43edo: Difference between revisions

m Intervals: Added interval names
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{{Interwiki
| en = 43edo
| de = 43-EDO
}}
{{Infobox ET}}
{{Infobox ET}}
{{EDO intro|43}}
{{ED intro}}


== History ==
== History ==
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== Theory ==
== Theory ==
43edo tempers out [[81/80]] in the 5-limit, and as such it is strongly associated with [[meantone]]. Specifically, it is (for all practical purposes) equivalent to [[1/5-comma meantone]], as it tunes the major third sharp of [[5/4]] and perfect fifth flat of [[3/2]] by slightly more than four cents on both of them. It also tempers out the [[hypovishnuzma]] and the [[escapade comma]], so that six chromatic semitones make a perfect fourth and eight minor seconds make a major sixth.
43edo is strongly associated with [[meantone]]. Specifically, it is for all practical purposes equivalent to [[1/5-comma meantone]], as it tunes the perfect fifth flat of [[3/2]] and major third sharp of [[5/4]] by slightly more than four cents on both of them. Its approximations to [[7/4]] and [[11/8]] are noticeably sharp, whereas the [[13/8]] is a little flat. Except for 9/7, 11/9, 14/9, and 18/11, all [[15-odd-limit]] intervals have [[consistent]] approximations in 43edo, making it an excellent tuning in the [[7-limit|7-]], [[11-limit|11-]], and [[13-limit]].  


Except for 9/7, 11/9, 14/9, and 18/11, all [[15-odd-limit]] intervals have [[consistent]] approximations in 43edo, making it an excellent tuning in the 7-, 11-, and 13-limit. In the 7-limit, it supports septimal meantone, as it tempers out [[126/125]], [[225/224]], and [[3136/3125]]. The version of 11-limit meantone is the one tempering out [[99/98]], [[176/175]], and [[441/440]], sometimes called [[Huygens temperament|Huygens]]. In the 13-limit it supports [[Meantone family #Meridetone|meridetone]], which tempers out [[78/77]], and [[Meantone family #Grosstone|grosstone]], which tempers out [[144/143]]. Meridetone has generator map {{val| 0 1 4 10 18 27 }}, for which 43 supplies the [[optimal patent val]] for, and grosstone {{val| 0 1 4 10 18 -16 }}.
=== Prime harmonics ===
{{Harmonics in equal|43|columns=11}}
{{Harmonics in equal|43|columns=11|start=12|collapsed=true|title=Approximation of prime harmonics in 43edo (continued)}}


43edo's patent val {{val| 43 68 100 121 149 159 }} maps 5 to 100 steps, allowing the divison of 5 into 20 equal parts, leading to the [[jerome]] temperament, an interesting higher-limit system for which 43 supplies the optimal patent val in the 7-, 11-, 13-, 17-, 19-, and even 23-limit. It also provides the optimal patent val for the 11- and 13-limit [[amavil]] temperament, which is not meantone. [[Thuja]] is also a possibility, whose 11-limit extension makes five 11/8s stack to a major third (i.e. {{nowrap|(11/8)<sup>5</sup> &rarr; 5/1}}), with [[mos]]es of 15 and 28.
=== As a tuning for other temperaments ===
Besides the syntonic comma, 43et also tempers out the [[hypovishnuzma]] and the [[escapade comma]], so that six chromatic semitones make a perfect fourth and eight minor seconds make a major sixth. In the 7-limit, it supports septimal meantone, as it tempers out [[126/125]], [[225/224]], and [[3136/3125]]. The version of 11-limit meantone is the one tempering out [[99/98]], [[176/175]], and [[441/440]], sometimes called [[huygens]]. In the 13-limit it supports [[meridetone]], which tempers out [[78/77]], and [[grosstone]], which tempers out [[144/143]]. Meridetone has generator map {{val| 0 1 4 10 18 27 }}, for which 43 supplies the [[optimal patent val]] for, and grosstone {{val| 0 1 4 10 18 -16 }}.


=== Prime harmonics ===
43edo's patent val {{val| 43 68 100 121 149 159 }} maps 5 to 100 steps, allowing the divison of 5 into 20 equal parts, leading to the [[jerome]] temperament, an interesting higher-limit system for which 43 supplies the optimal patent val in the 7-, 11-, 13-, 17-, 19-, and even 23-limit. It also provides the optimal patent val for the 11- and 13-limit [[amavil]] temperament, which is not meantone. [[Thuja]] is also a possibility, whose 11-limit extension makes five 11/8's stack to a major third (i.e. {{nowrap|(11/8)<sup>5</sup> → 5/1}}), with [[mos scale]]s of 15 and 28.
{{Harmonics in equal|43}}
Although not [[consistent]], it performs quite well in very high prime limits. It has unambiguous mappings for all prime harmonics up to ''113'', with the sole exceptions of 23, 71, 89, and 103, making a great [[#Ringer 43|Ringer scale]]. Mappings for ratios between these prime harmonics can then be derived from those for the primes themselves, allowing for a complete set of approximations to the first 16 harmonics in the harmonic series and an almost-complete approximation of the first 32 harmonics, although the limited consistency will give some unusual results. Indeed, one step of 43edo is very close to the [[64/63|septimal comma (64/63)]]; similarily, two steps is close to [[32/31]], and four steps tunes [[16/15]] almost perfectly.


=== Divisors ===
=== Subsets and supersets ===
43edo is the 14th [[prime edo]], following [[41edo]] and coming before [[47edo]].
43edo is the 14th [[prime edo]], following [[41edo]] and coming before [[47edo]].


