37edo: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
== Theory == | == Theory == | ||
37edo | 37edo has very accurate approximations of [[harmonic]]s [[5/1|5]], [[7/1|7]], [[11/1|11]] and [[13/1|13]], making it a good choice for a [[no-threes subgroup temperaments|no-threes]] approach. Harmonic 11 is particularly accurate, being only 0.03 cents sharp. A usable approximation of [[9/1|9]] is available at 6\37 (194.6 cents) as well, and the no-3 no-15 no-21 [[23-odd-limit]] is represented [[consistent]]ly. | ||
This means 37edo is useful in a number of ways. It is accurate on the 2.5.7.11.13 [[subgroup]], where it shares the same tuning as [[111edo]]. In fact, on the larger [[k*N subgroups|3*37 subgroup]], 2.27.5.7.11.13.51.57, it not only shares the same tuning as 19-limit 111edo, but tempers out the same commas. A simpler but less accurate approach is to use the 2*37-subgroup, 2.9.7.11.13.17.19, on which it has the same tuning and commas as [[74edo]]. The native [[3/2|perfect fifth]] at 22\37 (713.5 cents) can also be used, making it a sharp-tending full [[13-limit]] system, and there is the alternative, very flat fifth at 21\37 (681.1 cents), which generates an [[2L 5s|antidiatonic]] scale. | |||
=== Odd harmonics === | |||
{{Harmonics in equal|37}} | |||
=== As a tuning of other temperaments === | |||
Using its best (and sharp) fifth, 37edo tempers out 250/243, making it a variant of [[porcupine]] temperament. It is the [[optimal patent val]] for [[Porcupine family #Porcupinefish|porcupinefish]], which is about as accurate as 13-limit porcupine extensions will be. Using its alternative flat fifth, it tempers out [[16875/16384]], making it a [[negri]] tuning. It also tempers out 2187/2000, resulting in a temperament where three minor whole tones make up a fifth ([[gorgo]]/[[laconic]]). | Using its best (and sharp) fifth, 37edo tempers out 250/243, making it a variant of [[porcupine]] temperament. It is the [[optimal patent val]] for [[Porcupine family #Porcupinefish|porcupinefish]], which is about as accurate as 13-limit porcupine extensions will be. Using its alternative flat fifth, it tempers out [[16875/16384]], making it a [[negri]] tuning. It also tempers out 2187/2000, resulting in a temperament where three minor whole tones make up a fifth ([[gorgo]]/[[laconic]]). | ||
It is a good tuning of the 2.5.11.13 subgroup temperament [[barton]], especially if it is desirable to avoid approximating the perfect fifth. | |||
37edo is also a very accurate equal tuning for [[undecimation]] temperament, which has a [[generator]] of about 519 cents; 2 generators lead to 29/16; 3 generators to 32/13; 6 generators to a 10 cent sharp 6/1; 8 generators to a very accurate 11/1 and 10 generators to 20/1. It has a [[7L 2s]] enneatonic [[mos]], which in 37edo scale degrees is 0, 1, 6, 11, 16, 17, 22, 27, 32, a scale structure reminiscent of mavila; as well as a 16-note mos. | 37edo is also a very accurate equal tuning for [[undecimation]] temperament, which has a [[generator]] of about 519 cents; 2 generators lead to 29/16; 3 generators to 32/13; 6 generators to a 10 cent sharp 6/1; 8 generators to a very accurate 11/1 and 10 generators to 20/1. It has a [[7L 2s]] enneatonic [[mos]], which in 37edo scale degrees is 0, 1, 6, 11, 16, 17, 22, 27, 32, a scale structure reminiscent of mavila; as well as a 16-note mos. | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
| Line 24: | Line 27: | ||
[[74edo]], which doubles it, provides an alternative approximation to harmonic 3 that supports [[meantone]]. [[111edo]], which triples it, gives a very accurate approximation of harmonic 3, and manifests itself as a great higher-limit system. [[296edo]], which slices its step in eight, is a good 13-limit system. | [[74edo]], which doubles it, provides an alternative approximation to harmonic 3 that supports [[meantone]]. [[111edo]], which triples it, gives a very accurate approximation of harmonic 3, and manifests itself as a great higher-limit system. [[296edo]], which slices its step in eight, is a good 13-limit system. | ||
=== Dual fifths === | === Dual fifths === | ||
| Line 61: | Line 54: | ||
