43edo: Difference between revisions
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{{Interwiki | |||
| en = 43edo | |||
| de = 43-EDO | |||
}} | |||
{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | {{ED intro}} | ||
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== Theory == | == Theory == | ||
43edo | 43edo is strongly associated with [[meantone]]. Specifically, it is for all practical purposes equivalent to [[1/5-comma meantone]], as it tunes the perfect fifth flat of [[3/2]] and major third sharp of [[5/4]] by slightly more than four cents on both of them. Its approximations to [[7/4]] and [[11/8]] are noticeably sharp, whereas the [[13/8]] is a little flat. Except for 9/7, 11/9, 14/9, and 18/11, all [[15-odd-limit]] intervals have [[consistent]] approximations in 43edo, making it an excellent tuning in the [[7-limit|7-]], [[11-limit|11-]], and [[13-limit]]. | ||
Except for 9/7, 11/9, 14/9, and 18/11, all [[15-odd-limit]] intervals have [[consistent]] approximations in 43edo, making it an excellent tuning in the 7 | |||
=== Prime harmonics === | === Prime harmonics === | ||
{{Harmonics in equal|43}} | {{Harmonics in equal|43|columns=11}} | ||
{{Harmonics in equal|43|start=12 | {{Harmonics in equal|43|columns=11|start=12|collapsed=true|title=Approximation of prime harmonics in 43edo (continued)}} | ||
=== As a tuning for other temperaments === | |||
Besides the syntonic comma, 43et also tempers out the [[hypovishnuzma]] and the [[escapade comma]], so that six chromatic semitones make a perfect fourth and eight minor seconds make a major sixth. In the 7-limit, it supports septimal meantone, as it tempers out [[126/125]], [[225/224]], and [[3136/3125]]. The version of 11-limit meantone is the one tempering out [[99/98]], [[176/175]], and [[441/440]], sometimes called [[huygens]]. In the 13-limit it supports [[meridetone]], which tempers out [[78/77]], and [[grosstone]], which tempers out [[144/143]]. Meridetone has generator map {{val| 0 1 4 10 18 27 }}, for which 43 supplies the [[optimal patent val]] for, and grosstone {{val| 0 1 4 10 18 -16 }}. | |||
43edo's patent val {{val| 43 68 100 121 149 159 }} maps 5 to 100 steps, allowing the divison of 5 into 20 equal parts, leading to the [[jerome]] temperament, an interesting higher-limit system for which 43 supplies the optimal patent val in the 7-, 11-, 13-, 17-, 19-, and even 23-limit. It also provides the optimal patent val for the 11- and 13-limit [[amavil]] temperament, which is not meantone. [[Thuja]] is also a possibility, whose 11-limit extension makes five 11/8's stack to a major third (i.e. {{nowrap|(11/8)<sup>5</sup> → 5/1}}), with [[mos scale]]s of 15 and 28. | |||
=== | === Subsets and supersets === | ||
43edo is the 14th [[prime edo]], following [[41edo]] and coming before [[47edo]]. | 43edo is the 14th [[prime edo]], following [[41edo]] and coming before [[47edo]]. | ||
== Intervals == | == Intervals == | ||
The distance from C to C♯ is 3 edosteps (or keys, frets). Thus one edostep equals one third of a sharp. | The distance from C to C♯ is 3 edosteps (or keys, frets). Thus one edostep equals one third of a sharp. | ||
{| class="wikitable center-all right-2 left-3" | {| class="wikitable center-all right-2 left-3" | ||
|- | |- | ||
! # | ! # | ||
! Cents | ! Cents | ||
! Approximate | ! Approximate ratios* | ||
! colspan="3" | [[Ups and | ! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>3</sup>A1 and vd2) | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| 1/1 | | [[1/1]] | ||
| P1 | | P1 | ||
| perfect unison | | perfect unison | ||
| Line 43: | Line 44: | ||
|- | |- | ||
| 1 | | 1 | ||
| 27. | | 27.9 | ||
| ''36/35'', 50/49, 64/63, 65/64, 66/65 | | ''[[36/35]]'', [[50/49]], [[64/63]], [[65/64]], [[66/65]] | ||
| ^1, d2 | | ^1, d2 | ||
| up unison, dim 2nd | | up unison, dim 2nd | ||
| Line 50: | Line 51: | ||
|- | |- | ||
| 2 | | 2 | ||
| 55. | | 55.8 | ||
| ''49/48'' | | [[26/25]], [[27/26]], [[33/32]], [[40/39]], ''[[49/48]]'' | ||
| vA1, ^d2 | | vA1, ^d2 | ||
| downaug unison, updim 2nd | | downaug unison, updim 2nd | ||
| Line 57: | Line 58: | ||
|- | |- | ||
