-3 mw-collapsible mw-collapsed"
{| class="wikitable center-3 mw-collapsible mw-collapsed"
|+ style="font-size: 105%; white-space: nowrap;" | Errors by subgroup
|+ style="font-size: 105%; white-space: nowrap;" |Errors by subgroup
|-
|-
! Subgroup
!Subgroup
! Mapping
!Mapping
! Adjusted error (¢)
!Adjusted error (¢)
|-
|-
| 2.3
|2.3
| {{mapping| 15 24 }}
|{{mapping| 15 24 }}
| 8.979801
|8.979801
|-
|-
| 2.5
|2.5
| {{mapping| 15 35 }}
| {{mapping| 15 35 }}
| 6.826357
|6.826357
|-
|-
| 2.7
|2.7
| {{mapping| 15 42 }}
|{{mapping| 15 42 }}
| 4.418738
|4.418738
|-
|-
| 2.11
|2.11
| {{mapping| 15 52 }}
|{{mapping| 15 52 }}
| 4.336492
|4.336492
|-
|-
| 2.3.5
|2.3.5
| {{mapping| 15 24 35 }}
|
| 10.742841
{{mapping| 15 24 35 }}
|10.742841
|-
|-
| 2.3.7
|2.3.7
| {{mapping| 15 24 42 }}
|{{mapping| 15 24 42 }}
| 17.481581
|17.481581
|-
|-
| 2.3.11
|2.3.11
| {{mapping| 15 24 52 }}
|
| 16.831238
{{mapping| 15 24 52 }}
|16.831238
|-
|-
| 2.5.7
|2.5.7
| {{mapping| 15 35 42 }}
|{{mapping| 15 35 42 }}
| 10.509269
|10.509269
|-
|-
| 2.5.11
|2.5.11
| {{mapping| 15 35 52 }}
|{{mapping| 15 35 52 }}
| 8.335693
| 8.335693
|-
|-
| 2.7.11
|2.7.11
| {{mapping| 15 42 52 }}
|{{mapping| 15 42 52 }}
| 8.002641
| 8.002641
|-
|-
| 2.3.5.7
|2.3.5.7
| {{mapping| 15 24 35 42 }}
|{{mapping| 15 24 35 42 }}
| 15.603114
|15.603114
|-
|-
| 2.3.5.11
|2.3.5.11
| {{mapping| 15 24 35 52 }}
|{{mapping| 15 24 35 52 }}
| 14.693746
|14.693746
|-
|-
| 2.3.7.11
|2.3.7.11
| {{mapping| 15 24 42 52 }}
|{{mapping| 15 24 42 52 }}
| 18.660367
|18.660367
|-
|-
| 2.5.7.11
| 2.5.7.11
| {{mapping| 15 35 42 52 }}
|{{mapping| 15 35 42 52 }}
| 11.462127
|11.462127
|-
|-
| 2.3.5.7.11
|2.3.5.7.11
| {{mapping| 15 24 35 42 52 }}
|{{mapping| 15 24 35 42 52 }}
| 17.258371
|17.258371
|}
|}


=== Uniform maps ===
===Uniform maps===
{{Uniform map|13|14.5|15.5}}
{{Uniform map|13|14.5|15.5}}


=== Rank-2 temperaments ===
===Rank-2 temperaments===
* [[List of 15et rank two temperaments by badness]]
* [[List of 15et rank two temperaments by badness]]
* [[List of edo-distinct 15et rank two temperaments]]
*[[List of edo-distinct 15et rank two temperaments]]


