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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | [[Just intonation]] is an infinite universe. A justly-intoned [[pentatonic]] can be very effective in the hands of a sensitive composer, and in this electronic age that same composer on another day can use a [[scale]] with hundreds of notes in an [[octave]]. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-02-13 22:17:07 UTC</tt>.<br>
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| : The original revision id was <tt>201444256</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Just Intonation is an infinite universe. You can have a JI scale with two tones or a trillion. I ([[user:Andrew_Heathwaite|1280008569]]) have an interest in JI scales large & small. A just-intoned pentatonic can be very effective in th hands of a sensitive composer.
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| One approach that interests me is to map an octave-repeating 12-tone JI scale to a keyboard. Of course, there are an infinite number of possible 12-tone JI scales. This page is my attempt to collect some. Please feel free to add more or make corrections as you discover them or invent them! | | One approach to making just intonation not only practical but easy is to map an [[Periodic_scale|octave-repeating]] 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a [[Gallery_of_12-tone_Tempered_Scales|companion page]] does the same for tempered scales. |
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| * [[otones12-24|otones 12-24]] a.k.a. Mode 12 of the [[OverToneSeries|Harmonic Series]]: 1/1, 13/12, 7/6, 5/4, 4/3, 17/12, 3/2, 19/12, 5/3, 7/4, 11/6, 23/16, 2/1
| | == [[Chain of fifths|Interval circle]]-based == |
| * [[http://www.anaphoria.com/centaur.html|Centaur]], a 7-limit tuning discovered by Kraig Grady: 1/1, 21/20, 9/8, 7/6, 5/4, 4/3, 7/5, 3/2, 14/9, 5/3, 7/4, 15/8, 2/1
| | * [[Rectoo]] – Hahn reduced circle of fifths via <12 19 27 34| |
| * [[nofives]] a 3 & 7 scale discovered by Gene Ward Smith: 1/1, 28/27, 9/8, 7/6, 9/7, 4/3, 49/36, 3/2, 14/9, 12/7, 7/4, 49/27, 2/1 | | * [[Secor5_23TX]] – [[George Secor]]'s synchronous 5/23-comma temperament extraordinaire |
| ** see [[http://www.youtube.com/watch?v=n7mxHWdkV04|this piano improvisation]] by Aaron Krister Johnson.
| | |
| * [[duohex]] a scale with two hexanies: 15/14 9/8 6/5 5/4 9/7 10/7 3/2 45/28 12/7 9/5 15/8 2 | | == Chord-based (eg [[tritriadic scale|tritriadic]], [[tetrachord|tetrachordal]]) == |
| * [[dwarf12_7]] the 7-limit 12-note dwarf | | * [[Cv_scales|Cv scales]] – [[Periodic_scale|epimorphic scales]] with three major and two minor tetrads |
| * [[dwarf12_11]] the 11-limit 12-note dwarf | | * [[Hahn_7|Hahn_7]] – [[Paul Hahn]]'s scale with 32 consonant 7-limit dyads. TL '99 |
| * [[breedball3]] the third breed ball around 49/40-7/4
| | * [[Major_clus|Major clus]] – Chalmers' Major Mode Cluster |
| * [[12highschool1]] first 12-note highschool scale | | * [[Major_wing|Major wing]] – Chalmers' Major Wing with 7 major and 6 minor triads |
| * [[12highschool2]] second 12-note highschool scale
| | * [[Max_scales|Max scales]] – 31 dyads 26 triads 6 tetrads 2 pentads |