| 3 | | 3 | ||
| 83. | | 83.7 | ||
| | | ''[[18/17]]'', [[21/20]], [[22/21]], [[25/24]], ''[[28/27]]'' | ||
| A1, vm2 | | A1, vm2 | ||
| aug 1sn, downminor 2nd | | aug 1sn, downminor 2nd | ||
| Line 64: | Line 65: | ||
|- | |- | ||
| 4 | | 4 | ||
| 111. | | 111.6 | ||
| 16/15, | | [[15/14]], [[16/15]], [[17/16]] | ||
| m2 | | m2 | ||
| minor 2nd | | minor 2nd | ||
| Line 71: | Line 72: | ||
|- | |- | ||
| 5 | | 5 | ||
| 139. | | 139.5 | ||
| 12/11, 13/12, 14/13 | | [[12/11]], [[13/12]], [[14/13]] | ||
| ^m2 | | ^m2 | ||
| upminor 2nd | | upminor 2nd | ||
| Line 78: | Line 79: | ||
|- | |- | ||
| 6 | | 6 | ||
| 167. | | 167.4 | ||
| 11/10 | | [[11/10]] | ||
| vM2 | | vM2 | ||
| downmajor 2nd | | downmajor 2nd | ||
| Line 85: | Line 86: | ||
|- | |- | ||
| 7 | | 7 | ||
| 195. | | 195.3 | ||
| 9/8, 10/9 | | [[9/8]], [[10/9]] | ||
| M2 | | M2 | ||
| major 2nd | | major 2nd | ||
| Line 92: | Line 93: | ||
|- | |- | ||
| 8 | | 8 | ||
| 223. | | 223.3 | ||
| 8/7 | | [[8/7]] | ||
| ^M2, d3 | | ^M2, d3 | ||
| upmajor 2nd, dim 3rd | | upmajor 2nd, dim 3rd | ||
| Line 99: | Line 100: | ||
|- | |- | ||
| 9 | | 9 | ||
| 251. | | 251.2 | ||
| 15/13 | | [[15/13]] | ||
| vA2, ^d3 | | vA2, ^d3 | ||
| downaug 2nd, updim 3rd | | downaug 2nd, updim 3rd | ||
| Line 106: | Line 107: | ||
|- | |- | ||
| 10 | | 10 | ||
| 279. | | 279.1 | ||
| 7/6, 13/11 | | [[7/6]], [[13/11]], [[20/17]] | ||
| A2, vm3 | | A2, vm3 | ||
| aug 2nd, downminor 3rd | | aug 2nd, downminor 3rd | ||
| Line 113: | Line 114: | ||
|- | |- | ||
| 11 | | 11 | ||
| | | 307.0 | ||
| 6/5 | | [[6/5]] | ||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
| Line 120: | Line 121: | ||
|- | |- | ||
| 12 | | 12 | ||
| 334. | | 334.9 | ||
| 39/32, | | [[17/14]], ''[[27/22]]'', [[39/32]], [[40/33]] | ||
| ^m3 | | ^m3 | ||
| upminor 3rd | | upminor 3rd | ||
| Line 127: | Line 128: | ||
|- | |- | ||
| 13 | | 13 | ||
| 362. | | 362.8 | ||
| 16/13, 21/17, | | ''[[11/9]]'', [[16/13]], [[21/17]], [[26/21]] | ||
| vM3 | | vM3 | ||
| downmajor 3rd | | downmajor 3rd | ||
| Line 134: | Line 135: | ||
|- | |- | ||
| 14 | | 14 | ||
| 390. | | 390.7 | ||
| 5/4 | | [[5/4]] | ||
| M3 | | M3 | ||
| major 3rd | | major 3rd | ||
| Line 141: | Line 142: | ||
|- | |- | ||
| 15 | | 15 | ||
| 418. | | 418.6 | ||
| ''9/7'', 14/11 | | ''[[9/7]]'', [[14/11]] | ||
| ^M3, d4 | | ^M3, d4 | ||
| upmajor 3rd, dim 4th | | upmajor 3rd, dim 4th | ||
| Line 148: | Line 149: | ||
|- | |- | ||
| 16 | | 16 | ||
| 446. | | 446.5 | ||
| 13/10 | | [[13/10]], [[22/17]] | ||
| vA3, ^d4 | | vA3, ^d4 | ||
| downaug 3rd, updim 4th | | downaug 3rd, updim 4th | ||
| Line 155: | Line 156: | ||
|- | |- | ||
| 17 | | 17 | ||
| 474. | | 474.4 | ||
| 21/16 | | [[21/16]] | ||
| v4 | | v4 | ||
| down 4th | | down 4th | ||
| Line 162: | Line 163: | ||
|- | |- | ||
| 18 | | 18 | ||
| 502. | | 502.3 | ||
| 4/3 | | [[4/3]] | ||
| P4 | | P4 | ||
| perfect 4th | | perfect 4th | ||
| Line 169: | Line 170: | ||
|- | |- | ||
| 19 | | 19 | ||
| 530. | | 530.2 | ||
| 15/11 | | [[15/11]] | ||
| ^4 | | ^4 | ||
| up 4th | | up 4th | ||
| Line 176: | Line 177: | ||
|- | |- | ||
| 20 | | 20 | ||
| 558. | | 558.1 | ||
| 11/8, 18/13 | | [[11/8]], [[18/13]] | ||
| vA4 | | vA4 | ||
| downaug 4th | | downaug 4th | ||
| Line 183: | Line 184: | ||
|- | |- | ||
| 21 | | 21 | ||
| 586. | | 586.0 | ||
| | | [[7/5]], [[24/17]], [[45/32]] | ||
| A4, vd5 | | A4, vd5 | ||
| aug 4th, downdim 5th | | aug 4th, downdim 5th | ||
| Line 190: | Line 191: | ||
|- | |- | ||
| 22 | | 22 | ||
| | | 614.0 | ||
| | | [[10/7]], [[17/12]], [[64/45]] | ||
| ^A4, d5 | | ^A4, d5 | ||
| upaug 4th, dim 5th | | upaug 4th, dim 5th | ||
| Line 197: | Line 198: | ||
|- | |- | ||
| 23 | | 23 | ||
| 641. | | 641.9 | ||
| 16/11 | | [[13/9]], [[16/11]] | ||
| ^d5 | | ^d5 | ||
| updim 5th | | updim 5th | ||
| Line 204: | Line 205: | ||
|- | |- | ||
| 24 | | 24 | ||
| 669. | | 669.8 | ||
| 22/15 | | [[22/15]] | ||
| v5 | | v5 | ||
| down 5th | | down 5th | ||
| Line 211: | Line 212: | ||
|- | |- | ||
| 25 | | 25 | ||
| 697. | | 697.7 | ||
| 3/2 | | [[3/2]] | ||
| P5 | | P5 | ||
| perfect 5th | | perfect 5th | ||
| Line 218: | Line 219: | ||
