13-limit
The 13-limit or 13-prime-limit consists of just intonation intervals such that the highest prime factor in all ratios is 13. Thus, 40/39 would be within the 13-limit, since 40 is 2 × 2 × 2 × 5 and 39 is 3 × 13, but 34/33 would not, since 34 is 2 × 17, and 17 is a prime number higher than 13. The 13-limit is the 6th prime limit and is a superset of the 11-limit and a subset of the 17-limit.
The 13-limit is a rank-6 system, and can be modeled in a 5-dimensional lattice, with the primes 3, 5, 7, 11, and 13 represented by each dimension. The prime 2 does not appear in the typical 13-limit lattice because octave equivalence is presumed. If octave equivalence is not presumed, a sixth dimension is needed.
These things are contained by the 13-limit, but not the 11-limit:
- The 13- and 15-odd-limit;
- Mode 7 and 8 of the harmonic or subharmonic series.
Edo approximation
Edos which represent 13-limit intervals better (monotonicity limit ≥ 13 and decreasing TE error): 15, 17c, 19, 26, 27e, 29, 31, 41, 46, 53, 58, 72, 87, 103, 111, 121, 130, 183, 190, 198, 224, 270, 494 and so on. For a more comprehensive list, see Sequence of equal temperaments by error.
Here is a list of edos which tunes the 13-limit well relative to their size (TE relative error < 5.5%): 31, 41, 46, 53, 58, 72, 87, 94, 103, 111, 121, 130, 140, 152f, 159, 183, 190, 198, 212, 217, 224, 270, 282, 296, 301, 311, 320, 328, 342f, 354, 364, 369f, 373, 383, 400, 414, 422, 431, 441, 460, 472, 494, and so on.
| Note: | Wart notation is used to specify the val chosen for the edo. In the above list, "27e" means taking the second closest approximation of harmonic 11. |
Intervals
Here are all the 15-odd-limit intervals of 13:
| Ratio | Cents value | Color name | Name | |
|---|---|---|---|---|
| 14/13 | 128.298 | 3uz2 | thuzo 2nd | tridecimal supraminor second |
| 13/12 | 138.573 | 3o2 | tho 2nd | tridecimal subneutral second |
| 15/13 | 247.741 | 3uy2 | thuyo 2nd | tridecimal semifourth |
| 13/11 | 289.210 | 3o1u3 | tholu 3rd | tridecimal minor third |
| 16/13 | 359.472 | 3u3 | thu 3rd | tridecimal supraneutral third |
| 13/10 | 454.214 | 3og4 | thogu 4th | tridecimal naiadic |
| 18/13 | 563.382 | 3u4 | thu 4th | tridecimal sub-tritone |
| 13/9 | 636.618 | 3o5 | tho 5th | tridecimal super-tritone |
| 20/13 | 745.786 | 3uy5 | thuyo 5th | tridecimal cocytic |
| 13/8 | 840.528 | 3o6 | tho 6th | tridecimal subneutral sixth |
| 22/13 | 910.790 | 3u1o6 | thulo 6th | tridecimal major sixth |
| 26/15 | 952.259 | 3og7 | thogu 7th | tridecimal semitwelfth |
| 24/13 | 1061.427 | 3u7 | thu 7th | tridecimal supraneutral seventh |
| 13/7 | 1071.702 | 3or7 | thoru 7th | tridecimal submajor seventh |
Music
- Justification (2022)
- Bicycle Wheels (2023)
- Venusian Cataclysms[dead link] play[dead link]
- Chord Progression on the Harmonic Overtone Series[dead link] play[dead link]
- P`rismatic fut`URE (2025)
- String Quartet No. 5 (1979) – Bandcamp | YouTube – performed by Kepler Quartet
- String Quartet No. 7 (1984)
- performed by Kepler Quartet
- Unlicensed Copy (2017) – mostly 7-limit with some erstwhile 13-based chromaticisms
- WIP cover of Sheik's Theme by Koji Kondo (2025; original was 1996) - tuning adapted from Ibn Sina
- Canon on a ground – in 2.11.13 subgroup
- Threnody for the Victims of Wolfgang Amadeus Mozart (archived 2010) – 13-limit JI in 6079edo tuning
- Rough Diamond (archived 2010) a.k.a. Diamond in the Rough[1] – symphonic con brio using the Partch 13-odd-limit tonality diamond as a scale.
- Dying Visions of a Lonesome Machine (2021)
- Avenoir (2022)
- I Was a Teenage Boltzmann Brain (2022)
- Atlas Apassionata (2022)
See also
- Gallery of just intervals
- Tridecimal neutral seventh chord
- Augmented chords in just intonation, some (they are 13-limit)