159edo/Interval names and harmonies: Difference between revisions
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| This trine is the second of two that are often used in the extended harmony of t<IV chords and is considered a dissonance | | This trine is the second of two that are often used in the extended harmony of t<IV chords and is considered a dissonance | ||
|- | |- | ||
| | | Bass-Up Marvelous | ||
| D, A\, D | | D, A\, D | ||
| 0, 92, 0 | | 0, 92, 0 | ||
| | | 75:112:150 | ||
| | | This dissonant trine is the first of two that are formed from stacking identical approximations of the LCJI neutral third | ||
|- | |- | ||
| | | Treble-Down Marvelous | ||
| D, G/, D | | D, G/, D | ||
| 0, 67, 0 | | 0, 67, 0 | ||
| | | 1/(75:112:150) | ||
| | | This dissonant trine is the second of two that are formed from stacking identical approximations of the LCJI neutral third | ||
|- | |- | ||
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