|- | |- | ||
| 26 | | 26 | ||
| 725. | | 725.6 | ||
| 32/21 | | [[32/21]] | ||
| ^5 | | ^5 | ||
| up 5th | | up 5th | ||
| Line 225: | Line 226: | ||
|- | |- | ||
| 27 | | 27 | ||
| 753. | | 753.5 | ||
| 20/13 | | [[17/11]], [[20/13]] | ||
| vA5, ^d6 | | vA5, ^d6 | ||
| downaug 5th, updim 6th | | downaug 5th, updim 6th | ||
| Line 232: | Line 233: | ||
|- | |- | ||
| 28 | | 28 | ||
| 781. | | 781.4 | ||
| ''14/9'' | | [[11/7]], ''[[14/9]]'' | ||
| A5, vm6 | | A5, vm6 | ||
| aug 5th, downminor 6th | | aug 5th, downminor 6th | ||
| Line 239: | Line 240: | ||
|- | |- | ||
| 29 | | 29 | ||
| 809. | | 809.3 | ||
| 8/5 | | [[8/5]] | ||
| m6 | | m6 | ||
| minor 6th | | minor 6th | ||
| Line 246: | Line 247: | ||
|- | |- | ||
| 30 | | 30 | ||
| 837. | | 837.2 | ||
| 13/8 | | [[13/8]], ''[[18/11]]'', [[21/13]], [[34/21]] | ||
| ^m6 | | ^m6 | ||
| upminor 6th | | upminor 6th | ||
| Line 253: | Line 254: | ||
|- | |- | ||
| 31 | | 31 | ||
| 865. | | 865.1 | ||
| 64/39 | | [[28/17]], [[33/20]], ''[[44/27]]'', [[64/39]] | ||
| vM6 | | vM6 | ||
| downmajor 6th | | downmajor 6th | ||
| Line 260: | Line 261: | ||
|- | |- | ||
| 32 | | 32 | ||
| 893. | | 893.0 | ||
| 5/3 | | [[5/3]] | ||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
| Line 267: | Line 268: | ||
|- | |- | ||
| 33 | | 33 | ||
| 920. | | 920.9 | ||
| 12/7, 22/13 | | [[12/7]], [[22/13]], [[17/10]] | ||
| ^M6, d7 | | ^M6, d7 | ||
| upmajor 6th, dim 7th | | upmajor 6th, dim 7th | ||
| Line 274: | Line 275: | ||
|- | |- | ||
| 34 | | 34 | ||
| 948. | | 948.8 | ||
| 26/15 | | [[26/15]] | ||
| vA6, ^d7 | | vA6, ^d7 | ||
| downaug 6th, updim 7th | | downaug 6th, updim 7th | ||
| Line 281: | Line 282: | ||
|- | |- | ||
| 35 | | 35 | ||
| 976. | | 976.7 | ||
| 7/4 | | [[7/4]] | ||
| A6, vm7 | | A6, vm7 | ||
| aug 6th, downminor 7th | | aug 6th, downminor 7th | ||
| Line 288: | Line 289: | ||
|- | |- | ||
| 36 | | 36 | ||
| 1004. | | 1004.7 | ||
| 16/9 | | [[9/5]], [[16/9]] | ||
| m7 | | m7 | ||
| minor 7th | | minor 7th | ||
| Line 295: | Line 296: | ||
|- | |- | ||
| 37 | | 37 | ||
| 1032. | | 1032.6 | ||
| 20/11 | | [[20/11]] | ||
| ^m7 | | ^m7 | ||
| upminor 7th | | upminor 7th | ||
| Line 302: | Line 303: | ||
|- | |- | ||
| 38 | | 38 | ||
| 1060. | | 1060.5 | ||
| 11/6, 24/13 | | [[11/6]], [[13/7]], [[24/13]] | ||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
| Line 309: | Line 310: | ||
|- | |- | ||
| 39 | | 39 | ||
| 1088. | | 1088.4 | ||
| 15/8, 28/15, 32/17 | | [[15/8]], [[28/15]], [[32/17]] | ||
| M7 | | M7 | ||
| major 7th | | major 7th | ||
| Line 316: | Line 317: | ||
|- | |- | ||
| 40 | | 40 | ||
| 1116. | | 1116.3 | ||
| | | ''[[17/9]]'', [[21/11]], ''[[27/14]]'', [[40/21]], [[48/25]] | ||
| ^M7, d8 | | ^M7, d8 | ||
| upmajor 7th, dim 8ve | | upmajor 7th, dim 8ve | ||
| Line 323: | Line 324: | ||
|- | |- | ||
| 41 | | 41 | ||
| 1144. | | 1144.2 | ||
| ''96/49'' | | [[25/13]], [[39/20]], [[52/27]], [[64/33]], ''[[96/49]]'' | ||
| vA7, ^d8 | | vA7, ^d8 | ||
| downaug 7th, updim 8ve | | downaug 7th, updim 8ve | ||
| Line 330: | Line 331: | ||
|- | |- | ||
| 42 | | 42 | ||
| 1172. | | 1172.1 | ||
| ''35/18'', 49/25, 63/32, 65/33, 128/65 | | ''[[35/18]]'', [[49/25]], [[63/32]], [[65/33]], [[128/65]] | ||
| A7, v8 | | A7, v8 | ||
| aug 7th, down 8ve | | aug 7th, down 8ve | ||
| Line 337: | Line 338: | ||
|- | |- | ||
| 43 | | 43 | ||
| 1200. | | 1200.0 | ||
| 2/1 | | [[2/1]] | ||
| P8 | | P8 | ||
| perfect 8ve | | perfect 8ve | ||
| Line 344: | Line 345: | ||
|} | |} | ||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and | <nowiki>*</nowiki> As a 17-limit system | ||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chords and chord progressions]]. | |||
== Notation == | == Notation == | ||
Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A♯ and B♭ are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A♯ and B♭ are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | ||
=== | === Stein–Zimmermann–Gould notation === | ||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats with arrows: | |||
{{Sharpness-sharp3-szg}} | |||
{{Sharpness-sharp3}} | |||