{| class="wikitable center-all left-4 left-5"
{| class="wikitable center-all left-4 left-5"
|-
|-
! Periods<br>per 8ve
! Periods<br>per 8ve
! Generator
!Generator
! Associated<br>ratio
! Associated<br>ratio
! Temperaments
!Temperaments
! Mos scales
!Mos scales
|-
|-
| 1
| 1
| 1\15
|1\15
| 21/20
|21/20
| [[Nautilus]]<br>[[Valentine]]
|[[Nautilus]]<br>[[Valentine]]
|  
|
|-
|-
| 1
|1
| 2\15
|2\15
| 11/10
|11/10
| [[Porcupine]] / [[opossum]]
|[[Porcupine]] / [[opossum]]
| [[1L 6s]], [[7L 1s]]
|[[1L 6s]], [[7L 1s]]
|-
|-
| 1
|1
| 4\15
|4\15
| 6/5<br>77/64
|6/5<br>77/64
| [[Cata]] / [[keemun]] / [[catalan]]<br>[[Orgone]] / [[superkleismic]]
|[[Cata]] / [[keemun]] / [[catalan]]<br>[[Orgone]] / [[superkleismic]]
| [[3L 1s]], [[4L 3s]], [[4L 7s]]
| [[3L 1s]], [[4L 3s]], [[4L 7s]]
|-
|-
| 1
|1
| 7\15
|7\15
| 7/5
|7/5
| [[Progress]]<br>[[Parakangaroo]]
|[[Progress]]<br>[[Parakangaroo]]
| [[2L 1s]], [[2L 3s]], [[2L 5s]], [[2L 7s]] [[2L 9s]], [[2L 11s]]
|[[2L 1s]], [[2L 3s]], [[2L 5s]], [[2L 7s]] [[2L 9s]], [[2L 11s]]
|-
|-
| 3
| 3
Line 773: Line 795:
| 16/15
| 16/15
| [[Augmented]] / [[augene]]
| [[Augmented]] / [[augene]]
| [[3L 3s]], [[3L 6s]], [[3L 9s]]
|[[3L 3s]], [[3L 6s]], [[3L 9s]]
|-
|-
| 3
|3
| 2\15
|2\15
| 7/6
|7/6
| [[Triforce]]
|[[Triforce]]
| [[3L 3s]], [[6L 3s]]
|[[3L 3s]], [[6L 3s]]
|-
|-
| 5
|5
| 1\15
| 1\15
| 16/15
|16/15
| [[Blackwood]] / [[blacksmith]]
|[[Blackwood]] / [[blacksmith]]
| [[5L 5s]]
| [[5L 5s]]
|}
|}


=== Commas ===
===Commas===
15et [[tempering out|tempers out]] the following [[comma]]s using the [[patent val]] {{val| 15 24 35 42 52 56 }}.  
15et [[tempering out|tempers out]] the following [[comma]]s using the [[patent val]] {{val| 15 24 35 42 52 56 }}.  