37edo has great potential as a near-just xenharmonic system, with high-prime chords such as 8:10:11:13:14 with no perfect fifths available for common terrestrial progressions. The 9/8 approximation is usable but introduces error. One may choose to treat either of the intervals close to 3/2 as 3/2, introducing additional approximations with considerable error (see interval table below). | 37edo has great potential as a near-just xenharmonic system, with high-prime chords such as 8:10:11:13:14 with no perfect fifths available for common terrestrial progressions. The 9/8 approximation is usable but introduces error. One may choose to treat either of the intervals close to 3/2 as 3/2, introducing additional approximations with considerable error (see interval table below). | ||
=== Miscellaneous properties === | |||
37edo has the sharpest fifth of any edo that can possibly be [[diamond monotone]] in the [[15-odd-limit]]. The sharpest mapping of [[7/4]] where [[9/8]] is mapped no wider than [[8/7]] is 30\37, and the sharpest possible mapping of [[15/8]] where diamond monotone is achieveable is 34\37, where [[15/14]] is equated with [[14/13]][[~]][[13/12]] to half of [[7/6]]. Here [[5/4]] is mapped to 12\37, and [[10/9]] is mapped to 5\37. Equating both [[11/10]] and [[12/11]] with 10/9 makes the mappings for 9/8, 10/9, 11/10, and 12/11 add up to [[3/2]]. If the fifth was any sharper, then [[7/4]] and [[15/8]] would have to be flatter. Then 5/4 would have to be flatter, and therefore 10/9 as well, and at least one of 11/10 and 12/11 would have to be mapped wider than 10/9 for 9/8, 10/9, 11/10, and 12/11 to add up to 3/2. 37edo is, in fact, diamond monotone in the 15-odd-limit (see [[Monotonicity limits of small EDOs]]). Therefore, 22\37 is the sharpest fifth where 15-odd-limit diamond monotone is possible. The flattest fifth where 15-odd-limit diamond monotone is possible is [[19edo#Miscellaneous properties|11\19]]. | |||
== Intervals == | == Intervals == | ||
Inconsistent intervals are in ''italics''. | |||
{| class="wikitable center-1 right-2" | {| class="wikitable center-1 right-2" | ||
|- | |- | ||
! | ! # | ||
! Cents | ! Cents | ||
! Approximate | ! Approximate ratios<br>of 2.27.5.7.11.13 subgroup | ||
! Additional | ! Additional ratios of 3<br>with a sharp 3/2 | ||
! Additional | ! Additional ratios of 3<br>with a flat 3/2 | ||
! Additional | ! Additional ratios of 9<br>with 194.59 ¢ 9/8 | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| 1/1 | | 1/1 | ||
| | | | ||
| Line 81: | Line 77: | ||
|- | |- | ||
| 1 | | 1 | ||
| 32. | | 32.4 | ||
| [[55/54]], [[56/55]] | | [[55/54]], [[56/55]] | ||
| | | | ||
| Line 88: | Line 84: | ||
|- | |- | ||
| 2 | | 2 | ||
| 64. | | 64.9 | ||
| [[27/26]], [[28/27]] | | [[27/26]], [[28/27]] | ||
| | | | ||
| Line 95: | Line 91: | ||
|- | |- | ||
| 3 | | 3 | ||
| 97. | | 97.3 | ||
| [[128/121]], [[55/52]] | | [[128/121]], [[55/52]] | ||
| [[16/15]] | | [[16/15]] | ||
| Line 102: | Line 98: | ||
|- | |- | ||
| 4 | | 4 | ||
| 129. | | 129.7 | ||
| [[14/13]] | | [[14/13]] | ||
| [[13/12]], [[15/14]] | | [[13/12]], [[15/14]] | ||
| [[12/11]] | | ''[[12/11]]'' | ||
| | | | ||
|- | |- | ||
| 5 | | 5 | ||
| 162. | | 162.2 | ||
| [[11/10]] | | [[11/10]] | ||
| [[10/9]], [[12/11]] | | ''[[10/9]]'', [[12/11]] | ||
| [[13/12]] | | ''[[13/12]]'' | ||
| | | | ||
|- | |- | ||
| 6 | | 6 | ||
| 194. | | 194.6 | ||
| [[28/25]] | | [[28/25]] | ||
| | | | ||
| Line 123: | Line 119: | ||
|- | |- | ||
| 7 | | 7 | ||
| 227. | | 227.0 | ||
| [[8/7]] | | [[8/7]] | ||
| [[9/8]] | | ''[[9/8]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 8 | | 8 | ||
| 259. | | 259.5 | ||
| | | | ||
| [[7/6]], [[15/13]] | | [[7/6]], [[15/13]] | ||
| Line 137: | Line 133: | ||
|- | |- | ||
| 9 | | 9 | ||
| 291. | | 291.9 | ||
| [[13/11]], [[32/27]] | | [[13/11]], [[32/27]] | ||
| | | | ||
| [[6/5]], [[7/6]] | | ''[[6/5]]'', ''[[7/6]]'' | ||
| | | | ||
|- | |- | ||
| 10 | | 10 | ||
| 324. | | 324.3 | ||
| | | | ||
| [[6/5]], [[11/9]] | | [[6/5]], ''[[11/9]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 11 | | 11 | ||
| 356. | | 356.8 | ||
| [[16/13]], [[27/22]] | | [[16/13]], [[27/22]] | ||
| | | | ||
| Line 158: | Line 154: | ||
|- | |- | ||
| 12 | | 12 | ||
| 389. | | 389.2 | ||
| [[5/4]] | | [[5/4]] | ||
| | | | ||
| Line 165: | Line 161: | ||
|- | |- | ||
| 13 | | 13 | ||
| 421. | | 421.6 | ||
| [[14/11]], [[32/25]] | | [[14/11]], [[32/25]] | ||