== Intervals ==
== Intervals ==
The distance from C to C♯ is 3 edosteps (or keys, frets). Thus one edostep equals one third of a sharp.  
The distance from C to C♯ is 3 edosteps (or keys, frets). Thus one edostep equals one third of a sharp.  
{| class="wikitable center-all right-2 left-3"
{| class="wikitable center-all right-2 left-3"
|-
|-
! #
! #
! Cents
! Cents
! Approximate 17-limit Ratios
! Approximate ratios*
! colspan="3" | [[Ups and Downs Notation]]
! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and vd2)
|-
|-
| 0
| 0
| 0.000
| 0.0
| 1/1
| [[1/1]]
| P1
| P1
| perfect unison
| perfect unison
Line 38: Line 44:
|-
|-
| 1
| 1
| 27.907
| 27.9
| ''36/35'', 50/49, 64/63, 65/64, 66/65
| ''[[36/35]]'', [[50/49]], [[64/63]], [[65/64]], [[66/65]]
| ^1, d2
| ^1, d2
| up unison, dim 2nd
| up unison, dim 2nd
Line 45: Line 51:
|-
|-
| 2
| 2
| 55.814
| 55.8
| ''49/48'', 33/32
| [[26/25]], [[27/26]], [[33/32]], [[40/39]], ''[[49/48]]''
| vA1, ^d2
| vA1, ^d2
| downaug unison, updim 2nd
| downaug unison, updim 2nd
Line 52: Line 58:
|-
|-
| 3
| 3
| 83.721
| 83.7
| 25/24, 21/20, ''28/27'', 22/21, ''18/17''
| ''[[18/17]]'', [[21/20]], [[22/21]], [[25/24]], ''[[28/27]]''
| A1, vm2
| A1, vm2
| aug 1sn, downminor 2nd
| aug 1sn, downminor 2nd
Line 59: Line 65:
|-
|-
| 4
| 4
| 111.628
| 111.6
| 16/15, 15/14, 17/16
| [[15/14]], [[16/15]], [[17/16]]
| m2
| m2
| minor 2nd
| minor 2nd
Line 66: Line 72:
|-
|-
| 5
| 5
| 139.535
| 139.5
| 12/11, 13/12, 14/13
| [[12/11]], [[13/12]], [[14/13]]
| ^m2
| ^m2
| upminor 2nd
| upminor 2nd
Line 73: Line 79:
|-
|-
| 6
| 6
| 167.442
| 167.4
| 11/10
| [[11/10]]
| vM2
| vM2
| downmajor 2nd
| downmajor 2nd
Line 80: Line 86:
|-
|-
| 7
| 7
| 195.349
| 195.3
| 9/8, 10/9
| [[9/8]], [[10/9]]
| M2
| M2
| major 2nd
| major 2nd
Line 87: Line 93:
|-
|-
| 8
| 8
| 223.256
| 223.3
| 8/7
| [[8/7]]
| ^M2, d3
| ^M2, d3
| upmajor 2nd, dim 3rd
| upmajor 2nd, dim 3rd
Line 94: Line 100:
|-
|-
| 9
| 9
| 251.163
| 251.2
| 15/13
| [[15/13]]
| vA2, ^d3
| vA2, ^d3
| downaug 2nd, updim 3rd
| downaug 2nd, updim 3rd
Line 101: Line 107:
|-
|-
| 10
| 10
| 279.070
| 279.1
| 7/6, 13/11
| [[7/6]], [[13/11]], [[20/17]]
| A2, vm3
| A2, vm3
| aug 2nd, downminor 3rd
| aug 2nd, downminor 3rd
Line 108: Line 114:
|-
|-
| 11
| 11
| 306.977
| 307.0
| 6/5
| [[6/5]]
| m3
| m3
| minor 3rd
| minor 3rd
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|-
|-
| 12
| 12
| 334.884
| 334.9
| 39/32, 17/14
| [[17/14]], ''[[27/22]]'', [[39/32]], [[40/33]]
| ^m3
| ^m3
| upminor 3rd
| upminor 3rd
Line 122: Line 128:
|-
|-
| 13
| 13
| 362.791
| 362.8
| 16/13, 21/17, ''11/9''
| ''[[11/9]]'', [[16/13]], [[21/17]], [[26/21]]
| vM3
| vM3
| downmajor 3rd
| downmajor 3rd
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|-
|-
| 14
| 14
| 390.698
| 390.7
| 5/4
| [[5/4]]
| M3
| M3
| major 3rd
| major 3rd
Line 136: Line 142:
|-
|-
| 15
| 15
| 418.605
| 418.6
| ''9/7'', 14/11
| ''[[9/7]]'', [[14/11]]
| ^M3, d4
| ^M3, d4
| upmajor 3rd, dim 4th
| upmajor 3rd, dim 4th
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|-
|-
| 16
| 16
| 446.512
| 446.5
| 13/10
| [[13/10]], [[22/17]]
| vA3, ^d4
| vA3, ^d4
| downaug 3rd, updim 4th
| downaug 3rd, updim 4th
Line 150: Line 156:
|-
|-
| 17
| 17
| 474.419
| 474.4
| 21/16
| [[21/16]]
| v4
| v4
| down 4th
| down 4th
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|-
|-
| 18
| 18
| 502.326
| 502.3
| 4/3
| [[4/3]]
| P4
| P4
| perfect 4th
| perfect 4th
Line 164: Line 170:
|-
|-
| 19
| 19
| 530.233
| 530.2
| 15/11
| [[15/11]]
| ^4
| ^4
| up 4th
| up 4th
Line 171: Line 177:
|-
|-
| 20
| 20
| 558.140
| 558.1
| 11/8, 18/13
| [[11/8]], [[18/13]]
| vA4
| vA4
| downaug 4th
| downaug 4th
Line 178: Line 184:
|-
|-
| 21
| 21
| 586.047
| 586.0
| 45/32, 7/5, 24/17
| [[7/5]], [[24/17]], [[45/32]]
| A4, vd5
| A4, vd5
| aug 4th, downdim 5th
| aug 4th, downdim 5th
Line 185: Line 191:
|-
|-
| 22
| 22
| 613.953
| 614.0
| 64/45, 10/7, 17/12
| [[10/7]], [[17/12]], [[64/45]]
| ^A4, d5
| ^A4, d5
| upaug 4th, dim 5th
| upaug 4th, dim 5th
Line 192: Line 198:
|-
|-
| 23
| 23
| 641.860
| 641.9
| 16/11, 13/9
| [[13/9]], [[16/11]]
| ^d5
| ^d5
| updim 5th
| updim 5th
Line 199: Line 205:
|-
|-
| 24
| 24
| 669.767
| 669.8
| 22/15
| [[22/15]]
| v5
| v5
| down 5th
| down 5th
Line 206: Line 212:
|-
|-
| 25
| 25
| 697.674
| 697.7
| 3/2
| [[3/2]]
| P5
| P5
| perfect 5th
| perfect 5th
Line 213: Line 219:
|-
|-
| 26
| 26
| 725.581
| 725.6
| 32/21
| [[32/21]]
| ^5
| ^5
| up 5th
| up 5th
Line 220: Line 226:
|-
|-
| 27
| 27
| 753.488
| 753.5
| 20/13
| [[17/11]], [[20/13]]
| vA5, ^d6
| vA5, ^d6
| downaug 5th, updim 6th
| downaug 5th, updim 6th
Line 227: Line 233:
|-
|-
| 28
| 28
| 781.395
| 781.4
| ''14/9'', 11/7
| [[11/7]], ''[[14/9]]''
| A5, vm6
| A5, vm6
| aug 5th, downminor 6th
| aug 5th, downminor 6th
Line 234: Line 240:
|-
|-
| 29
| 29
| 809.302
| 809.3
| 8/5
| [[8/5]]
| m6
| m6
| minor 6th
| minor 6th
Line 241: Line 247:
|-
|-
| 30
| 30
| 837.209
| 837.2
| 13/8, 34/21, ''18/11''
| [[13/8]], ''[[18/11]]'', [[21/13]], [[34/21]]
| ^m6
| ^m6
| upminor 6th
| upminor 6th
Line 248: Line 254:
|-
|-
| 31
| 31
| 865.116
| 865.1
| 64/39, 28/17
| [[28/17]], [[33/20]], ''[[44/27]]'', [[64/39]]
| vM6
| vM6
| downmajor 6th
| downmajor 6th
Line 255: Line 261:
|-
|-
| 32
| 32
| 893.023
| 893.0
| 5/3
| [[5/3]]
| M6
| M6
| major 6th
| major 6th
Line 262: Line 268:
|-
|-
| 33
| 33
| 920.930
| 920.9
| 12/7, 22/13
| [[12/7]], [[22/13]], [[17/10]]
| ^M6, d7
| ^M6, d7
| upmajor 6th, dim 7th
| upmajor 6th, dim 7th
Line 269: Line 275:
|-
|-
| 34
| 34
| 948.837
| 948.8
| 26/15
| [[26/15]]
| vA6, ^d7
| vA6, ^d7
| downaug 6th, updim 7th
| downaug 6th, updim 7th
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|-
|-
| 35
| 35
| 976.744
| 976.7
| 7/4
| [[7/4]]
| A6, vm7
| A6, vm7
| aug 6th, downminor 7th
| aug 6th, downminor 7th
Line 283: Line 289:
|-
|-
| 36
| 36
| 1004.651
| 1004.7
| 16/9, 9/5
| [[9/5]], [[16/9]]
| m7
| m7
| minor 7th
| minor 7th
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|-
|-
| 37
| 37
| 1032.558
| 1032.6
| 20/11
| [[20/11]]
| ^m7
| ^m7
| upminor 7th
| upminor 7th
Line 297: Line 303:
|-
|-
| 38
| 38
| 1060.465
| 1060.5
| 11/6, 24/13, 13/7
| [[11/6]], [[13/7]], [[24/13]]
| vM7
| vM7
| downmajor 7th
| downmajor 7th
Line 304: Line 310:
|-
|-
| 39
| 39
| 1088.372
| 1088.4
| 15/8, 28/15, 32/17
| [[15/8]], [[28/15]], [[32/17]]
| M7
| M7
| major 7th
| major 7th
Line 311: Line 317:
|-
|-
| 40
| 40
| 1116.279
| 1116.3
| 48/25, 40/21, ''27/14'', 21/11, ''17/9''
| ''[[17/9]]'', [[21/11]], ''[[27/14]]'', [[40/21]], [[48/25]]
| ^M7, d8
| ^M7, d8
| upmajor 7th, dim 8ve
| upmajor 7th, dim 8ve
Line 318: Line 324:
|-
|-
| 41
| 41
| 1144.186
| 1144.2
| ''96/49'', 64/33
| [[25/13]], [[39/20]], [[52/27]], [[64/33]], ''[[96/49]]''
| vA7, ^d8
| vA7, ^d8
| downaug 7th, updim 8ve
| downaug 7th, updim 8ve
Line 325: Line 331:
|-
|-
| 42
| 42
| 1172.093
| 1172.1
| ''35/18'', 49/25, 63/32, 65/33, 128/65
| ''[[35/18]]'', [[49/25]], [[63/32]], [[65/33]], [[128/65]]
| A7, v8
| A7, v8
| aug 7th, down 8ve
| aug 7th, down 8ve
Line 332: Line 338:
|-
|-
| 43
| 43
| 1200.000
| 1200.0
| 2/1
| [[2/1]]
| P8
| P8
| perfect 8ve
| perfect 8ve
Line 339: Line 345:
|}
|}


Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and Downs Notation #Chords and Chord Progressions]].
<nowiki>*</nowiki> As a 17-limit system


== JI approximation ==
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chords and chord progressions]].
[[File:43ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 43edo]]
=== Interval mappings ===
{{Q-odd-limit intervals|43}}


== Notation ==
== Notation ==
=== Red-Blue Notation ===
Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A♯ and B♭ are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly.
Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A♯ and B♭ are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly.


For people who aren't colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can be used. (Note that this is different than Kite's [[color notation]].) Now we have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯).
=== Stein–Zimmermann–Gould notation ===
[[Stein–Zimmermann–Gould notation]] uses sharps and flats with arrows:
{{Sharpness-sharp3-szg}}
 
The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}.
 
The notes from B to C are B, C♭, B{{sharpdown}}&nbsp;/&nbsp;C{{flatup}}, B♯, and C. Similarily, the notes from E to F are E, F♭, E{{sharpdown}}&nbsp;/&nbsp;F{{flatup}}, E♯, and F. As with the red/blue note system described below, all notes in 43edo therefore have only one name, except for B{{sharpdown}}&nbsp;/&nbsp;C{{flatup}} and E{{sharpdown}}&nbsp;/&nbsp;F{{flatup}}.
 
Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings.
 
=== Kite's ups and downs notation ===
In [[Kite's ups and downs notation]], the "third-sharp" becomes an up and the "two-thirds-sharp" becomes a downsharp.
Note that downsharp can be respelled as dup (double-up), and upflat as dud.
{{Ups and downs sharpness}}
 
=== Sagittal notation ===
This notation uses the same sagittal sequence as [[36edo #Sagittal notation|36edo]].
 
==== Evo flavor ====
<imagemap>
File:43-EDO_Evo_Sagittal.svg
desc none
rect 80 0 300 50 [[Sagittal_notation]]
rect 300 0 719 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]
rect 20 80 120 106 [[64/63]]
default [[File:43-EDO_Evo_Sagittal.svg]]
</imagemap>
 
==== Revo flavor ====
<imagemap>
File:43-EDO_Revo_Sagittal.svg
desc none
rect 80 0 300 50 [[Sagittal_notation]]
rect 300 0 703 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]
rect 20 80 120 106 [[64/63]]
default [[File:43-EDO_Revo_Sagittal.svg]]
</imagemap>


The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}}&nbsp;/&nbsp;{{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have unambiguous names except for {{colored note|blue|B♯}}&nbsp;/&nbsp;{{colored note|red|C♭}}, and {{colored note|blue|E♯}}&nbsp;/&nbsp;{{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter).
=== Red-Blue notation ===
For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. Note that this is different from [[Kite's color notation]]. We have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯).


If {{colored note|red|C♭}} and {{colored note|blue|B♯}} (and {{colored note|red|F♭}}&nbsp;/&nbsp;{{colored note|blue|E♯}}) are instead forced to be distinct, but the requirement that all notes be equally spaced is maintained, then we end up with a ''completely'' unambiguous red-note/blue-note notation for [[45edo]], which is another meantone (actually, a [[flattone]]) system.
The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}}&nbsp;/&nbsp;{{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}}&nbsp;/&nbsp;{{colored note|red|C♭}}, and {{colored note|blue|E♯}}&nbsp;/&nbsp;{{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter).


=== Ups and downs notation ===
If {{colored note|red|C♭}} and {{colored note|blue|B♯}} (and {{colored note|red|F♭}}&nbsp;/&nbsp;{{colored note|blue|E♯}}) are instead forced to be distinct, but the requirement that all notes be equally spaced is maintained, then we end up with a ''completely'' single-name red-note/blue-note notation for [[45edo]], which is another meantone (actually, a [[flattone]]) system.
The third-sharps and third-flats can also be notated using [[ups and downs notation]] and extended [[Helmholtz-Ellis notation|Helmholtz&ndash;Ellis]] accidentals:
{{Sharpness-sharp3}}
The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}.