Line 795: Line 817:
! [[Harmonic limit|Prime<br>limit]]
! [[Harmonic limit|Prime<br>limit]]
! [[Ratio]]<ref>{{rd}}</ref>
! [[Ratio]]<ref>{{rd}}</ref>
! [[Monzo]]
![[Monzo]]
! [[Cent]]s
![[Cent]]s
! [[Color name]]
![[Color name]]
! Name
!Name
|-
|-
| 3
|3
| [[256/243]]
|[[256/243]]
| {{monzo| 8 -5 }}
| {{monzo| 8 -5 }}
| 90.225
|90.225
| Sawa
|Sawa
| Blackwood comma, Pythagorean limma
|Blackwood comma, Pythagorean limma
|-
|-
| 5
|5
| <abbr title="254803968/244140625">(18 digits)</abbr>
|<abbr title="254803968/244140625">(18 digits)</abbr>
| {{monzo| 20 5 -12 }}
|{{monzo| 20 5 -12 }}
| 74.01
|74.01
| Saquadtrigu
|Saquadtrigu
| [[Hypovishnuzma]]
| [[Hypovishnuzma]]
|-
|-
| 5
|5
| [[250/243]]
|[[250/243]]
| {{monzo| 1 -5 3 }}
|{{monzo| 1 -5 3 }}
| 49.166
| 49.166
| Triyo
|Triyo
| Porcupine comma, maximal
|Porcupine comma, maximal
|-
|-
| 5
|5
| [[128/125]]
|[[128/125]]
| {{monzo| 7 0 -3 }}
|{{monzo| 7 0 -3 }}
| 41.059
|41.059
| Trigu
|Trigu
| Augmented comma, lesser diesis
| Augmented comma, lesser diesis
|-
|-
| 5
|5
| [[15625/15552]]
|[[15625/15552]]
| {{monzo| -6 -5 6 }}
|{{monzo| -6 -5 6 }}
| 8.107
|8.107
| Tribiyo
|Tribiyo
| Kleisma
|Kleisma
|-
|-
| 7
|7
| [[28/27]]
|[[28/27]]
| {{monzo| 2 -3 0 1 }}
|{{monzo| 2 -3 0 1 }}
| 62.961
|62.961
| Zo
|Zo
| Septimal third-tone, trienstonic comma
| Septimal third-tone, trienstonic comma
|-
|-
| 7
|7
| [[1029/1000]]
|[[1029/1000]]
| {{monzo| -3 1 -3 3 }}
|{{monzo| -3 1 -3 3 }}
| 49.492
|49.492
| Trizogu
| Trizogu
| Keega
|Keega
|-
|-
| 7
|7
| [[49/48]]
|[[49/48]]
| {{monzo| -4 -1 0 2 }}
|{{monzo| -4 -1 0 2 }}
| 35.697
|35.697
| Zozo
|Zozo
| Semaphoresma, Slendro diesis
|Semaphoresma, Slendro diesis
|-
|-
| 7
|7
| [[64/63]]
|[[64/63]]
| {{monzo| 6 -2 0 -1 }}
|{{monzo| 6 -2 0 -1 }}
| 27.264
|27.264
| Ru
|Ru
| Archytas' comma, septimal comma
|Archytas' comma, septimal comma
|-
|-
| 7
|7
| [[64827/64000]]
| [[64827/64000]]
| {{monzo| -9 3 -3 4 }}
|{{monzo| -9 3 -3 4 }}
| 22.227
|22.227
| Laquadzo-atrigu
|Laquadzo-atrigu
| Squalentine comma
|Squalentine comma
|-
|-
| 7
|7
| [[875/864]]
|
| {{monzo| -5 -3 3 1 }}
[[875/864]]
| 21.902
|{{monzo| -5 -3 3 1 }}
| Zotriyo
|21.902
| Keema
|Zotriyo
|Keema
|-
|-
| 7
|7
| [[126/125]]
|[[126/125]]
| {{monzo| 1 2 -3 1 }}
|{{monzo| 1 2 -3 1 }}
| 13.795
| 13.795
| Zotrigu
| Zotrigu
| Starling comma
| Starling comma
|-
|-
| 7
|7
| [[4000/3969]]