| | | | ||
| Line 172: | Line 168: | ||
|- | |- | ||
| 14 | | 14 | ||
| 454. | | 454.1 | ||
| [[13/10]] | | [[13/10]] | ||
| [[9/7]] | | ''[[9/7]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 15 | | 15 | ||
| 486. | | 486.5 | ||
| | | | ||
| [[4/3]] | | [[4/3]] | ||
| Line 186: | Line 182: | ||
|- | |- | ||
| 16 | | 16 | ||
| 518. | | 518.9 | ||
| [[27/20]] | | [[27/20]] | ||
| | | | ||
| [[4/3]] | | ''[[4/3]]'' | ||
| | | | ||
|- | |- | ||
| 17 | | 17 | ||
| 551. | | 551.4 | ||
| [[11/8]] | | [[11/8]] | ||
| [[15/11]] | | [[15/11]] | ||
| Line 200: | Line 196: | ||
|- | |- | ||
| 18 | | 18 | ||
| 583. | | 583.8 | ||
| [[7/5]] | | [[7/5]] | ||
| [[18/13]] | | ''[[18/13]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 19 | | 19 | ||
| 616. | | 616.2 | ||
| [[10/7]] | | [[10/7]] | ||
| [[13/9]] | | ''[[13/9]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 20 | | 20 | ||
| 648. | | 648.6 | ||
| [[16/11]] | | [[16/11]] | ||
| [[22/15]] | | [[22/15]] | ||
| Line 221: | Line 217: | ||
|- | |- | ||
| 21 | | 21 | ||
| 681. | | 681.1 | ||
| [[40/27]] | | [[40/27]] | ||
| | | | ||
| [[3/2]] | | ''[[3/2]]'' | ||
| | | | ||
|- | |- | ||
| 22 | | 22 | ||
| 713. | | 713.5 | ||
| | | | ||
| [[3/2]] | | [[3/2]] | ||
| Line 235: | Line 231: | ||
|- | |- | ||
| 23 | | 23 | ||
| 745. | | 745.9 | ||
| [[20/13]] | | [[20/13]] | ||
| [[14/9]] | | ''[[14/9]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 24 | | 24 | ||
| 778. | | 778.4 | ||
| [[11/7]], [[25/16]] | | [[11/7]], [[25/16]] | ||
| | | | ||
| Line 249: | Line 245: | ||
|- | |- | ||
| 25 | | 25 | ||
| 810. | | 810.8 | ||
| [[8/5]] | | [[8/5]] | ||
| | | | ||
| Line 256: | Line 252: | ||
|- | |- | ||
| 26 | | 26 | ||
| 843. | | 843.2 | ||
| [[13/8]], [[44/27]] | | [[13/8]], [[44/27]] | ||
| | | | ||
| Line 263: | Line 259: | ||
|- | |- | ||
| 27 | | 27 | ||
| 875. | | 875.7 | ||
| | | | ||
| [[5/3]], [[18/11]] | | [[5/3]], ''[[18/11]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 28 | | 28 | ||
| 908. | | 908.1 | ||
| [[22/13]], [[27/16]] | | [[22/13]], [[27/16]] | ||
| | | | ||
| [[5/3]], [[12/7]] | | ''[[5/3]], [[12/7]]'' | ||
| | | | ||
|- | |- | ||
| 29 | | 29 | ||
| 940. | | 940.5 | ||
| | | | ||
| [[12/7]], [[26/15]] | | [[12/7]], [[26/15]] | ||
| Line 284: | Line 280: | ||
|- | |- | ||
| 30 | | 30 | ||
| | | 973.0 | ||
| [[7/4]] | | [[7/4]] | ||
| [[16/9]] | | ''[[16/9]]'' | ||
| | | | ||
| | | | ||
|- | |- | ||
| 31 | | 31 | ||
| 1005. | | 1005.4 | ||
| [[25/14]] | | [[25/14]] | ||
| | | | ||
| Line 298: | Line 294: | ||
|- | |- | ||
| 32 | | 32 | ||
| 1037. | | 1037.8 | ||
| [[20/11]] | | [[20/11]] | ||
| [[9/5]], [[11/6]] | | ''[[9/5]]'', [[11/6]] | ||
| | | | ||
| | | | ||
|- | |- | ||
| 33 | | 33 | ||
| 1070. | | 1070.3 | ||
| [[13/7]] | | [[13/7]] | ||
| [[24/13]], [[28/15]] | | [[24/13]], [[28/15]] | ||
| [[11/6]] | | ''[[11/6]]'' | ||
| | | | ||
|- | |- | ||
| 34 | | 34 | ||
| 1102. | | 1102.7 | ||
| [[121/64]], [[104/55]] | | [[121/64]], [[104/55]] | ||
| [[15/8]] | | [[15/8]] | ||
| Line 319: | Line 315: | ||
|- | |- | ||
| 35 | | 35 | ||
| 1135. | | 1135.1 | ||
| [[27/14]], [[52/27]] | | [[27/14]], [[52/27]] | ||
| | | | ||
| Line 326: | Line 322: | ||
|- | |- | ||
| 36 | | 36 | ||
| 1167. | | 1167.6 | ||
| | | | ||
| | | | ||
| Line 333: | Line 329: | ||
|- | |- | ||
| 37 | | 37 | ||
| 1200. | | 1200.0 | ||
| [[2/1]] | | [[2/1]] | ||
| | | | ||
| Line 340: | Line 336: | ||
|} | |} | ||
== | === Proposed interval names and solfèges === | ||
{| class="wikitable center-all right-2 left-3 mw-collapsible mw-collapsed" | |||
|+ style="white-space: nowrap;" | Table of proposed interval names and solfèges | |||
{| class="wikitable center-all right-2 left-3" | |||
|- | |- | ||
! | ! # | ||
! Cents | ! Cents | ||
! colspan="3" | [[Ups and | ! colspan="3" | [[Kite's ups and downs notation|Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| Perfect 1sn | | Perfect 1sn | ||
| P1 | | P1 | ||
| Line 357: | Line 351: | ||
|- | |- | ||
| 1 | | 1 | ||
| 32. | | 32.4 | ||
| Minor 2nd | | Minor 2nd | ||
| m2 | | m2 | ||
| Line 363: | Line 357: | ||
|- | |- | ||
| 2 | | 2 | ||
| 64. | | 64.9 | ||
| Upminor 2nd | | Upminor 2nd | ||
| ^m2 | | ^m2 | ||
| Line 369: | Line 363: | ||
|- | |- | ||
| 3 | | 3 | ||
| 97. | | 97.3 | ||
