Prime EDO: Difference between revisions

m Styling +1 (and it's funny how the prime edos were grouped by seven)
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* There is ''no fully symmetric chord'' (such as the diminished seventh chord in [[12edo|12-EDO]])
* There is ''no fully symmetric chord'' (such as the diminished seventh chord in [[12edo|12-EDO]])
* Excepting the scale comprising all notes of the EDO, there is ''no absolutely uniform, octave-repeating scale'' (such as the whole tone scale in 12-EDO)
* Excepting the scale comprising all notes of the EDO, there is ''no absolutely uniform, octave-repeating scale'' (such as the whole tone scale in 12-EDO)
* There are no [[Wikipedia: Modes of limited transposition|modes of limited transpostion]], such as used by the composer Olivier Messiaen
* There are no [[Wikipedia: Modes of limited transposition|modes of limited transposition]], such as used by the composer Olivier Messiaen
* There is no support for rank-2 temperaments whose period is a fraction of the octave (all such temperaments are ''linear'' temperaments)
* There is no support for rank-2 temperaments whose period is a fraction of the octave (all such temperaments are ''linear'' temperaments)
* Making a chain of any interval of the ''n''-EDO, one can reach every tone in ''n'' steps. (For composite EDOs, this works with intervals that are co-prime to ''n'', for example, 5 degrees of 12-EDO)
* Making a chain of any interval of the ''n''-EDO, one can reach every tone in ''n'' steps. (For composite EDOs, this works with intervals that are co-prime to ''n'', for example, 5 degrees of 12-EDO)