The notes from B to C are B, C♭, B{{sharpdown}}&nbsp;/&nbsp;C{{flatup}}, B♯, and C. Similarily, the notes from E to F are E, F♭, E{{sharpdown}}&nbsp;/&nbsp;F{{flatup}}, E♯, and F. As with the red/blue note system described above, all notes in 43edo therefore have unambiguous names except for B{{sharpdown}}&nbsp;/&nbsp;C{{flatup}} and E{{sharpdown}}&nbsp;/&nbsp;F{{flatup}}.
== Approximation to JI ==
[[File:43ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 43edo]]


Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings.
=== Interval mappings ===
{{Q-odd-limit intervals}}


=== Sagittal ===
=== Higher-limit JI ===
The following table shows [[sagittal notation]] accidentals in one apotome for 43do.  
Although not [[consistent]], 43edo performs quite well in very high prime limits. It has unambiguous mappings for most prime harmonics up to ''113'', after which the demands on its pitch resolution finally become too great. The exceptions are 23, 41, 71, 89, and 103, which have more than 35% relative error (10 cents absolute error). This high-limit capability is useful for approaches based on the harmonic series, such as for creating [[#Ringer 43|Ringer scales]]. Mappings for ratios between these prime harmonics can then be derived from those for the primes themselves, allowing for a complete set of approximations to the first 16 harmonics in the harmonic series and an almost-complete approximation of the first 32 harmonics, although the limited consistency will give some unusual results.  


{| class="wikitable center-all"
Within harmonics 1–63, 43edo approximates harmonics 15, 31, 37, 61, and 63 close to exactly – within less than a cent (less than 3% relative error). Indeed, one step of 43edo is very close to the [[64/63|septimal comma (64/63)]]; similarly, two steps is close to [[32/31]], and four steps tunes [[16/15]] almost perfectly. It approximates 3, 9, 13, 27, 39, 43, 53 and 61 flat. It approximates 5, 7, 11, 17, 19, 21, 25, 29, 33, 47, 49, 51, 57 and 59 sharp. Overall this gives 43edo a slightly sharp tendency/feeling.
! Steps
| 0
| 1
| 2
| 3
|-
! Symbol
| [[File:Sagittal natural.png]]
| [[File:Sagittal tai.png]]
| [[File:Sagittal sharp tao.png]]
| [[File:Sagittal sharp.png]]
|}


== Regular temperament properties ==
== Regular temperament properties ==
{| class="wikitable center-4 center-5 center-6"
{| class="wikitable center-4 center-5 center-6"
|-
! rowspan="2" | [[Subgroup]]
! rowspan="2" | [[Subgroup]]
! rowspan="2" | [[Comma list|Comma List]]
! rowspan="2" | [[Comma list]]
! rowspan="2" | [[Mapping]]
! rowspan="2" | [[Mapping]]
! rowspan="2" | Optimal <br>8ve Stretch (¢)
! rowspan="2" | Optimal<br>8ve stretch (¢)
! colspan="2" | Tuning Error
! colspan="2" | Tuning error
|-
|-
! [[TE error|Absolute]] (¢)
! [[TE error|Absolute]] (¢)
Line 394: Line 421:
|-
|-
| 2.3
| 2.3
| {{monzo| -68 43 }}
| {{Monzo| -68 43 }}
| [{{val| 43 68 }}]
| {{Mapping| 43 68 }}
| +1.35
| +1.35
| 1.35
| 1.35
Line 402: Line 429:
| 2.3.5
| 2.3.5
| 81/80, 50331648/48828125
| 81/80, 50331648/48828125
| [{{val| 43 68 100 }}]
| {{Mapping| 43 68 100 }}
| +0.27
| +0.27
| 1.88
| 1.88
Line 409: Line 436:
| 2.3.5.7
| 2.3.5.7
| 81/80, 126/125, 17280/16807
| 81/80, 126/125, 17280/16807
| [{{val| 43 68 100 121 }}]
| {{Mapping| 43 68 100 121 }}
| −0.51
| −0.51
| 2.11
| 2.11
Line 416: Line 443:
| 2.3.5.7.11
| 2.3.5.7.11
| 81/80, 99/98, 126/125, 864/847
| 81/80, 99/98, 126/125, 864/847
| [{{val| 43 68 100 121 149 }}]
| {{Mapping| 43 68 100 121 149 }}
| −0.80
| −0.80
| 1.98
| 1.98
Line 423: Line 450:
| 2.3.5.7.11.13
| 2.3.5.7.11.13
| 78/77, 81/80, 99/98, 126/125, 144/143
| 78/77, 81/80, 99/98, 126/125, 144/143
| [{{val| 43 68 100 121 149 159 }}]
| {{Mapping| 43 68 100 121 149 159 }}
| −0.52
| −0.52
| 1.91
| 1.91
Line 430: Line 457:
| 2.3.5.7.11.13.17
| 2.3.5.7.11.13.17
| 78/77, 81/80, 99/98, 120/119, 126/125, 144/143
| 78/77, 81/80, 99/98, 120/119, 126/125, 144/143
| [{{val| 43 68 100 121 149 159 176 }}]
| {{Mapping| 43 68 100 121 149 159 176 }}
| −0.52
| −0.52
| 1.81
| 1.81
Line 437: Line 464:
| 2.3.5.7.11.13.17.19
| 2.3.5.7.11.13.17.19
| 78/77, 81/80, 99/98, 120/119, 126/125, 135/133, 144/143
| 78/77, 81/80, 99/98, 120/119, 126/125, 135/133, 144/143
| [{{val| 43 68 100 121 149 159 176 183 }}]
| {{Mapping| 43 68 100 121 149 159 176 183 }}
| −0.87
| −0.87
| 1.77
| 1.77
Line 444: Line 471:


=== Commas ===
=== Commas ===
This is a partial list of the 19-limit [[commas]] that 43edo [[tempers out]] with its patent [[val]], {{val| 43 68 100 121 149 159 176 183 }}.
This is a partial list of the 19-limit [[commas]] that 43et [[tempering out|tempers out]] with its patent [[val]], {{val| 43 68 100 121 149 159 176 183 }}.