| * [[hahn12]] Hahn-reduced 12 note scale | | * [[Minor_clus|Minor clus]] – Chalmers' Minor Mode Cluster, Genus [333335] |
| * [[hexy]] maximized 9-limit harmony containing a hexany | | * [[Minor_wing|Minor wing]] – Chalmers' Minor Wing with 7 minor and 6 major triads |
| * [[bihexany]] Hole around [0, 1/2, 1/2, 1/2] | | * [[Barton]] – [[Jacob Barton]], tetratetradic scale on 6:7:9:11 |
| * [[prism]] Carl Lumma scale
| | |
| * [[pris]] optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale | | == [[Detempering]]-based == |
| * [[glumma]] a <12 19 27 34|-epimorphic rectangular scale | | * [[Duodene_skew]] – rotated duodene = magsyn3 |
| * [[rectoo]] Hahn reduced circle of fifths via <12 19 27 34| | | * [[Pre-archytas]] – tuning |
| * [[blue-ji]] John O'Sullivan and Carl Lumma
| | * [[Mohajira-to-slendro]] – Dudon's "From Mohajira to Aeolian and Slendros" by [[Gene Ward Smith]] |
| * [[wilson_class]] Erv Wilson's class | | ** [[Chris Vaisvil]], [http://micro.soonlabel.com/just/pre-archytas-hobbit/daily20110621_zither_ji.mp3 Just Zither Me] [http://chrisvaisvil.com/?p=983 (details)] |
| * [[wilson_helix]] Wilson's Helix Song
| | * [[Septimal Canright]] – A 7-limit detemper of 12edo used by [[David Canright]] |
| * [[stelhex]] | | * [[Thirteendene]] – 2.3.5.7.13 marveldene transversal |
| * [[stelhex2]] | | |
| * [[stexhex5]]
| | === [[Wakalix]]-based === |
| * Wendy Carlos Harmonic Scale: 1/1, 17/16, 9/8, 19/16, 5/4, 21/16, 11/8, 3/2, 13/8, 27/16, 7/4, 15/8 | | * [[Collapsar]] – an 11-limit patent val superwakalix |
| * La Monte Young's scale from The Well-Tuned Piano: 1/1, 567/512, 9/8, 147/128, 21/16, 1323/1024, 189/128, 3/2, 49/32, 7/4, 441/256, 63/32, 2/1 | | * [[Domdimpajinjschis]] – superwakalix |
| * an 11-limit tuning discovered by Lou Harrison and Bill Slye: 1/1, 28/27, 9/8, 7/6, 5/4, 4/3, 11/8, 3/2, 14/9, 5/3, 7/4, 11/6, 2/1 | | * [[Domdimpajinjmean]] – superwakalix, same as miller7, parizek_ji1 |
| ** see David B. Doty's [[http://www.dbdoty.com/SteelSuiteIntro.html|Steel Suite]]. | | |
| * [[Rodan]], a 13-limit tuning discovered by [[Andrew Heathwaite]]: 1/1, 33/32, 9/8, 39/32, 5/4, 21/16, 11/8, 3/2, 13/8, 27/16, 7/4, 15/8, 2/1 | | == [[Erv Wilson]]-related == |
| * [[http://electro-music.com/forum/topic-14631.html|11's chromatic scale]], a 11-limit tuning discovered by [[Carlo Serafini]]: 1/1, 11/10, 9/8, 7/6, 5/4, 11/8, 10/7, 3/2, 8/5, 5/3, 7/4, 20/11, 2/1 | | * [[Wilson_class|Wilson class]] – [[Erv Wilson]]'s class |
| * Michael Harrison's [[http://www.michaelharrison.com/harmonic-tunings.html|Revelation Tuning]]: "The twelve pitches are tuned to the following twelve harmonics or “overtones” of the fundamental note F. For white keys: F=1, C=3, G=9, D=27, A=81, E=243, and B=729 (all of which are multiples of the prime number 3); and for black keys: E-flat=7, B-flat=21, F#=63, C#=189, and G#=567 (all of which are multiples of the primes 3 and 7)." | | * [[Wilson helix]] |
| * [[sonbirkezsorted]]</pre></div> | | * [[Wilsonistic]] – [[Margo Schulter]]'s Wilsonistic Pivot on C |
| <h4>Original HTML content:</h4>