|[[4000/3969]]
| {{monzo| 5 -4 3 -2 }}
|
| 13.469
{{monzo| 5 -4 3 -2 }}
|13.469
| Rurutriyo
| Rurutriyo
| Octagar comma
|Octagar comma
|-
|-
| 7
|7
| [[1029/1024]]
| [[1029/1024]]
| {{monzo| -10 1 0 3 }}
|{{monzo| -10 1 0 3 }}
| 8.433
|8.433
| Latrizo
|Latrizo
| Gamelisma
|Gamelisma
|-
|-
| 7
|7
| [[6144/6125]]
|[[6144/6125]]
| {{monzo|  11 1 -3 -2 }}
|{{monzo|  11 1 -3 -2 }}
| 5.362
|5.362
| Saruru-atrigu
|Saruru-atrigu
| Porwell comma
|Porwell comma
|-
|-
| 7
|7
| <abbr title="250047/250000">(12 digits)</abbr>
|<abbr title="250047/250000">(12 digits)</abbr>
| {{monzo| -4 6 -6 3 }}
|{{monzo| -4 6 -6 3 }}
| 0.325
|0.325
| Trizogugu
| Trizogugu
| [[Landscape comma]]
|[[Landscape comma]]
|-
|-
| 11
|11
| [[100/99]]
|[[100/99]]
| {{monzo| 2 -2 2 0 -1 }}
|{{monzo| 2 -2 2 0 -1 }}
| 17.399
| 17.399
| Luyoyo
|Luyoyo
| Ptolemisma
|Ptolemisma
|-
|-
| 11
| 11
| [[121/120]]
|[[121/120]]
| {{monzo| -3 -1 -1 0 2 }}
|
| 14.367
{{monzo| -3 -1 -1 0 2 }}
|14.367
| Lologu
| Lologu
| Biyatisma
|Biyatisma
|-
|-
| 11
|11
| [[176/175]]
|[[176/175]]
| {{monzo| 4 0 -2 -1 1 }}
|{{monzo| 4 0 -2 -1 1 }}
| 9.865
| 9.865
| Lorugugu
|Lorugugu
| Valinorsma
| Valinorsma
|-
|-
| 11
|11
| [[65536/65219]]
|[[65536/65219]]
| {{monzo| 16 0 0 -2 -3 }}
|{{monzo| 16 0 0 -2 -3 }}
| 8.394
|8.394
| Satrilu-aruru
|Satrilu-aruru
| Orgonisma
|Orgonisma
|-
|-
| 11
| 11
| [[385/384]]
|[[385/384]]
| {{monzo| -7 -1 1 1 1 }}
|{{monzo| -7 -1 1 1 1 }}
| 4.503
| 4.503
| Lozoyo
|Lozoyo
| Keenanisma
| Keenanisma
|-
|-
| 11
|11
| [[441/440]]
|[[441/440]]
| {{monzo| -3 2 -1 2 -1 }}
| {{monzo| -3 2 -1 2 -1 }}
| 3.930
|3.930
| Luzozogu
|Luzozogu
| Werckisma
|Werckisma
|-
|-
| 11
|11
| [[4000/3993]]
|[[4000/3993]]
| {{monzo| 5 -1 3 0 -3 }}
|{{monzo| 5 -1 3 0 -3 }}
| 3.032
|3.032
| Triluyo
|Triluyo
| Wizardharry
| Wizardharry
|-
|-
| 11
|11
| [[3025/3024]]
|
| {{monzo| -4 -3 2 -1 2 }}
[[3025/3024]]
| 0.572
|{{monzo| -4 -3 2 -1 2 }}
| Loloruyoyo
|0.572
|Loloruyoyo
| Lehmerisma
| Lehmerisma
|-
|-
| 13
|13
| [[91/90]]
|[[91/90]]
| {{monzo| -1 -2 -1 1 0 1 }}
|{{monzo| -1 -2 -1 1 0 1 }}
| 19.130
|19.130
| Thozogu
| Thozogu
| Superleap comma, biome comma
|Superleap comma, biome comma
|-
|-
| 13
|13
| [[676/675]]
|[[676/675]]
| {{monzo| 2 -3 -2 0 0 2 }}
|{{monzo| 2 -3 -2 0 0 2 }}
| 2.563
|2.563
| Bithogu
|Bithogu
| Island comma
|Island comma
|}
|}
<references/>
<references />