The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}. | The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}. | ||
| Line 362: | Line 361: | ||
Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings. | Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings. | ||
=== Kite's ups and downs notation === | |||
In [[Kite's ups and downs notation]], the "third-sharp" becomes an up and the "two-thirds-sharp" becomes a downsharp. | |||
Note that downsharp can be respelled as dup (double-up), and upflat as dud. | |||
{{Ups and downs sharpness}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as [[36edo#Sagittal notation| | This notation uses the same sagittal sequence as [[36edo #Sagittal notation|36edo]]. | ||
==== Evo flavor ==== | ==== Evo flavor ==== | ||
| Line 386: | Line 390: | ||
</imagemap> | </imagemap> | ||
=== Red-Blue | === Red-Blue notation === | ||
For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. | For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. Note that this is different from [[Kite's color notation]]. We have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯). | ||
The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter). | The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter). | ||
| Line 397: | Line 401: | ||
=== Interval mappings === | === Interval mappings === | ||
{{Q-odd-limit intervals | {{Q-odd-limit intervals}} | ||
=== | === Higher-limit JI === | ||
Although not [[consistent]], 43edo performs quite well in very high prime limits. It has unambiguous mappings for most prime harmonics up to ''113'', after which the demands on its pitch resolution finally become too great. The exceptions are 23, 41, 71, 89, and 103, which have more than 35% relative error (10 cents absolute error). This high-limit capability is useful for approaches based on the harmonic series, such as for creating [[#Ringer 43|Ringer scales]]. Mappings for ratios between these prime harmonics can then be derived from those for the primes themselves, allowing for a complete set of approximations to the first 16 harmonics in the harmonic series and an almost-complete approximation of the first 32 harmonics, although the limited consistency will give some unusual results. | |||
Within harmonics 1–63, 43edo approximates harmonics 15, 31, 37, 61, and 63 close to exactly – within less than a cent (less than 3% relative error). Indeed, one step of 43edo is very close to the [[64/63|septimal comma (64/63)]]; similarly, two steps is close to [[32/31]], and four steps tunes [[16/15]] almost perfectly. It approximates 3, 9, 13, 27, 39, 43, 53 and 61 flat. It approximates 5, 7, 11, 17, 19, 21, 25, 29, 33, 47, 49, 51, 57 and 59 sharp. Overall this gives 43edo a slightly sharp tendency/feeling. | |||
|- | |||
== Regular temperament properties == | == Regular temperament properties == | ||
| Line 443: | Line 421: | ||
|- | |- | ||
| 2.3 | | 2.3 | ||
| {{ | | {{Monzo| -68 43 }} | ||
| {{ | | {{Mapping| 43 68 }} | ||
| +1.35 | | +1.35 | ||
| 1.35 | | 1.35 | ||
| Line 451: | Line 429: | ||
| 2.3.5 | | 2.3.5 | ||
| 81/80, 50331648/48828125 | | 81/80, 50331648/48828125 | ||
| {{ | | {{Mapping| 43 68 100 }} | ||
| +0.27 | | +0.27 | ||
| 1.88 | | 1.88 | ||
| Line 458: | Line 436: | ||
| 2.3.5.7 | | 2.3.5.7 | ||
| 81/80, 126/125, 17280/16807 | | 81/80, 126/125, 17280/16807 | ||
| {{ | | {{Mapping| 43 68 100 121 }} | ||
| −0.51 | | −0.51 | ||
| 2.11 | | 2.11 | ||
| Line 465: | Line 443: | ||
| 2.3.5.7.11 | | 2.3.5.7.11 | ||
| 81/80, 99/98, 126/125, 864/847 | | 81/80, 99/98, 126/125, 864/847 | ||
| {{ | | {{Mapping| 43 68 100 121 149 }} | ||
| −0.80 | | −0.80 | ||
| 1.98 | | 1.98 | ||
| Line 472: | Line 450: | ||
| 2.3.5.7.11.13 | | 2.3.5.7.11.13 | ||
| 78/77, 81/80, 99/98, 126/125, 144/143 | | 78/77, 81/80, 99/98, 126/125, 144/143 | ||
| {{ | | {{Mapping| 43 68 100 121 149 159 }} | ||
| −0.52 | | −0.52 | ||
| 1.91 | | 1.91 | ||
| Line 479: | Line 457: | ||
| 2.3.5.7.11.13.17 | | 2.3.5.7.11.13.17 | ||
| 78/77, 81/80, 99/98, 120/119, 126/125, 144/143 | | 78/77, 81/80, 99/98, 120/119, 126/125, 144/143 | ||
| {{ | | {{Mapping| 43 68 100 121 149 159 176 }} | ||
| −0.52 | | −0.52 | ||