| Downmid 2nd | | Downmid 2nd | ||
| v~2 | | v~2 | ||
| Line 375: | Line 369: | ||
|- | |- | ||
| 4 | | 4 | ||
| 129. | | 129.7 | ||
| Mid 2nd | | Mid 2nd | ||
| ~2 | | ~2 | ||
| Line 381: | Line 375: | ||
|- | |- | ||
| 5 | | 5 | ||
| 162. | | 162.2 | ||
| Upmid 2nd | | Upmid 2nd | ||
| ^~2 | | ^~2 | ||
| Line 387: | Line 381: | ||
|- | |- | ||
| 6 | | 6 | ||
| 194. | | 194.6 | ||
| Downmajor 2nd | | Downmajor 2nd | ||
| vM2 | | vM2 | ||
| Line 393: | Line 387: | ||
|- | |- | ||
| 7 | | 7 | ||
| 227. | | 227.0 | ||
| Major 2nd | | Major 2nd | ||
| M2 | | M2 | ||
| Line 399: | Line 393: | ||
|- | |- | ||
| 8 | | 8 | ||
| 259. | | 259.5 | ||
| Minor 3rd | | Minor 3rd | ||
| m3 | | m3 | ||
| Line 405: | Line 399: | ||
|- | |- | ||
| 9 | | 9 | ||
| 291. | | 291.9 | ||
| Upminor 3rd | | Upminor 3rd | ||
| ^m3 | | ^m3 | ||
| Line 411: | Line 405: | ||
|- | |- | ||
| 10 | | 10 | ||
| 324. | | 324.3 | ||
| Downmid 3rd | | Downmid 3rd | ||
| v~3 | | v~3 | ||
| Line 417: | Line 411: | ||
|- | |- | ||
| 11 | | 11 | ||
| 356. | | 356.8 | ||
| Mid 3rd | | Mid 3rd | ||
| ~3 | | ~3 | ||
| Line 423: | Line 417: | ||
|- | |- | ||
| 12 | | 12 | ||
| 389. | | 389.2 | ||
| Upmid 3rd | | Upmid 3rd | ||
| ^~3 | | ^~3 | ||
| Line 429: | Line 423: | ||
|- | |- | ||
| 13 | | 13 | ||
| 421. | | 421.6 | ||
| Downmajor 3rd | | Downmajor 3rd | ||
| vM3 | | vM3 | ||
| Line 435: | Line 429: | ||
|- | |- | ||
| 14 | | 14 | ||
| 454. | | 454.1 | ||
| Major 3rd | | Major 3rd | ||
| M3 | | M3 | ||
| Line 441: | Line 435: | ||
|- | |- | ||
| 15 | | 15 | ||
| 486. | | 486.5 | ||
| Perfect 4th | | Perfect 4th | ||
| P4 | | P4 | ||
| Line 447: | Line 441: | ||
|- | |- | ||
| 16 | | 16 | ||
| 518. | | 518.9 | ||
| Up 4th, | | Up 4th, dim 5th | ||
| ^4, d5 | | ^4, d5 | ||
| ^G, Ab | | ^G, Ab | ||
|- | |- | ||
| 17 | | 17 | ||
| 551. | | 551.4 | ||
| Downmid 4th, | | Downmid 4th, updim 5th | ||
| v~4, ^d5 | | v~4, ^d5 | ||
| ^^G, ^Ab | | ^^G, ^Ab | ||
|- | |- | ||
| 18 | | 18 | ||
| 583. | | 583.8 | ||
| Mid 4th, | | Mid 4th, downmid 5th | ||
| ~4, v~5 | | ~4, v~5 | ||
| Gt, ^^Ab | | Gt, ^^Ab | ||
|- | |- | ||
| 19 | | 19 | ||
| 616. | | 616.2 | ||
| Mid 5th, | | Mid 5th, upmid 4th | ||
| ~5, ^~4 | | ~5, ^~4 | ||
| Ad, vvG# | | Ad, vvG# | ||
|- | |- | ||
| 20 | | 20 | ||
| 648. | | 648.6 | ||
| Upmid 5th, | | Upmid 5th, downaug 5th | ||
| ^~5, vA4 | | ^~5, vA4 | ||
| vvA, vG# | | vvA, vG# | ||
|- | |- | ||
| 21 | | 21 | ||
| 681. | | 681.1 | ||
| Down 5th, | | Down 5th, aug 4th | ||
| v5, A4 | | v5, A4 | ||
| vA, G# | | vA, G# | ||
|- | |- | ||
| 22 | | 22 | ||
| 713. | | 713.5 | ||
| Perfect 5th | | Perfect 5th | ||
| P5 | | P5 | ||
| Line 489: | Line 483: | ||
|- | |- | ||
| 23 | | 23 | ||
| 745. | | 745.9 | ||
| Minor 6th | | Minor 6th | ||
| m6 | | m6 | ||
| Line 495: | Line 489: | ||
|- | |- | ||
| 24 | | 24 | ||
| 778. | | 778.4 | ||
| Upminor 6th | | Upminor 6th | ||
| ^m6 | | ^m6 | ||
| Line 501: | Line 495: | ||
|- | |- | ||
| 25 | | 25 | ||
| 810. | | 810.8 | ||
| Downmid 6th | | Downmid 6th | ||
| v~6 | | v~6 | ||
| Line 507: | Line 501: | ||
|- | |- | ||
| 26 | | 26 | ||
| 843. | | 843.2 | ||
| Mid 6th | | Mid 6th | ||
| ~6 | | ~6 | ||
| Line 513: | Line 507: | ||
|- | |- | ||
| 27 | | 27 | ||
| 875. | | 875.7 | ||
| Upmid 6th | | Upmid 6th | ||
| ^~6 | | ^~6 | ||
| Line 519: | Line 513: | ||
|- | |- | ||
| 28 | | 28 | ||
| 908. | | 908.1 | ||
| Downmajor 6th | | Downmajor 6th | ||
| vM6 | | vM6 | ||
| Line 525: | Line 519: | ||
|- | |- | ||
| 29 | | 29 | ||
| 940. | | 940.5 | ||
| Major 6th | | Major 6th | ||
| M6 | | M6 | ||
| Line 531: | Line 525: | ||
|- | |- | ||
| 30 | | 30 | ||
| | | 973.0 | ||
| Minor 7th | | Minor 7th | ||
| m7 | | m7 | ||
| Line 537: | Line 531: | ||
|- | |- | ||
| 31 | | 31 | ||
| 1005. | | 1005.4 | ||
| Upminor 7th | | Upminor 7th | ||
| ^m7 | | ^m7 | ||
| Line 543: | Line 537: | ||
|- | |- | ||
| 32 | | 32 | ||
| 1037. | | 1037.8 | ||
| Downmid 7th | | Downmid 7th | ||
| v~7 | | v~7 | ||
| Line 549: | Line 543: | ||
|- | |- | ||
| 33 | | 33 | ||
| 1070. | | 1070.3 | ||
| Mid 7th | | Mid 7th | ||
| ~7 | | ~7 | ||
| Line 555: | Line 549: | ||
|- | |- | ||
| 34 | | 34 | ||
| 1102. | | 1102.7 | ||
| Upmid 7th | | Upmid 7th | ||
| ^~7 | | ^~7 | ||
| Line 561: | Line 555: | ||
|- | |- | ||
| 35 | | 35 | ||