== Scales ==
== Scales==
Some scales commonly used in 15edo, written in a common mode, in steps of 15edo:
Some scales commonly used in 15edo, written in a common mode, in steps of 15edo:


=== MOS scales ===
=== MOS scales===
* Augene[6] [[3L 3s]] (period = 5\15, gen = 1\15): 4 1 4 1 4 1
* Augene[6] [[3L 3s]] (period = 5\15, gen = 1\15): 4 1 4 1 4 1
* Augene[9] [[3L 6s]] (period = 5\15, gen = 1\15): 3 1 1 3 1 1 3 1 1
*Augene[9] [[3L 6s]] (period = 5\15, gen = 1\15): 3 1 1 3 1 1 3 1 1
* Augene[12] [[3L 9s]] (period = 5\15, gen = 1\15): 2 1 1 1 2 1 1 1 2 1 1 1
*Augene[12] [[3L 9s]] (period = 5\15, gen = 1\15): 2 1 1 1 2 1 1 1 2 1 1 1
* Triforce[6] [[3L 3s]] (period = 5\15, gen = 2\15): 3 2 3 2 3 2
*Triforce[6] [[3L 3s]] (period = 5\15, gen = 2\15): 3 2 3 2 3 2
* Triforce[9] [[6L 3s]] (period = 5\15, gen = 2\15): 2 1 2 2 1 2 2 1 2
*Triforce[9] [[6L 3s]] (period = 5\15, gen = 2\15): 2 1 2 2 1 2 2 1 2
* Porcupine[7] [[1L 6s]] (gen = 2\15): 3 2 2 2 2 2 2
*Porcupine[7] [[1L 6s]] (gen = 2\15): 3 2 2 2 2 2 2
* Porcupine[8] [[7L 1s]] (gen = 2\15): 2 1 2 2 2 2 2 2
*Porcupine[8] [[7L 1s]] (gen = 2\15): 2 1 2 2 2 2 2 2
* Hanson/Keemun/Orgone[7] [[4L 3s]] (gen = 4\15): 1 3 1 3 1 3 3
*Hanson/Keemun/Orgone[7] [[4L 3s]] (gen = 4\15): 1 3 1 3 1 3 3
* Hanson/Keemun/Orgone[11] [[4L 7s]] (gen = 4\15): 1 2 1 1 2 1 1 2 1 2 1
*Hanson/Keemun/Orgone[11] [[4L 7s]] (gen = 4\15): 1 2 1 1 2 1 1 2 1 2 1
* Blackwood[10] [[5L 5s]] (period = 3\15, gen = 1\15): 2 1 2 1 2 1 2 1 2 1 (Blackwood Decatonic)
*Blackwood[10] [[5L 5s]] (period = 3\15, gen = 1\15): 2 1 2 1 2 1 2 1 2 1 (Blackwood Decatonic)