| 1.81 | | 1.81 | ||
| Line 486: | Line 464: | ||
| 2.3.5.7.11.13.17.19 | | 2.3.5.7.11.13.17.19 | ||
| 78/77, 81/80, 99/98, 120/119, 126/125, 135/133, 144/143 | | 78/77, 81/80, 99/98, 120/119, 126/125, 135/133, 144/143 | ||
| {{ | | {{Mapping| 43 68 100 121 149 159 176 183 }} | ||
| −0.87 | | −0.87 | ||
| 1.77 | | 1.77 | ||
| Line 506: | Line 484: | ||
| 3 | | 3 | ||
| <abbr title="328256967394537077627/295147905179352825856">(42 digits)</abbr> | | <abbr title="328256967394537077627/295147905179352825856">(42 digits)</abbr> | ||
| {{ | | {{Monzo| -68 43 }} | ||
| 184.07 | | 184.07 | ||
| Tribilawa | | Tribilawa | ||
| Line 513: | Line 491: | ||
| 5 | | 5 | ||
| <abbr title="254803968/244140625">(18 digits)</abbr> | | <abbr title="254803968/244140625">(18 digits)</abbr> | ||
| {{ | | {{Monzo| 20 5 -12 }} | ||
| 74.01 | | 74.01 | ||
| Saquadtrigu | | Saquadtrigu | ||
| Line 520: | Line 498: | ||
| 5 | | 5 | ||
| <abbr title="50331648/48828125">(16 digits)</abbr> | | <abbr title="50331648/48828125">(16 digits)</abbr> | ||
| {{ | | {{Monzo| 24 1 -11 }} | ||
| 52.50 | | 52.50 | ||
| Salegu | | Salegu | ||
| Line 527: | Line 505: | ||
| 5 | | 5 | ||
| [[81/80]] | | [[81/80]] | ||
| {{ | | {{Monzo| -4 4 -1 }} | ||
| 21.51 | | 21.51 | ||
| Gu | | Gu | ||
| Line 534: | Line 512: | ||
| 5 | | 5 | ||
| <abbr title="4294967296/4271484375">(20 digits)</abbr> | | <abbr title="4294967296/4271484375">(20 digits)</abbr> | ||
| {{ | | {{Monzo| 32 -7 -9 }} | ||
| 9.49 | | 9.49 | ||
| Sasa-tritrigu | | Sasa-tritrigu | ||
| Line 541: | Line 519: | ||
| 5 | | 5 | ||
| <abbr title="295578376007080078125/295147905179352825856">(42 digits)</abbr> | | <abbr title="295578376007080078125/295147905179352825856">(42 digits)</abbr> | ||
| {{ | | {{Monzo| -68 18 17 }} | ||
| 2.52 | | 2.52 | ||
| Quinla-seyo | | Quinla-seyo | ||
| Line 548: | Line 526: | ||
| 7 | | 7 | ||
| [[59049/57344]] | | [[59049/57344]] | ||
| {{ | | {{Monzo| -13 10 0 -1 }} | ||
| 50.72 | | 50.72 | ||
| Laru | | Laru | ||
| Line 555: | Line 533: | ||
| 7 | | 7 | ||
| [[3645/3584]] | | [[3645/3584]] | ||
| {{ | | {{Monzo| -9 6 1 -1 }} | ||
| 29.22 | | 29.22 | ||
| Laruyo | | Laruyo | ||
| Line 562: | Line 540: | ||
| 7 | | 7 | ||
| <abbr title="2500000/2470629">(14 digits)</abbr> | | <abbr title="2500000/2470629">(14 digits)</abbr> | ||
| {{ | | {{Monzo| 5 -1 7 -7 }} | ||
| 20.46 | | 20.46 | ||
| Sepruyo | | Sepruyo | ||
| Line 569: | Line 547: | ||
| 7 | | 7 | ||
| [[126/125]] | | [[126/125]] | ||
| {{ | | {{Monzo| 1 2 -3 1 }} | ||
| 13.80 | | 13.80 | ||
| Zotrigu | | Zotrigu | ||
| Line 576: | Line 554: | ||
| 7 | | 7 | ||
| <abbr title="2097152/2083725">(14 digits)</abbr> | | <abbr title="2097152/2083725">(14 digits)</abbr> | ||
| {{ | | {{Monzo| 21 -5 -2 -3 }} | ||
| 11.12 | | 11.12 | ||
| Satriru-agugu | | Satriru-agugu | ||
| Line 583: | Line 561: | ||
| 7 | | 7 | ||
| <abbr title="257298363/256000000">(18 digits)</abbr> | | <abbr title="257298363/256000000">(18 digits)</abbr> | ||
| {{ | | {{Monzo| -14 7 -6 6 }} | ||
| 8.76 | | 8.76 | ||
| Latribizogu | | Latribizogu | ||
| Line 590: | Line 568: | ||
| 7 | | 7 | ||
| [[225/224]] | | [[225/224]] | ||
| {{ | | {{Monzo| -5 2 2 -1 }} | ||
| 7.71 | | 7.71 | ||
| Ruyoyo | | Ruyoyo | ||
| Line 597: | Line 575: | ||
| 7 | | 7 | ||
| [[3136/3125]] | | [[3136/3125]] | ||
| {{ | | {{Monzo| 6 0 -5 2 }} | ||
| 6.08 | | 6.08 | ||
| Zozoquingu | | Zozoquingu | ||
| Line 604: | Line 582: | ||
| 7 | | 7 | ||
| <abbr title="703125/702464">(12 digits)</abbr> | | <abbr title="703125/702464">(12 digits)</abbr> | ||
| {{ | | {{Monzo| -11 2 7 -3 }} | ||
| 1.63 | | 1.63 | ||
| Latriru-asepyo | | Latriru-asepyo | ||
| Line 611: | Line 589: | ||
| 11 | | 11 | ||
| [[1350/1331]] | | [[1350/1331]] | ||
| {{ | | {{Monzo| 1 3 2 0 -3}} | ||
| 24.54 | | 24.54 | ||
| Trilu-ayoyo | | Trilu-ayoyo | ||
| Line 618: | Line 596: | ||
| 11 | | 11 | ||
| [[99/98]] | | [[99/98]] | ||
| {{ | | {{Monzo| -1 2 0 -2 1 }} | ||
| 17.58 | | 17.58 | ||
| Loruru | | Loruru | ||
| Line 625: | Line 603: | ||
| 11 | | 11 | ||
| [[176/175]] | | [[176/175]] | ||
| {{ | | {{Monzo| 4 0 -2 -1 1 }} | ||