| | * [[Wilson-middle-rank-12]] – Wilson 7-limit, 12-note middle rank of 22 [[marimba]] scale |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Gallery of 12-tone Just Intonation Scales</title></head><body>Just Intonation is an infinite universe. You can have a JI scale with two tones or a trillion. I (<!-- ws:start:WikiTextUserlinkRule:00:[[user:Andrew_Heathwaite|1280008569]] --><span class="membersnap">- <a class="userLink" href="http://www.wikispaces.com/user/view/Andrew_Heathwaite" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/Andrew_Heathwaite-lg.jpg" width="16" height="16" alt="Andrew_Heathwaite" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/Andrew_Heathwaite" style="outline: none;">Andrew_Heathwaite</a> <small>Jul 24, 2010</small></span><!-- ws:end:WikiTextUserlinkRule:00 -->) have an interest in JI scales large &amp; small. A just-intoned pentatonic can be very effective in th hands of a sensitive composer.<br />
| | ** Chris Vaisvil, [http://micro.soonlabel.com/just/wilson/daily20101225--wilsonistic_pivot_C-ji.mp3 A Blue Christmas for Erv] |
| <br />
| | |
| One approach that interests me is to map an octave-repeating 12-tone JI scale to a keyboard. Of course, there are an infinite number of possible 12-tone JI scales. This page is my attempt to collect some. Please feel free to add more or make corrections as you discover them or invent them!<br />
| | === [[CPS]]-based === |
| <br />
| | * [[1-3-5-7 by 9/5 bihexany]] |
| <ul><li><a class="wiki_link" href="/otones12-24">otones 12-24</a> a.k.a. Mode 12 of the <a class="wiki_link" href="/OverToneSeries">Harmonic Series</a>: 1/1, 13/12, 7/6, 5/4, 4/3, 17/12, 3/2, 19/12, 5/3, 7/4, 11/6, 23/16, 2/1</li><li><a class="wiki_link_ext" href="http://www.anaphoria.com/centaur.html" rel="nofollow">Centaur</a>, a 7-limit tuning discovered by Kraig Grady: 1/1, 21/20, 9/8, 7/6, 5/4, 4/3, 7/5, 3/2, 14/9, 5/3, 7/4, 15/8, 2/1</li><li><a class="wiki_link" href="/nofives">nofives</a> a 3 &amp; 7 scale discovered by Gene Ward Smith: 1/1, 28/27, 9/8, 7/6, 9/7, 4/3, 49/36, 3/2, 14/9, 12/7, 7/4, 49/27, 2/1<ul><li>see <a class="wiki_link_ext" href="http://www.youtube.com/watch?v=n7mxHWdkV04" rel="nofollow">this piano improvisation</a> by Aaron Krister Johnson.</li></ul></li><li><a class="wiki_link" href="/duohex">duohex</a> a scale with two hexanies: 15/14 9/8 6/5 5/4 9/7 10/7 3/2 45/28 12/7 9/5 15/8 2</li><li><a class="wiki_link" href="/dwarf12_7">dwarf12_7</a> the 7-limit 12-note dwarf</li><li><a class="wiki_link" href="/dwarf12_11">dwarf12_11</a> the 11-limit 12-note dwarf</li><li><a class="wiki_link" href="/breedball3">breedball3</a> the third breed ball around 49/40-7/4</li><li><a class="wiki_link" href="/12highschool1">12highschool1</a> first 12-note highschool scale</li><li><a class="wiki_link" href="/12highschool2">12highschool2</a> second 12-note highschool scale</li><li><a class="wiki_link" href="/hahn12">hahn12</a> Hahn-reduced 12 note scale</li><li><a class="wiki_link" href="/hexy">hexy</a> maximized 9-limit harmony containing a hexany</li><li><a class="wiki_link" href="/bihexany">bihexany</a> Hole around [0, 1/2, 1/2, 1/2]</li><li><a class="wiki_link" href="/prism">prism</a> Carl Lumma scale</li><li><a class="wiki_link" href="/pris">pris</a> optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale</li><li><a class="wiki_link" href="/glumma">glumma</a> a &lt;12 19 27 34|-epimorphic rectangular scale</li><li><a class="wiki_link" href="/rectoo">rectoo</a> Hahn reduced