159edo/Interval names and harmonies: Difference between revisions
Finishing up the tasks with harmonic and melodic compatibility ratings |
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:* It readily serves as a Diatonic whole tone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, since… | :* It readily serves as a Diatonic whole tone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, since… | ||
::* It functions as a Double Dominant due to being the result of stacking two Perfect Fifths and octave-reducing | ::* It functions as a Double Dominant due to being the result of stacking two Perfect Fifths and octave-reducing | ||
:* Is the whole tone that is used as a reference interval in [[ | :* Is the whole tone that is used as a reference interval in [[diatonic, chromatic, enharmonic, subchromatic|diatonic-and-chromatic-style]] interval logic in this system as it pertains to both semitones and quartertones, and thus… | ||
::* It sees usage in Paradiatonic and Parachromatic harmonies in addition to the more obvious Diatonic-related uses | ::* It sees usage in Paradiatonic and Parachromatic harmonies in addition to the more obvious Diatonic-related uses | ||
* Is one fourth of this system's approximation of the Classic Minor Sixth as a consequence of the schisma being tempered out in this system | * Is one fourth of this system's approximation of the Classic Minor Sixth as a consequence of the schisma being tempered out in this system | ||