| 9.86 | | 9.86 | ||
| Lorugugu | | Lorugugu | ||
| Line 632: | Line 610: | ||
| 11 | | 11 | ||
| [[441/440]] | | [[441/440]] | ||
| {{ | | {{Monzo| -3 2 -1 2 -1 }} | ||
| 3.93 | | 3.93 | ||
| Luzozogu | | Luzozogu | ||
| Line 639: | Line 617: | ||
| 11 | | 11 | ||
| [[4000/3993]] | | [[4000/3993]] | ||
| {{ | | {{Monzo| 5 -1 3 0 -3}} | ||
| 3.03 | | 3.03 | ||
| Triluyo | | Triluyo | ||
| Line 646: | Line 624: | ||
| 11 | | 11 | ||
| <abbr title="131072/130977">(12 digits)</abbr> | | <abbr title="131072/130977">(12 digits)</abbr> | ||
| {{ | | {{Monzo| 17 -5 0 -2 -1 }} | ||
| 1.26 | | 1.26 | ||
| Salururu | | Salururu | ||
| Line 653: | Line 631: | ||
| 11 | | 11 | ||
| <abbr title="117440512/117406179">(18 digits)</abbr> | | <abbr title="117440512/117406179">(18 digits)</abbr> | ||
| {{ | | {{Monzo| 24 -6 0 1 -5 }} | ||
| 0.51 | | 0.51 | ||
| Saquinlu-azo | | Saquinlu-azo | ||
| Line 660: | Line 638: | ||
| 13 | | 13 | ||
| [[78/77]] | | [[78/77]] | ||
| {{ | | {{Monzo| 1 1 0 -1 -1 1 }} | ||
| 22.34 | | 22.34 | ||
| Tholuru | | Tholuru | ||
| Line 667: | Line 645: | ||
| 13 | | 13 | ||
| [[144/143]] | | [[144/143]] | ||
| {{ | | {{Monzo| 4 2 0 0 -1 -1 }} | ||
| 12.06 | | 12.06 | ||
| Thulu | | Thulu | ||
| Line 674: | Line 652: | ||
| 13 | | 13 | ||
| [[169/168]] | | [[169/168]] | ||
| {{ | | {{Monzo| -3 -1 0 -1 0 2 }} | ||
| 10.27 | | 10.27 | ||
| Thothoru | | Thothoru | ||
| Line 681: | Line 659: | ||
| 13 | | 13 | ||
| <abbr title="373248/371293">(12 digits)</abbr> | | <abbr title="373248/371293">(12 digits)</abbr> | ||
| {{ | | {{Monzo| 9 6 0 0 0 -5 }} | ||
| 9.09 | | 9.09 | ||
| Quinthu | | Quinthu | ||
| Line 688: | Line 666: | ||
| 13 | | 13 | ||
| [[364/363]] | | [[364/363]] | ||
| {{ | | {{Monzo| 2 -1 0 1 -2 1 }} | ||
| 4.76 | | 4.76 | ||
| Tholuluzo | | Tholuluzo | ||
| Line 695: | Line 673: | ||
| 13 | | 13 | ||
| [[1001/1000]] | | [[1001/1000]] | ||
| {{ | | {{Monzo| -3 0 -3 1 1 1 }} | ||
| 1.73 | | 1.73 | ||
| Tholozotrigu | | Tholozotrigu | ||
| Line 702: | Line 680: | ||
| 13 | | 13 | ||
| [[2080/2079]] | | [[2080/2079]] | ||
| {{ | | {{Monzo| 5 -3 1 -1 -1 1 }} | ||
| 0.83 | | 0.83 | ||
| Tholuruyo | | Tholuruyo | ||
| Line 709: | Line 687: | ||
| 13 | | 13 | ||
| [[4096/4095]] | | [[4096/4095]] | ||
| {{ | | {{Monzo| 12 -2 -1 -1 0 -1 }} | ||
| 0.42 | | 0.42 | ||
| Sathurugu | | Sathurugu | ||
| | | Minisma | ||
|- | |- | ||
| 17 | | 17 | ||
| [[120/119]] | | [[120/119]] | ||
| {{ | | {{Monzo| 3 1 1 -1 0 0 -1 }} | ||
| 14.49 | | 14.49 | ||
| Suruyo | | Suruyo | ||
| Line 723: | Line 701: | ||
| 17 | | 17 | ||
| [[221/220]] | | [[221/220]] | ||
| {{ | | {{Monzo| -2 0 -1 0 -1 1 1 }} | ||
| 7.85 | | 7.85 | ||
| Sotholugu | | Sotholugu | ||
| Line 730: | Line 708: | ||
| 17 | | 17 | ||
| [[256/255]] | | [[256/255]] | ||
| {{ | | {{Monzo| 8 -1 -1 0 0 0 -1 }} | ||
| 6.78 | | 6.78 | ||
| Sugu | | Sugu | ||
| Line 737: | Line 715: | ||
| 17 | | 17 | ||
| [[273/272]] | | [[273/272]] | ||
| {{ | | {{Monzo| 5 1 -1 0 0 0 0 -1 }} | ||
| 6.35 | | 6.35 | ||
| Suthozo | | Suthozo | ||
| Line 744: | Line 722: | ||
| 17 | | 17 | ||
| [[715/714]] | | [[715/714]] | ||
| {{ | | {{Monzo| -1 -1 1 -1 1 1 -1 }} | ||
| 2.42 | | 2.42 | ||
| Sutholoruyo | | Sutholoruyo | ||
| Line 751: | Line 729: | ||
| 19 | | 19 | ||
| [[96/95]] | | [[96/95]] | ||
| {{ | | {{Monzo| 5 1 -1 0 0 0 0 -1 }} | ||
| 18.13 | | 18.13 | ||
| Nugu | | Nugu | ||
| Line 758: | Line 736: | ||
| 19 | | 19 | ||
| [[153/152]] | | [[153/152]] | ||
| {{ | | {{Monzo| -3 2 0 0 0 0 1 -1}} | ||
| 11.35 | | 11.35 | ||
| Nuso | | Nuso | ||
| Line 765: | Line 743: | ||
| 19 | | 19 | ||
| [[171/170]] | | [[171/170]] | ||
| {{ | | {{Monzo| -1 2 -1 0 0 0 -1 1 }} | ||
| 10.15 | | 10.15 | ||
| Nosugu | | Nosugu | ||
| Line 772: | Line 750: | ||
| 19 | | 19 | ||
| [[209/208]] | | [[209/208]] | ||
| {{ | | {{Monzo| -4 0 0 0 1 -1 0 1 }} | ||
| 8.30 | | 8.30 | ||
| Nothulo | | Nothulo | ||
| Line 779: | Line 757: | ||
| 19 | | 19 | ||
| [[210/209]] | | [[210/209]] | ||
| {{ | | {{Monzo| 1 1 1 1 -1 0 0 -1 }} | ||
| 8.26 | | 8.26 | ||
| Nuluzoyo | | Nuluzoyo | ||
| Spleen comma | | Spleen comma | ||
|} | |} | ||