circle of fifths via &lt;12 19 27 34|</li><li><a class="wiki_link" href="/blue-ji">blue-ji</a> John O'Sullivan and Carl Lumma</li><li><a class="wiki_link" href="/wilson_class">wilson_class</a> Erv Wilson's class</li><li><a class="wiki_link" href="/wilson_helix">wilson_helix</a> Wilson's Helix Song</li><li><a class="wiki_link" href="/stelhex">stelhex</a></li><li><a class="wiki_link" href="/stelhex2">stelhex2</a></li><li><a class="wiki_link" href="/stexhex5">stexhex5</a></li><li>Wendy Carlos Harmonic Scale: 1/1, 17/16, 9/8, 19/16, 5/4, 21/16, 11/8, 3/2, 13/8, 27/16, 7/4, 15/8</li><li>La Monte Young's scale from The Well-Tuned Piano: 1/1, 567/512, 9/8, 147/128, 21/16, 1323/1024, 189/128, 3/2, 49/32, 7/4, 441/256, 63/32, 2/1</li><li>an 11-limit tuning discovered by Lou Harrison and Bill Slye: 1/1, 28/27, 9/8, 7/6, 5/4, 4/3, 11/8, 3/2, 14/9, 5/3, 7/4, 11/6, 2/1<ul><li>see David B. Doty's <a class="wiki_link_ext" href="http://www.dbdoty.com/SteelSuiteIntro.html" rel="nofollow">Steel Suite</a>.</li></ul></li><li><a class="wiki_link" href="/Rodan">Rodan</a>, a 13-limit tuning discovered by <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>: 1/1, 33/32, 9/8, 39/32, 5/4, 21/16, 11/8, 3/2, 13/8, 27/16, 7/4, 15/8, 2/1</li><li><a class="wiki_link_ext" href="http://electro-music.com/forum/topic-14631.html" rel="nofollow">11's chromatic scale</a>, a 11-limit tuning discovered by <a class="wiki_link" href="/Carlo%20Serafini">Carlo Serafini</a>: 1/1, 11/10, 9/8, 7/6, 5/4, 11/8, 10/7, 3/2, 8/5, 5/3, 7/4, 20/11, 2/1</li><li>Michael Harrison's <a class="wiki_link_ext" href="http://www.michaelharrison.com/harmonic-tunings.html" rel="nofollow">Revelation Tuning</a>: &quot;The twelve pitches are tuned to the following twelve harmonics or “overtones” of the fundamental note F. For white keys: F=1, C=3, G=9, D=27, A=81, E=243, and B=729 (all of which are multiples of the prime number 3); and for black keys: E-flat=7, B-flat=21, F#=63, C#=189, and G#=567 (all of which are multiples of the primes 3 and 7).&quot;</li><li><a class="wiki_link" href="/sonbirkezsorted">sonbirkezsorted</a></li></ul></body></html></pre></div>
| | * [[1-3-5-9 by 7/5 bihexany]] |
| | * [[1-5-9-13 by 3/2 bihexany]] |
| | * [[3-5-15-19 by 9/8 bihexany]] |
| | * [[Bihexanymyna]] |
| | * [[User:BudjarnLambeth/435zpi|CPS (1 of 3 5 9 11 15 19 25 27 29 33 37 41) (untempered ver.)]] |
| | * [[User:BudjarnLambeth/435zpi|CPS (11 of 3 5 9 11 15 19 25 27 29 33 37 41) (untempered ver.)]] |
| | * [[Dekany-cs]] – [[CPS]]({1,3,7,9,11}, 2) union {77/72, 77/64}; Grady-Narushima |
| | * [[Duohex]] – a scale with two hexanies |
| | * [[Duohexmarvwoo]] |
| | * [[Duohexmean]] |
| | * [[GW Smith bihexany 14 Feb 2011]] – hole around [0, 1/2, 1/2, 1/2] |
| | * [[Hexanys]] – 1.3.5.7.9 hexanies |
| | * [[Hexanys-valentino]] |
| | * [[Hexy]] – maximized 9-limit harmony containing a hexany |
| | * [[Septimal Canright]] - contains 1-3-5-9 stellated hexany |
| | * [[Stelhex]] – stellated two out of 1 3 5 7 hexany |
| | * [[Stelhex2]] – stellated two out of 1 3 5 9 hexany |
| | * [[Stelhex5]] – stellated two out of 1 3 7 9 hexany, stellation is degenerate |
| | |
| | == [[Fokker block]]-based == |
| | * [[Augdommean]] – Fokkerization of Centaur |