[[File:BlackwoodMajor 15edo.mp3]] [[:BlackwoodMajor 15edo.mp3|BlackwoodMajor 15edo.mp3]]
[[File:BlackwoodMajor 15edo.mp3]] [[:BlackwoodMajor 15edo.mp3|BlackwoodMajor 15edo.mp3]]
Line 1,003: Line 1,029:
Blackwood decatonic, major mode, in 15edo
Blackwood decatonic, major mode, in 15edo


=== Other scales ===
===Other scales===
* [[Zarlino]]/Ptolemy diatonic, "just" major (Porcupine[7] 6|0 b4 #7): 3 2 1 3 2 3 1
*[[Zarlino]]/Ptolemy diatonic, "just" major (Porcupine[7] 6|0 b4 #7): 3 2 1 3 2 3 1
* inverse of [[Zarlino]]/Ptolemy diatonic, natural minor (Porcupine[7] 3|3 #2 b6): 3 1 2 3 1 3 2
*inverse of [[Zarlino]]/Ptolemy diatonic, natural minor (Porcupine[7] 3|3 #2 b6): 3 1 2 3 1 3 2
* tetrachordal major: 3 2 1 3 3 2 1
*tetrachordal major: 3 2 1 3 3 2 1
* inverse of tetrachordal major, tetrachordal minor: 3 1 2 3 1 2 3
*inverse of tetrachordal major, tetrachordal minor: 3 1 2 3 1 2 3
* "just"/[[The Pinetone System#Pinetone pentatonic|Pinetone major pentatonic]] (subset of Porcupine[7]): 3 2 4 2 4
*"just"/[[The Pinetone System#Pinetone pentatonic|Pinetone major pentatonic]] (subset of Porcupine[7]): 3 2 4 2 4
* "just"/[[The Pinetone System#Pinetone pentatonic|Pinetone minor pentatonic]] (inverse of "just" major pentatonic, subset of Porcupine[7]): 4 2 3 4 2
* "just"/[[The Pinetone System#Pinetone pentatonic|Pinetone minor pentatonic]] (inverse of "just" major pentatonic, subset of Porcupine[7]): 4 2 3 4 2
* Porcupine bright major #7 (Porcupine harmonic major) - Porcupine[7] 6|0 #7: 3 2 2 2 2 3 1
*Porcupine bright major #7 (Porcupine harmonic major) - Porcupine[7] 6|0 #7: 3 2 2 2 2 3 1
* Porcupine bright major #6 #7 (Porcupine melodic major) - Porcupine[7] 6|0 #7: 3 2 2 2 3 2 1
*Porcupine bright major #6 #7 (Porcupine melodic major) - Porcupine[7] 6|0 #7: 3 2 2 2 3 2 1
* Porcupine bright minor #2 (Porcupine harmonic minor) - Porcupine[7] 4|2 #2: 3 1 3 2 2 2 2 (mode of bright major #7)
*Porcupine bright minor #2 (Porcupine harmonic minor) - Porcupine[7] 4|2 #2: 3 1 3 2 2 2 2 (mode of bright major #7)
* Porcupine dark minor #2 (Porcupine melodic minor) - Porcupine[7] 3|3 #2: 3 1 2 3 2 2 2 (inverse of bright major #6 #7)
*Porcupine dark minor #2 (Porcupine melodic minor) - Porcupine[7] 3|3 #2: 3 1 2 3 2 2 2 (inverse of bright major #6 #7)
* Porcupine bright harmonic 11th mode - Porcupine[7] 6|0 b7: 3 2 2 2 2 1 3
*Porcupine bright harmonic 11th mode - Porcupine[7] 6|0 b7: 3 2 2 2 2 1 3
* [[The Pinetone System#Pinetone harmonic diminished octatonic|Pinetone diminished octatonic]] / Porcupine[8] bright minor #2 - Porcupine[8] 2|5 #5: 2 2 1 3 1 2 2 2
* [[The Pinetone System#Pinetone harmonic diminished octatonic|Pinetone diminished octatonic]] / Porcupine[8] bright minor #2 - Porcupine[8] 2|5 #5: 2 2 1 3 1 2 2 2
* "just" harmonic minor: 3 1 2 3 1 4 1
*"just" harmonic minor: 3 1 2 3 1 4 1
* "just" harmonic major: 3 2 1 3 1 4 1
*"just" harmonic major: 3 2 1 3 1 4 1
* "just" melodic minor ascending: 3 1 2 3 2 3 1
* "just" melodic minor ascending: 3 1 2 3 2 3 1
* Marvel double harmonic hexatonic (Augene[6] [[4M]]): 1 4 1 4 4 1, 1 4 4 1 4 1
* Marvel double harmonic hexatonic (Augene[6] [[4M]]): 1 4 1 4 4 1, 1 4 4 1 4 1
*[[Marvel double harmonic major]]: 1 4 1 3 1 4 1
*[[Marvel double harmonic major]]: 1 4 1 3 1 4 1
* Marvel double harmonic nonatonic (Augene[9] [[4M]]): 1 3 1 1 3 1 3 1 1, 1 1 3 1 3 1 1 3 1
*Marvel double harmonic nonatonic (Augene[9] [[4M]]): 1 3 1 1 3 1 3 1 1, 1 1 3 1 3 1 1 3 1
* Marvel double harmonic decatonic: 1 3 1 1 2 1 1 3 1 1
*Marvel double harmonic decatonic: 1 3 1 1 2 1 1 3 1 1
* enharmonic trichord octave species: 1 5 3 1 5 , 5 1 3 5 1
*enharmonic trichord octave species: 1 5 3 1 5 , 5 1 3 5 1
* chromatic tetrachord octave species: 1 1 4 3 1 1 4, 4 1 1 3 4 1 1, 1 4 1 3 1 4 1
*chromatic tetrachord octave species: 1 1 4 3 1 1 4, 4 1 1 3 4 1 1, 1 4 1 3 1 4 1
*[[Chopsticks]] double octave scale: 4 2 4 2 4 2 4 2 4 2
*[[Chopsticks]] double octave scale: 4 2 4 2 4 2 4 2 4 2
* [[5- to 10-tone scales in 47zpi]] (slightly stretched 15edo)
*[[5- to 10-tone scales in 47zpi]] (slightly stretched 15edo)


=== Horagrams ===
=== Horagrams===
[[File:Screen Shot 2020-04-24 at 12.04.03 AM.png|none|thumb|986x986px|2\15 MOS with 1L 1s, 1L 2s, 1L 3s, 1L 4s, 1L 5s, 1L 6s, 7L 1s]]
[[File:Screen Shot 2020-04-24 at 12.04.03 AM.png|none|thumb|986x986px|2\15 MOS with 1L 1s, 1L 2s, 1L 3s, 1L 4s, 1L 5s, 1L 6s, 7L 1s]]
[[File:Screen Shot 2020-04-24 at 12.04.45 AM.png|none|thumb|735x735px|4\15 MOS using 1L 1s, 1L 2s, 3L 1s, 4L 3s, 4L 7s]]
[[File:Screen Shot 2020-04-24 at 12.04.45 AM.png|none|thumb|735x735px|4\15 MOS using 1L 1s, 1L 2s, 3L 1s, 4L 3s, 4L 7s]]
[[File:Screen Shot 2020-04-24 at 12.05.29 AM.png|none|thumb|927x927px|7\15 MOS using 1L 1s, 2L 1s, 2L 3s, 2L 5s, 2L 7s, 2L 9s, 2L 11s ]]
[[File:Screen Shot 2020-04-24 at 12.05.29 AM.png|none|thumb|927x927px|7\15 MOS using 1L 1s, 2L 1s, 2L 3s, 2L 5s, 2L 7s, 2L 9s, 2L 11s ]]