{| class="commatable wikitable center-1 center-2 right-4 center-5"
{| class="commatable wikitable center-1 center-2 right-4 center-5"
|-
|-
! [[Harmonic limit|Prime<br>Limit]]
! [[Harmonic limit|Prime<br>limit]]
! [[Ratio]]<ref group="note">Ratios longer than 10 digits are presented by placeholders with informative hints</ref>
! [[Ratio]]<ref group="note">{{rd}}</ref>
! [[Monzo]]
! [[Monzo]]
! [[Cent]]s
! [[Cent]]s
Line 457: Line 484:
| 3
| 3
| <abbr title="328256967394537077627/295147905179352825856">(42 digits)</abbr>
| <abbr title="328256967394537077627/295147905179352825856">(42 digits)</abbr>
| {{monzo| -68 43 }}
| {{Monzo| -68 43 }}
| 184.07
| 184.07
| Tribilawa
| Tribilawa
Line 464: Line 491:
| 5
| 5
| <abbr title="254803968/244140625">(18 digits)</abbr>
| <abbr title="254803968/244140625">(18 digits)</abbr>
| {{monzo| 20 5 -12 }}
| {{Monzo| 20 5 -12 }}
| 74.01
| 74.01
| Saquadtrigu
| Saquadtrigu
Line 471: Line 498:
| 5
| 5
| <abbr title="50331648/48828125">(16 digits)</abbr>
| <abbr title="50331648/48828125">(16 digits)</abbr>
| {{monzo| 24 1 -11 }}
| {{Monzo| 24 1 -11 }}
| 52.50
| 52.50
| Salegu
| Salegu
Line 478: Line 505:
| 5
| 5
| [[81/80]]
| [[81/80]]
| {{monzo| -4 4 -1 }}
| {{Monzo| -4 4 -1 }}
| 21.51
| 21.51
| Gu
| Gu
| Syntonic comma, Didymus comma, meantone comma
| Syntonic comma, Didymus' comma, meantone comma
|-
|-
| 5
| 5
| <abbr title="4294967296/4271484375">(20 digits)</abbr>
| <abbr title="4294967296/4271484375">(20 digits)</abbr>
| {{monzo| 32 -7 -9 }}
| {{Monzo| 32 -7 -9 }}
| 9.49
| 9.49
| Sasa-tritrigu
| Sasa-tritrigu
Line 492: Line 519:
| 5
| 5
| <abbr title="295578376007080078125/295147905179352825856">(42 digits)</abbr>
| <abbr title="295578376007080078125/295147905179352825856">(42 digits)</abbr>
| {{monzo| -68 18 17 }}
| {{Monzo| -68 18 17 }}
| 2.52
| 2.52
| Quinla-seyo
| Quinla-seyo
| [[Vavoom family|Vavoom comma]]
| [[Vavoom comma]]
|-
|-
| 7
| 7
| [[59049/57344]]
| [[59049/57344]]
| {{monzo| -13 10 0 -1 }}
| {{Monzo| -13 10 0 -1 }}
| 50.72
| 50.72
| Laru
| Laru
Line 506: Line 533:
| 7
| 7
| [[3645/3584]]
| [[3645/3584]]
| {{monzo| -9 6 1 -1 }}
| {{Monzo| -9 6 1 -1 }}
| 29.22
| 29.22
| Laruyo
| Laruyo
Line 513: Line 540:
| 7
| 7
| <abbr title="2500000/2470629">(14 digits)</abbr>
| <abbr title="2500000/2470629">(14 digits)</abbr>
| {{monzo| 5 -1 7 -7 }}
| {{Monzo| 5 -1 7 -7 }}
| 20.46
| 20.46
| Sepruyo
| Sepruyo
| [[Merman|Mermisma]]
| [[Mermisma]]
|-
|-
| 7
| 7
| [[126/125]]
| [[126/125]]
| {{monzo| 1 2 -3 1 }}
| {{Monzo| 1 2 -3 1 }}
| 13.80
| 13.80
| Zotrigu
| Zotrigu
Line 527: Line 554:
| 7
| 7
| <abbr title="2097152/2083725">(14 digits)</abbr>
| <abbr title="2097152/2083725">(14 digits)</abbr>
| {{monzo| 21 -5 -2 -3 }}
| {{Monzo| 21 -5 -2 -3 }}
| 11.12
| 11.12
| Satriru-agugu
| Satriru-agugu
Line 534: Line 561:
| 7
| 7
| <abbr title="257298363/256000000">(18 digits)</abbr>
| <abbr title="257298363/256000000">(18 digits)</abbr>
| {{monzo| -14 7 -6 6 }}
| {{Monzo| -14 7 -6 6 }}
| 8.76
| 8.76
| Latribizogu
| Latribizogu
Line 541: Line 568:
| 7
| 7
| [[225/224]]
| [[225/224]]
| {{monzo| -5 2 2 -1 }}
| {{Monzo| -5 2 2 -1 }}
| 7.71
| 7.71
| Ruyoyo
| Ruyoyo
| Septimal kleisma, Marvel comma
| Marvel comma
|-
|-
| 7
| 7
| [[3136/3125]]
| [[3136/3125]]
| {{monzo| 6 0 -5 2 }}
| {{Monzo| 6 0 -5 2 }}
| 6.08
| 6.08
| Zozoquingu
| Zozoquingu
Line 555: Line 582:
| 7
| 7
| <abbr title="703125/702464">(12 digits)</abbr>
| <abbr title="703125/702464">(12 digits)</abbr>
| {{monzo| -11 2 7 -3 }}
| {{Monzo| -11 2 7 -3 }}
| 1.63
| 1.63
| Latriru-asepyo
| Latriru-asepyo
| [[Meter comma]]
| [[Meter]]
|-
|-
| 11
| 11
| [[1350/1331]]
| [[1350/1331]]
| {{monzo| 1 3 2 0 -3}}
| {{Monzo| 1 3 2 0 -3}}
| 24.54
| 24.54
| Trilu-ayoyo
| Trilu-ayoyo
| Large Tetracot diesis
| Large tetracot diesis
|-
|-
| 11
| 11
| [[99/98]]
| [[99/98]]
| {{monzo| -1 2 0 -2 1 }}
| {{Monzo| -1 2 0 -2 1 }}
| 17.58
| 17.58
| Loruru
| Loruru
Line 576: Line 603:
| 11
| 11
| [[176/175]]
| [[176/175]]
| {{monzo| 4 0 -2 -1 1 }}
| {{Monzo| 4 0 -2 -1 1 }}
| 9.86
| 9.86
| Lorugugu
| Lorugugu
Line 583: Line 610:
| 11
| 11
| [[441/440]]
| [[441/440]]
| {{monzo| -3 2 -1 2 -1 }}
| {{Monzo| -3 2 -1 2 -1 }}
| 3.93
| 3.93
| Luzozogu
| Luzozogu
Line 590: Line 617:
| 11
| 11
| [[4000/3993]]
| [[4000/3993]]
| {{monzo| 5 -1 3 0 -3}}
| {{Monzo| 5 -1 3 0 -3}}
| 3.03
| 3.03
| Triluyo
| Triluyo
Line 597: Line 624:
| 11
| 11
| <abbr title="131072/130977">(12 digits)</abbr>
| <abbr title="131072/130977">(12 digits)</abbr>
| {{monzo| 17 -5 0 -2 -1 }}
| {{Monzo| 17 -5 0 -2 -1 }}
| 1.26
| 1.26
| Salururu
| Salururu
| [[Olympic comma]]
| [[Olympia]]
|-
|-
| 11
| 11
| <abbr title="117440512/117406179">(18 digits)</abbr>
| <abbr title="117440512/117406179">(18 digits)</abbr>
| {{monzo| 24 -6 0 1 -5 }}
| {{Monzo| 24 -6 0 1 -5 }}
| 0.51
| 0.51
| Saquinlu-azo
| Saquinlu-azo
Line 611: Line 638:
| 13
| 13
| [[78/77]]
| [[78/77]]
| {{monzo| 1 1 0 -1 -1 1 }}
| {{Monzo| 1 1 0 -1 -1 1 }}
| 22.34
| 22.34
| Tholuru
| Tholuru
Line 618: Line 645:
| 13
| 13
| [[144/143]]
| [[144/143]]
| {{monzo| 4 2 0 0 -1 -1 }}
| {{Monzo| 4 2 0 0 -1 -1 }}
| 12.06
| 12.06
| Thulu
| Thulu
Line 625: Line 652:
| 13
| 13
| [[169/168]]
| [[169/168]]
| {{monzo| -3 -1 0 -1 0 2 }}
| {{Monzo| -3 -1 0 -1 0 2 }}
| 10.27
| 10.27
| Thothoru
| Thothoru
Line 632: Line 659:
| 13
| 13
| <abbr title="373248/371293">(12 digits)</abbr>
| <abbr title="373248/371293">(12 digits)</abbr>
| {{monzo| 9 6 0 0 0 -5 }}
| {{Monzo| 9 6 0 0 0 -5 }}
| 9.09
| 9.09
| Quinthu
| Quinthu
Line 639: Line 666:
| 13
| 13
| [[364/363]]
| [[364/363]]
| {{monzo| 2 -1 0 1 -2 1 }}
| {{Monzo| 2 -1 0 1 -2 1 }}
| 4.76
| 4.76
| Tholuluzo
| Tholuluzo
Line 646: Line 673:
| 13
| 13
| [[1001/1000]]
| [[1001/1000]]
| {{monzo| -3 0 -3 1 1 1 }}
| {{Monzo| -3 0 -3 1 1 1 }}
| 1.73
| 1.73
| Tholozotrigu
| Tholozotrigu
Line 653: Line 680:
| 13
| 13
| [[2080/2079]]
| [[2080/2079]]
| {{monzo| 5 -3 1 -1 -1 1 }}
| {{Monzo| 5 -3 1 -1 -1 1 }}
| 0.83
| 0.83
| Tholuruyo
| Tholuruyo
Line 660: Line 687:
| 13
| 13
| [[4096/4095]]
| [[4096/4095]]
| {{monzo| 12 -2 -1 -1 0 -1 }}
| {{Monzo| 12 -2 -1 -1 0 -1 }}
| 0.42
| 0.42
| Sathurugu
| Sathurugu
| Schismina
| Minisma
|-
|-
| 17
| 17
| [[120/119]]
| [[120/119]]
| {{monzo| 3 1 1 -1 0 0 -1 }}
| {{Monzo| 3 1 1 -1 0 0 -1 }}
| 14.49
| 14.49
| Suruyo
| Suruyo
Line 674: Line 701:
| 17
| 17
| [[221/220]]
| [[221/220]]
| {{monzo| -2 0 -1 0 -1 1 1 }}
| {{Monzo| -2 0 -1 0 -1 1 1 }}
| 7.85
| 7.85
| Sotholugu
| Sotholugu
Line 681: Line 708:
| 17
| 17
| [[256/255]]
| [[256/255]]
| {{monzo| 8 -1 -1 0 0 0 -1 }}
| {{Monzo| 8 -1 -1 0 0 0 -1 }}
| 6.78
| 6.78
| Sugu
| Sugu
Line 688: Line 715:
| 17
| 17
| [[273/272]]
| [[273/272]]
| {{monzo| 5 1 -1 0 0 0 0 -1 }}
| {{Monzo| 5 1 -1 0 0 0 0 -1 }}
| 6.35
| 6.35
| Suthozo
| Suthozo
Line 695: Line 722:
| 17
| 17
| [[715/714]]
| [[715/714]]
| {{monzo| -1 -1 1 -1 1 1 -1 }}
| {{Monzo| -1 -1 1 -1 1 1 -1 }}
| 2.42
| 2.42
| Sutholoruyo
| Sutholoruyo
Line 702: Line 729:
| 19
| 19
| [[96/95]]
| [[96/95]]
| {{monzo| 5 1 -1 0 0 0 0 -1 }}
| {{Monzo| 5 1 -1 0 0 0 0 -1 }}
| 18.13
| 18.13
| Nugu
| Nugu
| 19th Partial chroma
| 19th-partial chroma
|-
|-
| 19
| 19
| [[153/152]]
| [[153/152]]
| {{monzo| -3 2 0 0 0 0 1 -1}}
| {{Monzo| -3 2 0 0 0 0 1 -1}}
| 11.35
| 11.35
| Nuso
| Nuso
Line 716: Line 743:
| 19
| 19
| [[171/170]]
| [[171/170]]
| {{monzo| -1 2 -1 0 0 0 -1 1 }}
| {{Monzo| -1 2 -1 0 0 0 -1 1 }}
| 10.15
| 10.15
| Nosugu
| Nosugu
Line 723: Line 750:
| 19
| 19
| [[209/208]]
| [[209/208]]
| {{monzo| -4 0 0 0 1 -1 0 1 }}
| {{Monzo| -4 0 0 0 1 -1 0 1 }}
| 8.30
| 8.30
| Nothulo
| Nothulo
Line 730: Line 757:
| 19
| 19
| [[210/209]]
| [[210/209]]
| {{monzo| 1 1 1 1 -1 0 0 -1 }}
| {{Monzo| 1 1 1 1 -1 0 0 -1 }}
| 8.26
| 8.26
| Nuluzoyo
| Nuluzoyo
| Spleen comma
| Spleen comma
|}
|}
<references group="note"/>
<references group="note" />