| 1135. | | 1135.1 | ||
| Downmajor 7th | | Downmajor 7th | ||
| vM7 | | vM7 | ||
| Line 567: | Line 561: | ||
|- | |- | ||
| 36 | | 36 | ||
| 1167. | | 1167.6 | ||
| Major 7th | | Major 7th | ||
| M7 | | M7 | ||
| Line 573: | Line 567: | ||
|- | |- | ||
| 37 | | 37 | ||
| 1200. | | 1200.0 | ||
| Perfect 8ve | | Perfect 8ve | ||
| P8 | | P8 | ||
| Line 579: | Line 573: | ||
|} | |} | ||
=== | == Notation == | ||
=== Stein–Zimmermann–Gould notation === | |||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats combined with quartertone accidentals and arrows: | |||
{{Sharpness-sharp6-szg}} | |||
If double arrows are not desirable, arrows can be attached to quarter-tone accidentals: | |||
{{Sharpness-sharp6-qt-szg}} | |||
=== Kite's ups and downs notation === | |||
37edo can also be notated using [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc. | |||
{{Sharpness-sharp6a}} | |||
Half-sharps and half-flats can be used to avoid triple arrows: | |||
{{Sharpness-sharp6b}} | |||
=== Ivan Wyschnegradsky's notation === | |||
Since a sharp raises by six steps, Wyschnegradsky accidentals borrowed from [[72edo]] can also be used: | |||
{{Sharpness-sharp6-iw}} | |||
=== Sagittal notation === | |||
This notation uses the same sagittal sequence as edos [[23edo #Second-best fifth notation|23b]], [[30edo #Sagittal notation|30]], and [[44edo #Sagittal notation|44]]. | |||
==== Evo and Revo flavors ==== | |||
<imagemap> | <imagemap> | ||
File:37-EDO_Sagittal.svg | File:37-EDO_Sagittal.svg | ||
| Line 592: | Line 605: | ||
</imagemap> | </imagemap> | ||
====Alternative Evo flavor==== | ==== Alternative Evo flavor ==== | ||
<imagemap> | <imagemap> | ||
File:37-EDO_Alternative_Evo_Sagittal.svg | File:37-EDO_Alternative_Evo_Sagittal.svg | ||
| Line 603: | Line 615: | ||
</imagemap> | </imagemap> | ||
====Evo-SZ flavor==== | ==== Evo-SZ flavor ==== | ||
<imagemap> | <imagemap> | ||
File:37-EDO_Evo-SZ_Sagittal.svg | File:37-EDO_Evo-SZ_Sagittal.svg | ||
| Line 613: | Line 624: | ||
default [[File:37-EDO_Evo-SZ_Sagittal.svg]] | default [[File:37-EDO_Evo-SZ_Sagittal.svg]] | ||
</imagemap> | </imagemap> | ||
== Approximation to JI == | |||
=== Interval mappings === | |||
{{Q-odd-limit intervals|37}} | |||
== Regular temperament properties == | == Regular temperament properties == | ||
{| class="wikitable center-4 center-5 center-6" | {| class="wikitable center-4 center-5 center-6" | ||
|- | |||
! rowspan="2" | [[Subgroup]] | ! rowspan="2" | [[Subgroup]] | ||
! rowspan="2" | [[Comma list]] | ! rowspan="2" | [[Comma list]] | ||
| Line 626: | Line 642: | ||
|- | |- | ||
| 2.5 | | 2.5 | ||
| {{ | | {{Monzo| 86 -37 }} | ||
| {{ | | {{Mapping| 37 86 }} | ||
| | | −0.619 | ||
| 0.619 | | 0.619 | ||
| 1.91 | | 1.91 | ||
| Line 634: | Line 650: | ||
| 2.5.7 | | 2.5.7 | ||
| 3136/3125, 4194304/4117715 | | 3136/3125, 4194304/4117715 | ||
| {{ | | {{Mapping| 37 86 104 }} | ||
| | | −0.905 | ||
| 0.647 | | 0.647 | ||
| 2.00 | | 2.00 | ||
| Line 641: | Line 657: | ||
| 2.5.7.11 | | 2.5.7.11 | ||
| 176/175, 1375/1372, 65536/65219 | | 176/175, 1375/1372, 65536/65219 | ||
| {{ | | {{Mapping| 37 86 104 128 }} | ||
| | | −0.681 | ||
| 0.681 | | 0.681 | ||
| 2.10 | | 2.10 | ||
| Line 648: | Line 664: | ||
| 2.5.7.11.13 | | 2.5.7.11.13 | ||
| 176/175, 640/637, 847/845, 1375/1372 | | 176/175, 640/637, 847/845, 1375/1372 | ||
| {{ | | {{Mapping| 37 86 104 128 137 }} | ||
| | | −0.692 | ||
| 0.610 | | 0.610 | ||
| 1.88 | | 1.88 | ||
| Line 658: | Line 674: | ||
* [[List of 37et rank two temperaments by badness]] | * [[List of 37et rank two temperaments by badness]] | ||
{| class="wikitable center-1" | {| class="wikitable center-1 center-2" | ||
|- | |- | ||
! Generator | ! Generator* | ||
! Cents* | |||
! In patent val | ! In patent val | ||
! In 37b val | ! In 37b val | ||
|- | |- | ||
| 1\37 | | 1\37 | ||
| 32.4 | |||
| | | | ||
| | | | ||
|- | |- | ||
| 2\37 | | 2\37 | ||
| 64.9 | |||
| [[Sycamore]] | | [[Sycamore]] | ||
| | | | ||
|- | |- | ||
| 3\37 | | 3\37 | ||
| 97.3 | |||
| [[Passion]] | | [[Passion]] | ||
| | | | ||
|- | |- | ||
| 4\37 | | 4\37 | ||
| 129.7 | |||
| [[Twothirdtonic]] | | [[Twothirdtonic]] | ||
| [[Negri]] | | [[Negri]] (37bd, out-of-tune) | ||
|- | |- | ||
| 5\37 | | 5\37 | ||
| 162.2 | |||
