159edo/Interval names and harmonies: Difference between revisions

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-Next, the triads, which end up inheriting the base trine's type, and as a consequence, there are even more triads than there are trines.  Of course, it should be mentioned that suspensions occur where there's overlap between thirds and fourths, and these are excluded from this list.
+Next, the basic triads, which end up inheriting the base trine's type, and as a consequence, there are even more triads than there are trines, though this list will only cover the triads that build off of the Otonal Perfect Trine for the sake of ease.  Of course, it should be mentioned that suspensions occur where there's overlap between thirds and fourths, and these are excluded from this list along with augmented and diminished triads and variations thereof.
 {| class="mw-collapsible mw-collapsed wikitable center-1"
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 | 1/(22:28:33) <br>22:26:33
 | This ambisonant triad is very useful in Neo-Medieval Harmony
+|-
+| Neo-Gothic Supermajor
+| D, F#↑\, A
+| 0, 56, 93
+| 1/(34:40:51)
+| This triad imitates the qualities of 17edo's Major triad
+|-
+| Neo-Gothic Subminor
+| D, F↓/, A
+| 0, 37, 93
+| 34:40:51
+| This triad imitates the qualities of 17edo's Minor triad
 |-
 |}