=== Rank-2 temperaments ===
=== Rank-2 temperaments ===
{| class="wikitable center-all left-5"
{| class="wikitable center-all left-5"
|+ Table of rank-2 temperaments by generator
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator
|-
|-
! Periods<br> per 8ve
! Periods<br>per 8ve
! Generator<br>(Reduced)
! Generator*
! Cents<br>(Reduced)
! Cents*
! Associated Ratio<br>(Reduced)
! Associated<br>ratio*
! Temperament
! Temperaments
|-
|-
| 1
| 1
| 1\43
| 1\43
| 27.91
| 27.9
| 64/63
| 64/63
| [[Arch]]
| [[Arch]]
Line 755: Line 782:
| 1
| 1
| 2\43
| 2\43
| 55.81
| 55.8
| 33/32
| 33/32
| [[Escapade]]
| [[Escapade]]
|-
| 1
| 3\43
| 83.7
| 21/20
| [[Marvolo]]
|-
|-
| 1
| 1
| 4\43
| 4\43
| 111.63
| 111.6
| 16/15
| 16/15
| [[Vavoom]]
| [[Vavoom]]
Line 767: Line 800:
| 1
| 1
| 5\43
| 5\43
| 139.53
| 139.5
| 13/12
| 13/12
| [[Jerome]]
| [[Jerome]]
Line 773: Line 806:
| 1
| 1
| 6\43
| 6\43
| 167.44
| 167.4
| 11/10
| 11/10
| [[Superpine]]
| [[Superpine]]
Line 779: Line 812:
| 1
| 1
| 7\43
| 7\43
| 195.35
| 195.3
| 28/25
| 28/25
| [[Didacus]]
| [[Didacus]]
Line 785: Line 818:
| 1
| 1
| 8\43
| 8\43
| 223.26
| 223.3
| 8/7
| 8/7
| [[Kumonga]]
| [[Kumonga]]
Line 791: Line 824:
| 1
| 1
| 9\43
| 9\43
| 251.16
| 251.2
| 15/13
| 15/13
| [[Hemimeantone]]
| [[Hemimeantone]]
Line 797: Line 830:
| 1
| 1
| 10\43
| 10\43
| 279.07
| 279.1
| 75/64
| 75/64
| [[Decipentic]]
| [[Decipentic]]
Line 803: Line 836:
| 1
| 1
| 11\43
| 11\43
| 334.88
| 334.9
| 17/14
| 17/14
| [[Cohemimabila]]
| [[Cohemimabila]]
Line 809: Line 842:
| 1
| 1
| 13\43
| 13\43
| 362.79
| 362.8
| 16/13
| 16/13
| [[Submajor]] (43e) / interpental (43)
| [[Demibuzzard]] / interpental
|-
|-
| 1
| 1
| 14\43
| 14\43
| 390.70
| 390.7
| 5/4
| 5/4
| [[Amigo]]
| [[Amigo]]
Line 821: Line 854:
| 1
| 1
| 16\43
| 16\43
| 446.51
| 446.5
| 13/10
| 13/10
| [[Supersensi]]
| [[Supersensi]]
|-
| 1
| 17\43
| 474.4
| 21/16
| [[Buzzard]] (2.3.7)
|-
|-
| 1
| 1
| 18\43
| 18\43
| 502.33
| 502.3
| 4/3
| 4/3
| [[Meantone]]
| [[Meantone]]
Line 833: Line 872:
| 1
| 1
| 19\43
| 19\43
| 530.23
| 530.2
| 15/11
| 15/11
| [[Amavil]]
| [[Amavil]]
Line 839: Line 878:
| 1
| 1
| 20\43
| 20\43
| 558.14
| 558.1
| 11/8
| 11/8
| [[Thuja]]
| [[Thuja]]
Line 845: Line 884:
| 1
| 1
| 21\43
| 21\43
| 586.05
| 586.0
| 7/5
| 7/5
| [[Merman]]
| [[Merman]]
|}
|}
<nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave


== Detemperaments ==
== Detemperaments ==
Line 861: Line 901:


== Scales ==
== Scales ==
=== MOS scales ===
{{main|List of MOS scales in 43edo}}
=== Harmonic scales ===
=== Harmonic scales ===
43edo represents the first 16 overtones of the [[harmonic series]] well (written as a ratio of 8:9:10:11:12:13:14:15:16 in [[just intonation]]) with degrees 0, 7, 14, 20, 25, 30, 35, 39, and 43, and scale steps of 7, 7, 6, 5, 5, 5, 4, and 4.
43edo represents the first 16 overtones of the [[harmonic series]] well (written as a ratio of 8:9:10:11:12:13:14:15:16 in [[just intonation]]) with degrees 0, 7, 14, 20, 25, 30, 35, 39, and 43, and scale steps of 7, 7, 6, 5, 5, 5, 4, and 4.
* 7\43 (195.349¢) stands in for frequency ratio [[9/8]] (203.910¢) and [[10/9]] (182.404¢).
* 7\43 (195.) stands in for frequency ratio [[9/8]] (203.) and [[10/9]] (182.).
* 6\43 (156.522¢) stands in for [[11/10]] (165.004¢)
* 6\43 (156.) stands in for [[11/10]] (165.).
* 5\46 (130.435¢) stands in for [[12/11]] (150.637¢), [[13/12]] (138.573¢), and [[14/13]] (128.298¢).
* 5\46 (130.) stands in for [[12/11]] (150.), [[13/12]] (138.), and [[14/13]] (128.).
* 4\43 (111.628¢) stands in for [[15/14]] (119.443¢) and [[16/15]] (111.731¢).
* 4\43 (111.) stands in for [[15/14]] (119.) and [[16/15]] (111.).
 
{| class="wikitable center-all"
{| class="wikitable center-all"
|-
|-
Line 901: Line 938:
|}
|}


=== Subsets of Meantone ===
=== Mos scales ===
{{Main| List of MOS scales in 43edo }}
* Meantone[5]: 7 7 11 7 11
* Meantone[7]: 7 7 4 7 7 7 4


'''Major scales'''
=== Other meantone scales ===
; Major scales
* Ionian Pentatonic: 14 4 7 14 4
* Ionian Pentatonic: 14 4 7 14 4
* Major: 7 7 4 7 7 7 4
* Major Pentatonic: 7 7 11 7 11


'''Minor scales'''
; Minor scales
* Minor: 7 4 7 7 4 7 7
* Minor Harmonic: 7 4 7 7 4 10 4
* Minor Harmonic: 7 4 7 7 4 10 4
* Minor Harmonic Pentatonic: 7 4 14 14 4
* Minor Harmonic Pentatonic: 7 4 14 14 4
* Minor Hexatonic: 7 4 7 7 11 7
* Minor Hexatonic: 7 4 7 7 11 7
* Minor Melodic: 7 4 7 7 7 7 4
* Minor Melodic: 7 4 7 7 7 7 4
* Minor Pentatonic: 11 7 7 11 7


'''Modal scales'''
; Modal scales
* Dorian: 7 4 7 7 7 4 7
* Locrian: 4 7 7 4 7 7 7
* Lydian: 7 7 7 4 7 7 4
* Mixolydian: 7 7 4 7 7 4 7
* Mixolydian Harmonic: 14 4 7 4 7 7
* Mixolydian Harmonic: 14 4 7 4 7 7
* Mixolydian Pentatonic: 14 4 7 11 7
* Mixolydian Pentatonic: 14 4 7 11 7
* Phrygian: 4 7 7 7 4 7 7
* Phrygian Dominant: 4 10 4 7 4 7 7
* Phrygian Dominant: 4 10 4 7 4 7 7
* Phrygian Dominant Hexatonic: 4 10 4 7 11 7
* Phrygian Dominant Hexatonic: 4 10 4 7 11 7
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* Phrygian Pentatonic: 4 7 14 4 14
* Phrygian Pentatonic: 4 7 14 4 14