| [[Porcupine]] / [[porcupinefish]] | | [[Porcupine]] / [[porcupinefish]] | ||
| | | | ||
|- | |- | ||
| 6\37 | | 6\37 | ||
| | | 194.6 | ||
| [[Hemiwürschmidt]] / [[hemiwur]] | |||
| [[Hemithirds]] (37b, out-of-tune) | |||
|- | |- | ||
| 7\37 | | 7\37 | ||
| [[ | | 227.0 | ||
| [[ | | [[Semaja]] / [[gorgik]] | ||
| [[Gorgo]] (37b) | |||
|- | |- | ||
| 8\37 | | 8\37 | ||
| 259.5 | |||
| | | | ||
| [[Semaphore]] (37bd) | | [[Semaphore]] (37bd, out-of-tune) | ||
|- | |- | ||
| 9\37 | | 9\37 | ||
| 291.9 | |||
| [[Quasitemp]] | |||
| | | | ||
|- | |- | ||
| 10\37 | | 10\37 | ||
| | | 324.3 | ||
| [[ | | [[Hyperkleismic]] | ||
| [[Superkleismic]] (37bc, out-of-tune) | |||
|- | |- | ||
| 11\37 | | 11\37 | ||
| 356.8 | |||
| [[Beatles]] | | [[Beatles]] | ||
| | | | ||
|- | |- | ||
| 12\37 | | 12\37 | ||
| 389.2 | |||
| [[Würschmidt]] (out-of-tune) | | [[Würschmidt]] (out-of-tune) | ||
| | | | ||
|- | |- | ||
| 13\37 | | 13\37 | ||
| [[Skwares]] (37dd) | | 421.6 | ||
| [[Skwares]] (37dd, out-of-tune) | |||
| | | | ||
|- | |- | ||
| 14\37 | | 14\37 | ||
| 454.1 | |||
| [[Ammonite]] | | [[Ammonite]] | ||
| | | | ||
|- | |- | ||
| 15\37 | | 15\37 | ||
| [[Ultrapyth | | 486.5 | ||
| [[Ultrapyth]] | |||
| | | | ||
|- | |- | ||
| 16\37 | | 16\37 | ||
| 518.9 | |||
| [[Undecimation]] | | [[Undecimation]] | ||
| | | [[Shallowtone]] (37b) | ||
|- | |- | ||
| 17\37 | | 17\37 | ||
| [[Freivald]], [[emka | | 551.4 | ||
| [[Freivald]], [[emka]] | |||
| | | | ||
|- | |- | ||
| 18\37 | | 18\37 | ||
| | | 583.8 | ||
| [[Cotritone]] | |||
| | | | ||
|} | |} | ||
<nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | |||
== Octave stretch or compression == | |||
37edo's [[prime]]s 3, 5, 7, 11 and 13 are all tuned sharp, so it can benefit from [[octave shrinking]]. Some compressed-octave 37edo tunings (least to most compressed) include [[161zpi]], [[ed5|86ed5]], [[ed7|104ed7]], [[ed12|133ed12]] or [[ed6|96ed6]]. | |||
== Scales == | == Scales == | ||
''See also: [[MOS Scales of 37edo]], [[Chromatic pairs#Roulette|Roulette scales]]'' | |||
* [[ | |||
* [[ | === [[MOS scale]]s === | ||
* [[ | * [[Ammonite]][21]: 1 3 1 3 1 1 3 1 1 3 1 3 1 1 3 1 1 3 1 3 1 | ||
* [[ | * [[Beatles]][7]: 4 7 4 7 4 7 4 | ||
* [[ | * Beatles[10]: 4 3 4 4 3 4 4 4 3 4 | ||
* [[Square root of 13 over 10]] | * Beatles[17]: 3 1 3 1 3 3 1 3 1 3 1 3 3 1 3 1 3 | ||
* Ultrapyth[5] (quasi-[[equipentatonic]]): 7 8 7 8 7 (''recommended mode: 8 7 7 8 7'') | |||
* Ultrapyth[7]: 7 1 7 7 7 1 7 | |||
* Ultrapyth[12]: 1 6 1 6 1 6 1 1 6 1 6 1 | |||
* Ultrapyth[17]: 1 5 1 1 1 5 1 1 5 1 1 5 1 1 1 5 1 (''great as a [[dual-fifth]] scale'') | |||
* Ultrapyth[22]: 1 1 4 1 1 1 4 1 1 1 1 4 1 1 1 4 1 1 1 4 1 1 (''great as a [[dual-fifth]] scale'') | |||
* Passion[9]: 13 3 3 3 3 3 3 3 3 | |||
* Passion[12]: 3 3 3 3 3 3 4 3 3 3 3 3 | |||
* Passion[25]: 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 (''great as a [[dual-fifth]] scale'') | |||
* Porcupine[5]: 5 17 5 5 5 | |||
* Porcupine[6]: 12 5 5 5 5 5 | |||
* Porcupine[7]: 5 5 5 7 5 5 5 | |||
* Porcupine[15]: 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 | |||
* Porcupine[22]: 2 1 2 2 1 2 2 1 2 2 1 2 2 2 1 2 2 1 2 2 1 2 | |||
* Twothirdtonic[7]: 13 4 4 4 4 4 4 | |||
* Twothirdtonic[8]: 9 4 4 4 4 4 4 4 | |||
* Twothirdtonic[10]: 4 4 4 4 1 4 4 4 4 4 | |||
* Twothirdtonic[19]: 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 | |||
=== Scales by individuals === | |||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+[[Budjarn Lambeth]]'s scales | |||
|'''Contains [[Template:Idiosyncratic|idiosyncratic terms]].''' | |||
* Opalised ammonite{{idio}} (modmos of Ammonite[8]): 5 4 6 5 2 5 4 6 | |||
* [[User:BudjarnLambeth/Antechinus|Antechinus]]{{idio}} (''nonoctave period'') | |||
* [[Maeve Gutierrez#Gutierrez-Lambeth quasi-subharmonic pentatonic|Gutierrez-Lambeth quasi-subharmonic pentatonic]]{{idio}} (''octave-reduced ver.: 5 3 13 9 7'') | |||
* Approximated [[pelog]] lima: 4 5 12 4 12 | |||
* Flattened ionian pentatonic: 12 3 6 12 4 | |||
* Flattened major: 6 6 3 6 6 6 4 | |||
* Flattened major pentatonic: 6 6 9 6 10 | |||
* Sharpened natural minor: 7 3 6 6 3 6 6 | |||
* Sharpened harmonic minor: 7 3 6 6 3 9 3 | |||
* Sharpened pentatonic minor: 10 6 6 9 6 | |||
* Superharmonic minor pentatatonic I: 7 3 12 13 2 | |||