<references group="note" /> | |||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
| Line 797: | Line 776: | ||
| 1 | | 1 | ||
| 1\43 | | 1\43 | ||
| 27. | | 27.9 | ||
| 64/63 | | 64/63 | ||
| [[Arch]] | | [[Arch]] | ||
| Line 803: | Line 782: | ||
| 1 | | 1 | ||
| 2\43 | | 2\43 | ||
| 55. | | 55.8 | ||
| 33/32 | | 33/32 | ||
| [[Escapade]] | | [[Escapade]] | ||
|- | |||
| 1 | |||
| 3\43 | |||
| 83.7 | |||
| 21/20 | |||
| [[Marvolo]] | |||
|- | |- | ||
| 1 | | 1 | ||
| 4\43 | | 4\43 | ||
| 111. | | 111.6 | ||
| 16/15 | | 16/15 | ||
| [[Vavoom]] | | [[Vavoom]] | ||
| Line 815: | Line 800: | ||
| 1 | | 1 | ||
| 5\43 | | 5\43 | ||
| 139. | | 139.5 | ||
| 13/12 | | 13/12 | ||
| [[Jerome]] | | [[Jerome]] | ||
| Line 821: | Line 806: | ||
| 1 | | 1 | ||
| 6\43 | | 6\43 | ||
| 167. | | 167.4 | ||
| 11/10 | | 11/10 | ||
| [[Superpine]] | | [[Superpine]] | ||
| Line 827: | Line 812: | ||
| 1 | | 1 | ||
| 7\43 | | 7\43 | ||
| 195. | | 195.3 | ||
| 28/25 | | 28/25 | ||
| [[Didacus]] | | [[Didacus]] | ||
| Line 833: | Line 818: | ||
| 1 | | 1 | ||
| 8\43 | | 8\43 | ||
| 223. | | 223.3 | ||
| 8/7 | | 8/7 | ||
| [[Kumonga]] | | [[Kumonga]] | ||
| Line 839: | Line 824: | ||
| 1 | | 1 | ||
| 9\43 | | 9\43 | ||
| 251. | | 251.2 | ||
| 15/13 | | 15/13 | ||
| [[Hemimeantone]] | | [[Hemimeantone]] | ||
| Line 845: | Line 830: | ||
| 1 | | 1 | ||
| 10\43 | | 10\43 | ||
| 279. | | 279.1 | ||
| 75/64 | | 75/64 | ||
| [[Decipentic]] | | [[Decipentic]] | ||
| Line 851: | Line 836: | ||
| 1 | | 1 | ||
| 11\43 | | 11\43 | ||
| 334. | | 334.9 | ||
| 17/14 | | 17/14 | ||
| [[Cohemimabila]] | | [[Cohemimabila]] | ||
| Line 857: | Line 842: | ||
| 1 | | 1 | ||
| 13\43 | | 13\43 | ||
| 362. | | 362.8 | ||
| 16/13 | | 16/13 | ||
| [[ | | [[Demibuzzard]] / interpental | ||
|- | |- | ||
| 1 | | 1 | ||
| 14\43 | | 14\43 | ||
| 390. | | 390.7 | ||
| 5/4 | | 5/4 | ||
| [[Amigo]] | | [[Amigo]] | ||
| Line 869: | Line 854: | ||
| 1 | | 1 | ||
| 16\43 | | 16\43 | ||
| 446. | | 446.5 | ||
| 13/10 | | 13/10 | ||
| [[Supersensi]] | | [[Supersensi]] | ||
|- | |||
| 1 | |||
| 17\43 | |||
| 474.4 | |||
| 21/16 | |||
| [[Buzzard]] (2.3.7) | |||
|- | |- | ||
| 1 | | 1 | ||
| 18\43 | | 18\43 | ||
| 502. | | 502.3 | ||
| 4/3 | | 4/3 | ||
| [[Meantone]] | | [[Meantone]] | ||
| Line 881: | Line 872: | ||
| 1 | | 1 | ||
| 19\43 | | 19\43 | ||
| 530. | | 530.2 | ||
| 15/11 | | 15/11 | ||
| [[Amavil]] | | [[Amavil]] | ||
| Line 887: | Line 878: | ||
| 1 | | 1 | ||
| 20\43 | | 20\43 | ||
| 558. | | 558.1 | ||
| 11/8 | | 11/8 | ||
| [[Thuja]] | | [[Thuja]] | ||
| Line 893: | Line 884: | ||
| 1 | | 1 | ||
| 21\43 | | 21\43 | ||
| 586. | | 586.0 | ||
| 7/5 | | 7/5 | ||
| [[Merman]] | | [[Merman]] | ||
|} | |} | ||
<nowiki/>* [[Normal | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave | ||
== Detemperaments == | == Detemperaments == | ||
| Line 912: | Line 903: | ||
=== Harmonic scales === | === Harmonic scales === | ||
43edo represents the first 16 overtones of the [[harmonic series]] well (written as a ratio of 8:9:10:11:12:13:14:15:16 in [[just intonation]]) with degrees 0, 7, 14, 20, 25, 30, 35, 39, and 43, and scale steps of 7, 7, 6, 5, 5, 5, 4, and 4. | 43edo represents the first 16 overtones of the [[harmonic series]] well (written as a ratio of 8:9:10:11:12:13:14:15:16 in [[just intonation]]) with degrees 0, 7, 14, 20, 25, 30, 35, 39, and 43, and scale steps of 7, 7, 6, 5, 5, 5, 4, and 4. | ||
* 7\43 (195. | * 7\43 (195.3¢) stands in for frequency ratio [[9/8]] (203.9¢) and [[10/9]] (182.4¢). | ||
* 6\43 (156. | * 6\43 (156.5¢) stands in for [[11/10]] (165.0¢). | ||
* 5\46 (130. | * 5\46 (130.4¢) stands in for [[12/11]] (150.6¢), [[13/12]] (138.6¢), and [[14/13]] (128.3¢). | ||
* 4\43 (111. | * 4\43 (111.6¢) stands in for [[15/14]] (119.4¢) and [[16/15]] (111.7¢). | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
| Line 1,000: | Line 991: | ||
* Fossa pentatonic scale (approximated from [[catnip]] in [[60edo]]): 5 14 6 6 12 | * Fossa pentatonic scale (approximated from [[catnip]] in [[60edo]]): 5 14 6 6 12 | ||
* [[Magnetosphere scale]] (approximated from [[Hexany 1728]]): 4 10 11 11 7 | * [[Magnetosphere scale]] (approximated from [[Hexany 1728]]): 4 10 11 11 7 | ||