| | * [[Johnston]] – [[Ben Johnston]]'s combined otonal-utonal 11-limit Fokker block |
| | |
| | == [[Historical temperaments|History]]-related == |
| | * [[Bozuji Tuning]] – [[Bostjan Zupancic]]'s tuning based on combining the ideas of ergotonics (i.e. defining tones by their musical functionality), adaptive step sizes (i.e., defining steps rather than intervals), and the further extrapolation of [[Gioseffo Zarlino]]'s expansion of the Ptolemeic JI scale. |
| | * [[Malcolm (scale)|Malcolm]] – [[Alexander Malcolm]]'s Monochord (1721) |
| | * [[Malcolm2]] – Alexander Malcolm's 1721 scale |
| | * [[Ptolex]] – [[Jon Lyle Smith]]'s extended septimal Ptolemy |
| | ** Jon Lyle Smith, [http://www.notonlymusic.com/board/download/file.php?id=1993 Te Deum Laudamus] |
| | * [[Ramis]] – monochord of Ramos de Pareja (Ramis de Pareia), Musica practica (1482) |
| | ** [http://micro.soonlabel.com/gene_ward_smith/Others/Curley/Zach%20Curley%20-%20Impromptu%20in%20F%20Minor.mp3 Impromptu in F Minor] by [[Zach Curley]] |
| | * [[Secor5_23TX]] – [[George Secor]]'s synchronous 5/23-comma temperament extraordinaire |
| | |
| | == [[Hobbit]]s, [[dwarves]] & related == |
| | * [[Centaur]] – a 7-limit tuning [http://www.anaphoria.com/centaur.html discovered by Kraig Grady] |
| | ** Chris Vaisvil, [http://micro.soonlabel.com/centaur_tuning/daily20100823-centaur-ver2.mp3 Centaur’s Pasture] |
| | * [[Duodene]] – the Ellis duodene = Dwarf(<12 19 28|) = syndie3 = Euler(675) = Gandhar tuning |
| | * [[Dwarf12_7]] – the 7-limit 12-note dwarf |
| | * [[Dwarf12_11]] – the 11-limit 12-note dwarf |
| | * [[Hobbit_11_limit|Hobbit 11-limit]] – Chris Vaisvil's 11 limit JI hobbit |
| | ** Chris Vaisvil, [http://chrisvaisvil.com/the-forgotten-glory-of-wolfs-motor-court/ The Forgotten Glory of Wolf’s Motor Court] [http://micro.soonlabel.com/hobbit_scales/20130923_hobbit_11_limit.mp3 (play)] |
| | |
| | == Originating from a composition == |
| | * [[Biggulp]] – Big Gulp tuning |
| | ** Chris Vaisvil, [http://micro.soonlabel.com/tuning-survey/daily20100611-Big%20Gulp.mp3 improv] [http://chrisvaisvil.com/?p=164 (details)] |
| | * [[Harrison_cinna]] – [[Lou Harrison]], "Incidental Music for Corneille's Cinna" |
| | * [[User:Tristanbay/Margo Scale|Margo Scale]] – 13-limit subgroup detempering of [[Subgroup temperaments#Pepperoni|Pepperoni]] used in a song by [[User:Tristanbay|Tristan Bay]] |
| | * [[Oljare]] – Mats Öljare, scale for "Tampere" (2001) |
| | * [[Prentwind]] – [[Prent Rodgers]]' scale for [http://micro.soonlabel.com/gene_ward_smith/Others/Rodgers/prentrodgers+dryholecanyonforwoodwindquintet.mp3 Dry Hole Canyon for Woodwind Quintet] |
| | * [[Riley_rosary|Riley rosary]] – [[Terry Riley]], tuning for Cactus Rosary (1993) |
| | * [[Sevish (scale)|sevish]] – [[Sean Archibald]] (Sevish)'s scale for [https://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle] |
| | * [[Simp12]] – Stiltner-Vaisvil 12 note 2.3.5.7.13 scale |
| | ** [http://micro.soonlabel.com/just/JI/simpl10plus13.mp3 Simpl10plus13] by Chris Vaisvil |
| | * [[Young-lm_piano]] – [[La Monte Young]]'s scale from "The Well-Tuned Piano" |
| | |
| | == Overtone/undertone-based scales == |
| | * [[Carlos_harm|Carlos harm]] – [[Wendy Carlos]] Harmonic Scale |