* Superharmonic minor pentatatonic II: 10 6 6 13 2 | |||
* Flattened hexatonic minor: 6 3 6 6 9 7 | |||
* Flattened phrygian dominant: 2 9 4 6 3 6 7 | |||
* Sharpened blues aeolian hexatonic: 10 6 3 3 3 12 | |||
* Flattened blues aeolian pentatonic: 9 6 6 3 13 | |||
* Sharpened blues aeolian pentatonic: 10 12 3 6 6 | |||
* Sharpened blues dorian hexatonic: 10 6 6 6 3 6 | |||
* Extrasharp blues dorian hexatonic: 10 6 6 6 4 5 | |||
* Roughened augmented: 10 2 10 2 11 2 | |||
* Flattened cosmic: 15 6 3 6 7 (''approximated from [[32afdo]]'') | |||
* Sharpened Hirajoshi: 7 3 12 3 12 | |||
* Sharpened Akebono I: 7 3 12 6 9 | |||
* Roughened Javanese pentachordal: 2 8 9 2 16 | |||
* Sharpened underpass: 10 12 7 2 6 (''approximated from [[10afdo]]'') | |||
* ''The scales listed in: [[User:BudjarnLambeth/Quasipelog theory]]'' | |||
* ''The scales listed in: [[Oceanfront scales]]'' (not all Budjarn's) | |||
|} | |||
=== Equally spaced scales === | |||
* [[37ed4]] (''every 2 steps''): 2 2 2... | |||
* [[Square root of 13 over 10]] (''every 7 steps''): 7 7 7... | |||
* ''Every 8 steps (see below)'' | |||
=== Every 8 steps of 37edo === | |||
{| class="wikitable center-1 right-2" | |||
|+ | |||
!Degrees | |||
!Cents | |||
!Approximate Ratios<br>of 6.7.11.20.27 subgroup | |||
!Additional Ratios | |||
|- | |||
|0 | |||
|0.000 | |||
|[[1/1]] | |||
| | |||
|- | |||
|1 | |||
|259.46 | |||
|[[7/6]] | |||
| | |||
|- | |||
|2 | |||
|518.92 | |||
|[[27/20]] | |||
| | |||
|- | |||
|3 | |||
|778.38 | |||
|[[11/7]] | |||
| | |||
|- | |||
|4 | |||
|1037.84 | |||
|[[20/11]], [[11/6]] | |||
| | |||
|- | |||
|5 | |||
|1297.30 | |||
| | |||
|[[19/9]] | |||
|- | |||
|6 | |||
|1556.76 | |||
|[[27/11]] | |||
| | |||
|- | |||
|7 | |||
|1816.22 | |||
|[[20/7]] | |||
| | |||
|- | |||
|8 | |||
|2075.68 | |||
|[[10/3]] | |||
| | |||
|- | |||
|9 | |||
|2335.14 | |||
|[[27/7]] | |||
| | |||
|- | |||
|10 | |||
|2594.59 | |||
|[[9/2]] | |||
| | |||
|- | |||
|11 | |||
|2854.05 | |||
| | |||
|[[26/5]] | |||
|- | |||
|12 | |||
|3113.51 | |||
|[[6/1]] | |||
| | |||
|- | |||
|13 | |||
|3372.97 | |||
|[[7/1]] | |||
| | |||
|- | |||
|14 | |||
|3632.43 | |||
| | |||
| | |||
|- | |||
|15 | |||
|3891.89 | |||
| | |||
|[[19/2]] | |||
|- | |||
|16 | |||
|4151.35 | |||
|[[11/1]] | |||
| | |||
|- | |||
|17 | |||
|4410.81 | |||
| | |||
| | |||
|- | |||
|18 | |||
|4670.27 | |||
| | |||
| | |||
|- | |||
|19 | |||
|4929.73 | |||
| | |||
| | |||
|- | |||
|20 | |||
|5189.19 | |||
|[[20/1]] | |||
| | |||
|- | |||
|21 | |||
|5448.65 | |||
| | |||
| | |||
|- | |||
|22 | |||
|5708.11 | |||
|[[27/1]] | |||
| | |||
|} | |||
== Instruments == | |||
; Lumatone | |||
* [[Lumatone mapping for 37edo]] | |||
; Fretted instruments | |||
* [[Skip fretting system 37 2 7]] | |||
== Music == | == Music == | ||
=== Modern renderings === | |||
; {{W|Alessandro Marcello}} and {{w|Johann Sebastian Bach}} | |||
* [https://www.youtube.com/watch?v=HTAobydvC20 ''Oboe Concerto in D minor'', BWV 974] (1715) – arranged for oboe & organ by [[Claudi Meneghin]] (2022) | |||
; {{W|Pietro Domenico Paradies}} | |||
* [https://www.youtube.com/watch?v=AJ2sa-fRqbE "Toccata" from ''Harpsichord Sonata in A major''] – arranged for organ by Claudi Meneghin (2023) | |||
=== 21st century === | |||
; [[Beheld]] | ; [[Beheld]] | ||
* [https://www.youtube.com/watch?v=IULi2zSdatA ''Mindless vibe''] (2023) | * [https://www.youtube.com/watch?v=IULi2zSdatA ''Mindless vibe''] (2023) | ||
; [[ | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/shorts/TEzitpGJvt0 ''37edo''] (2023) | |||
* [https://www.youtube.com/shorts/e7dLJTsS3PQ ''37edo''] (2025) | |||
* [https://www.youtube.com/shorts/m9hmiH8zong ''37edo jam''] (2025) | |||
* [https://www.youtube.com/shorts/mVRbcB2hoBU ''37edo prelude''] (2026) | |||
* [https://www.youtube.com/shorts/Jt6_r6r3lGY ''37edo improv''] (2026) | |||
; [[Francium]] | |||
* [https://www.youtube.com/watch?v=jpPjVouoq3E ''5 days in''] (2023) | * [https://www.youtube.com/watch?v=jpPjVouoq3E ''5 days in''] (2023) | ||
* [https://www.youtube.com/watch?v=ngxSiuVadls ''A Dark Era Arises''] (2023) – | * [https://www.youtube.com/watch?v=ngxSiuVadls ''A Dark Era Arises''] (2023) – in Porcupine[15], 37edo tuning | ||
* [https://www.youtube.com/watch?v=U93XFJJ1aXw ''Two Faced People''] (2025) – in Twothirdtonic[10], 37edo tuning | |||