== Instruments == | |||
*[[Lumatone mapping for 43edo]] | |||
*[[Skip fretting system 43 2 9]] | |||
=== Keyboards === | |||
A possible isomorphic keyboard layout for 43edo: | |||
[[File:Fifth Comma Meantone Keyboard Layout.svg|800px|none|thumb]] | |||
== Music == | == Music == | ||
| Line 1,012: | Line 1,011: | ||
* [https://www.youtube.com/watch?v=GkuUVQYpjo4 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | * [https://www.youtube.com/watch?v=GkuUVQYpjo4 ''Prelude in E Minor "The Great"''] – rendered by Claudi Meneghin (2023) | ||
* [https://www.youtube.com/watch?v=UYaZZXUrGeA ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | * [https://www.youtube.com/watch?v=UYaZZXUrGeA ''Prelude in E Minor "The Little"''] – rendered by Claudi Meneghin (2024) | ||
; {{W|John Bull (composer)|John Bull}} | |||
* [https://www.youtube.com/watch?v=hkW5aqnhaSc ''Fantasia «Ut Re Mi Fa Sol La»''] (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – rendered by Claudi Meneghin (2026) | |||
; {{W|Frédéric Chopin}} | |||
* [https://www.youtube.com/watch?v=VyEKLxAtWm4 ''Prelude'', Op. 28, No. 4] (1838) – arranged for organ, rendered by Claudi Meneghin (2021) | |||
* ''"Waterfall" Étude from 12 Études, op. 10'' (1829–1832) | |||
** [https://www.youtube.com/shorts/m408V08QAMI Sine wave version] — rendered by Claudi Meneghin (2025) | |||
** [https://www.youtube.com/shorts/oZiYri-sDYo Fortepiano version] — rendered by Claudi Meneghin (2025) | |||
; {{W|George Frideric Handel}} | ; {{W|George Frideric Handel}} | ||
| Line 1,028: | Line 1,036: | ||
; [[Bryan Deister]] | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/watch?v=pALxebjbhZo ''microtonal improvisation in 43edo''] (2023) | * [https://www.youtube.com/watch?v=pALxebjbhZo ''microtonal improvisation in 43edo''] (2023) | ||
* [https://www.youtube.com/shorts/URUCEOW3Mqo ''43edo improv''] (2025) | |||
* [https://www.youtube.com/shorts/f0zt-iBln44 ''Being for the Benefit of Mr. Kite! - The Beatles (microtonal cover in 43edo)''] (2025) | |||
* [https://www.youtube.com/shorts/Qh5rjmsfwE0 ''43edo improv''] (2026) | |||
* [https://www.youtube.com/watch?v=j5qbzEPRUUY ''Waltz in 43edo''] (2026) | |||
; [[Cale Gibbard]] | |||
* [https://www.youtube.com/watch?v=nUoTzgi8FtM 43edo fun with A, Bbb, Cbbb] (2023) | * [https://www.youtube.com/watch?v=nUoTzgi8FtM 43edo fun with A, Bbb, Cbbb] (2023) | ||
; [[Peter Kosmorsky]] | ; [[Peter Kosmorsky]] | ||
* [[:File:43_edo_counterpoint.mid|43 edo counterpoint.mid]] [http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3 mp3]{{dead link}} (late 2011) – in meantone | * [[:File:43_edo_counterpoint.mid|43 edo counterpoint.mid]] [http://micro.soonlabel.com/gene_ward_smith/Others/Kosmorsky/43%20edo%20counterpoint.mp3 mp3]{{dead link}} (late 2011) – in meantone | ||
| Line 1,039: | Line 1,052: | ||
; [[Juhan Puhm]] ([http://juhanpuhmmusic.ca site]) | ; [[Juhan Puhm]] ([http://juhanpuhmmusic.ca site]) | ||
* ''Meantone Suite V in D Minor'' (2017) – [https://www.youtube.com/watch?v=I68hwh45CyQ YouTube] | [http://juhanpuhmmusic.ca/Juhan-Puhm-Meantone-Suite-V-D-Minor.pdf score] | * ''Meantone Suite V in D Minor'' (2017) – [https://www.youtube.com/watch?v=I68hwh45CyQ YouTube] | [http://juhanpuhmmusic.ca/Juhan-Puhm-Meantone-Suite-V-D-Minor.pdf score] | ||
; [[Sevish]] | |||
* Mystify (2025) – [https://www.youtube.com/watch?v=NgXXTMS5YPc Youtube] | [https://sevish.bandcamp.com/track/mystify Bandcamp] | |||
; [[Randy Wells]] | ; [[Randy Wells]] | ||
| Line 1,045: | Line 1,061: | ||
; [[Xotla]] | ; [[Xotla]] | ||
* "Beebounce" from ''Jazzbeetle'' (2023) – [https://open.spotify.com/track/4PzANNtxXsNEsdApnYKgHK Spotify] | [https://xotla.bandcamp.com/track/beebounce-43edo Bandcamp] | [https://youtu.be/EZIg5fojFfE YouTube] – jazzy big band electronic hybrid | * "Beebounce" from ''Jazzbeetle'' (2023) – [https://open.spotify.com/track/4PzANNtxXsNEsdApnYKgHK Spotify] | [https://xotla.bandcamp.com/track/beebounce-43edo Bandcamp] | [https://youtu.be/EZIg5fojFfE YouTube] – jazzy big band electronic hybrid | ||
== References == | == References == | ||