46edo: Difference between revisions
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== Theory == | == Theory == | ||
46et tempers out 507/500, 91/90, 686/675, 2048/2025, 121/120, 245/243, 126/125, 169/168, 176/175, 896/891, 196/195, 1029/1024, 5120/5103, 385/384, and 441/440 among other intervals, with various consequences. [[ | 46et tempers out 507/500, 91/90, 686/675, 2048/2025, 121/120, 245/243, 126/125, 169/168, 176/175, 896/891, 196/195, 1029/1024, 5120/5103, 385/384, and 441/440 among other intervals, with various consequences. [[Rank two temperaments]] it supports include [[sensi]], [[valentine]], [[shrutar]], [[rodan]], [[leapday]] and [[unidec]]. The [[11-limit]] [[Target_tunings|minimax]] tuning for valentine temperament, (11/7)<sup>1/10</sup>, is only 0.01 cents flat of 3\46 octaves. In the opinion of some, 46et is the first equal division to deal adequately with the [[13-limit]], though others award that distinction to [[41edo]]. In fact, while 41 is a [[The_Riemann_Zeta_Function_and_Tuning #Zeta EDO lists|zeta integral edo]] but not a [[The_Riemann_Zeta_Function_and_Tuning #Zeta EDO lists|zeta gap edo]], 46 is zeta gap but not zeta integral. | ||
The fifth of 46 equal is 2.39 cents sharp, which some people ( | The fifth of 46 equal is 2.39 cents sharp, which some people (e.g. [[Margo Schulter]]) prefer, sometimes strongly, over both the [[3/2|just fifth]] and fifths of temperaments with flat fifths, such as meantone. It gives a characteristic bright sound to triads, distinct from the mellowness of a meantone triad. | ||
46edo can be treated as two [[23edo]]'s separated by an interval of 26.087 cents. | 46edo can be treated as two [[23edo]]'s separated by an interval of 26.087 cents. | ||
[[Magic22_as_srutis#shrutar22assrutis|Shrutar22 as srutis]] describes a possible use of 46edo for [[Indian]] music. | [[Magic22_as_srutis #shrutar22assrutis|Shrutar22 as srutis]] describes a possible use of 46edo for [[Indian]] music. | ||
== Intervals == | == Intervals == | ||
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| C upmajor or C up | | C upmajor or C up | ||
|} | |} | ||
For a more complete list, see [[Ups and Downs Notation# | For a more complete list, see [[Ups and Downs Notation #Chords and Chord Progressions]]. | ||
== Just approximation == | == Just approximation == | ||
=== Selected just intervals === | === Selected just intervals === | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
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| +6 | | +6 | ||
|} | |} | ||
The following table shows how [[15-odd-limit intervals]] are represented in 46edo. Prime harmonics are in '''bold'''; inconsistent intervals are in ''italic''. | The following table shows how [[15-odd-limit intervals]] are represented in 46edo. Prime harmonics are in '''bold'''; inconsistent intervals are in ''italic''. | ||
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|- | |- | ||
! rowspan="2" |Error | ! rowspan="2" |Error | ||
! absolute (¢) | ! [[TE error|absolute]] (¢) | ||
| 0.75 | | 0.75 | ||
| 0.90 | | 0.90 | ||
| Line 664: | Line 664: | ||
| 1.23 | | 1.23 | ||
|- | |- | ||
! relative (%) | ! [[TE simple badness|relative]] (%) | ||
| 2.89 | | 2.89 | ||
| 3.45 | | 3.45 | ||
| Line 716: | Line 716: | ||
| [[1L_8s|1L 8s]] (9-tone) | | [[1L_8s|1L 8s]] (9-tone) | ||
[[9L_1s]] (10-tone) | [[9L_1s|9L 1s]] (10-tone) | ||
9L 10s (19-tone) | 9L 10s (19-tone) | ||
| Line 825: | Line 825: | ||
| 13\46 | | 13\46 | ||
| 339.130 | | 339.130 | ||
| [[Amity]]/[[ | | [[Amity]]/[[hitchcock]] | ||
| [[4L 3s]] (7-tone) | | [[4L 3s]] (7-tone) | ||
| Line 1,081: | Line 1,081: | ||
| 4\46 | | 4\46 | ||
| 104.348 | | 104.348 | ||
| [[Srutal]]/[[ | | [[Srutal]]/[[diaschismic]] | ||
| 2L 2s (4-tone) | | 2L 2s (4-tone) | ||
| Line 1,353: | Line 1,353: | ||
46edo represents [[Overtone series|overtones]] 8 through 16 (written as [[JI]] ratios 8:9:10:11:12:13:14:15:16) with degrees 0, 8, 15, 21, 27, 32, 37, 42, 46. In steps-in-between, that's 8, 7, 6, 6, 5, 5, 5, 4. | 46edo represents [[Overtone series|overtones]] 8 through 16 (written as [[JI]] ratios 8:9:10:11:12:13:14:15:16) with degrees 0, 8, 15, 21, 27, 32, 37, 42, 46. In steps-in-between, that's 8, 7, 6, 6, 5, 5, 5, 4. | ||
8\46edo (208.696¢) stands in for frequency ratio [[9/8|9:8]] (203.910¢). | * 8\46edo (208.696¢) stands in for frequency ratio [[9/8|9:8]] (203.910¢). | ||
* 7\46edo (182.609¢) stands in for [[10/9|10:9]] (182.404¢). | |||
7\46edo (182.609¢) stands in for [[10/9|10:9]] (182.404¢). | * 6\46edo (156.522¢) stands in for [[11/10|11:10]] (165.004¢) and [[12/11|12:11]] (150.637¢). | ||
* 5\46edo (130.435¢) stands in for [[13/12|13:12]] (138.573¢), [[14/13|14:13]] (128.298¢) and [[15/14|15:14]] (119.443¢). | |||
6\46edo (156.522¢) stands in for [[11/10|11:10]] (165.004¢) and [[12/11|12:11]] (150.637¢). | * 4\46edo (104.348¢) stands in for [[16/15|16:15]] (111.731¢). | ||
5\46edo (130.435¢) stands in for [[13/12|13:12]] (138.573¢), [[14/13|14:13]] (128.298¢) and [[15/14|15:14]] (119.443¢). | |||
4\46edo (104.348¢) stands in for [[16/15|16:15]] (111.731¢). | |||
== Music == | == Music == | ||