17edo: Difference between revisions
m →Theory: harmonic 23 is simple enough |
m →As a means of extending harmony: fix grammar |
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Since the intervals of the 2.3.7-subgroup cluster around [[5edo]], a pentatonic system of interval classification may be preferred over the heptatonic one, with 7/6 being a major interval and 8/7 being a minor one. | Since the intervals of the 2.3.7-subgroup cluster around [[5edo]], a pentatonic system of interval classification may be preferred over the heptatonic one, with 7/6 being a major interval and 8/7 being a minor one. | ||
Of course, scales generated by the perfect fifth aren't the only scales 17edo contains. Another type of scale is [[neutral third scales]], which are generated by half a fifth (5\17), and take the MOS patterns [[4L 3s]] (mosh) and [[7L 3s]] (dicoid). Other notable scales include that of [[bleu]] (generated by 2\17), and [[skwares]] (generated by 6\17). Non-MOS scales also exist; a more complete can be found in the [[#Scales]] section. | Of course, scales generated by the perfect fifth aren't the only scales 17edo contains. Another type of scale is [[neutral third scales]], which are generated by half a fifth (5\17), and take the MOS patterns [[4L 3s]] (mosh) and [[7L 3s]] (dicoid). Other notable scales include that of [[bleu]] (generated by 2\17), and [[skwares]] (generated by 6\17). Non-MOS scales also exist; a more complete list can be found in the [[#Scales]] section. | ||
Because the 5th harmonic is not well-approximated, using timbres with attenuated 5th harmonics (and its multiples) may reduce audible beating. | Because the 5th harmonic is not well-approximated, using timbres with attenuated 5th harmonics (and its multiples) may reduce audible beating. | ||