 
; Blues scales
'''Blues scales'''
* Blues Aeolian Hexatonic: 11 7 4 3 4 14
* Blues Aeolian Hexatonic: 11 7 4 3 4 14
* Blues Aeolian Pentatonic I: 11 7 7 4 14
* Blues Aeolian Pentatonic I: 11 7 7 4 14
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* Hyperblue Harmonic: 11 7 2 5 3 12 3
* Hyperblue Harmonic: 11 7 2 5 3 12 3


 
; Others
'''Others'''
* Akebono I: 7 4 14 7 11
* Akebono I: 7 4 14 7 11
* Dominant Pentatonic: 7 7 11 11 7
* Dominant Pentatonic: 7 7 11 11 7
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=== Other notable scales ===
=== Other notable scales ===
* Fossa pentatonic scale (approximated from [[catnip]] in [[60edo]]): 5 14 6 6 12
* [[Magnetosphere scale]] (approximated from [[Hexany 1728]]): 4 10 11 11 7
* [[Magnetosphere scale]] (approximated from [[Hexany 1728]]): 4 10 11 11 7
== Instruments ==
*[[Lumatone mapping for 43edo]]
*[[Skip fretting system 43 2 9]]
=== Keyboards ===
A possible isomorphic keyboard layout for 43edo:
[[File:Fifth Comma Meantone Keyboard Layout.svg|800px|none|thumb]]


== Music ==
== Music ==
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; {{W|Johann Sebastian Bach}}
; {{W|Johann Sebastian Bach}}
* [https://www.youtube.com/watch?v=v3mBkctQ4SI ''Prelude in C minor'', BWV 999] (1717–1723) – transposed into E minor, arranged for Organ and rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=v3mBkctQ4SI ''Prelude in C minor'', BWV 999] (1717–1723) – transposed into E minor, arranged for Organ and rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=u3ss3H2x_QA "Ricercar a 3" from ''The Musical Offering'', BWV 1079] (1747) – rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=E7W-t2KDeSs "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=E7W-t2KDeSs "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=qyWfguU0iQM "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=qyWfguU0iQM "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024)
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* [https://www.youtube.com/watch?v=GkuUVQYpjo4 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023)
* [https://www.youtube.com/watch?v=GkuUVQYpjo4 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023)
* [https://www.youtube.com/watch?v=UYaZZXUrGeA ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024)
* [https://www.youtube.com/watch?v=UYaZZXUrGeA ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024)
; {{W|John Bull (composer)|John Bull}}
* [https://www.youtube.com/watch?v=hkW5aqnhaSc ''Fantasia «Ut Re Mi Fa Sol La»''] (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – rendered by Claudi Meneghin (2026)
; {{W|Frédéric Chopin}}
* [https://www.youtube.com/watch?v=VyEKLxAtWm4 ''Prelude'', Op. 28, No. 4] (1838) – arranged for organ, rendered by Claudi Meneghin (2021)
* ''"Waterfall" Étude from 12 Études, op. 10'' (1829–1832)
** [https://www.youtube.com/shorts/m408V08QAMI Sine wave version] &mdash; rendered by Claudi Meneghin (2025)
** [https://www.youtube.com/shorts/oZiYri-sDYo Fortepiano version] &mdash; rendered by Claudi Meneghin (2025)


; {{W|George Frideric Handel}}
; {{W|George Frideric Handel}}
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=== 21st century ===
=== 21st century ===
;; [[Claudi Meneghin]]
* [https://www.youtube.com/watch?v=t83BNX1g6Jg ''DOUBLE FUGUE on «Old Mc Donald» + «Shave & a Haircut», tunedo into E43 (1/5-comma meantone)''] (2024)
; [[Bryan Deister]]
; [[Bryan Deister]]
* [https://www.youtube.com/watch?v=pALxebjbhZo ''microtonal improvisation in 43edo''] (2023)
* [https://www.youtube.com/watch?v=pALxebjbhZo ''microtonal improvisation in 43edo''] (2023)
* [https://www.youtube.com/shorts/URUCEOW3Mqo ''43edo improv''] (2025)
* [https://www.youtube.com/shorts/f0zt-iBln44 ''Being for the Benefit of Mr. Kite! - The Beatles (microtonal cover in 43edo)''] (2025)
* [https://www.youtube.com/shorts/Qh5rjmsfwE0 ''43edo improv''] (2026)
* [https://www.youtube.com/watch?v=j5qbzEPRUUY ''Waltz in 43edo''] (2026)
; [[Cale Gibbard]]
* [https://www.youtube.com/watch?v=nUoTzgi8FtM 43edo fun with A, Bbb, Cbbb] (2023)


; [[Peter Kosmorsky]]
; [[Peter Kosmorsky]]
* [[:File:43_edo_counterpoint.mid|43 edo counterpoint.mid]] [http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3 mp3]{{dead link}} (late 2011) – in meantone
* [[:File:43_edo_counterpoint.mid|43 edo counterpoint.mid]] [http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3 mp3]{{dead link}} (late 2011) – in meantone
; [[Budjarn Lambeth]]
* ''Gamelan-Inspired Improvisation in 43edo, Fossa Scale'' (Nov 2024) - [https://www.youtube.com/watch?v=KsB9T9_6cGk YouTube]


; [[Juhan Puhm]] ([http://juhanpuhmmusic.ca site])
; [[Juhan Puhm]] ([http://juhanpuhmmusic.ca site])
* ''Meantone Suite V in D Minor'' (2017) – [https://www.youtube.com/watch?v=I68hwh45CyQ YouTube] | [http://juhanpuhmmusic.ca/Juhan-Puhm-Meantone-Suite-V-D-Minor.pdf score]
* ''Meantone Suite V in D Minor'' (2017) – [https://www.youtube.com/watch?v=I68hwh45CyQ YouTube] | [http://juhanpuhmmusic.ca/Juhan-Puhm-Meantone-Suite-V-D-Minor.pdf score]
; [[Sevish]]
* Mystify (2025) – [https://www.youtube.com/watch?v=NgXXTMS5YPc Youtube] | [https://sevish.bandcamp.com/track/mystify Bandcamp]


; [[Randy Wells]]
; [[Randy Wells]]
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* "Beebounce" from ''Jazzbeetle'' (2023) – [https://open.spotify.com/track/4PzANNtxXsNEsdApnYKgHK Spotify] | [https://xotla.bandcamp.com/track/beebounce-43edo Bandcamp] | [https://youtu.be/EZIg5fojFfE YouTube] – jazzy big band electronic hybrid
* "Beebounce" from ''Jazzbeetle'' (2023) – [https://open.spotify.com/track/4PzANNtxXsNEsdApnYKgHK Spotify] | [https://xotla.bandcamp.com/track/beebounce-43edo Bandcamp] | [https://youtu.be/EZIg5fojFfE YouTube] – jazzy big band electronic hybrid


==Instruments==
== References ==
*[[Lumatone mapping for 43edo]]
*[[Skip fretting system 43 2 9]]
 
===Keyboards===
A possible isomorphic keyboard layout for 43edo:
[[File:Fifth Comma Meantone Keyboard Layout.svg|800px|none|thumb]]
 
==References==
<references />
<references />