== Diagrams ==
==Diagrams==
[[File:15edo_wheel.png|alt=15edo wheel.png|225x225px|15edo wheel.png]] [[File:15edo_wheel_02.png|alt=15edo wheel 02.png|250x250px|15edo wheel 02.png]] [[File:15edo_wheel_03.png|alt=15edo wheel 03.png|220x220px|15edo wheel 03.png]]
[[File:15edo_wheel.png|alt=15edo wheel.png|225x225px|15edo wheel.png]] [[File:15edo_wheel_02.png|alt=15edo wheel 02.png|250x250px|15edo wheel 02.png]] [[File:15edo_wheel_03.png|alt=15edo wheel 03.png|220x220px|15edo wheel 03.png]]


=== Keyboard ===
=== Keyboard===
[[File:Porcupine keyboard major triad shapes.png|none|thumb|500x500px|Major chord shapes for a Porcupine keyboard in 15edo, using Blackwood logic (i.e. native fifth notation) for the letters.]]
[[File:Porcupine keyboard major triad shapes.png|none|thumb|500x500px|Major chord shapes for a Porcupine keyboard in 15edo, using Blackwood logic (i.e. native fifth notation) for the letters.]]


=== Lumatone ===
===Lumatone ===
''See [[Lumatone mapping for 15edo]]''
''See [[Lumatone mapping for 15edo]]''


== Music ==
==Music==
{{Main| 15edo/Music }}
{{Main| 15edo/Music }}
{{Catrel|15edo tracks}}
{{Catrel|15edo tracks}}
; [http://micro.soonlabel.com/15-ET/ XA 15-ET Directory]
; [http://micro.soonlabel.com/15-ET/ XA 15-ET Directory]


== See also ==
==See also==
* [[User:Unque/15edo Composition Theory|Unque's approach]]
*[[User:Unque/15edo Composition Theory|Unque's approach]]
* [[Metallic harmony]]: 15edo is one of the systems it is intended for.
*[[Metallic harmony]]: 15edo is one of the systems it is intended for.


== Further reading ==
==Further reading==
=== Theory ===
=== Theory===
* Carson, Brent. [http://web.archive.org/web/20121025054304/http://home.comcast.net/~brentishere/15noteequaltempermenttutorial.html Fifteen Note Equal Temperment]
* Carson, Brent. [http://web.archive.org/web/20121025054304/http://home.comcast.net/~brentishere/15noteequaltempermenttutorial.html Fifteen Note Equal Temperment]
* [[Darreg, Ivor]]. ''[http://tonalsoft.com/sonic-arts/darreg/dar35.htm 15-Tone Scale System]''. 1991. (Originally at [http://sonic-arts.org/darreg/dar35.htm], now broken)
*[[Darreg, Ivor]]. ''[http://tonalsoft.com/sonic-arts/darreg/dar35.htm 15-Tone Scale System]''. 1991. (Originally at [http://sonic-arts.org/darreg/dar35.htm], now broken)
* InTeAS. ''[https://web.archive.org/web/20110713044141/http://www.inteas.com/Penta01.htm The Pentadecaphonic System]'' (2001, archived)
*InTeAS. ''[https://web.archive.org/web/20110713044141/http://www.inteas.com/Penta01.htm The Pentadecaphonic System]'' (2001, archived)


=== Guitar ===
===Guitar===
* [[Sword, Ron]]. [http://www.metatonalmusic.com/books.html Pentadecaphonic Scales for Guitar: Scales, Chord-Scales, Notation, and Theory for Fifteen Equal Divisions of the Octave]''. (A large repository of all known scales and temperament families in the 15edo system. 300+ examples with chord-scale progressions.)
*[[Sword, Ron]]. [http://www.metatonalmusic.com/books.html Pentadecaphonic Scales for Guitar: Scales, Chord-Scales, Notation, and Theory for Fifteen Equal Divisions of the Octave]''. (A large repository of all known scales and temperament families in the 15edo system. 300+ examples with chord-scale progressions.)''


== Notes ==
==Notes==
<references group="note" />
<references group="note" />