| | ** Chris Vaisvil, [http://micro.soonlabel.com/carlos-harmonic/daily20090806-piano-valles-marineris-harmonic-wah.mp3 Valles Marineris] |
| | * [[Genovese_12]] – [[Denny Genovese]]'s superposition of harmonics 8-16 and subharmonics 6-12 |
| | * [[Otones12-24]] – a.k.a. Mode 12 of the [[OverToneSeries|Harmonic Series]] |
| | |
| | == [[Subgroup]]- or [[limit]]- based == |
| | ''(Only added to this subheading if it doesn't belong under another subheading.)'' |
| | * [[Bicycle]] – [[George Secor]]'s (also Wilson's and Heathwaite's) 13-limit harmonic bicycle |
| | * [[Bluesji]] – [[Graham Breed]]'s Blues scale in a 7-limit JI version |
| | * [[Canton]] – a 2.3.11/7.13/7 subgroup scale |
| | * [[Locomotive]] – a 2.9.11.13 subgroup scale |
| | * [[Mdevelde]] – a 2.3.5.19 subgroup scale |
| | * [[Nofives]] – a 3 & 7 scale discovered by Gene Ward Smith |
| | ** Aaron Krister Johnson, [https://www.youtube.com/watch?v=n7mxHWdkV04 piano improvisation] |
| | * [[Omaha]] – a 2.3.11 subgroup scale |
| | * [[Portsmouth]] – a 2.3.7.11 subgroup scale |
| | * [[Serafini-11]] – Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo Serafini]] |
| | * [[Steel]] – an 11-limit tuning discovered by [[Lou Harrison]] and [[Bill Slye]] |
| | ** see David B. Doty's [http://www.dbdoty.com/SteelSuiteIntro.html Steel Suite] |
| | * [[Terrain]] – in effect a generated scale in 2.9/5.9/7 subgroup |
| | * [[Unimajor]] – a 2.3.11/7 subgroup scale |
| | |
| | == Others == |
| | * [[12highschool1]] – first 12-note highschool scale |
| | * [[12highschool2]] – second 12-note highschool scale |
| | * [[44_39-12]] – 12-note chromatic tuning with 352:351, 364:363 by [[Margo Schulter]] |
| | * [[Blue-ji]] – [[John O'Sullivan]] and [[Carl Lumma]] |
| | ** [https://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3 Sweeney's Agony] |
| | ** [http://micro.soonlabel.com/blue-tuning/daily20110119-atonement-in-blue-JI.mp3 Atonement to a Centaur] |
| | * [[Breedball3]] – the third breed ball around 49/40-7/4 |
| | * [[Chalmers_ji1.scl|Chalmers_ji1]] – based loosely on Wronski's and similar JI scales |
| | * [[Eagle 53|Eagle JI]] - [[John O'Sullivan]] |
| | * [[Glumma]] – a <12 19 27 34|-epimorphic rectangular scale |
| | * [[Maeve Gutierrez|Gutierrez]]-[[Budjarn Lambeth|Lambeth]] chromaticized sunbreak scale: 187/175 - 9/8 — 20/17 — 14/11 — 34/25 — 25/17 — 280/187 - 11/7 — 17/10 — 16/9 — 350/187 - 2/1 |
| | * [[Hahn12]] – [[Hahn-reduced]] 12 note scale |
| | * [[HahnZ|HahnZ]] – [[Paul Hahn]]'s scale Z, TL '99 |
| | * [[Harrisonm_rev]] – [[Michael Harrison]]'s [http://www.michaelharrison.com/harmonic-tunings.html Revelation Tuning] |
| | * [[Part12]] – 9+3=12 partition scale <12 19 27| epimorphic |
| | * [[Pris]] – optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale |
| | * [[Prism (scale)|Prism]] – [[Carl Lumma]] scale |
| | * [[Sonbirkezsorted]] – Sonbirkez Huzzam scale |
| | * [[Yekta]] – [[Rauf Yekta]]'s 12-tone tuning suggested in 1922 Lavignac Music Encyclopedia |
| | * [[Zeta12]] – Margo Schulter's Zeta Centauri tuning, inspired by [[Kraig Grady]]'s Centaur |
| | |
| | {{Navbox scale gallery}} |
| | |
| | [[Category:Lists of scales|12-tone just intonation scales]] |
| | [[Category:12-tone scales| ]] |
| | [[Category:Just intonation scales| ]] |
| | [[Category:Listen]] |