; [[groundfault]] | |||
* From ''Souvenirs of the Affliction'' (2025) – [https://groundfco.bandcamp.com/album/souvenirs-of-the-affliction Bandcamp] | [https://www.youtube.com/watch?v=rrjuGmmodn0 YouTube] | |||
** "The Life Unreachable" | |||
** "Not This Time" | |||
; [[Andrew Heathwaite]] | ; [[Andrew Heathwaite]] | ||
* [https://andrewheathwaite.bandcamp.com/ | * From [https://andrewheathwaite.bandcamp.com/album/newbeams ''Newbeams''] (2012) | ||
* | ** "Shorn Brown" | ||
** "Jellybear" | |||
; [[Aaron Krister Johnson]] | ; [[Aaron Krister Johnson]] | ||
| Line 762: | Line 1,017: | ||
; [[JUMBLE]] | ; [[JUMBLE]] | ||
* [https://www.youtube.com/watch?v=taT1DClJ2KM ''Tyrian and Gold''] (2024) | * [https://www.youtube.com/watch?v=taT1DClJ2KM ''Tyrian and Gold''] (2024) | ||
; [[Fitzgerald Lee]] | |||
* [https://www.youtube.com/watch?v=Nr0cUJcL4SU ''Bittersweet End''] (2025) | |||
; [[Mandrake]] | ; [[Mandrake]] | ||
| Line 768: | Line 1,026: | ||
; [[Claudi Meneghin]] | ; [[Claudi Meneghin]] | ||
* [https://www.youtube.com/watch?v=7dU8eyGbt9I ''Deck The Halls''] (2022) | * [https://www.youtube.com/watch?v=7dU8eyGbt9I ''Deck The Halls''] (2022) | ||
* [https://www.youtube.com/watch?v=hpjZZXFM_Fk ''Little Fugue on Happy Birthday''] (2022) – in Passion, 37edo tuning | |||
* [https://www.youtube.com/watch?v=hpjZZXFM_Fk ''Little Fugue on Happy Birthday''] (2022) – | |||
* [https://www.youtube.com/watch?v=SgHY3snZ5bs ''Fugue on an Original Theme''] (2022) | * [https://www.youtube.com/watch?v=SgHY3snZ5bs ''Fugue on an Original Theme''] (2022) | ||
; [[Micronaive]] | ; [[Micronaive]] | ||
* [https:// | * [https://www.youtube.com/watch?v=TMVRYLvg_cA No.27.50] (2022) | ||
; [[Herman Miller]] | ; [[Herman Miller]] | ||
* | * [https://soundcloud.com/morphosyntax-1/luck-of-the-draw ''Luck of the Draw''] (2023) | ||
; [[Joseph Monzo]] | ; [[Joseph Monzo]] | ||
| Line 784: | Line 1,040: | ||
; [[Mundoworld]] | ; [[Mundoworld]] | ||
* ''Reckless Discredit'' (2021) [https://www.youtube.com/watch?v=ovgsjSoHOkg YouTube] · [https://mundoworld.bandcamp.com/track/reckless-discredit Bandcamp] | * ''Reckless Discredit'' (2021) – [https://www.youtube.com/watch?v=ovgsjSoHOkg YouTube] · [https://mundoworld.bandcamp.com/track/reckless-discredit Bandcamp] | ||
; [[Ray Perlner]] | ; [[Ray Perlner]] | ||
* [https://www.youtube.com/watch?v=8reCr2nDGbw ''Porcupine Lullaby''] (2020) – | * [https://www.youtube.com/watch?v=8reCr2nDGbw ''Porcupine Lullaby''] (2020) – in Porcupine, 37edo tuning | ||
* [https://www.youtube.com/watch?v=j8C9ECvfyQM ''Fugue for Brass in 37EDO sssLsss "Dingoian"''] (2022) – | * [https://www.youtube.com/watch?v=j8C9ECvfyQM ''Fugue for Brass in 37EDO sssLsss "Dingoian"''] (2022) – in Porcupine[7], 37edo tuning | ||
* [https://www.youtube.com/watch?v=_xfvNKUu8gY ''Fugue for Klezmer Band in 37EDO Porcupine<nowiki>[</nowiki>7<nowiki>]</nowiki> sssssLs "Lemurian"''] (2023) – | * [https://www.youtube.com/watch?v=_xfvNKUu8gY ''Fugue for Klezmer Band in 37EDO Porcupine<nowiki>[</nowiki>7<nowiki>]</nowiki> sssssLs "Lemurian"''] (2023) – in Porcupine[7], 37edo tuning | ||
; [[Phanomium]] | |||
* [https://www.youtube.com/watch?v=2otxZqUrvHc ''Elevated Floors''] (2025) | |||
* [https://www.youtube.com/watch?v=BbexOU-9700 ''cat jam 37''] (2025) | |||
; [[Togenom]] | ; [[Togenom]] | ||
* "Canals of Mars" from ''Xenharmonics, Vol. 5'' (2024) – [https://open.spotify.com/track/7v2dpCjiRKUfVVBZw8aWSf Spotify] |[https://togenom.bandcamp.com/track/canals-of-mars Bandcamp] | [https://www.youtube.com/watch?v=qPcEl_bifC0 YouTube] | * "Canals of Mars" from ''Xenharmonics, Vol. 5'' (2024) – [https://open.spotify.com/track/7v2dpCjiRKUfVVBZw8aWSf Spotify] |[https://togenom.bandcamp.com/track/canals-of-mars Bandcamp] | [https://www.youtube.com/watch?v=qPcEl_bifC0 YouTube] | ||
; [[Uncreative Name]] | |||
* [https://www.youtube.com/watch?v=rE9L56yZ1Kw ''Winter''] (2025) | |||
; [[Stephen Weigel]] | |||
* [https://www.youtube.com/watch?v=71yBnSVBsJk ''Leap Day Cloo''] (2025) | |||
; [[Xeno*n*]] | |||
* [https://www.youtube.com/watch?v=_m5u4VviMXw ''Galantean Drift''] (2025) | |||
== See also == | == See also == | ||
* [[ | * [[User:Unque/37edo Composition Theory|Unque's approach]] | ||
== External links == | == External links == | ||